Living Up the Street (17 page)

My savings book is a testimony to my fear of poverty—
that by saving a dollar here, another there, it would be kept at bay.

I admit that as a kid I worried about starving, although there was probably no reason. There was always something to eat; the cupboards were weighed down with boxes of this and that. But when I was older the remembrance of difficult times stayed with me: The time Mother was picking grapes and my brother ate our entire lunch while my sister and I played under the vines. For us there was nothing to eat that day. The time I opened the refrigerator at my father’s (who was separated from our mother at the time) to stare at one puckered apple that sat in the conspicuous glare of the refrigerator’s light. I recalled my uncle lying on a couch dying of cancer. I recalled my father who died from an accident a year later and left us in even more roughed up shoes. I had not been born to be scared out of my wits, but that is what happened. Through a set of experiences early in my life, I grew up fearful that some financial tragedy would strike at any moment, as when I was certain that the recession of 1973 would lead to chaos—burned cars and street fighting. During the recession I roomed with my brother and I suggested that we try to become vegetarians. My brother looked up from his drawing board and replied: “Aren’t we already?” I thought about it for a while, and it was true. I was getting most of my hearty meals from my girlfriend, Carolyn, who would later become my wife. She had a job with great pay, and when she opened her refrigerator I almost wept for the bologna, sliced ham, and drumsticks. I spied the cheeses and imported olives, tomatoes, and the artichoke hearts. I opened the freezer—chocolate ice cream!

At that time Carolyn put up with my antics, so when I suggested that we buy fifty dollars worth of peanut butter and pinto beans to store under her bed, she happily wrote out a check because she was in love and didn’t know any better. I was certain that in 1974 the country would slide
into a depression and those who were not prepared would be lost. We hid the rations in the house and sat at the front window to wait for something to happen.

What happened was that we married and I loosened up. I still fear the worst, but the worst is not what it once was. Today I bought a pair of shoes; tomorrow I may splurge to see a movie, with a box of popcorn and a large soda that will wash it all down. It’s time to live, I tell myself, and if a five dollar bill flutters from my hands, no harm will result. I laugh at the funny scenes that aren’t funny, and I can’t think of any better life.

W
hat was there to do in summer? After seeing my wife off to work at 7:00 in the morning, I climbed back into bed and fell asleep with our cat Benny, who was equally oblivious to the fact that most people were off to their tasks of making money. I slept hard, open-mouthed and dreaming and woke up about ten to a spear of sunlight through the curtained window—a window that was screenless so that a few flies, loosened from tuna cans and pie tins in the alley, circled the room, their blue engines coming and going from the window to the different points of my body.

It was mid-morning—or two-and-a-half hours after my wife had started answering questions about financial aid at Fresno State—when I sat at the kitchen table with my coffee and the
Fresno Bee
opened first to baseball scores, then to the tragic murders or attempted murders, then back to baseball scores. The facts always woke me up.

By eleven I was dressed in jeans and a comfortably loose T-shirt. I sat in the living room, legs crossed, and literally waited for a poem to surface from a brain cell, because I was clear-headed and eager to push words from one side of the page to the next. I was eager to reinvent my childhood, to show others the chinaberry tree, ants, shadows, dirty spoons—those nouns that made up much of my poetry. On that day in August nothing came except
a few stilted lines about loneliness in contemporary society. I felt sick. The poems I had written in the previous weeks had been dismal efforts to rekindle a feel for the past. There I was, author of a prize-winning collection of poems, with another on the way, and I was troubled, even scared, that an empty head might weigh my previously square and confident shoulders. I sipped another coffee and rechecked the murders, this time in the
Fresno Guide
, and still came up with “loneliness in contemporary society.”

We lived in a complex of seven identical cottages which, if in another part of town, might have been considered charming and even historically interesting. But our complex sat between busy streets in an area of loud service vehicles. We were fenced in on three sides by Barnett’s Key Shop, a bar called The Space, and an adult movie house called The Venus. It was a “convenient” area. If one day I had locked myself out of our cottage, I could have shouted and Mr. Barnett would have heard; if I had grumbled at my bad luck, I could have downed beers at The Space and talked with those who couldn’t talk and felt much better about myself; or if I had lusted over the unattainably wicked, I could have crossed the street and entered the cool dark of The Venus to sit among the fidgeting patrons, their laps full of popcorn.

Because the area was suspiciously run-down, the rent was only a hundred dollars. We were in the seventh cottage, some distance from the busy streets and milky stares of the regulars leaving The Space. It was a relatively quiet complex since most tenants were retired. One of them was a slow-shuffling problem-drinker named Ziggy. His problem was that he couldn’t get enough. By late morning, after making a few swipes at the sidewalk with a broom and stooping for candy wrappers that had scuttled in from the rush of traffic, he was ready to put on a jacket
and take the 50 or so steps to The Space where he spent the day mumbling, head down and looking into beers. Like most quiet alcoholics, Ziggy was common and uninteresting, except that he had become friend to cockroaches. “Those critters ain’t nothin’ … thur like you and me,” he said to me once at his front door and waved for me to come with him. I followed lamely and was led in shuffles to his kitchen. When the light went on, hundreds of cockroaches began to scatter and bump into one another, creating a dull clicking sound. Ziggy laughed stupidly and watched my face wrinkle with a frown as I stepped back, obviously disgusted. In a way this was Ziggy’s entertainment: To lure a person to his cottage in order to laugh at a startled face when the lights went on and the floor began to move.

