Krewe of Hunters 2 Heart of Evil (4 page)

“We're about to move to Alexandria,” he pointed out.

“I don't know…I just have a feeling. I don't think we'll be going yet. You wait and see.”

“What makes you think that?” Jake asked. Whitney's prowess was with film, sound and video. But she also seemed to have amazing intuition. Of course, they had all been gathered into the group because of their intuition, their ability to solve problems where others could not, but where Angela Hawkins was quiet, finding what she found without much ado, and Jackson would always be the skeptic, Whitney went in wide-eyed, eager for whatever might not be considered
normal.

“Feelings and logic, that's kind of the Krewe of Hunters motto, right?” she asked.

He laughed, but something was knotting in the pit of his stomach. “I think it's supposed to be
logic—and then feelings,
” he told her. He gazed idly across the street. The mule-drawn carriages were starting to arrive in front of Jackson Square. An early-morning
tour group was forming on Decatur Street. One of the history tours, he thought.

“Well, of course, good old Jackson, he's still swearing solving cases is all logic, and we all know that he knows best,” Whitney said.

Jake wasn't really paying attention. He had seen the tour-group leader come out—he wasn't sure where she had come from. Of course, there were a number of restaurants and bars in the area, and some had been open forever. It was New Orleans. No one frowned if you discovered you were dying for that 8:00 a.m. drink.

The tour guide was a blonde woman dressed in Civil War attire. Her bonnet hid her face, but she was tall and statuesque, and he had a feeling that she was going to be an attractive woman before he saw her face. Assured, probably in her mid to late thirties, she moved among the chattering crowd as they waited.

She was coming toward the sidewalk, politely excusing herself as she did so, but people didn't seem to notice as she made her way through them, which said a lot for the good nature of the group, since she was wearing a respectable day dress with large hoops.

She paused when she reached the sidewalk.

Jake started. She was staring straight at him, and she smiled, but her smile seemed to be very sad. Her mouth moved. He squinted. He wasn't all that much at reading lips, but it was almost as if he could hear her.

“We're waiting, we need you. Hurry,”
he thought she said.

“Jake?”

“Huh?” He turned back to look at Whitney.

“Want to move on?” she asked.

“Yes, sure,” he agreed. He stood and left a tip on the table, having already paid the waiter.

When he glanced up again, the tour had moved on down toward the cathedral. He didn't see the woman, but they would be walking in the same direction.

“Whitney,” he asked as they did so, “did you understand what that woman was trying to say?”

“What woman?”

“She was the guide for that group that's ahead of us. She looked right over at us and said something,” Jake told her.

Whitney arched a delicately formed brow. “First, I didn't see the woman, but I wasn't looking. And second, if she'd spoken from across the street, unless she'd been yelling, how could I have heard anything she had to say?”

He shrugged. “Good point.”

They walked up St. Ann Street, took a pedestrian thruway as they passed by the square, then turned in right in front of the cathedral, where the tour group had now paused.

The woman wasn't with them. There was a man in a top hat and frock coat leading the tour.

Jake stopped short.

“Hey! Hey there, remember me?” Whitney said, nudging him.

“Just a second,” Jake said. He knew that the man would finish his spiel about St. Louis Cathedral, and then allow the group to take pictures.

This guide, however, apparently liked to hear himself speak. He added in several personal anecdotes regarding the cathedral, before allowing his group to disperse for pictures.

When the group finally thinned, Jake approached him. The fellow, in his mid-twenties, saw them coming.

“The tour offices are actually on Decatur, sir, if you're interested in any of our offerings. We do history tours, ghost tours, vampire tours, plantation tours—”

“Actually, we're locals and could do the tours,” Jake said, interrupting him with a pleasant tone. “I'm just curious—why did you all change tour guides at the last minute?”

The man frowned. “We didn't. I've been scheduled for over a week to do this tour.”

Jake frowned. “I saw a woman with your group. She was dressed in antebellum clothing, bonnet and all.”

“Oh, she was probably heading for Le Petit Theatre,” the tour guide said. “They're doing several performances of
Our American Cousin.
She's a bit early to be in costume for the matinee, but I imagine you saw one of the actresses.”

“Oh, well, thanks,” Jake said.

“Why?”

“Oh, I just thought she was trying to tell me something,” Jake said.

“If she was trying to tell you something, wouldn't she have just done so?” the man asked.

Jake was irritated by the tone; frankly, he hadn't liked the man since he'd heard him giving his own life's history along with the tour.

He felt Whitney's hand on his arm.

