Kiss Her Goodbye

Read Kiss Her Goodbye Online

Authors: Mickey Spillane

BOOK: Kiss Her Goodbye
2.18Mb size Format: txt, pdf, ePub
Kiss Her Goodbye
A Mike Hammer Novel
Mickey Spillane and Max Allan Collins
Table of Contents

Title Page

Table of Contents

...

Copyright

Dedication

Coauthor's Note

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

About the Authors

AN OTTO PENZLER BOOK
HOUGHTON MIFFLIN HARCOURT
2011
BOSTON NEW YORK

Copyright © 2011 by Mickey Spillane Publishing LLC

ALL RIGHTS RESERVED

For information about permission to reproduce selections from this book,
write to Permissions, Houghton Mifflin Harcourt Publishing Company,
215 Park Avenue South, New York, New York 10003.

www.hmhbooks.com

Library of Congress Cataloging-in-Publication Data
Spillane, Mickey, 1918–2006.
Kiss her goodbye : a Mike Hammer novel / by Mickey Spillane and
Max Allan Collins.
p. cm.
ISBN
978-0-15-101460-6
1. Hammer, Mike (Fictitious character)—Fiction. 2. Private investigators—
New York (State)—New York—Fiction. 3. New York (N.Y.)—Fiction.
I. Collins, Max Allan. II. Title.
PS
3537.
P
652
K
57 2011
813'.54—dc22 2010025839

Book design by Brian Moore

Printed in the United States of America

DOC
10 9 8 7 6 5 4 3 2 1

For Stacy Keach
,
the Hammer of a generation

Coauthor's Note

In the week prior to Mickey Spillane's death, he told his wife, Jane, "When I'm gone, there's going to be a treasure hunt around here. Take everything you find and give it to Max—he'll know what to do." No greater honor could ever be paid me.

Half a dozen substantial Mike Hammer manuscripts were found in the "treasure hunt," frequently including plot notes, rough outlines, and even drafts of final chapters. These lost Hammer novels spanned Mickey's career, from the late 40s through the mid-'6os and up to
The Goliath Bone,
which he was working on at the time of his passing.

The unfinished manuscript for this novel, found on a desk in one of Mickey's three offices at his South Carolina home, included plot and character notes, as well as a shorter false start.

The theme of an older, ailing Mike Hammer returning to New York and finding it (and himself) changed was important to Mickey, and he revisited it in
Black Alley
(1996). But nowhere did he explore it with more passion than in the two partial manuscripts that I combined, shaped, and expanded into
Kiss Her Goodbye
—the "lost" '70s Mike Hammer, written as it was between
Survival ... Zero!
(1970) and
The Killing Man
(1989).

M. A. C.

Chapter 1

I
DIDN'T WANT
to come back to New York.

Nothing was there for me anymore. After a year, I almost had the city out of my system. No nostalgia, no sense of loss, no reluctance at having abandoned a place that had been so much a part of my life.

All I felt was annoyance at having to return to a town I had flushed away in one wild firefight—a firefight that nobody but me remembered.

Even before I'd left, so-called progress had squeezed out the great old neighborhood spots, leaving sad relics behind that had become sophisticated corrals for the idiotic "in" crowd. When they tore down the old Blue Ribbon Restaurant on West Forty-fourth Street, it was the beginning of the end. Why the hell ever go back?

Only a call from Pat Chambers could have changed my mind—the captain of Homicide who had hounded and helped me over a bloodstained career that had made the tabloids thrive and the Powers That Be apoplectic.

Pat's voice had been friendly, but not questioning, almost as if he understood why I chose to disappear, and that it was all right with him.

The Ocean View Motel had two floors of rooms and half a dozen cabins. I had one of the latter and was in the midst of an afternoon nap when the phone rang. It didn't surprise me he'd got the number somehow. Nobody had been informed of where I was because I wanted nobody to know, not even my best friend, which is what Pat was.

But a good New York cop can find anybody, if he wants to badly enough.

"Mike, Bill Doolan is dead. They're having services for him tomorrow night at eight at McCormick's Funeral Home."

It was as if a year hadn't passed at all.

"What happened?" I asked him.

"He shot himself."

"
Not
Doolan."

"
Yes
Doolan."

"...You sure?"

"I'm sure." He knew I wouldn't question him any further, so added, "He was dying of cancer. The big-pain part was coming up just ahead, and he decided to bypass it."

Outside palm trees riffled in the wind. Beyond, blue endless ocean rippled under a butterscotch sun. No palms in Manhattan. The ocean there was endless, too, only gray, and the sun was blotted out by skyscraper tombstones.

"There's an afternoon flight out of here tomorrow around three," I said with a sigh. "I should get in about supper time."

"Cutting it a little close."

"Don't want a minute more in that town than I have to."

"So when did you start to hate New York?"

"When the medic yanked me out of a nice warm womb," I said, "and slapped my tiny ass."

"And you been trying to find your way back into one ever since."

"No shit." I paused, trying to fit details of the city back in my mind. "The Pub still open?"

"Still open."

"Get a reservation."

"Nothing changes with you."

"Yeah?"

"Still telling me what to do."

"So do it," I said, and hung up, and for a minute just lay there. Finally, I said, "
Damn,
" and hauled my behind off the bed.

The soft-pac suitcase was still in a corner of the closet and it didn't take me more than five minutes to lay out what I needed. One thing good about late spring—it packed easily. The three medicine vials went into a side pocket with the worn address book and I zipped the bag shut.

When I looked at myself in the mirror, I could only shake my head. It had been twelve months since I had worn a tie, and my suit jacket was loose around my waist, but dropping eighteen pounds will do that. There was no flab at all now, which was good, but the minimal exercise I was allowed hadn't done much for muscle tissue.

