London Fields (4 page)

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Authors: Martin Amis

Tags: #Mystery, #Performing Arts, #Screenplays, #City and town life, #Modern, #Contemporary, #London, #Literary, #Fiction, #Unread

BOOK: London Fields
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The sun, the sun, the . . . daubing sun:

The clouds are
putti
in its hands!'

They walked on. Hope's oval face looked resolute. The juices in her jaw were already addressing the toasted cheese-and-ham sandwich she would presently enjoy; then the notebook, the little Amex guide, the creamy coffee. 'Dreadful pun, I suppose,' Guy murmured. 'Oh, God.' A press of sightseers confronted them. As they forged through, with Hope taking the lead, their arms were sundered. Guy hurried to catch up.

'The
tourists,'
he said.

'Don't complain. That's idiotic. What do you think
you
are?'

'Yes but –'

'Yes but nothing.'

Guy faltered. He had turned to face the water and was craning his neck in obscure distress. Hope closed her eyes longsufferingly, and waited.

'Wait, Hope,' he said. 'Please look. If I move my head, then the sun moves on the water. My eyes have as much say in it as the sun.'

'. . .
Capisco.
'

'But that means – for everyone here the sun is different on the water. No two people are seeing the same thing.'

'I want my sandwich.'

She moved on. Guy lingered, clutching his hands, and saying, 'But then it's hopeless. Don't you think? It's . . . quite hopeless.'

And he whispered the same words at night in the hotel, and went on whispering them, even after their return to London, lying in sleep's caboose, seconds before Marmaduke woke him with a clout. 'But then it's hopeless . . . Utterly hopeless.'

In excellent fettle, in the pink or the blue of boyish good health during their absence, Marmaduke sickened dramatically within a few hours of their return. Evenhandedly he dabbled with every virus, every hatching, afforded by that early spring. Recovering from mumps, he reacted catastrophically to his final whooping-cough shot. Superflu followed superflu in efficient relay. Doctors now visited him, unasked and unpaid, out of sheer professional curiosity. At this point, and for no clear reason (Sir Oliver asked if he might write a paper about it), Marmaduke's health radically improved. Indeed, he seemed to shed his sickly self as if it were a dead skin or a useless appendage: from the feverish grub of the old Marmaduke sprang a musclebound wunderkind, clear-eyed, pink-tongued, and (it transpired) infallibly vicious. The change was all very sudden. Guy and Hope went out one day, leaving the usual gastroenteritic nightmare slobbering on the kitchen floor; they returned after lunch to find Marmaduke strolling round the drawing-room with his hands in his pockets, watched by several speechless nannies. He had never crawled. Instead, he appeared to have worked it out that he could cause much more trouble, and have much more fun, in a state of peak fitness. His first move was to dispense with that midnight nap. The Clinches hired more help, or they tried. An ailing baby was one thing; a strappingly malevolent toddler was quite another. Up until now, Guy and Hope's relationship, to the child and to each other, had been largely paramedical. After Marmaduke's renaissance, it became, well – you wouldn't say paramilitary. You'd say military. The only people they could get who stayed longer than an hour or two were male nurses sacked from lunatic asylums, Around the house, these days there was a kind of SWAT team of burly orderlies, as well as a few scarred nannies and au pairs. Dazedly yet without bitterness, Guy calculated that Marmaduke, now in his ninth month, had already cost him a quarter of a million pounds. They went away again.

This time they flew first-class to Madrid, stayed at the Ritz for three nights, and then hired a car and headed south. The car seemed powerful and luxurious enough; it was, without question, resoundingly expensive. (Hope whaled on the insurance. Guy studied the gold-rimmed document: they would airlift you out on almost any pretext.) But as they cruised, as they cruised and glistened one evening through the thin forests near the southernmost shore of the peninsula, a great upheaval or trauma seemed almost to dismantle the engine at a stroke – the manifold, the big end? In any event the car was clearly history. Around midnight Guy could push it no longer. They saw some lights: not many, and not bright.