He forced a smile. “Thanks, thanks for the help,” he said.

Whitney pulled him along. “Jerk,” she said.

“Ass,” Jake agreed.

“I meant you,” Whitney teased. “No, sorry—he was a jerk. But come on now! We don't have any reason to go to the theater.”

“But we're going to pass it!” Jake protested.

“Let it go, Jake. You saw an actress, and you thought she had something to say. Without sounding just as jerky as that jerk, it's true—if she'd really wanted to talk to you, she would have come on over. I don't want to help you stalk a woman, Jake.”

“I don't want to stalk her. I want to know who she is,” Jake said.

But they did pass right by Le Petit Theatre. He couldn't help but stop to read the playbill and look at the pictures of the actors in the show.

“She's not here,” he said.

“Well, God knows, this is New Orleans. Maybe
she's just a kook who likes to dress up in Southern belle attire, though God knows why, the heat can be a bitch. Forget it, Jake.”

Jake agreed. He didn't know why it was bothering him so much that he'd seen the woman and hadn't been able to talk to her.

That wasn't true. He did know. There had been something vaguely familiar about her, although he couldn't quite put his finger on what it was.

“Jake? Are you okay?” Whitney asked.

“Fine.”

“No, you're not.”

“It's nothing, really. Hey, nothing that car bombs tonight after dinner with the group won't cure, right?” he said, setting an arm around her shoulders as he led her down the street.

Car bombs weren't going to fix anything. He was truly disturbed by the woman.

Why was she so familiar? Was she real, or was she in his imagination? Had he brought his dream world to the surface, and did he want her to be from Donegal?

It was absurd, even for a ghost hunter, to believe that someone from the past was calling out to him, trying to reach him.

Logic—and then feelings. That was Jackson Crow's motto. It was only logical that he think about Ashley now, and logical that even after all these years, he wanted her to need him.

Logic…

Somehow, it just wasn't working.
Feelings
were taking over. And thoughts of Ashley and Donegal Plantation.

A
shley surveyed the expanse of the property one last time; everything was going extremely well. Children were playing and laughing, the camp looked wonderful and there were activities going on everywhere.

She headed for the house. It was time for her to become Emma Donegal and get ready for the evening's battle.

But as she walked toward the house, she slowed, paused and looked over at the cemetery. The gate was locked.

Still, a creeping feeling of unease swept over her.

She shrugged it off; a dream was a dream. Good God, she'd dreamed once that she'd kissed Vance Thibault in high school one day, and she loathed him! She hurried on toward the house, trying to forget her unease.

Her grandfather, Frazier Donegal, was sitting on the back porch. She grinned; he looked spectacular, she thought. Frazier was eighty-three, but he showed
little sign of slowing down. Today he was dressed in a frock coat, pinstripe breeches and high riding boots—a pure gentleman of the age with his full head of snow-white, a Colonel Sanders mustache and goatee, and bright blue eyes. She worried about him constantly; his health was good, but he
was
eighty-three.

He was really in the mood today, though, she thought. He was sipping a mint julep. He didn't even like mint juleps.

“There you are!” he said. “I was starting to wonder.”

Ashley sat in one of the wicker rockers across from him. “Last-minute details in the stables,” she told him. “Charles Osgood didn't want to be a Yankee.”

Frazier rolled his eyes and shook his head. “It works, you know, for the property, it works. But why on earth everyone always wants to be on the losing side, I'll just never know. Did he finally accept his assignment?”

“He did—but Ramsay Clayton stepped in at the last minute to let him play Marshall Donegal,” Ashley said.

“Oh?”

“I don't think Ramsay cares. It's all play to him,” she said.

“Ramsay is a good fellow. You think he was trying to appear magnanimous in front of you?” Frazier asked.

Ashley shook her head. “There's never going to
be anything between Ramsay and me, Grampa, there just isn't.”

He lifted his hands. “I was just asking about his motives.”

Ramsay had asked Ashley out the previous year; she had always liked him. He was a good artist, and a handsome man, but she had never felt the least bit of chemistry with him. He had accepted her wish that they just maintain a good friendship. Ramsay had been on the rebound, having broken up with his longtime lover. She wondered if she was still on the rebound—even if she had been the one who had run from Jake.

“I honestly believe Ramsay just doesn't care,” Ashley said. “I think he'll have fun saying, ‘Oh, Lord! I had to be a Yankee.' No, Ramsay isn't trying to impress me. Griffin even asked me to be his friendly companion for a dinner he had—and I said no. They all understand that the friendships we have are too important.”

