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Authors: Stephen Knight

Left With the Dead (2 page)

BOOK: Left With the Dead
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And Lord knows the coffee cake’s gonna taste better than Meals Rarely Edible…

He turned away from the display case and took a long look around the shop. The NVGs revealed everything in stark, green-and-white detail. To his right, a short hallway that led to a single restroom. Beside that, another door—probably to the utility area. Next to the door he had entered through, an elevator for disabled patrons—not that anyone would be using it in the near future. To his left lay the dining area. Moving slowly, Gartrell stepped around the counter and looked down its length, toward the barista’s area. He raised his AA-12 immediately when he saw a figure crouched on the floor there.

It was a woman. A
live
woman, not a zed. He doubted she could see him clearly, but she must have heard him enter the store; while Gartrell had moved as stealthily as possible, the coffee shop was as silent as a tomb, and even the small noises of his movements stood out. She was dressed in clean, faded jeans, Nike running shoes, and a long-sleeved black T-shirt. Her hair was on the short side, short enough for Gartrell’s NVGs to pick up the glitter of the diamond studs in her ears. Her eyes scanned from right to left as she tried to separate his outline from the dark background of the wall behind him. Gartrell cataloged all of these details automatically, but filed them away as tactically irrelevant under the current circumstances. Only one aspect of the sudden encounter commanded his complete attention.

That was the fact she had a gun pointed right at him.

“Lady…do
not
fire that gun. You’ll bring every zombie in the neighborhood right to us.”

She started at the sound of his voice but didn’t scream, didn’t make a sound other than a sudden gasp. She clasped the gun in both hands. Gartrell didn’t move, kept as still as a statue. When he spoke to her again, he kept low, just above a whisper.

“Relax. I’m a soldier. I’m not going to hurt you. But you have to be quiet, and be calm. There are hundreds of those things right outside.”

“I can’t really see you,” she said after a moment. Her voice quaked, and Gartrell wondered if that was a product of everything that was going on, or if the sudden, chance encounter with another human being had hit her hard.

“I’m right in front of you,” he assured her. “I can see you, I have night vision goggles. My name’s David Gartrell, and I’m a Special Forces soldier with the U.S. Army. I’m going to come closer to you…all right?”

“Why?”

Gartrell thought that was an odd question, but he answered it anyway. “So I can talk to you and prove to you that I’m human, and that I don’t mean you any harm. Or I can just go back to my business and ignore you, if that’s what you want.” He turned and glanced out the windows. The distant artillery barrage continued, and through the NVGs it looked as if a lightning storm was lighting up the night. In the far distance, he heard the blare of the
Escanaba
’s horns. The ship sounded very far away now. There was no chance of him catching up to it.

And outside, dark shapes shambled through the night, still moving in the direction of the East River.

“Don’t leave,” the woman said finally. Gartrell looked back at her and saw she had lowered her weapon. He did the same.

“All right. Stay cool.”

Gartrell slowly moved forward and knelt beside her on the cold tile floor. He reached out and put a hand on her shoulder, and she jumped slightly at the contact. Even through his glove, he felt her body was so tense it was almost rigid. She looked toward his face, and she must have seen the vague green glow emanating from the displays of his NVGs. She reached out with her right hand and found his, and to Gartrell’s amusement, she shook it quickly.

“I’m Jolie,” she said.

“Gartrell. Or Dave, whichever you prefer. Mind if I see your weapon for just a moment?”

She handed it to him wordlessly. It was an old J-frame revolver, more popularly known as a Saturday Night Special, the kind of piece he really only saw in the 1950s detective movies he so loved. He opened the cylinder. It was five-shot weapon of .38 caliber, fully loaded. He closed the cylinder and put the weapon back in her hand.

“Do you know how to shoot that?”

“Yes. My husband insisted I learn, so I did.” She paused for a moment. “It’s not hard.”

“I know. What are you doing down here, Jolie?”

She reached out with her left hand, fumbling in the darkness. Gartrell saw several small paper bags beside her, and he guided her hand to them. She lifted one and handed it to him. Gartrell opened the bag. Inside was a piece of frosted cake. He sniffed it. Lemon cake.

“So you have a thing for Starbucks lemon cake?”

“No. My son does,” she said.

Oh hell.
“Your son. How old?”

“He’s four years old.” As she said this, her face was blank, almost expressionless.