The Clinches found accommodation in a rude
venta.
What with the bare coil of the bulb, the lavatorial damp, the flummoxed bed, Hope had burst into tears before the señora was out of the room. All night Guy lay beside his drugged wife, listening. At about five, after an interval reminiscent of one of Marmaduke's naps, the weekend roistering in the bar, the counterpoints of jukebox and Impacto machine, exhaustedly gave way to the shrieking gossip of the yard – with a cluck-cluck here and a whoof-whoof there, here a cheep, there a moo, everywhere an oink-oink. Worst or nearest was a moronic bugler of a cock, playing tenor to the neighbours' alto, with his room-rattling reveille. 'Cock-a-doodle-do', Guy decided, was one of the world's great euphemisms. At seven, after an especially unbearable tenor solo (as if the cock were finally heralding the entrance of some imperial superrooster), Hope jerked upright, swore fluently and foully, applied valium and eyemask, and bunched herself down again with her face pressed to her knees. Guy smiled weakly. There was a time when he could read love in the shape of his sleeping wife; even in the contours of the blankets he used to be able to read it. . .

He went outside, into the yard. The cock, the grotesque
gallo,
stood in its coop – yes, inches from their pillows – and stared at him with unchallengeable pomp. Guy stared back, shaking his head slowly. Hens were in attendance, quietly and unquestioningly supportive, among all the dust and rubbish. As for the two pigs, they were yahoos even by the standards of the yard. A dark half-grown Alsatian dozed in the hollow of an old oildrum. Sensing a presence, the dog jerked upright, waking sudden and crumpled, with sand dried into the long trap of the jaw, and moved towards him with compulsive friendliness. It's a girl, he thought: tethered, too. As he went to pet the animal they became entangled, entangled, it seemed, by the very amiability of the dog, by its bouncing, twisting amiability.

In pastel daubings the new prosperity lay to east and west but this place was kept poor by wind. Wind bled and beggared it. Like the cock, the wind just did its wind thing, not caring wherefore. Hot air rises, cool air fills the space: hence, somehow, the tearing and tugging, the frenzied unzippings of this sandpaper shore. In his tennis shorts Guy stepped off the porch and walked past the car (the car avoided his gaze) on to the tattered croisette. A motorbike, an anguished donkey shackled to its cart – nothing else. The sky also was empty, blown clean, an unblinking Africa of blue. Down on the beach the wind went for his calves like an industrial cleanser; Guy gained the hardened rump of damp sand and contemplated the wrinkly sea. It opened inhospitably to him. Feeling neither vigour nor its opposite, feeling no closer to life than to death, feeling thirty-five, Guy pressed on, hardly blinking as he crossed the scrotum barrier; and it was the water that seemed to cringe and start back, repelled by this human touch, as he barged his way down the incline, breathed deep, and pitched himself forward in the swimmer's embrace of the sea . . . Twenty minutes later, as he strode back up the beach, the wind threw everything it had at him, and with fierce joy the sand sought his eyes and teeth, the hairless tray of his chest. A hundred yards from the road Guy paused, and imagined surrendering to it (I may be gone some time), dropping to his knees and folding sideways under the icy buckshot of the air.

He queued for coffee in the awakening
venta.
The daughters of the establishment were mopping up; two men boldly conversed across the length of the dark room. Guy stood straight, barefoot, his skin and hair minutely spangled by the sand. An interested woman, had she been monitoring him with half an eye, might have found Guy Clinch well made, classical, above all healthy; but there was something pointless or needless in his good looks; they seemed wasted on him. Guy knew this. Stocky mat-shouldered Antonio, leaning against the pillar by the door, one hand limp on his round belly –and thinking with complacence of his own blood-red loincloth, with the good shoelace-and-tassel effect down there on the crotch – registered Guy not at all, not at all. And the poling daughters had thoughts only for Antonio, careless, drunken, donkey-flogging Antonio and his crimson bullybag . . . Guy drank the excellent coffee, and ate bread moistened with olive oil, out on the banging porch. He then took a tray into Hope, who ripped off her mask but lay there with her eyes closed.

'Have you achieved anything yet?'

'I've been swimming,' he said. 'It's my birthday.'

'. . . Many happy returns.'

'Young Antonio here is apparently pretty handy with a spanner.'

'Oh yes? The car's dead, Guy.'

Moments earlier, out on the banging porch, a ridiculous thing had happened. Hearing a rhythmical whimpering in the middle distance, Guy had raised his hands to his temples, as if to freeze-frame the thought that was winding through his head (and he wasn't given to them. He wasn't given to pornographic thoughts). The thought was this: Hope splayed and naked, being roughly used by an intent Antonio . . . Guy had then taken his last piece of bread into the yard and offered it to the tinned dog. (He also took another incredulous look at the cock, the stupid
gallo.)
The dog was whimpering rhythmically, but showed no appetite. Dirty and gentle-faced, the bitch just wanted to play, to romp, to fraternize, and just kept tripping on her tether. The length of filthy rope – six feet of it – saddened Guy in a way that Spanish cruelty or carelessness had never saddened him before. Down in the yard here, on a wind-frazzled stretch of empty shore, when the only thing that came free and plentiful was space and distance – the dog was given none of it. So poor, and then poor again, doubly, triply, exponentially poor.
I've found it,
thought Guy (though the word wouldn't come, not yet).
It is . . . I've found it and it's . . . It is

'So?'