“Well, then, good for Ramsay. And you—you better get dressed,” Frazier told her.

“Yep, I'm on it.”

She rose and walked into the house from the riverside.

The original architects had taken advantage of the river and bayou breezes when they had built the house. It hadn't been changed much since the day it had been built. One long hallway stretched from the front of the house to the back, and before the advent
of air-conditioning, the double doors on each end had often been kept open. The house had one unique feature: double winding staircases to a second-floor landing that led to the six bedrooms, three on each side of the house on that floor. The stairway to the third floor, or attic, where there were still two rooms that could be guest rooms or let out to renters, was on the second floor, bayou side, of the house.

Beth Reardon was in Ashley's room, sitting at the foot of the bed and drawing laces through her corset.

Her skin was pure ebony; she was tall, regal and beautifully built. But she had chosen to get into the action. She was wearing a cotton skirt and cotton blouse and her hair was wrapped up in a bandana. She gazed over at Ashley. “Hey! Time is a-wasting, girl. Where have you been?”

“Settling an argument over who had to be a Yankee,” Ashley told her.

“Yankee. That's the North, right?” Beth asked. Beth was from New York, and before that, her family had lived in Jamaica. Her accent, however, was all American, and none of her ancestors had been in the United States during the Civil War.

Ashley frowned.

Beth laughed. “Just kidding! Come on, I took history classes.”

“Sorry!” Ashley said.

“You should be. Let's get you in this ridiculous contraption. So, people really churned butter in these
things? No, wait—your relatives sat around looking pretty while the slaves and servants churned the butter, right?”

“Actually, in our family, everyone worked. And I think that everyone had to sweat when churning butter. Most of the time, the plantation mistress had to work really hard.”

“Supervising?”

“And making soap and doing laundry and all the rest,” Ashley said. “Well, maybe if you were really, really, really rich you just sat around. We were rich, but not that rich, and if we're ever going to be rich again, it's up to you, since I can barely boil water.” Beth had come to work at Donegal as the chef less than a year ago, determined to make the restaurant one of the most important in the South.

“Anyone can boil water,” Beth assured her. “And you cook okay. You're not great, but, then, you are one hell of a storyteller. Step into the skirts already, I'm dying to see this show.”

Arranging the layers of clothing that constituted the formal dress of a Southern plantation mistress took some time. They both laughed over the absurdity of the apparel that had been required in Louisiana despite the heat and the humidity. Ashley told Beth, “It's worse for the guys. The authentic uniforms are wool—those poor little puppies just die out there.”

“Well, honey, I think I'm glad that I'm the unpaid help for this shindig, then,” Beth told her, grinning.
“Cotton like this—it's nothing. And I do love the bandana! Poor Emma.”

“Yes, it really was poor Emma,” Ashley told her. “Lots of the soldiers left journals about what happened at the battle. It was only
after
the war that the rumors about Emma having killed her husband got started. It's as if someone wanted to sully her name. Of course, nothing that we can find was written about her having been charged with the crime.”

“But it was a different time. Maybe she did the unthinkable. Maybe she took a lover. Maybe even, God forbid, he was a Yankee or a carpetbagger!”

“Maybe,” Ashley agreed. “From all the family lore, she loved her husband, she was devastated when he died, and she managed to hold on to the property and raise her children here, even though the South lost and carpetbaggers did sweep down on the South. Carpetbaggers were even more despised than Yanks,” she explained. “They were the people who weren't fighting for a cause—their cause was just to prey off the vanquished and get rich.”

A few minutes later, Ashley was ready, and they headed back to the porch that faced the river. A crowd had already gathered, since the schedule for the day was printed out on brochures that attendees could pick up at the entrance to the property. A high-school student, seeking extra credit in history, was usually given that job.

Ashley came out to stand next to her grandfather, looking out over the property as she could see it from
the back porch. Bright tape in blue and gray cordoned off the areas where the reenactors would move during the events, though they no longer went into the cemetery for the moment of Marshall Donegal's death and the tactical retreat of the two surviving Union soldiers.

She found herself staring at the cemetery off to her left again. An odd tremor washed over her, but she quickly forgot it and looked at Frazier.

“Nice crowd today,” he said quietly. Ashley squeezed his hand.

The small band—posing as the military band that had been part of Marshall Donegal's cavalry unit—launched into the haunting strains of “Dixie.”

