Laugh with the Moon

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Authors: Shana Burg

BOOK: Laugh with the Moon
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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Text copyright © 2012 by Shana Burg
Jacket art copyright © 2012 by Harvey Chan

All rights reserved. Published in the United States by Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc., New York.

Delacorte Press is a registered trademark and the colophon is a trademark of Random House, Inc.

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Library of Congress Cataloging-in-Publication Data
Burg, Shana.
Laugh with the moon / Shana Burg. — 1st ed.
p. cm.
Summary: Massachusetts thirteen-year-old Clare, grieving after her mother’s recent death, reluctantly travels with her father to spend nine weeks in a remote village in Malawi, where new friends and experiences help open her mind and heart.
eISBN: 978-0-375-98568-3
[1. Interpersonal relations—Fiction. 2. Self-actualization (Psychology—Fiction. 3. Fathers and daughters—Fiction. 4. Death—Fiction. 5. Grief—Fiction. 6. Americans—Malawi—Fiction.
7. Malawi—Fiction.] I. Title.
PZ7.B916259Lau 2012
[Fic]—dc23
2011023879

Random House Children’s Books supports the First Amendment and celebrates the right to read.

v3.1

For my friends in Malawi
And in memory of Felicity, Norman, and Stella

Contents

I
press my nose against the airplane window and breathe faster, faster, more, more, more. I try to erase what’s outside. In my mind, I beg for someone to help me.
Help me!
I want to yell. But you know, who would? Who could? Only Dad, of course, and flying here was his idea in the first place.

Branches slam against each other in the wind and rain. The jungle is so crowded. How can anything possibly grow in it? My eyes trace a thick vine twisting around and around an enormous tree trunk, desperately trying to choke the life out of it. Who will win: the vine or the tree? I don’t like that vine. I don’t like it one bit.

I breathe even faster, and by the time the plane jolts to a stop, I’ve covered the window with mist. Now I can’t see outside, can’t see where I’m going to be stuck for the next nine weeks. All I can do is watch my father pack up the
medical report he’s been poring over ever since we switched planes a few hours ago. “Come on, honey,” he says, as if he hasn’t just torn me away from home, as if he hasn’t made me leave all my friends and memories behind.

He tucks the medical report neatly inside his army-green traveler’s backpack. I unbuckle my seat belt and stand. My heart thumps, quick and light, quick and light, never touching down for a full beat. While Dad checks the messages on his cell phone, there’s a creak. Then a loud, long roar. I crouch and wipe off the window to look for the airplane racing down the runway, about to escape. But I don’t see another plane, only forest-green, olive-green, green-gold. And rain, rain, rain.

A blast of heat fills the cabin. The month of January really is summer in this place. Under my sweater and jeans, tiny beads of sweat bubble up all over my skin. I take off my cotton scarf and stuff it into my backpack while that strange roar grows louder.

A dark-skinned woman stands in the row of seats in front of me, her head wrapped in a bright red cloth. A tall, thin girl stands beside her, a younger version of the woman. The girl talks to her mother in a language that sounds like fireworks, full of bursts and pops. She holds her hand over her mouth, giggling. I try not to look at her. She probably has so many minutes with her mother she can’t even count them.

I grab the gold heart pendant hanging around my neck, feel the dent that I chewed right into the middle of it. Mom made it for me a few years ago when she took a jewelry design class at the center for adult education. Dad
slips his phone into his pocket and gives me a squeeze around my shoulders. I pull away.

“How long are you going to keep up the silent treatment?” he asks.

I check my watch and adjust for the eight-hour time difference between Boston and here. I haven’t spoken for the entire trip, not even during the layover in South Africa. That would put me at a grand total of twenty-six hours and thirty-two minutes, never mind that I was sleeping for at least eighteen of them. It’s so impressive—maybe even a world record—that I actually consider sharing the news.

But I don’t, because that would break my promise, and in my book, promises are not meant to be broken. Not promises fathers make to daughters, like “I’ll take care of you” and “I always have your best interest at heart.” And not promises daughters make to fathers, like “I will never speak to you until you take me back where I belong.”

I follow Dad down the cramped aisle. The rumble grows louder and my breath snakes up my throat. Soon I’m at the mouth of the plane. I realize it’s the crazy storm outside that’s making such a racket. Cold raindrops prick me like needles. There isn’t even a tunnel connecting the airplane to the airport.

A flight attendant stands by the cockpit. “Welcome to Malawi,” she says, and smiles. I know I should smile back. It’s the right thing to do. But I can’t. I doubt I’ll ever smile again.

A bolt of lightning strikes the treetops. I’m thinking it’s pretty dumb to stand on a metal staircase in an African storm. We could be killed.

But my father? He’s another story! He inhales the slate-gray sky like it’s full of jasmine, like the smell of this place is a total thrill. Then he clomps down the metal staircase to the runway. I mean, I’m sure he’s clomping, but I can’t hear his footsteps; I can’t even see him very well, because the storm is that vicious, that wild.

When he reaches the runway, he turns to make sure I’m following. But I’m not. I’m not going.

“Have a lovely day,” the flight attendant says. “Thank you for flying Air Malawi.”

Rain screams down from the sky. Lightning too. Here I am, five years old again, standing on the edge of the high diving board. I suck in my breath and squeeze my eyes shut.
One, two, three!
Then I do it. I run down the steps and wait to be taken to my death—too young and too suddenly—just like my mom.

N
ot only am I alive when I reach the door to the terminal, but I’m also a shivering mess. I glance around.

“Bet you feel like a marshmallow that fell into a bag of dark chocolate while someone was making s’mores,” Dad says, and smiles.

I squirm and make a mental note to send my father to comedy school when we get back. He loves to tell jokes, but usually they’re pretty bad.

We show our passports to an official and press through the metal turnstile, where an African man wearing a white button-down shirt and black pants waves to us across the small crowd. He holds a handmade sign that says
DOKTOR
.

Dad waves to the man as our soggy sneakers squeak against the linoleum floor. “Welcome to the Warm Heart of Africa,” the man says. “I am Emmanuel Mbalazo, the
driver for the Global Health Project. I shall transport you to your house.”

After we collect our luggage and change our clothes, we follow Mr. Mbalazo across the parking lot. It’s cloudy outside and the jet lag is hitting me big-time, but at least the rain has stopped. Mr. Mbalazo puts our luggage in the trunk and opens the back door. I slide in beside Dad. The driver’s side is on the right, which gives me a pretty big clue that everything in this country is mixed up all over the place.

It’s a tour-hour drive south to the Machinga district, where we’re going to live, but after only a couple of minutes Mr. Mbalazo pulls over. “For your food needs,” he says. I glance through the window at an outdoor market. I’m not in the mood to shop, but what choice do I have? My stomach is growling. Plus, I’m not going to stay in the car by myself waiting to get robbed. Everyone knows that where there’s poverty there’s misery, and where there’s misery there’s crime. I take my backpack off and hold it close to my chest, then slip out of the car behind Dad into the afternoon light.

The marketplace is a quilt of bright blue, yellow, and orange plastic sheets. On top of the sheets are people trying to sell carved chairs, masks, clothes, piles of peanuts still in the shells, fruits, vegetables, and used clothes and shoes.
“Nyemba! Nyemba!”
someone shouts. I turn to see a man sitting beside baskets full of different-colored beans. They are the colors of my paints: gold ochre, raw sienna, and violet. I miss my paints. How could I not have brought them? I can’t beat myself up too long, though, because it’s
almost impossible to have a complete thought in this noise.

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