"Why? You'll do well. You always do well," she muttered.
"It's expected of me," I said, coming closer to describing my meeting with Mrs. Ironwood. Of course, Gisselle didn't understand.
"Well, I don't expect it! See, you
do
nag! I need a break. I need to be with different people too."
"All right, Gisselle. Calm down. You'll have all the girls in here."
"Are you going to go ask Abby?"
"Yes," I said. Maybe I shouldn't have given in so easily, but the prospect of escaping from her looked too good. I left and discussed the proposal with Abby, who was very happy about the idea.
That night we made the moves. Vicki, rather than being insulted, was obviously pleased to have a room all to herself. She even helped Samantha carry out her things. Of course, we had to inform Mrs. Penny, who looked very troubled about it at first, but she quickly changed her attitude when she saw how happy Gisselle was.
"As long as you girls all get along, I suppose your private arrangements don't matter," she concluded. "But don't forget, Gisselle: You, your sister, and Abby are going to Mrs. Clairborne's for tea tomorrow. We'll leave the dorm at one-fifty sharp. Mrs. Clairborne likes everyone to be right on time."
"I can't wait," Gisselle said. She flicked her eyelids and turned her shoulder. "I've already picked out my formal afternoon dress and matching shoes. Is light blue an acceptable color?"
"Oh, I'm sure it is," Mrs. Penny said. "Isn't this wonderful? How I wish I were a young girl again, just starting out, just experiencing everything. I suppose that's why I love my work. It gives me an opportunity to be a young woman over and over through you delightful girls."
The moment she was out of earshot, Gisselle slapped her hands together and began to imitate her, performing for her clique.
"How I wish I were a virgin again," she cried, "so I could experience lovemaking over and over."
Gisselle's fan club, as I had soon begun to label them, laughed and encouraged her. Then she drew them all into what had been our room to spin another tale of promiscuity to her faithful audience. I was glad to shut the door and retreat to the quiet of Abby's room, which had now become mine too.
That night we lay awake for hours, telling each other stories about our childhoods. She loved to hear about Grandmere Catherine and her work as a
traiteur.
I explained what a healer was to the Cajuns and the magic Grandmere could work to cure people of their minor ailments and their fears.
"You were very lucky to have a grandmother," Abby said. "I never knew any of my grandparents. Because of all the moving around we've done, I haven't had much contact with any of my family. Gisselle doesn't know how lucky she is," she added after a moment. "I wish I had a sister."
"You do now," I told her.
She was quiet for
a
long moment, swallowing her tears back, just like I was swallowing mine.
"Goodnight I, Ruby. I'm glad we're roommates now."
"Goodnight. Me too."
I was happy, very happy. I was just worried that Daddy would be upset and that everyone would blame me for being too selfish. But I half-expected Samantha would be overwhelmed by Gisselle soon anyway and would beg to go back to her old room. I might as well enjoy this as long as I could, I thought, and fell asleep contented for the first night since we'd arrived.
5
Sad Songs
.
Daddy called the next morning, and I
immediately told him about Gisselle and I changing roommates. Gisselle was peeved that he had asked to speak with me first, so she sat in her wheelchair and sulked in the hallway, threatening not to speak with him at all while I spoke to him.
"Is that working out?" he asked, his voice full of surprise. "Someone else sharing the room with Gisselle, I mean?"
"Her new roommate's Samantha. You remember which one she was?" He said he did. "She has grown very fond of Gisselle very quickly," I explained.
"I can talk for myself," Gisselle fumed. "Give me the phone." She wheeled up to me, and I handed her the receiver.
"Daddy," she spit into the phone. "I hate it here, but at least I have a roommate that doesn't nag me to death," she said, eyeing me. "Yes," she said, suddenly turning syrupy sweet. "I have gotten off to a good start in my schoolwork. I got an A+ on my math homework and an A on my English just yesterday. And that was without Ruby's help too," she added. "But none of this means I like being here. You can tell that to Daphne," she added and thrust the phone back into my hands.
"Should I come up there?" he asked. He sounded so tired, his voice so small and thin.
"No. We'll be all right. Besides, we have the tea at Mrs. Clairborne's house today."
"Oh. Well, that sounds nice. I don't mean to put a great deal of burden on you, Ruby," he said, "but . ."
"It's all right, Daddy. Gisselle is going to like it here after a while," I said, glaring at her. "I'm sure."