Frazier Donegal began to speak midway through, giving an excellent history lesson. He didn't shy away from the slavery question, admitting that cotton was king in the South, and sugarcane, and both needed workers. The citizens of the South had not invented slavery; many had clung to it whether, in their hearts, they accepted the injustice or not. Few men like to admit they were wrong or cruel to their fellow human beings. And they had hardly been magnanimous when it meant they would also lose their livelihood. It wasn't an excuse, but it was history. Then as now, prejudice was not something with which a man was born—it was something that was taught. He spoke with passion, conviction and sincerity, and a thunderous round of applause greeted his words; he would have been a great politician, Ashley thought. Except
that he had never cared about politics; he had always cared about people.

The first roar of close fire sounded from the stables area, and people screamed and jumped. It was all sound and black powder. There was no live ammunition at the reenactment.

The Yankees, mounted on their horses, rode in hard from the east, dismounting at the stables to use the buildings as defensive positions as they began their attack.

Ashley went on to introduce herself as Emma Donegal. She told about the beginning of the war, and how her husband, Marshall Donegal, famed for his exploits in the Mexican-American War more than ten years earlier, had returned to the military, raising a cavalry unit for the Louisiana militia that would be ready to join the Confederate army at any time. But federal forces were always spying in Louisiana. It would be the Union naval leader, David Farragut, a seasoned sailor, who would assault New Orleans and take the city in 1862, but before that time, Union forces snuck down regularly to survey the situation and report back on the Confederate forces guarding the city. The battle at Donegal Plantation began when the federal spies who had participated in the bar brawl rode swiftly to the plantation in uniform, hoping to engage the Confederates before they could summon more men. At Donegal Plantation, however, four of the spies died at the hands of the small Confederate force to be found there, and the only Confederate
casualty was Marshall Donegal himself, who had succumbed to the onslaught of the federals, killing three before falling in a pool of his own blood. She explained that history longed to blame her—Emma Donegal—but she was innocent. Truly, she was innocent! The world hadn't changed that much; people loved to talk, and everyone wanted there to be more to the story. There simply wasn't. She and her husband had been married thirteen years; they had four children they were raising happily together. She was heartsick at her husband's death and survived her grief only because she had to keep food on the table for her children.

Of course, she knew the story like the back of her hand. She told it well and was greeted with wild applause when she pointed across the yard. “There! It all begins!”

And thus began the round of shots that made the expanse of land between the stables and the house rich and ripe with black powder. The federals had been traveling with a small, easily maneuvered six-pound howitzer, and in their attempts to seize the property, they sent their bronze cannon balls sailing for the house and ground. In fact, they had missed. At the time, their attempts to use the small cannon had done little but rip up great chunks of the earth. Today, it caused the air to become heavy with black powder.

“The Confederates had to stop the attack before the barn, stables and outbuildings could be set afire,”
Frazier Donegal announced from the porch, with a microphone, his voice rich and deep and rising well above the screams and shouting.

Though there was no live ammunition, the small fight clearly taught onlookers just how horrendous it must have been for men in major battles. As the Confederates and federals fought here with guerilla tactics, Ashley asked the crowd to imagine thousands of men marching forward side by side, some of them able to reload three times in a minute. The carnage was terrible. The Civil War was considered to be the last of the ancient wars—and the first of the modern wars.

The defenders split, most of the men rushing the stables from the front. But the Yankees had come around the other side, and in their maneuvering they escaped the body of men they had been determined to fight. One of the attackers was killed at the stables; the others made it around to the cemetery, attempting to use the old vaults as shields. But Marshall Donegal had come around the other side, and while his men were held up, he met up with the attackers at the cemetery.

The fighting originally ended
inside
the cemetery, but now they ended it just outside, the only difference from that day to this. First, the crowd wouldn't be able to see any of the action if it occurred there, and, with that many people tramping through, historic funerary art could be destroyed. And so, Charles Osgood, as Marshall, brought down several of the
enemy and perished, brutally stabbed to death by bayonets, in front of the gates. The two surviving federal men—Justin Binder and Ramsay—raced toward the stables, whistling for their mounts. They leapt atop their horses and tore for the river road.

Frazier announced, “And thus did the fighting at Donegal Plantation come to an end.”

They said the Pledge of Allegiance, and then the band played “Dixie” and then “The Battle Hymn of the Republic.” After the burst of applause that followed the last song, people began to surround the actors—who had remained in the battle positions where they had fallen—as they came to their feet, and they all seemed to disappear into the crowd as they were congratulated, questioned and requested for picture-taking opportunities. Then, at last, the crowd began to melt away, and the sutler began to close down his shop.