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Authors: Laura Lippman

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Tisha caught the bartender's eyes, signaled that she wanted another glass of wine, ordered one for Cassandra, too.

“Well?” Cassandra pressed.

“Okay, since you asked. First of all—did you ever know Donna to get into a fight with
anyone
?”

“Not with her fists,” Cassandra admitted. “But then, neither did I, in part because you and Fatima had my back in elementary school. You did know it was me on the ground, didn't you?”

“Yeah, I knew it was you. Even in your gym suit. And it was three on one, which was pretty cowardly. But you know what else we saw, from where we stood?”

Cassandra shook her head.

“Four white girls. If we had run over there, the teachers who came to break up the fight would have assumed that it was the black girls against the white ones and we started it. Cassandra, those three cracker girls could have been beating the shit out of a nun and I wouldn't have gone over there. That's just how it was.”

“But we were friends.”

“We were,” Tisha agreed. “When we were younger. We grew apart when we went to different junior high schools. It was that simple. And then, when you never came back to Western after freshman year—well, until I read your book, I didn't know what had happened.”

“Really?” This had never occurred to Cassandra, that there was any mystery to her side of the story. But then, she had the advantage of her own perspective. For thirty-five years, she and Tisha had been separated by nothing more than fifty yards or so. Standing on the same softball field, on the same day, seeing the same thing, yet not. Okay, they grew apart. But couldn't they grow back together?

“Are you sure,” she said, “that we can't see each other from time to time? Or at least talk on the phone? I like talking to you. You know me, Tisha, in a way new people in my life never will. And you're honest in a way that almost no one is.”

The restaurant around them was busy and hectic, but Cassandra didn't register any of the sounds. She was looking at Tisha, watching her think, her eyebrows drawn down tightly, her lips compressed.

“Oh, hell,” Tisha said at last, tipping her glass toward her for a toast. “We can get together like this, from time to time. It's not like Reg and Donna would be caught dead in the suburbs.”

CALLIE DROVE ACROSS THE BRIDGE
—in broad daylight, on a Saturday afternoon, well after the weekend traffic had thinned. Now that she was free to go where she wanted, no longer bound by restrictions, said or unsaid, she had discovered she felt no urgency to return to Baltimore.

But, although she wasn't much for telling, she did have some things to say, one thing to say. Might as well say it now and be done with it. With gas almost four dollars a gallon, she sure wasn't going to waste a trip. She had a job now, down at the school, sort of an all-around helper position for not much more than minimum wage and no benefits. Money was tight, even with her house and car covered. But the people
at the school were the kind of folks who would step in and help a person out if she ran into big trouble, sickness or catastrophe. They had turned out to be the kind of Christians who were pretty forgiving after all. She would make it work somehow.

The house on Clifton Road looked different and she wondered if she was mistaken. Then she realized that she had never visited here during such bright daylight hours, that she had sneaked her peeks at dawn or sunset. Even the graduation party had begun late in the afternoon, the light already fading. The house didn't look quite as put-together in this hot September light. She realized it was probably about the same age as her, more or less.

She parked her car directly in front—“Bold as you please,” as her mother might have said—and walked up the sidewalk and rang the doorbell as if she had a right. A woman answered, Mrs. Howard. She took one look at Callie and called out, “Andre, it's for you.”

“What do you want?” he asked Callie.

You,
she almost said.

Looking into his face, closer to him than she had been for twenty years, she saw the man she remembered, not the old man that he was now. It was almost as if he had kept those promises and they had had a life together after all, and they had grown old together, so she didn't notice how he had changed. She did not see an old man. She saw the man she loved.

Him, he probably saw a middle-aged lady where a sweet young woman once stood.

“I wanted you to know that I signed up for that registry. So if our son signs up, too—”

“We have no son,” he said. “I don't care what lies you put on a birth certificate.”

“So if our son,” she repeated, firm yet respectful, “should sign up, I will meet with him and tell him why he was put up for adoption. If he wants an explanation, he's entitled to it.”

“That poor boy was entitled to a life. Would that you had done the same for your other son.”

That hurt, but she wouldn't give him the satisfaction of knowing he still had the power to wound her. She pitied him in a way. She had been his heart's desire and he had denied himself because the price, by his estimation, was too high. He would have been happy with her, whether he admitted it or not. And whatever she was, she was not unhappy. Not happy, exactly, but not unhappy. She at least had the consolation of knowing she had given herself wholly to a cause, to her love for him. If the cause had turned out to be less than worthy—well, so be it, that didn't tarnish her commitment to it.

“I forgive you,” she said. “I can't promise he'll do the same, but I'll try to help him. If I ever meet him.”

“Forgive me for what?”

She patted his cheek, a gesture more like a daughter's than a lover's. “It's okay that you weren't strong. I was. I was strong for you.”

For all the words she had practiced, all the things she had imagined saying, these were not among them. Yet she realized she was right. She was strong, he wasn't. It had been weak of him to pursue her, weaker still for him to try to erase the evidence that she had been in his life. She had heard that men often felt humble watching what women went through in childbirth. What had Andre felt, as she sat in jail, knowing it was all for the love of him, that she could bear what she had borne all for the promise of his love.

“Stay away from us,” he said. “I'll get a restraining order if need be. And don't even think about spreading those lies. There are laws against slander, against libel—”

“It's okay,” she assured him. “I'm done.” She was. You had to forgive in order to be forgiven. If she ever did meet her son—their son—she hoped he would grant her the same generosity. Callie had forgiven not only Andre but her mother. Her mother meant well. She wasn't responsible for that restless, rootless anger, for her fear. Cassandra had tried to
argue with Callie, said she shouldn't make excuses for what Cassandra called abuse. She wasn't. Accepting people for who they were was the furthest thing from making excuses.

