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Authors: Doris Lessing

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If Martha played her role one way, then tomorrow or the next day Millicent, throwing away her pride to ring Anton, or to run into him in the street, would be encountered with: ‘Hello Millicent, how are things, all right?’ ‘Fine, Anton, how are you?’ ‘See you sometime, Millicent.’ If Martha went on behaving as she was now, obedient to her peremptory and at least entirely honest body, Millicent could confidently expect a probably very romantic and satisfactorily painful affair.

Anton stood upright, his head bent as he examined his fingernails. Martha discovered she was feeling uncomfortable—it was because she was standing naked in front of him. She did not belong to him! She pulled off her brassiére, her back to him, delighting in a quick glimpse of her shoulder, at the fine curves with the perfect crease and dimple between them. Hastily she tugged on a nightdress. She went quickly into the bathroom to clean her teeth. She was crawling with shame because of the stupid scene they had just enacted. At the same time her flesh was exulting because next day she would see Joss—damn it, he was going to leave soon. But how lucky Joss was, she thought, sensing all of herself, her whole delightful sweet-smelling person.

She could not go back to the bedroom yet. Anton would still be waiting for her to come back. Perhaps he was sitting on the edge of the bed reading that bit of newsprint about the women burying their dead babies in newspaper in the snow? Oh God, if he was, then there’d be no help for it, she would have to put her arms around him, comfort him…she simply would
not
go back to the bedroom yet.

After a great deal of splashing and drying and brushing of
her hair—for the second time that day it got the old-fashioned fifty strokes on each side—she went back to find Anton in bed, his bed-light off, his back to her.

She turned off her light. The room, in the dark, was not dark. It seemed that through the thin curtains, even through the walls, fell the cool brilliance of starlight, which shifted, lightened, darkened, as the clouds drove overhead. For a few minutes the insects maintained their circles around the dark focus of the light, then there was an interval of small uncoordinated bangings, slidings, fallings-away. The moth and insect noises stopped altogether. Martha knelt up in bed to look past the edges of the curtain at the dark pillars of the veranda. A black sky. Black trees, in pools of black shade. Ghostly white lilies in dark shade. Fragments of white gravel. Leaves turning and tossing under starlight in a rippling silver movement.

Tomorrow she would see Joss. No, it was Thomas she was going to see. From the sinking of her exultation she knew she would prefer Joss
—safer
, he would be. What on earth did she mean by that?—safer! There was no doubt the thought of Thomas confronted her uncomfortably, peremptorily. All right then, not Thomas. But somebody, and it would be soon.

On the morning peace was celebrated (or, as Mrs Quest saw it in her mind’s eye), Victory Morning, she was up before six. In order, she told herself, to have plenty of time to get Mr Quest ready for the Victory Parade. But she had slept badly, waking confused, every muscle tensed and painful, and with an aching head. It was not until she had gone out into the exquisite morning to pick up the newspaper where it had been flung by the delivery boy on the veranda steps, that she remembered the dream which had woken her.

The sun on that May morning rose from wisps of rosy vapour and shone on Mrs Quest where she stood in her flowered cotton wrapper on her steps, in the middle of a garden shrill with bird song. She shivered, for while the great red ball was presumably pumping out heat on other parts of the world, here it was winter. The air, the sky, each leaf and flower, had a cool sharp clarity. The garden was steeped in cold. Frosty water gemmed the lawn. Dewdrops hung from the roses and from the jacaranda boughs until shaken free in bright showers by the birds who swooped from bird bath to branch, from shrub to lawn.

Mrs Quest noted with satisfaction that the newspaper confirmed her sense of what was right by stating it was
VICTORY DAY
in Europe, and the black print was six inches deep. She had dreamed, hadn’t she? Oh yes, and her head ached from it. It had been a terrible dream.

Her nights were always tense, peopled with regrets, fitfully menacing, unless she drugged herself. She had years ago justified the pills she took by the claim that she slept badly; her doses grew heavier, and still she slept badly—
worse, she was convinced, than Mr Quest, who was her patient.

Oh what a dream, what a dream! Mrs Quest turned her back on her garden, and went into the fusty living-room, where the little dog leaped on to her lap. Dear Kaiser, there there, Kaiser, she whispered to the animal’s pricked ears and wet muzzle. She let him out into the veranda, and walked around it into the kitchen. The servants were not in yet. Mrs Quest made herself tea, keeping her mind occupied with cups, water, sugar, planning: if I dress now, then I might get dirty again, if I have to do something for him—but surely not, I’ve got everything ready; yes, it would be more sensible to dress for the Parade now. The tea was ready, and the decision to dress taken. But Mrs Quest returned to the living-room, and switched on a coil of red electricity, and sat by it, shivering. Her old face was set with unhappiness. The little white dog bounded back—he knows how I feel, thought Mrs Quest, fondling the silky ears. She bent her face to the warmth of the dog’s fat back and remembered the dream.