The other tenants kept to themselves, and we did the same. That summer we poked a few holes in the triangle-shaped plot behind the cottage and planted zucchini and tomatoes. Within a month the zucchini fattened and the tomatoes were bloated red as Christmas ornaments. In the evening I often sat behind the cottage marveling at how these plants had grown scraggly with fruit; how from small plugs they had taken over the small patch of earth within a matter of weeks, inviting snails, worms, spiders, and “creepy things” I couldn’t even begin to name. I considered anything that didn’t talk, bark, meow, roar, screech, chirp, or hee-haw an insect. It made the world much easier to understand.

By late July we were eating tomatoes daily: Eggs and tomatoes for breakfast, tomatoes bleeding between two slices of toast for lunch, and tomatoes in an austere salad of lettuce and vinegar for dinner. A late evening snack might be a chilled tomato enjoyed in front of Johnny Carson when the air conditioner had just been turned off and the windows raised, the night heat slowly descending upon us like a heavy jacket.

By early August we were at the point of unloading bags of tomatoes and zucchini onto our relatives who, in turn, wanted to shove even larger bags of the same into our arms. Throughout Fresno the gardens were full and a whole community busied itself trying to force gifts of home grown produce on one another. “Here, let’s look at photos of our vacation, and while we’re at it, let me give you a couple of bags of zucchini,” one might say to a favorite uncle, the garden at home producing more than one could possibly pass around on a good evening.

It had been a difficult year for my wife and me. We had returned in May from Mexico City with little money to inherit this cottage from my brother who was on the way up to an apartment with beamed ceilings and a swimming pool. He had had enough of the drunks who seemed forever circling the cottages, on occasion knocking at his door to borrow a wrench to fix their steaming cars or to use the telephone because they were bleeding under their shirts.

We gladly moved in. We painted one room, then another. We became ambitious and waxed the hardwood floors with my worst T-shirts. We tore off the contact paper stuck on the bathroom window, fitting it with a bright yellow shade. A week later the apartment was in order, and the next order of business was to find jobs. We scanned the want ads; we thumbed through the job listings at the unemployment building and followed the faintest rumor of work. But the truth was that neither of us wanted to be locked into jobs. We therefore brainstormed to figure a way to get by without going outside the house and came up with sign painting. An artist by training, Carolyn could paint FM Motors, A-1 Body Shop, Victor’s Repo Depot and the like with little effort. This decided, I was made salesman and my first attempt was to snare Garoupa’s Grocery, which had just moved
next to The Space. A mistake for the owner, but money for us we thought.

Garoupa, a second-generation Portuguese whose laughter rose from his belly first and then into his mouth, was a small-time capitalist. He had come to love money late in his life and worked eagerly at becoming successful, first with a small store that was no bigger than a child’s bedroom and then a full-fledged grocery with a meat counter and vegetable bins—what zucchini could not be given away wound up in his grocery slowly growing soft.

“Go out there and do it,” Carolyn said. I put on an ironed shirt, slipped into my best shoes and walked to his front door briskly with a sense of audacity. But when I opened the screened door, I spotted Garoupa behind the meat counter sniffing a handful of ground round. He threw it back into the glassed counter and asked if I needed help. I looked around, from the smoke-dusted ceiling to the poorly stocked shelves. A flurry of small fans stirred the air, and I, with cold feet, pretended not to hear him and went off to search the vegetable bins. Yes, the zucchini was there, puckering in the heat. I picked one up, weighed it, and tapped it in my palm, a maneuver that gave me time to muster courage. I didn’t know how to approach this burly character. What words could I use to ask for work. “Hey there, Big Daddy, how ’bout me painting a sign for you,” I could say to which he might wave, “Get outta here.” There I was, a prize-winning poet, with another book on the way, growing useless before bins of sad vegetables. I knew the works of the best poets of this century, most of the novelists, and the short story writer who wrote: “There’s every reason to cry.” I had studied the Bible. I had underlined passages from Hamlet and knew an epigram from the Vietnamese by heart: “Spit straight up and learn something,” which I easily could have applied to that day.

I examined an onion, then a handful of limp peas, and
then turned to Garoupa. I searched his coughing face behind the meat counter, a face the color of the sausage he was selling. He wiped his mouth slowly and said: “Yes!” I asked for raisins to which he replied he had none. I turned to the freezer and bought a Popsicle and brought it home to Carolyn. It was her favorite: Cherry. I broke it in two, and it was something like love, the juice running down our arms.

Garoupa’s Grocery started slowly but later snowballed into a success. He himself became adventurous and opened Garoupa’s Dance Studio next to The Venus. I suppose he imagined that after watching a porno flick patrons might want to rush next door to take lessons in the Cha-Cha. Perhaps so. The dance studio, too, became a success, but later closed for reasons we were not much interested in; we were gone and living in the Bay Area.

Carolyn found a job in financial aid at Fresno State and I was left to my own devices: reading Yourcenar’s
Hadrian’s Memoirs
and writing poems that I crushed into balls and hurled at our cat Benny. The poems failed to excite, although when Carolyn came home, red and steaming from the ten mile drive from work, I hugged and kissed and told her about the wonderfully effortless lines that I had written for the day—lines that would raise us from our poverty. “I’m boy wonder,” I often told her, flexing my muscles. She would go through a pantomime of excitement and rub them, cooing: “O you hot Latins.”

When it was obvious that, for whatever reason, the poems I had been writing were bad, I began to consider finding a real job. Gas station attendant, car salesman, apprentice baker? The choices were endlessly sad, and so was I when I woke one day to the realization that I could only write and teach poetry and grow sad after each chapter of
Madame Bovary
. I thought of my brother who, at
twenty-two and down to three dollars and an ashtray of pennies, said “Damn,” pumped up the tires of my old bike and rode off to the Whirl Wind Car Wash to plead for work—my brother the artist, the not-so-hot guitar player, child of a difficult past.