'Why don't we stay here? For a few days? The sea's nice,' he said, 'once you're in. Until we get the car fixed. It's interesting.'

Hope's impressive bite-radius now readied itself over the first section of grilled bread. She paused. 'I can't bear it. You aren't going
dreamy
on me, are you Guy? Listen, we're out of here. We are
gone.
'

And so it became the kind of day where you call airlines and consulates and car-hire people in a dreary dream of bad connexions and bad Spanish: that evening, on the helipad at Algeciras, Hope favoured Guy with her first smile in twenty-four hours. Actually nearly all of this was achieved (between meals and drinks and swims) from the control tower of a six-star hotel further down the coast, a place full of rich old Germans, whose heavy playfulness and charmless appearance (Guy had to admit) powerfully reminded him of Marmaduke.

Thereafter it was all quite easy: not clear and not purposeful, but not difficult. Guy Clinch looked round his life for a dimension through which some new force might propagate. And his life, he found, was sewn-up, was wall-to-wall. It was closed. To the subtle and silent modulations of Hope's disgust, he started to open it. Guy had a job. He worked for the family business. This meant sitting about in a bijou flatlet in Cheapside, trying to keep tabs on the proliferating, the pullulating hydra of Clinch money. (It, too, was like Marmaduke: what
would
it
get up to next?) Increasingly, Guy stopped going in and just walked the streets instead.

Fear was his guide. Like all the others on the crescent Guy's house stood aloof from the road, which was all very well, which was all very fine and large; but fear had him go where the shops and flats jostled fascinatedly over the street like a crowd round a bearpit, with slot-game parlours, disastrous beaneries, soup queues, army hostels, with life set out on barrows, on pingpong tables, on decapitated Portakabins – the voodoo and the hunger, the dreadlocks and dreadnoughts, the Keiths and Kaths of the Portobello Road. Naturally Guy had been here before, in search of a corn-fed chicken or a bag of Nicaraguan coffee. But now he was looking for the thing itself.

TV AND DARTS, said the sign. AND PIMBALL. The first time Guy entered the Black Cross he was a man pushing through the black door of his fear . . . He survived. He lived. The place was ruined and innocuous in its northern light: a clutch of dudes and Rastas playing pool over the damp swipe of the baize, the pewtery sickliness of the whites (they looked like war footage), the twittering fruit-machines, the fuming pie-warmer. Guy asked for a drink in the only voice he had: he didn't tousle his hair or his accent; he carried no tabloid under his arm, open on the racing page. With a glass of medium-sweet white wine he moved to the pinball table, an old Gottlieb, with Arabian-Nights artwork (temptress, devil, hero, maiden) – Eye of the Tiger. Eye of the Tiger . . . A decrepit Irish youth stood inches away whispering
who's the boss who's the boss
into Guy's ear for as long as he seemed to need to do that. Whenever Guy looked up a dreadful veteran of the pub, his face twanging in the canned rock, stared at him bitterly, like the old man you stop for at the zebra who crosses slowly, with undiminished suspicion: no forgiveness there, not ever. The inprehensible accusations of a sweat-soaked black girl were finally silenced by a five-pound note. Guy stayed for half an hour, and got out. He took so much fear away with him that there had to be less of it each time he returned. But going there at night was another entry.

Keith was the key: Keith, and his pub charisma. Keith was the pub champ. The loudest, the most booming in his shouts for more drink, the most violent in his abuse of the fruit machine, the best at darts – a darts force in the Black Cross . . . Now plainly Keith had to do something about Guy, who was far too anomalous to be let alone, with his pub anticharisma. Keith had to ban him, befriend him, beat him up. Kill him. So he pouched his darts one day and walked the length of the bar (regulars were wondering when it would happen), leaned over the pinball table with an eyebrow raised and his tongue between his teeth: and bought Guy a drink. The hip pocket, the furled tenners. Keith's house had many mansions. The whole pub shook with silent applause.

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