Authors: Greil Marcus
“Theses on the Cultual Revolution” (Debord),
53
There’s a riot goin’ on
(Sly and the Family Stone),
38–39
Theresa of Avila,
274
Thiers, Adolphe,
116
“32 Weeks” (Mekons),
403
This Year’s Model
(Costello),
4
Thompson, Gudrun,
84
Thompson, Jim,
193
Thompson, Richard,
78
Three Flames,
242
Thriller
(Jackson),
90–91
,
98
,
99
,
102–104
Thucydides,
325
Time
magazine,
293
“To Be Done with the Comforts of Nihilism” (Debord),
354
Tour de feu, La
(review),
249
Tourraine, Alain,
395
Tous les chevaux du roi
(Bernstein),
327
,
378
,
392
Traité de bave et d’eternit.
See
Treatise on Slime and Eternity
Traité d’économie nuclaire
(Isou),
250
Traité de savoir-vivre à l’usage des jeunes générations.
See
Revolution of Everyday Life
, The
Treasure Island
(Stevenson),
360
Treatise on Slime and Eternity
(Isou),
228
,
300
,
310
,
317
Trip to the Moon, A
(Méliès),
310
Trocchi, Alexander,
17
,
162
,
358–360
Trotsky, Leon,
398
Trout Mask Replica
(Captain Beefheart),
61
Truffault, François,
181
Tucholsky, Kurt,
141
Tulsa
(Clark),
8
Turgenev, Ivan,
191
Turner, Big Joe,
402
“Tutti Frutti” (Little Richard),
88
Tzara, Tristan,
185–187
,
191
,
197
,
198
,
208
,
216
,
219
,
231
,
234
; in Cabaret Voltaire,
179–181
,
188–189
,
192–194
; Lefebvre and,
178
,
226
,
227
“Ü” (Kleenex),
5
“Under the Bridges of Paris” (Morgenstern),
191
Union nationale des étudiants de France,
387
United Fruit Company,
372
Unité d’habitation, L’ (Marseilles),
346
University of California at Berkeley, Free Speech Movement at.
See
Free Speech Movement
Unknown Pleasures
(Joy Division),
5
Up, Ari,
35
Ur
(review),
258
utopianism,
44
,
136
,
203
,
322
,
329
,
345–346
,
409
Vaché, Jacques,
310
van der Elsken, Ed,
ix
,
320
,
324
,
349–352
,
355
Vanderhaeghe, Guy,
328
Van der Leun, Gerard,
132
Vaneigem, Raoul,
62
,
68
,
117
,
123
,
133
,
156
,
223–224
,
265
,
321
,
377
,
386
,
406
Vargas Llosa, Mario,
177–178
Velvet Underground,
37
,
38
,
58
,
61
,
77
Ventura, Michael,
39
Veuillot, Louis,
115–116
,
137
,
139
,
200
Vian, Boris,
235
Vibranaires,
240
Vicious, Sid,
27
,
31
,
56
,
79
,
109
,
110
Vincent, Gene,
34
Virgin records,
9
Visiteurs du soir, Les
(Carné),
312
,
313
Voltaire,
190
,
198
von Stroheim, Erich,
300
Vox Pop,
199
Wajda, Andrzej,
96
“Wake Up” (Essential Logic),
5
Walesa, Lech,
96
Walker, Benjamin,
209
Wall Jumper, The
(Schneider),
70
Warner Bros.,
58
Warner Communications,
39–40
War of the End of the World, The
(Vargas Llosa),
177–178
Watts riot,
165–168
,
171
,
330
,
378
Wayne, John,
369
“We Are the World” (USA for Africa),
104
,
125
Wehara, Muddy,
72–73
Werewolf of Paris, The
(Endore),
118
Wertmuller, Lina,
43
Westerberg, Paul,
61
Westmoreland, General William,
48
“Where Were You?” (Mekons),
403
White, Mark,
404
White Light/White Heat
(Velvet Underground),
38
“White Riot”/“1977” (Clash),
10–11
“Whole Lot of Shakin’ Goin’ On” (Lewis),
59
,
205
Wild One, The
(Benedek),
246
,
251
Williamson, Sonny Boy,
55
Wilson, Colin,
359
Wilson, Jackie,
11–12
Winterland Ballroom (San Francisco),
32–33
,
78–79
,
83
,
84
,
105
,
108
,
109
,
111–112
,
115
Wolcott, James,
285
Wolman, Gil J,
ix
,
17
,
160
,
163
,
257
,
258
,
301
,
311
,
334
,
340
,
341
,
342
,
344–346
,
347
,
382
,
404
,
408
; in Chaplin attack,
316–317
; on détournement,
168
,
372
; exclusion from Lettrist International of,
346
,
348
; film by,
305–306
; and formation of Lettrist International,
315
,
331–332
; in
Hurlements,
309
,
310
; letter to Brau from,
323
,
325
,
326
,
354
; Lettrist International manifesto signed by,
339
; and publication of
Potlatch,
18
,
321
,
355
,
364
,
370
; sound poetry of,
255–257
,
303
,
305
World According to Garp, The
(Irving),
43
World War I,
179–182
,
184
,
204
,
211
,
236
; German victim of,
208
World War II,
68
,
158
,
192
,
239–240
,
266–268
,
283
,
348
Youth Front,
250
,
254
,
309
,
333
,
338
Zola, Emile,
268
“Zurich Chronicle” (Tzara),
191
Greil Marcus was born in San Francisco in 1945. He is the author of
Mystery Train: Images of America in Rock ’n’ Roll Music
(1975, 2008),
Dead Elvis: A Chronicle of a Cultural Obsession
(1991),
In the Fascist Bathroom: Punk in Pop Music, 1977–92
(originally titled
Ranters and Crowd Pleasers,
1993),
The Dustbin of History
(1995),
The Old, Weird America: The World of Bob Dylan’s Basement Tapes
(originally titled
Invisible Republic,
1997),
Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives
(2000),
‘The Manchurian Candidate’
(2002),
Like a Rolling Stone: Bob Dylan at the Crossroads
(2005), and
The Shape of Things to Come: Prophecy and the American Voice
(2006). He is the editor of
Stranded
(1979, 2008), Lester Bangs’s
Psychotic Reactions and Carburetor Dung
(1987),
Best Music Writing 2009
(2009), and, with Sean Wilentz,
The Rose and the Briar: Death, Love & Liberty in the American Ballad
(2004). With Werner Sollors, he is the editor of
A New Literary History of America,
published by Harvard in 2009.
Greil Marcus has written columns on music, film, books, and culture for the San Francisco
Express-Times, Rolling Stone, Politicks, New West, California,
the
Village Voice, Artforum, Interview, Salon,
the
New York Times, Esquire, City Pages,
and
The Believer.
In recent years he has taught at Berkeley, Princeton, the New School University in New York, and the University of Minnesota. He lives in Berkeley with his wife, Jenny Marcus.