Letter to My Daughter (5 page)

Celia Cruz

There are certain artists who belong to all the people, everywhere, all the time.

The list of singers, musicians, and poets must include David the harpist from the Old Testament, Aesop the Storyteller, Omar Khayyam the Tent Maker, Shakespeare the Bard of Avon, Louis Armstrong the genius of New Orleans, Om Kalsoum the soul of Egypt, Frank Sinatra, Mahalia Jackson, Dizzy Gillespie, Ray Charles…

The names could go on until there was no breath to announce them, but the name of Celia Cruz, the great Cuban singer will always figure among them as one who belonged to all people. Her songs in Spanish were weighted with sympathy for the human spirit.

In the early 1950s I first listened to a Celia Cruz record, and although I spoke Spanish fairly well and loved her music, I found it hard to translate. I went on a search for everything about Celia Cruz and realized that if I was to become her devoted fan, I had to study Spanish more diligently. I did.

I enlisted the help of my brother Bailey in New York to find every record she ever made and every magazine that mentioned her name. My Spanish improved. Years later when I worked with Tito Puente, Willie BoBo, and Mongo Santa-maría, I could hold my own onstage as well as in conversation with them backstage.

I had begun singing professionally, but my singing left a lot to be desired. I held my own onstage because my rhythms were exciting. Some I had grown up with and others I had found and lifted whole and wholly from the records of Celia Cruz.

Cruz came to the United States and played in a theater on Upper Broadway in New York City and I went to see her every day of her stay. She exploded on the stage and was sensual and touchingly present. From her, I learned to bring everything I had onto the stage with me. And now, some forty-plus years later, without music and by simply reading, I am able to read poetry and satisfy audiences. Much of the presence I bring to my performance, I learned from Celia Cruz.

All great artists draw from the same resource: the human heart, which tells us all that we are more alike than we are unalike.

Fannie Lou Hamer

“All of this on account we want to register, to become first-class citizens, and if the Freedom Democratic Party is not seated now, I question America, is this America, the land of the free and the home of the brave, where we have to sleep with our telephones off the hooks because our lives be threatened daily because we want to live as decent human beings, in America? Thank you.”

—F
ANNIE
L
OU
H
AMER

It is important that we know that those words came from the lips of an African American woman. It is imperative that we know those words come from the heart of an American.

I believe that there lives a burning desire in the most sequestered private heart of every American, a desire to belong to a great country. I believe that every citizen wants to stand on the world stage and represent a noble country where the mighty do not always crush the weak and the dream of a democracy is not the sole possession of the strong.

We must hear the questions raised by Fannie Lou Hamer forty years ago. Every American everywhere asks herself, himself, these questions Hamer asked:

What do I think of my country? What is there, which elevates my shoulders and stirs my blood when I hear the words, the United States of America: Do I praise my country enough? Do I laud my fellow citizens enough? What is there about my country that makes me hang my head and avert my eyes when I hear the words the United States of America, and what am I doing about it? Am I relating my disappointment to my leaders and to my fellow citizens, or am I like someone not involved, sitting high and looking low? As Americans, we should not be afraid to respond.

We have asked questions down a pyramid of years and given answers, which our children memorize, and which have become an integral part of the spoken American history.

Patrick Henry remarked, “I know not what course others may take, but as for me, give me liberty or give me death.”

George Moses Horton, the nineteenth century poet, born a slave, said, “Alas, and was I born for this, to wear this brutish chain? I must slash the handcuffs from my wrists and live a man again.”

“The thought of only being a creature of the present and the past was troubling. I longed for a future too, with hope in it. The desire to be free, awakened my determination to act, to think, and to speak.”

—F
REDERICK
D
OUGLASS

The love of democracy motivated Harriet Tubman to seek and find not only her own freedom, but to make innumerable trips to the slave South to gain the liberty of many slaves and instill the idea into the hearts of thousands that freedom is possible.

Fannie Lou Hamer and the Mississippi Democratic Freedom Party were standing on the shoulders of history when they acted to unseat evil from its presumed safe perch on the backs of the American people. It is fitting to honor the memory of Fannie Lou Hamer and surviving members of the Mississippi Democratic Freedom Party. For their gifts to us, we say thank you.

The human heart is so delicate and sensitive that it always needs some tangible encouragement to prevent it from faltering in its labor. The human heart is so robust, so tough, that once encouraged it beats its rhythm with a loud unswerving insistency. One thing that encourages the heart is music. Throughout the ages we have created songs to grow on and to live by. We Americans have created music to embolden the hearts and inspire the spirit of people all over the world.

Fannie Lou Hamer knew that she was one woman and only one woman. However, she knew she was an American, and as an American she had a light to shine on the darkness of racism. It was a little light, but she aimed it directly at the gloom of ignorance.

Fannie Lou Hamer’s favorite was a simple song that we all know. We Americans have sung it since childhood…

“This little light of mine,

I’m going to let it shine,

Let it shine,

Let it shine,

Let it shine.”

