Lieberman's Folly (27 page)

“Want to go to a Cub game with me and my grandchildren next Saturday afternoon?” asked Lieberman.

“Yes, I think,” said Huang. “Then you come here for dinner.”

“It's a date,” said Lieberman.

Lieberman considered going to the station but decided against it. He'd killed a man. It had happened once before in his career. Once in the winter of '72 when a cokehead known as Jumping Sport Conway had come out of the Domino Restaurant on Martin Luther King Drive with a gun in each hand shooting in the general direction of anything that moved. Lieberman and seven other cops had opened fire. They had all gunned Jumping Sport down in the street. Lieberman had an annual nightmare about that night.

It was early evening when he entered his house and called out, “Anyone here?”

No answer. Lieberman went into the dining room and called again, “Anyone home?”

Bess came out of the bedroom. She was putting on glittering earrings.

“Abe,” she said. “Rabbi Wass needs me for a meeting with the board. Todd and Lisa are out with the kids for dinner. If you …” She looked at his face, the torn trousers, and his smile. “What happened?”

“Tore my pants, scraped my knee. Stopped at the emergency room and a nurse cleaned and bandaged it.”

“You're sure?” she asked.

“Sure,” he said.

Later he would tell her that he had shot the man who killed Estralda Valdez and tried to kill Bill. Later, but not now. Now he was weary.

“I'll call and tell them I can't make it,” said Bess, coming to her husband and looking into his eyes.

“I'm all right,” he assured her. “Go to your meeting. I'll take you out to dinner later. So my pants are torn. Big deal. How are Todd and Lisa?”

“I don't think they're going to make it,” said Bess with a sigh. “Dinner with the kids or no dinner with the kids. We've got a stubborn daughter. Todd left a note for you.”

“You smell good,” said Lieberman.

She hugged him and her hair tickled his nose. She moved away, went to the kitchen table, and came back with a folded sheet of paper she handed to Lieberman, who had moved back to the living room. He turned on the television and found WGN. He turned off the sound and took the note. Bess leaned over and kissed him.

“I'll be sitting here when you get back,” he said.

A Philadelphia left-hander Lieberman didn't recognize was stepping into the batter's box.

“I'll be back soon, Abe,” Bess said and went out the door. “We'll talk about it if you want to. Sure you're all right?”

“I'm fine,” he said, opening the envelope and pulling out a neatly typed sheet of paper on which was written:

“
Many are the forms of what is unknown. Much that the gods achieve is surprise. What we look for does not come to pass; God finds a way for what none foresaw. Such was the end of this story. Euripides in Helen.”

Bess stepped in front of Abe and leaned over to touch his forehead and kiss his cheek.

“Thanks,” he said. “I needed that.”

“My pleasure,” she said, touching his cheek.

She stepped out of his line of vision and left the house.

Lieberman folded the note, put it in his pocket, and turned his eyes to the screen. The batter had struck out. The score was four to one in favor of the Cubs in the sixth inning. Lieberman smiled, closed his eyes, and fell asleep to the distant sound of children playing somewhere outside.

C
LARISE ROGERS WAS SEVENTY-FIVE
years old and filled with pride.

Her son Harold was standing behind the podium on the stage of the high school auditorium. Harold was looking out at three hundred people, black and white. Her son Harold was standing tall and determined. Her son Harold had singled out his mother, thanked her for coming back from Stockton, California, to witness this moment, thanked her for supporting him through hard times and law school at the University of Texas.

“I am not just running for mayor of this city,” said Harold Rogers. “I'm running for change. I'm running for the values my mother has given to me.”

This time the applause was for Clarise Rogers, who acknowledged the ovation with a nod of her head. She beamed at her son and remembered the day ten years ago when she had found the cans of money in that house not ten minutes from where they sat.

“We've had enough of the Carrol LaSalles of this state,” repeated Harold Rogers. “We've had enough of his cowboy stories of the past. This is now. That was then. Good-old-boy days are gone forever. The twenty-first century is on the way in. Carrol LaSalle is on the way out.”