Gartrell slowly rose to his feet and looked around the coffee shop. Outside, the arty still blasted away in the distance. Much closer, the sounds of the moaning dead floated on the air.

“Is he here?” Gartrell asked. He cradled his AA-12 in both hands as a stench staggered past outside. Its shoulder rubbed against the pane glass window, leaving a vague trail of ichor behind it.

“No. He’s upstairs. Asleep.”

“Upstairs where?”

“Our apartment.” He looked down at her as she pointed toward the coffee shop’s ceiling. “We live on the fourth floor of the building.”

Gartrell considered that. The sun would be coming up soon, and his preference was to be above street level when that happened. Things were dicey enough when it was dark out; during the day, the dead would be able to hunt more easily.

“How do we get there?”

She gathered the sacks of cake and stuffed them into a large handbag that hung from her shoulder. She then rose to her feet.

“Follow me,” she said.

She started off toward the dining area. Gartrell moved to follow, then checked himself. He went back to the display case and filled two bags with cinnamon coffee cake. He then stuffed water bottles into the cargo pockets on his BDU trousers. Only then did he hurry after the woman as she slowly picked her way through the dark dining area. He couldn’t quite figure out where she was going, then he saw it: the long window overlooking the dining area was gone. It lay scattered throughout the dining area in thousands of shards. The glass made crunching, popping noises as they walked across it.

I guess she didn’t know the front door was open.

“I used the window because the apartment building is right next door,” she said, as if reading his mind. “If I’d tried to use the front door, I would have had to walk around the corner, and those things would have got me.”

“You broke the window yourself?”

“No.”

She stepped onto a chair and boosted herself onto the window sill. Gartrell was impressed that she was able to step onto it without any kind of handhold, and in total darkness at the same time. He reached out and touched her ankle, preventing her from stepping out of the Starbucks.

“I’ll go first,” he whispered. She nodded and pulled the revolver from the waistband of her jeans where she’d put it. Her index finger fell upon the trigger guard. Gartrell stepped onto the chair and, mindful of the broken glass, hoisted himself up to join her. He leaned out into the street, moving slowly, cautiously. Shapes moved in the gloom, but he remained undetected. Gartrell motioned Jolie outside, and followed her as she darted to a nearby door. She inserted a key into the lock and twisted it. Gartrell thought the lock disengaged with all the subtlety of a gunshot in a mausoleum, but the noise did not attract any unwanted attention—yet. Jolie pulled open the door and held it for him as he backed inside, keeping his AA-12 oriented toward the street. He caught the door as it closed and gently sealed it with no noise whatsoever. And just in time; a dark shape loomed right outside the glass. Gartrell grabbed Jolie’s arm and held her rooted to the spot as the zed lurched against the door and peered inside with milky, stupid eyes. Its mouth was open, and its blackening tongue lolled between a gap in its teeth. Gartrell practically held his breath, his automatic shotgun in both hands, its barrel pointed directly at the ghoul as it looked right at him without seeing him. Gartrell wondered if it would be content to stare into the apartment building’s darkened entry hall until the sun rose.

After a time, it finally shambled off into the night.

Guess even they can get bored.

“We should go,” Jolie said finally. “Can you let go of my arm? You’re squeezing it a bit too hard.”

Gartrell did as she asked, and she rubbed her forearm with her hand. She pocketed the key and slipped the revolver back into the waistband of her jeans, then turned toward the hallway behind them. She slowly picked her way to a white door and reached for its brass knob.

“Hold up,” Gartrell said.

She stopped with her hand only an inch from the doorknob. “Why?”

“Give me a second.” Gartrell looked around the lobby. It was a pre-war building, one of those many structures that had been built before World War II. The lobby had been regentrified, with a granite floor and an ornate ceiling from which hung art deco light fixtures that would remain dark for quite a while longer. A row of mailboxes were set into the wall near the door, across from a desk where the doorman would normally be stationed.

“What’s on this floor?” he asked.

“Laundry. Elevators. Stairs. Storage, with more below.”

“How many stories?”

“Sixteen.”

“And how many people are left in the building?”

“No one. They evacuated.” Her face was no longer blank and expressionless. She looked agitated. “Listen, I need to get to my son. You want to look around? Knock yourself out.”

“I’m good,” Gartrell said.