Senegal

Samia was a famous actress from Senegal who dressed in glamorous flowing clothes. I met her on a trip to Paris. She and her French husband, Pierre, were members of a group of artistic intellectuals who drank barrels of cheap wine and who discussed everything and everybody, from Nietzsche to James Baldwin.

I fitted into the Parisian assemblage comfortably. We all preened about our youth and talent and intelligence as if we had created the gifts ourselves, for ourselves.

Samia said she and her husband lived most of the year in Dakar, the capital of Senegal, and I would always be welcome in their home. Years passed before I did visit Senegal, but the telephone number they had given me still worked. I was invited for dinner.

I entered a beautifully furnished living room to the sound of people laughing and glasses clinking with ice. The guests were integrated. As many Europeans as Africans were enjoying a full-blown party. Samia introduced me to a small group near the door and stayed talking to us until a server offered me a drink.

I wandered from group to group. Samia’s first language was Serer but I did not speak Serer and the Senegalese accent made the French which was spoken, hard for me to comprehend. I passed an open door where people stood along the wall, careful not to step on the beautiful Oriental rug in the center of the room.

I had known a woman in Egypt who would not allow her servants to walk on her rugs saying that only she, her family and friends were going to wear out her expensive carpets. Samia plummeted in my estimation. Obviously she had informed her guests that she would not look favorably on them if they stepped on her rug. I wondered what words did one use to inform a guest how to behave? I decided to find out.

I went into the room and in the guise of looking closely at some paintings on the wall, I walked across the center of the rug, then turned and walked back to another painting. I must have stepped on the rug four or five times. The guests who were bunched up on the sidelines smiled at me weakly. They might be encouraged to admit that rugs were to be walked on.

A Senegalese woman in a white brocade gown smiled at me and engaged me in conversation. She was a writer and we began talking about books. I became so interested I nearly missed the next scene. Two maids came and rolled up the rug I had walked on and took it away. They returned immediately with another equally as beautiful. They spread it, and patted it until it was smooth.

They then put glasses on the carpet and huge serving spoons, folded napkins and silverware, wine and pitchers of water. Finally a bowl of steaming rice and chicken was placed on the carpet.

Samia and Pierre appeared and clapping their hands they called for attention. Samia announced that they were serving the most popular Senegalese dish, “Yassah, for our sister from America.” She waved her hand at me and said, “For Maya Angelou” adding, “Shall we sit?”

All the guests sank to the floor. My face and neck burned. Fortunately, because of my chocolate brown complexion, people could not know I was on fire with shame. Clever and so proper Maya Angelou, I had walked up and down over the tablecloth.

I sat, but I found swallowing hard to do. The food had to force its way over that knot of embarrassment.

In an unfamiliar culture, it is wise to offer no innovations, no suggestions, or lessons.

The epitome of sophistication is utter simplicity.

The Eternal Silver Screen

Many years have passed since the American Film Institute gave a tribute to William Wyler, one of Hollywood’s most prolific and prestigious directors. I, as a member of the Board of Trustees, was asked to participate in the ceremony. I was to make a simple introduction. Of course I was flattered by the invitation and I accepted.

The affair, held at the posh Century Plaza Hotel, was attended by the most glamorous and famous actors and actresses of the day. Fred Astaire was there, as well as Audrey Hepburn and Gregory Peck. Walter Pidgeon, Greer Garson, Henry Fonda, and Charlton Heston sparkled in the audience. I sat trembling at a table and looked around the room. These were some of the faces which formed my ideas of romance, dignity, and justice. These people on the silver screen had shown grace, morality and beauty, chivalry and courage. Then the picture of the segregated movie house in my small town in Arkansas floated into my consciousness.

Each time my brother and I had gone to a picture show, we had to brave the hostile stares of white adults, and once gaining the box office, we paid our money and were rudely thumbed toward a rickety outdoor staircase which led to the balcony (called a buzzard’s roost) restricted to black customers.

There we sat, knees to chin, in the cramped space, our feet crunching discarded candy wrappers and other debris on the floor. We perched there and studied how to act when we grew up and became beautiful and rich and white.

Years had passed and now I sat in the hotel’s glittery ballroom and watched as movie star after movie star rose to pay tribute to Mr. Wyler. Old memories had taken me back to days of southern humiliation. When my name was called, every word of my carefully memorized introduction fled from my mind, and I stood at the microphone looking into the famous faces, furious that they had been, even unwittingly, the agents of my old embarrassments. Anger thickened my tongue and slowed my brain. Only by exercising phenomenal control did I restrain myself from shouting, “I hate you. I hate you all. I hate you for your power and fame, and health and money, and acceptance.” I think I was afraid that, if I opened my mouth I would blurt out the truth “I love you because I love everything you’ve got and everything you are.” I stood mute before the famed audience. After a few attempts to speak I mumbled a few words and walked out of the room.

There was a rumor which was untrue that drugs had made me blank out. Upon later reflection of the painful incident, I am remembering what Arkansas gave me. I came to understand that I can never forget where I came from. My soul should always look back and wonder at the mountains I had climbed and the rivers I had forged and the challenges which still await down the road. I am strengthened by that knowledge.