Clarise Rogers absorbed the applause, savored it. Her heart swelled with pride. She closed her eyes and remembered the past. Remembered the first cleaning store she had bought in Stockton and the one in Davis and the two in Sacramento. There were six Clarise's Cleaners now.

“The Lord works in mysterious ways,” said Harold with a smile. “Mysterious ways.”

“Amen to that,” someone in the rear of the auditorium called.

And to herself, Clarise Rogers nodded and said her own “Amen.”

Turn the page to continue reading from the Abe Lieberman Mysteries

T
HE MIDNIGHT WAVES SCRATCHED
silver fingers along the narrow beach at the end of the street. Through the open window of his car, Bernie Shepard heard the waves and the rush of traffic half a block behind him on Sheridan Road. He parked next to a fire hydrant, picked up his shotgun, opened the car door, and stepped into the night. The dog leaped out after him, silent except for the pad of his paws on the street.

It was mid-September. The moon was full and the waves hitting the Chicago shore of Lake Michigan were sluggish and cold. And in spite of their moonlit silver caps, dirty. No more than a month ago, at the end of this street, Shepard had watched the uneatable coho salmon flop around, mating, dying just off the shore.

Shepard and the dog were alone.

Only the drunk and drugged, only the incautious homeless, only those whose late night shifts require it walked the streets of low rises and two-flats on Fargo and the other nearby streets that ran a single block from Sheridan to the lake. These were streets that twenty years ago had been respectable, thirty years ago had been choice, and forty years ago had been elite.

Now the old people who lived here went to bed early and double-locked their doors. The professionals who found the neighborhood a bargain treated their lives like a movie, believing and disbelieving the danger at the same time.

Shepard and the dog crossed the street to the Shoreham Towers. The Towers stood fifteen stories high. There was nothing in sight for five blocks in any direction that rose higher in the cloudless sky than this 1930s rectangle of red brick and white ledges.

Shepard opened the outer door of Shoreham Towers and entered. He made no attempt to hide the weapon in his hand. Fifteen years ago, the lobby of the Shoreham had a carpet and chairs. They were long gone. The chairs had been stolen, the carpet taken up by management before it too was taken.

The lobby smelled of disinfectant and the memory of that damp carpet. On the walls were faded prints—pink flowers and ornate tropical birds—protected by dusty glass.

He moved to the inner lobby door, opened it with a key, and stepped in. The inner lobby still had a few chairs, a trio of artificial plants that looked artificial, and an overhead light fixture with eight teardrop bulbs, one of which flickered on and off as the man and dog moved into the open elevator.

The dog sat and watched as the man pushed a button and the elevator doors closed. The elevator lurched, still half asleep, sluggishly upward 1-2-3-4-5-6-7-8-9-10. The elevator stopped with a grunt of steel and the doors opened.

Shepard, dog behind him, headed down the corridor of the tenth floor and stopped in front of an apartment. He listened. There was a faint sound of voices behind the door. Shepard opened the door slowly, very slowly with a key and stepped into the darkness touched by the moonlight through the windows and a thin slice of yellow light coming from the partly open door of the bedroom in front of him. The dog entered and watched Shepard carefully close the door to the apartment.

The voices were clearer now, a man and a woman. Shepard moved silently to the bedroom door and stood listening.

“… to be safe,” the woman said.

Shepard motioned to the dog, who understood, pushed the bedroom door open with a paw, and trotted in silently.

“I checked. He's on an all-night stakeout on the South Side. There's no way …”

The man stopped suddenly, midsentence. He had seen the dog.

Shepard kicked open the bedroom door and raised the shotgun. He had heard others tell the tale, claiming moments like this were gauzy dreams, slow motion. But he sensed none of this.

Andy Beeton was throwing off the blanket. He was naked. He reached for a gun in a holster draped over a chair near the bed. Shepard fired. The blast sprayed Beeton with red-black dots against his pale skin and spun his head to the right, taking his left eye. He was dead before he slumped against the night table, tipping the table lamp to the floor and bringing down the nearby chair and holster with his outstretched hand.