"Is there anything you girls need?"
"No. We're fine, Daddy. Are you all right?"
"I have a little chest cold. Nothing serious. I might be away for a week or so, but try to call you from wherever I am," he promised. "And if you should need me . . call the office," he added quickly. I knew that meant don't bother calling Daphne.
"Is everything all right at home, Daddy?"
"It's okay," he said.
"How are Nina, Edgar, and Wendy?"
He hesitated a moment. "We've replaced Wendy," he told me.
"Replaced her? But why?"
"Daphne wasn't happy with her work. I saw to it that she had a good recommendation and a few good leads. We have an older woman now. Daphne picked her out herself at the agency. Her name's Martha Woods."
"I feel so bad for Wendy."
"She'll be all right," he said quickly. "Enjoy your weekend. I love you," he said.
"And we love you, Daddy," I told him.
Gisselle smirked. "What about Wendy?" she asked. "Daphne had her replaced."
"Good. She was too uppity anyway," Gisselle said.
"That's a lie. She put up with a lot from you, Gisselle. I'm sure the new maid won't."
"Yes she will, or she'll go too," Gisselle promised with a smile. Then she took off, wheeling herself back to her room in a fury. I was sure she would do something to embarrass us at Mrs. Clairborne's tea, maybe by wearing something inappropriate just for spite, but she surprised me by dressing herself in a pretty light blue dress with matching shoes. She had Samantha brush out her hair and pin it back at the sides. Mrs. Penny had told us that Mrs. Clairborne did not like to see her girls wearing makeup, but a slight tinge of lipstick was permissible. I thought Gisselle would be defiant and do her eyelids and her cheeks, but she surprised me again by being conservative with her makeup.
Samantha wheeled her out to the main lobby to join Abby and me at a little before one-fifty.
"Chubs asked me to steal a few pralines for her," she told us. "When either of you get a chance, shove some in my purse."
"Kate doesn't need the added calories," I said.
"If she doesn't care, why should you?"
"Good friends try to help each other, not feed each other's weaknesses," I replied.
"Who's saying I'm good friends?" She laughed wickedly. Abby and I looked at each other and shook our heads. A moment later Mrs. Penny appeared dressed in a floral cotton dress with a wide pink sash tied around her waist. She wore a corsage over her right breast and had a sun hat and a matching straw pocketbook with an embroidered rose on each side.
"Well, I declare," Gisselle said. "Scarlet O'Hara." Samantha laughed and ran off to tell the others what Gisselle had said, I was sure.
Mrs. Penny blushed. "You all look so pretty," she said. "Mrs. Clairborne will be very pleased. Right this way, girls. Buck has the station wagon out front," she said.
"Buck?" Abby said, turning to me. We started to laugh. "Who's Buck?" Gisselle demanded.
"He's the young man in charge of most everything around here," Mrs. Penny said, but Gisselle eyed Abby and me suspiciously as I pushed her out and down the ramp to the wagon.
Close up in the daylight, Buck looked even younger than he had looked at the boathouse or riding on the lawn tractor. He had hair almost as black as Abby's, but his eyes were dark brown. He had a dark complexion, being a Native American. Even in his plaid shirt, we could see how strong he was. He looked taller too, and leaner, with a narrow waist and hips and long legs. The moment he set eyes on us he smiled softly, which was something Gisselle caught.
"Hello, Mr. Mud," Abby quipped. He laughed and then registered a look of surprise and great interest when he saw that Gisselle was my twin.
"Don't tell me there are two like you," he kidded. I just smiled.
"How do you know him?" Gisselle demanded. Neither Abby nor I replied.
"Here, let me help you," he offered Gisselle. "He put his left arm around her waist and his right under her legs and lifted her so gently out of the seat, it was as if she weighed no more than ten pounds. She smiled, her face so close to his that her lips could graze his cheek. He placed her comfortably into the wagon and then folded the wheelchair with such expertise, I felt certain he had done this before.
We all got into the car, Mrs. Penny up front.
"Who's wearing all that jasmine?" Gisselle demanded as soon as we were all settled in the station wagon.
"Oh, I am, dear," Mrs. Penny said. "It's Mrs. Clairborne's favorite scent."
"Well it's not mine," Gisselle remarked. "Besides, you should wear what you like, not what some rich old lady likes."