Her mother, reaching down from a high place which Mrs Quest knew was heaven, handed her three red roses…the old lady was crying, thinking of her mother, who had died young. She had not known her. All through her childhood and youth her mother had been mysterious, not only with the brutal pathos of her death in childbirth, but because of a quality that for a long time the young girl had sensed as dangerous. There was something about her mother never explained, never put into words, but there always, like a sweet and reckless scent hidden in old dresses, old cupboards. Some things had been said. She was pretty, for instance. She was clever, too, and gay. She was brave—had ridden to the hounds on a great chestnut horse, jumping fences where no one would follow her. Had been strong—she went to balls and danced all night, and then teased her husband to walk home with her through the dawn while the carriage came behind. But she had died, after all, leaving not only three small children, not only the sting of resentment earned by those who die with all their qualities intact
but—what
was
the thing that no one put into words but which the young girl felt so strongly?

Grown up at last, she understood that her mother had been beautiful. Not pretty. The grudging little word made her look again at the tall, cold, disciplined house she had been brought up in. Long-concealed pictures came to light and the dead woman was revealed to be beautiful, and with the sort of beauty not easily admitted by that house whose chief virtue had been respectability, described as a ‘sense of proportion’, as ‘healthy’.

Did that mean her mother had been ‘morbid’, ‘selfish’, ‘wrong-headed’? The girl decided this must have been the case, even while she remembered that as a small girl she had started up in bed from a nightmare screaming: ‘They wanted her to die,’ and to the servant who came scolding in with a candle shielded behind a hand that smelled of hot dripping from the kitchen: ‘You all wanted her to die.’

She knew, when she put her hair up, deciding that she would
not
be a Victorian young lady, but must fight her stern father so that she could be a nurse (which no real lady was, in spite of Florence Nightingale) that her childhood had lacked something which she craved. Beauty, she told herself it was, clinging to that word, refusing ‘morbid’ and ‘selfish’ and ‘right-minded’.

But her life had gone—nursing. She had got her way, had fought her father who would not speak to her for months, had won her battles. She had nursed—as a young woman, then through the war, and then her husband. She had nursed all her life. But never had she known ‘beauty’. It seemed that her mother had taken this quality with her when she had died, selfishly—it was all her own fault, they said, because she had insisted on dancing all night when she was five months pregnant.

And now Mrs Quest’s mother had handed Mrs Quest three crimson roses to which the old lady’s memory added the crystal drops of a winter’s morning. The beautiful young woman had leaned down, smiling, from heaven, and handed the daughter she had scarcely known three red roses, fresh with bright water. Mrs Quest, weeping with joy,
her heart opening to her beautiful mother, had looked down and seen that in her hand the roses had turned into—a medicine bottle.

Yes, the dream had the quality of sheer brutality. Nothing was concealed, nothing glossed over for kindness’ sake. Mrs Quest, an old lady, for the first time in her life gave a name to that thing her mother had possessed, which no one had spoken of, and which she herself had described as ‘beauty’. The beautiful woman had been unkind. Yes, that was it. She had been pretty and reckless—and unkind. She had had charm and a white skin and long black hair, but she was unkind. She would dance in memory always like a light burning or like the sunlight on the glossy skin of her wild chestnut horse. But she was unkind.

Mrs Quest put her withered face close to her little dog who still shivered from the garden’s frost, and wept. She wept at the cruelty of the dream. Medicine bottles, yes; that was her life, given her by a cruel and mocking mother.

Three days ago, on to the polished cement of the veranda had slid an official letter, bidding Mr Quest to the Victory Celebrations for the Second World War (in Europe) as a representative of the soldiers of the First World War. Mr Quest had been in a drugged sleep when the letter came. Mrs Quest, long before he had woken up, had worked out a long and careful plan that would make it possible for her husband to attend. She yearned to be there, on that morning of flags and bands, her invalid husband—the work of so many years of devotion—beside her, his illnesses officially recognized as the result of the First World War. But she had been afraid he would refuse. In the past, he had always laughed, with a bitter contempt that had hurt her terribly. Or, if he had gone, it had been (or so it seemed) only for the sake of the angry nihilism he could use on the occasion after it was over.

In 1922 (was it?) she had stood by the Cenotaph in Whitehall with the handsome man who was her husband, and her soul had melted with the drums and the fifes and the flags of Remembrance Day. Afterwards Mr Quest had indulged in days of vituperation about the generals and the
Government and the type of mind that organized Remembrance Days and handed out white feathers—he had been handed a white feather on the day he had put off his uniform after the final interview with the doctors who said he would never be himself again. ‘We are afraid you will never really be yourself again, Captain.’ He mocked everything that fed the tender soul of Mrs Quest, who had always needed the comfort of anniversaries, ceremonies, ritual, the proper payment of respect where it was due.

But—and here comes something odd that Mrs Quest was quite aware of herself. There was something in her that liked her husband’s mockery, that needed it. Something older, more savage, more knowledgeable in the tidily hatted matron who let her eyes fill with tears at The Last Post waited for and needed the old soldier’s ribaldry. Three days ago, when she had taken the official letter to him, she had expected him to laugh.