Somewhere behind Shepard, the dog made a sound, not quite a whimper, maybe even a yawn.

Shepard turned to the woman, who had sat up, not bothering to cover her breasts. She was small and wide-eyed. Her nipples were dark and pointing at him. Her long hair tumbled over one eye. Her head shook “no” slowly and her mouth formed the word
no
as Shepard fired and turned away, not wanting to see what the blast did to her. But as he took a step back to the door, she made a sound, an almost cooing sound. He turned to see what he did not want to see and knew that the sound was only a memory and that Olivia was dead.

There was no more to look at or do here. He reloaded the shotgun and snapped his fingers. The dog looked from him to the bed and back again before obeying the sound and moving into the darkened living room.

Before Shepard and the dog had crossed the living room, they could hear voices in the corridor.

“What happened?”

“What was that?”

“Where did it come from? I think it was …”

“I'm calling the police.”

“Jerry, mind your own business.”

“I'm calling the police, Flo. You hear what I'm saying here? Someone could be for Chrissake dead or …”

Shepard stepped through the apartment door and into the corridor. The dog trotted in front of him. He reached back and closed the door.

“Mr. Shepard, what ha …?”

The speaker was a short, fat man with gray hair that had gone electric wild in his sleep. He was wearing a gray robe. He had stopped speaking when he looked first at Shepard's face and then at the gun at Shepard's side.

There were two other men and two other women in the hallway, all of them over sixty. Shepard and the dog strode toward the open elevator door, the people moving silently to the side, out of his way.

As Shepard and the dog entered the elevator, an apartment door opened and two men, both in their thirties, both a bit drunk, stepped out.

“What the hell's goin' on?” asked one of the men.

Shepard and the dog faced forward. As the doors closed one of the drunken men, the bigger of the two, looked at Shepard and the shotgun in his hand, took a step toward him, and then thought better of it. The elevator doors closed and Bernie Shepard could hear.

“What the fuck is goin' on out here?”

As the elevator lurched upward, the voices below faded in the distance and the grind of weary gears.

“I'm calling the cops.”

“Jerry, mind your own business.”

When the elevator reached the top, the fifteenth floor, Shepard and the dog stepped out into a silent corridor of locked apartments. Shepard moved to a door marked
STAIRWAY,
pushed it open so the dog could step in ahead of him, and followed the animal into the dim-bulbed shadows.

Shepard did not think, did not allow himself to think. Images behind him in the apartment screamed for attention. He ignored them and climbed the stairs, listening to his footsteps clang and echo and howl back from fifteen stories below. At the top of the stairwell was a heavy metal door. Shepard put down his gun and pushed the door open. Warm air rushed in.

Picking up the gun, Shepard stepped out onto the roof of the Shoreham Towers, commanded an unbidden image to go away, leaned the gun against the wall, and closed the door. A heavy metal bar rested against the wall next to where he had placed the gun. While the dog padded around the pebble-covered roof, Shepard, straining, slowly wedged the bar against the door. He tested it, found it firm, and retrieved his gun. Again he was aware of the sound of the waves, the rush of traffic. Nothing outside of the Shoreham Towers had changed in the last five minutes.

An empty water tower, its once orange body covered with graffiti, its four girderlike legs acned with rust, sat in the middle of the roof. Shepard moved toward the tower. Beneath it was a clearing of almost ten feet by ten feet surrounded by concrete blocks that Shepard had brought up one at a time, in the dead of night, over the past six weeks. In one corner of the minifortress was a formidable cache of weapons. Next to the weapons was a chest containing food. Atop the chest was a jug of water. Shepard stepped through a narrow passage between the blocks and checked the food, water, weapons, and a first-aid kit. He pulled out a blanket and a two-way radio, laid the radio on the blanket, and adjusted a rolled-up sleeping bag so that it rested against the blocks.