"Gisselle!" I said, widening my eyes. Had she no discretion?
"Well, you should!"
"I like it very much myself," Mrs. Penny said. "Please don't worry. Now, let me tell you about the Clairborne mansion as we drive up. Mrs. Clairborne likes it when the girls know its history. Actually, she expects it," she said in a lower voice.
"Will we be tested later?" Gisselle quipped.
"Tested? Oh no, dear," Mrs. Penny said with a laugh, and then she stopped and thought a moment. "Just be respectful and remember, it's her generosity that keeps Greenwood going."
"And provides a job for her niece," Gisselle muttered. Even I had to smile at that one, but Mrs. Penny, as usual, ignored anything unpleasant and began her lecture.
"The mansion was a very important sugar plantation as recently as ten years ago."
"That's 'recent'?" Gisselle asked.
Mrs. Penny smiled as if Gisselle had said something very silly, something that needed no response.
"The original four-room dwelling was built in the 1790s and is now connected to the main house by an arched carriageway, which serves as a main entrance during inclement weather. At the height of its success as a sugar plantation," she continued, "the estate had four sugar houses, each with a separate planting unit and its own set of slaves."
"My father says the Civil War didn't end slavery, it just raised the cost of labor from nothing to the minimum wage," Gisselle quipped.
I saw a smile break out on Buck's lips.
"Oh dear, dear," Mrs. Penny said. "Please don't say anything like that to Mrs. Clairborne. And whatever you do, don't mention the Civil War."
"I'll see," Gisselle replied, enjoying her hold over our worried housemother.
"Anyway," she continued, catching her breath, "many of the furnishings, such as the armoires, predate the Civil War. The gardens, as you will soon see, are modeled after the French style of the seventeenth century, with marble statues imported from Italy."
A few minutes later we arrived at the entrance to the Clairborne estate, and Mrs. Penny continued in her role as tour guide.
"Look at the magnolias and the old oaks," she pointed out. "Over there, behind that barn, are the family burial grounds. See the iron-grillwork fence shaded by the old oaks.
"All of the bookcases inside were hand-made in France. You'll see that most of the windows have brocaded draperies covering rose-point lace curtains and hand-painted linen shades. We will be having tea in one of the pretty sitting rooms. Perhaps you'll have a chance to see the ballroom."
"Is it ever used?" Gisselle asked.
"Not anymore, dear, no."
"What a waste," she said, but even she was impressed with the size of the mansion.
The enormous two-story structure had grand Doric columns with an upper-level galerie that wrapped around the house. Atop the second story was a glass-windowed belvedere. The west side of the house looked darker, probably because of the huge willow trees whose branches hung as though weighted, casting long, deep shadows over the plastered brick walls and dormer windows.
As soon as we drove up the front door opened, and a tall, lean black man with snow-white hair appeared in the entrance. He was bent forward so that his head projected unbecomingly, making him seem to be climbing hills even while standing-.in a doorway.
"That's Otis, the Clairborne butler," Mrs. Penny said quickly. "He's been with the Clairbornes for over fifty years."
"Looks like he's been here more like a hundred years," Gisselle quipped.
We got out, and Buck moved around quickly to take out Gisselle's chair. She waited in happy anticipation as he came around to lift her out of the car and place her gently into the chair. Fortunately there were only a few steps up to the portico, something Buck was able to navigate easily. After he had delivered Gisselle in her chair to the front door, he returned to our car.
"Why can't Buck come inside too?" Gisselle asked.
"Oh no, dear," Mrs. Penny said, shaking her head and smiling as if Gisselle had suggested the funniest thing. "This tea is only for new girls today. Mrs. Clairborne sees you in small groups all month."
"Mr. Mud," Gisselle muttered at me. "You'd better tell me how you know him."
I pretended not to hear her as I pushed her chair through the entryway. Otis nodded and greeted Mrs. Penny. Once inside, Mrs. Penny reduced her voice to a whisper as if we had walked into a church or famous museum.
"All of the rooms are furnished with French antiques, and as you will see, all have deep purple divans with scrolled walnut frames."
The marble floors were waxed like glass. In fact, everything from the antique tables and chairs to the statues and walls shone. If there was any dust in here it was hidden under the rugs, I thought, but I noticed that whoever was responsible for the winding of the hickory grandfather clock just inside the entrance hadn't done so, and it was stopped at five after two.