She pulled open the door, and it led into a stairwell. At the base of the stairs was a long, black Maglite. She picked it up and looked back at him.

“Close the door so I can turn this on.”

“Why don’t you forget about that for a moment and let me go up first,” he said. “You turn that on, my night vision gear will blank out, and it’s more useful right now than a flashlight. You get what I’m saying?”

“No.”

Gartrell sighed. “The zeds, they can key in on light real well. Not doing things like giving off light, loud noises, probably even smells like cooking food and things like that will go a long way toward ensuring our continued survival. And if there’s a zed in this stairway, for instance, it’ll see the light long before we see it. You reading me on that now?”

“You don’t want me to use the light. You want to use your night vision. Fine. Let’s go to the fourth floor. You first.”

Gartrell nodded and mounted the steps, taking them one at a time, his AA-12 at the ready. As it always was.

###

The climb up the stairwell was uneventful, but halfway to the fourth floor, Gartrell’s legs felt as if they were Jell-O and his lungs were on fire. He had to fight to keep from gasping for air, and he continued the climb through sheer force of will alone. He couldn’t believe how much of a struggle it was just to keep moving; he would have gladly surrendered his kingdom, if he’d had one, for the chance to stop and lean against the wall and rest. His body was sending him a strong reminder that he was well into his late 40s and had been operating at a punishing pace for virtually 24 hours straight. When he slowed to listen for any indication that they might not be alone, all he heard was the rush of blood in his ears.

The only thing that kept him going was that he didn’t want to look bad in front of the civilian, who just happened to be a female.

For her part, Jolie followed closely behind. Her footfalls were light, almost as quiet as a cat’s, whereas his echoed throughout the stairwell. Gartrell went through the usual motions, visually clearing each landing before stepping onto it, holding the AA-12 so that he could instantly fire on any zed that might appear. But the building remained as quiet as a crypt, and as far as he could tell, they were the only things—living or unliving—in the stairway.

Finally, they arrived on the fourth floor.

Gartrell pushed open the door and cleared the hallway, then reached back and touched Jolie on the shoulder. She slipped past him and walked to the left, her right arm extended, the fingertips of her hand brushing against the wall. Her tennis shoes made no noise on the carpeted floor. Gartrell silently closed the door behind him and followed, keeping to Jolie’s left so he could maintain a clear lane of fire. She stopped at a door just down the hall and unlocked its two security deadbolts. The sounds of the locks snapping opening were loud and harsh as they echoed in the hallway. Gartrell winced at the racket, but they elicited nothing untoward. The door squeaked minutely as she pushed it open. Light flared, threatening to overpower the NVGs—there must have been a small nightlight switched on somewhere inside the apartment. Gartrell followed her inside and took note of the number on the door: 4B.

She closed the door behind him and held a finger to her lips. Gartrell nodded, and flipped his NVGs up on their mount. Without the goggles, the darkness inside the apartment was almost absolute; he had no natural night vision to speak of since he’d spent the last few hours staring at the phosphor screens inside the NVG tubes. He removed his gloves and rubbed his eyes. They burned, from weariness and exposure to smoke and the heat of roaring flame. When he stopped and looked up, Jolie was gone. Gartrell stood there for a moment, waiting for his eyes to adjust to the tepid light. He locked the door behind him, and then flicked on the security chain for good measure. The door was painted metal, a fire door fitted inside a metal frame, but the hinges looked flimsy, the kind a cheap contractor would use. He turned away from the door and found he stood in a short entry foyer with closets off to either side. He walked down the short hallway. Dim light came from a doorway on his right. He looked inside, and saw the room beyond was a kitchen illuminated by a single, battery-powered LED light sitting on a dark silestone counter. Stainless steel appliances gleamed in the wan glow. Gartrell worried the light might be visible from outside, but not only had the shades been drawn, but paper was taped over the shades’ edges. Moving on down the hallway, he came to a return which led him to a darkened combination living and dining room. An expensive-looking widescreen LED television framed in what Gartrell thought was rosewood stood atop an equally-expensive media table. A surround sound system’s speakers were placed strategically through the room. Gartrell moved toward one and squinted to read its product label in the light generated by another tiny LED lamp sitting on a nearby bookshelf. Polk Audio.

BOOK: Left With the Dead
4.37Mb size Format: txt, pdf, ePub
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