She drove east, the sun still high, paying the toll to cross the bridge that she might never cross again. Unless her son, now almost thirty, did in fact find her. Cassandra had said, “Let's stay in touch,” and seemed sincere, but when had they ever been in touch, what was there to “stay”? She was grateful that Cassandra had found her—freed her, really—but Cassandra simply talked too much for Callie. Even Callie's mother, chattering away in the nursing home, didn't put so many words in the world. Cassandra would probably start nagging her about a book again. Callie had no use for that.

Besides, how could she tell her story when she wasn't sure that she trusted it? On bad days, she wondered—had she shook Donntay? Maybe fed him something she shouldn't have? Put him down wrong and smothered him? She didn't think any of those things were true, but these ideas came to her on her bad days, taunted her, messed with her head. If there had been a new trial, if they had put her on the stand, she would have had to admit she couldn't really remember what happened, only that she believed what she believed, what she needed to believe: She woke up one morning and her son was dead. Once she told that much, she would have to tell the next part, how her only thought was,
Now I can call Andre.
That was the one thing she couldn't forget, the memory she never questioned. She had looked at her little boy's body, so still and stiff, and her heart had jumped with the thrill of knowing that she had an excuse to call Andre. He always took her calls in times of trouble, and she got in the habit of cultivating trouble. Bad men, bad decisions. That wasn't natural, and it wouldn't sit well with others, but it was true. It was the one thing she knew about that morning with absolute certainty. The split second after she registered the fact that her son was dead, she had thought,
Now I can call Andre.
Back then, any thought could lead to him, any moment. A bird is singing.
Andre.
The toast is
burning.
Andre.
I have a paper cut.
Andre.
The baby is crying.
Andre, Andre, Andre.

She took the long way, going around town on the bypass to the Food Lion to buy butter. Peaches were still in season and she had a cobbler recipe she wanted to try, but Mr. Bittman was quite firm in his opinion that piecrusts should be all butter, no lard or shortening. She admired such firm opinions, the certainty that other people brought to things in their lives. She just was never going to be one of them. She doubled back to Bridgeville, coming up Main Street.
IF YOU LIVED HERE,
the sign promised,
YOU'D BE HOME BY NOW.

She was.

As is often the case in my novels, there is a real-life Baltimore crime that forms the spine of this novel. Jackie Bouknight had a son, Maurice, who disappeared while she was being monitored (not very well) by the Baltimore City Department of Social Services. Asked to produce him, she refused and spent more than seven years in jail on a charge of contempt. To this day, it has never been learned what happened to Maurice Bouknight. And that is all I know of the original case, although a friend had a glancing courthouse encounter with Jackie Bouknight that got me thinking about her. This is wholly a work of fiction, about made-up people who happen to inhabit real places.

The Enoch Pratt Central Library's collection of newspapers on microfiche helped jog my memory about the decades in which I actually grew up. The University of Baltimore's amazing online archive about the '68 riots was essential. And the regulars at the Memory Project proved to be good sleuths, tracking down primary sources that established how Martin Luther King Jr.'s assassination was announced on national television.

I've played with Baltimore's architecture, a novelist's prerogative. There were not five houses on Hillhouse Road in the 1960s and '70s; the Fallows's house is an invention, although I gave it the never-filled swimming pool of a house I remember there. I played similar tricks
with Teena Murphy's home, the Howards' house, and Bridgeville, Delaware. However, there is a lovely wine bar on Route 108 in Columbia, the Iron Bridge, and I am told by reliable sources that teachers do like to go there. As do I.

Thanks to the individuals who rally round every year for this insanity: Carrie Feron, Vicky Bijur, Joan Jacobson, David Simon. This year, Lizzie Skurnick and Lisa Respers also pitched in.

This book is dedicated to the memory of a man who once burned a manuscript on impulse. I always thought that story was apocryphal, but he confirmed it for me a few years ago. And I have to admit, I understand the impulse now in a way I didn't at the time. Still, I wish he hadn't burned it. Asked about the incident, he said, “Who wants to read another fucking tender moment about a white-trash redneck kid discovering Joyce? Or, better yet, Raymond Chandler.” If you had written it, Jim, I would have wanted to read it.

 

Laura Lippman

November 2008

About the Author

L
AURA
L
IPPMAN
grew up in Baltimore and returned to her hometown in 1989 to work as a journalist. After writing seven books while still a full-time reporter, she left the Baltimore
Sun
to focus on fiction. The author of two
New York Times
bestsellers,
What the Dead Know
and
Another Thing to Fall
, she has won numerous awards for her work, including the Edgar, Quill, Anthony, Nero Wolfe, Agatha, Gumshoe, Barry, and Macavity.

www.lauralippman.com

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

ALSO BY LAURA LIPPMAN

Hardly Knew Her

Another Thing to Fall

What the Dead Know

No Good Deeds

To the Power of Three

By a Spider's Thread

Every Secret Thing

The Last Place

In a Strange City

The Sugar House

In Big Trouble

Butchers Hill

Charm City

Baltimore Blues

Jacket design by Yoori Kim

Jacket painting digitally composed by Kamil Vojnar/Getty Images

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author's imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

LIFE SENTENCES
. Copyright © 2009 by Laura Lippman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub © Edition SEPTEMBER 2009 ISBN: 9780061971365

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