The spacious and airy rooms on the first floor all opened to the central hallway. Mrs. Penny explained that the kitchen was in the rear of the house. About halfway in was the gracefully curved stairway, with its polished mahogany balustrade and marble steps. Above us in the hallway, grand chandeliers were lit and sparkled like drops of ice. In fact, despite its tapestries, its paintings, its great drapes and velvet furniture, there was something cold about the mansion. Even though the Clairbornes had lived here for a long time it lacked the warmth and personality that a family usually imparted to a home. Why, it felt like a cold museum. The pieces looked like things amassed, collected for their value only, and the immaculate condition and appearance of everything around us gave me the impression that these were unused things, things only for show, a home on display, but not a home in which people really loved and lived.
We were brought to a sitting room on the right, where we found a velvet sofa and a matching settee arranged to face a high-backed deep blue velvet chair embroidered with gold, its dark walnut arms and legs scrolled with hand-carved designs. It looked like a throne set atop a large Persian rug. The remainder of the floor was uncovered blond hardwood.
Between the chair and the settees and sofas was a long matching walnut table.
After Abby and I took our places on the settee and Gisselle was wheeled in beside us, I had a chance to gaze around at the scenic wallpaper and the framed oil paintings of various scenes on the sugar plantation. On the mantel was another stopped clock with its hands pointing to five after two. Above that was a portrait painting of a distinguished-looking man who had been captured slightly turned and peering down, giving the impression he was someone royal.
Suddenly we heard the definite tap, tap, tapping of a cane on the marble hallway floor. Mrs. Penny, who had been standing near the doorway,
remembered something and hurried back to us.
"I forgot to tell you, girls. When Mrs. Clairborne enters, please stand," she said.
"And how am I supposed to do that?" Gisselle snapped.
"Oh, you're excused, of course, dear," she said. Before Gisselle could say anything else, all eyes turned toward the doorway for Mrs. Clairborne's entrance, and then Abby and I rose.
She paused in the doorway, as if waiting to have her picture taken, and gazed over us, moving slowly from Abby to me and then to Gisselle. Mrs. Clairborne looked taller and stouter than she did in any of the portraits around the school. Also, none of the portraits depicted her with the bluing in her gray hair that now looked thinner and shorter, barely reaching the middle of her ears in length. She wore a dark blue silk dress with a wide collar, buttoned to the base of her throat. Hanging on a silver chain was a pocket watch encased in silver, the small hands frozen at five after two.
I wondered if either Abby or Gisselle had noticed the odd thing about the clocks.
I lifted my gaze to the large teardrop diamond earrings that dripped from her lobes. Her dress had sleeves with frilly lace cuffs that reached the base of her palms. Over her left wrist she wore a diamond and gold bracelet. The long, bony fingers of both her hands were filled with precious-jewel rings, some set in platinum, some in gold and others in silver.
Even in her pictures, Mrs. Clairborne had a narrow face that seemed out of place on her portly body; only in person, it seemed even more so. Because of the way her long, thin nose protruded, her dark eyes seemed to be set even more deeply than they were. She had a wide, thin mouth, so thin that when her lips were pressed together, it looked like a pencil line drawn from inside one cheek to the inside of the other. Her complexion, unaided by any cosmetic touch whatsoever, was pasty white, spotted with brown aging marks on her forehead and cheeks.
I quickly decided that the artists who had done her portraits had used their imaginations almost as much as they had used her as a model.
She stepped forward and leaned on her cane.
"Welcome, girls," she said. "Please, be seated."
Abby and I quickly did so, and Mrs. Clairborne walked directly to her chair, tapping her cane after each step as if to confirm it. She nodded at Mrs. Penny, who sat on the other settee, and then Mrs. Clairborne sat down and hooked her cane over the right arm of the chair before gazing at Gisselle for a moment and then looking at Abby and me.
"I like to have a personal relationship with each of my Greenwood girls," she began. "Our school is special in that we do not, as most public schools are prone to do, treat the students as if they were numbers, statistics. And so, I would like each of you," she said, "to introduce yourself to me and tell me a little about yourself. And then I will tell you why I decided a long time ago to ensure that Greenwood continue, and what I hope will be accomplished there now and in the years to follow." She had a firm, hard voice, as deep as a man's at times. "Afterward," she continued, "tea will be served."