I knelt to get the oiled and loaded .45 and its shoulder rig out of the box under the closet floorboard, but then stood up quickly, like I'd almost touched something hot. The old days were gone now and it could stay where it was.

The weather forecast said it was raining in New York, so I packed the trench coat and got my hat out of the plastic bag, the last of God knew how many Stetson porkpies I'd bought over the years—a nice new feel to the gray felt. I snapped the brim into place, rolling the edge until I had it just right—that was one thing I still had. Nobody could wear hats anymore, but I had that down.

Then I took the porkpie off and carried it in my hand. Down here among the sun and palms and sand, a felt hat was a little too much.

Bag in my left hand, hat in my right, I walked over to the main building and called Marty out of the pool, where he was clowning around with two well-tanned beauties, a blonde and brunette, who spent the weekends working as mates on a headboat out of Key West.

The big ex-Marine motel manager with the white crewcut and dark tan stood there dripping, looking at me in my city clothes as he held back a grin in that well-grooved, blue-eyed face.

"Where are you going?" He nodded toward the bikinis. "There's one for you. Betty or Veronica. Take your pick."

"Not in the mood."

He grunted a laugh. "Still carrying the torch for that secretary of yours?"

I gave a look that said cool it.

Then I said, "I'll be gone a few days."

"I had a feeling," he said. He seemed to be considering bringing up the subject of my secretary again, but apparently thought better of it.

Good call.

"Tomorrow the doc will be stopping by," I said. "Just tell him I feel fine, that I'll be taking it easy, and not to have a cow over it."

A frown flashed across Marty's face. "He's gonna be pissed off, pal ... and you know how he gets."

I nodded toward the pool. "Loan him your extra girl ... Look, man, I'm going to a funeral. It's an old, old friend, and something I have to do."

He nodded. No grin. Eyes slitted. "One question, Mike."

"Yeah?"

"You gonna
attend
a funeral or are you gonna
cause
one?"

I just looked at him.

"Damnit, Mike, I'm serious..."

I waved it off. "No action this time, Marty. Strictly a pallbearer."

"Yeah, but whose?" His shrug was one of resignation. "Okay, I guess I'll believe you. You been here a year and haven't killed anybody yet, and that must be a record." A sigh accompanied a second shrug. "Shit, I'll just keep your cabin locked up and hope you don't come back in a body bag. What about your car?"

"I'll leave it at the airport."

"Any idea when you'll be heading back?"

"Like I said—a few days. I'll call ahead of time. When Buzz comes in tonight, cancel that fishing trip."

"Sure thing." He let a long moment go by, then asked me with a frown, "Who knew where to get a hold of you down here?"

"I told you before, Marty—I left word with nobody. But the caller was a cop. He's a damn good friend and probably knew where I was all along."

"Really?"

"Really. Probably tracked me right from the beginning, which would've been hard but not impossible. I wasn't in good enough shape to lay a decent cover down."

His eyes widened. "But if your cop pal could find you, so could somebody
else
..."

I waved that off, too. "Forget it. Nobody's on my tail. I am very old news."

"Mike ..."

"I told you before, Marty—they went down, I went down. It's all evened out. Nobody wants to start that crap all over again. Like Capone said, 'It ain't good business.'"

"Do I need to take on extra security precautions down here?"

"No. I won't be hiding in New York. If somebody wants to settle a score, that's where they'll do it. Anybody who wants to find me? Can."

But Marty looked worried. His war was a long time ago, and he was used to a life of sun and fun and boats and bikinis.

"They might follow you back, Mike, before settling that score. In Manhattan, you'll have your cop buddies around you. They're all badges and guns, and who the hell wants to take on that combo?"

"Marty, you got one hell of an imagination. It's not like I registered here under my own name."

"Bullshit. Do me one favor—when you're finished burying your friend, and whoever else the fuck you bury—sneak back down here, really make it on the sly, okay? Bullets flying might discourage return visits by guests."

"Pal, I'm an old pro at that sort of stuff. Now get back in the pool and play with your pussycats."

He grinned and waved goodbye and jumped back in the pool. Those two dolls together didn't add up to his age, but he was a bigger kid than they ever were. Still, he'd got me thinking.

So I went back to the cabin, got the .45 and speed rig out of their hiding place, and stuffed the holstered gun in the soft-pac between my underwear and shirts.

When you went to Florida, you took your fishing rod. For Manhattan, a rod of a different kind was called for.

I picked up the Piedmont flight at Key West and watched as the Florida Keys passed by under the wing. This time of year, traffic was light. The winter tourists had packed their gear and made the yearly trek north to escape the clean heat and humidity of summer to broil in their own sweat and the clamminess of those big cities where the graffiti grew.

At Miami I got a direct flight to New York and watched the ocean with its little toy boats until the coastline came into view again with its cities that thickened the farther north we got. At one time I would have felt like I was coming back to something alive, something vital, and would have had a drink in anticipation of hitting the Big Apple.

But it wasn't like that at all. At dusk from fifteen thousand feet, it was all fireflies and Christmas tree bulbs, winking and blinking; wormy lines of a million car lights on endless paths to nowhere, just keeping that big octopus down there in motion.

We landed at LaGuardia and I took my damn time getting down to the baggage claim. I didn't want that hot spot behind my ribs to begin kicking up again. When I had my bag, I walked out to the taxi stand, my fellow passengers long gone, and after a thirty-second wait got into a taxi and told the guy to take me to the Pub on East Fifty-seventh Street.

Other books

The Door Into Fire by Diane Duane
The Refuge Song by Francesca Haig
Monkey Business by Anna Wilson
Mosaic by Jeri Taylor
While You're Awake by Stokes, Amber