But he had lowered faded eyes to the government letter, and remained silent, his lips folding and refolding as if he was tasting something from the past. Then he looked up at his wife with a face adjusted to an appropriate humility (a look which appalled Mrs Quest, so unlike him was it) and said in a voice false with proper feeling: ‘Well, perhaps if I wrap up, how about it?’

Mrs Quest had been shaken to her depths. Perhaps for the first time she really
felt
what the nurse in her had always known, that her husband really was not ‘himself’. Not even intermittently, these days, was he himself, and for hours they had discussed in every painful detail how it could be possible for him to attend the ceremony, while his face preserved the terrifyingly unreal expression of a man who has given his all for his country and now submits in modesty to his country’s thanks.

There were two main questions involved. One was, sleep or the absence of it. The other: Mr Quest’s bowels. But the problem was the same, in effect: it was impossible to predict anything. The point was, Mr Quest’s body had been so wrenched and twisted by every variety of drug, that drugs themselves had become like symptoms, to be discussed and
watched. It was not a question of Mr Quest’s having taken so many grains of—whatever it was, which would have a certain effect. A sleeping draught, an aperient, might ‘work’ or it might not, and if it did work, then it was unpredictably and extraordinarily, and information must be saved for the doctor, who would be interested scientifically in what surely must be unprecedented, from the medical point of view?

The Parade was at eleven, and would be over by twelve. During this hour Mr Quest would be in a wheel-chair with his medals pinned to his dressing-gown—permission had been obtained for him to appear thus. But he must not fall asleep. And he must not…

They had discussed the exact strength of the dose appropriate to make Mr Quest sleep all night yet wake alert enough to face the ceremony. It had been decided that seven-tenths of his usual dose would be right, if the doctor would agree to give a stimulant at ten o’clock. As for the bowels—well, that was more difficult. An enema at about nine-thirty would probably do the trick.

So it all had been planned and decided. And Mrs Quest, last night, kissing her husband’s cheek as he sank off to sleep already in the power of the drug that would keep him unconscious till nine next morning, had looked young for a moment, fresh—tomorrow she would be at the Parade, and she would be taken by Mrs Maynard, who had been so kind as to offer them a lift.

For this, the Maynards’ offer, Mr Quest had been duly grateful, and had not made one critical comment. Yet he did not like Mrs Maynard, he said she put the fear of God into him, with her committees and her intrigues.

Mrs Quest had noted, but not digested, her husband’s compliance. She had told Mrs Maynard that they would be ready at ten-thirty. Mrs Maynard had been ‘infinitely kind’ about drugs and arrangements.

To get Mr Quest to the Victory in Europe Parade had taken the formidable energies of one matron, and the readiness to be infinitely kind of another. But of course he wasn’t there yet. He was still asleep.

Seven in the morning. Mrs Quest, having decided that she might as well get into her best clothes—did nothing of the kind. She dressed rapidly in an old brown skirt and pink jersey. The bedroom she still shared with her husband was dim, and smelt of medicines, and he lay quite still, absolutely silent, while she banged drawers and rummaged in the wardrobe and brushed her hair and clattered objects on the dressing table. Partly, she was deaf, and did not know what noise she made. Partly, it was because it did not matter, ‘he would sleep through a hurricane when he had enough drugs inside him’. Partly, this noise, this roughness of movement, was a protest against the perpetually narrowing cage she lived in.

When she was inside her thick jersey, and she felt warm and more cheerful, she went into the kitchen for the second time and told the cook to make some more tea. Letters lay on the kitchen table. Mrs Quest trembled with excitement and took up the letter from her son in England and went back to the veranda. The sun was above the trees now, and sharp, cool shadows lay across the lawns.

Mrs Quest read the letter smiling. Before the end she had to rise to pin back a trail of creeper that waved too freely, unconfined, off a veranda pillar. She had to express her pleasure, her joy, in movement of some kind.

Jonathan, the young man convalescing in a village in Essex, had written a pleasantly filial letter, saying nothing of his deep feelings. He had been very ill with his smashed arm, had been frightened he would lose it. He did not want to worry his mother by telling her this, and so he chatted about the village, which was charming, he said; and the doctors and nurses in the hospital, who were so kind; and the village people—‘really good types’. He allowed his own emotions to appear for half a sentence, but in reverse, as it were ‘Perhaps I might settle here, I could do worse!’ What this meant was that he had a flirtation with the doctor’s daughter in the village, and for an occasional sentimental half-hour thought of marrying her and living for ever in this quiet ancient place that in fact spoke to nothing real in him.
For he longed for Africa, and for a farm where he would have space ‘to be myself’—as he felt it.

But before Mrs Quest had read the letter twice, old daydreams had been revived. She had worked it all out: they—Mr Quest and herself—would go to England and take a little cottage in the village where Jonathan would settle with his wife—for of course he had a girl, perhaps even a fiancee, the letter could mean no less!—and she and Mr Quest would be done for ever with this country where the family had known nothing but disappointment and illness. Besides, the English climate would be better for Mr Quest, it might even cure him.

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