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Authors: Jack Kerouac

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The whore who come up to me in there the night I was there with Al Buckle and said to me “You wanta play with me tonight Jim, and?” and I didnt think I had enough money and later told this to Charley Low and he laughed and said “How do you know she wanted money always take the chance that she might be out just for love or just out for love you know what I mean man dont be a sucker.” She was a goodlooking doll and said “How would you like to oolyakoo with me mon?” and I stood there like a jerk and in fact bought drink got drink drunk that night and in the 299 Club I was hit by the proprietor the band breaking up the fight before I had a chance to decide to hit him back which I didnt do and out on the street I tried to rush back in but they had locked the door and were looking at me thru the forbidden glass in the door with faces like undersea—I should have played with her shurrouruuruuruuruuruuruurkdiei.

DESPITE THE FACT I WAS A BRAKEMAN making 600 a month I kept going to the Public restaurant on Howard Street which was three eggs for 26 cents 2 eggs for 21 this with toast (hardly no butter) coffee (hardly no coffee and sugar rationed) oatmeal
with dash of milk and sugar the smell of soured old shirts lingering above the cookpot steams as if they were making skidrow lumberjack stews out of San Francisco ancient Chinese mildewed laundries with poker games in the back among the barrels and the rats of the earthquake days, but actually the food somewhat on the level of an oldtime 1890 or 1910 section-gang cook of lumber camps far in the North with an oldtime pigtail Chinaman cooking it and cussing out those who didnt like it. The prices were incredible but one time I had the beef-stew and it was absolutely the worst beefstew I ever et, it was incredible I tell you—and as they often did that to me it was with the most intensest regret that I tried to convey to the geek back of counter what I wanted but he was a tough sonofabitch, ech, ti-ti, I thought the counterman was kind of queer especially he handled gruffly the hopeless drooldrunks, “What now you doing you think you can come in here and cut like that for God's sake act like a man won't you and eat or get out-t-t-t-”—I always did wonder what a guy like that was doing working in a place like that because, but why some sympathy in his horny heart for the busted wrecks, all up and down the street were restaurants like the Public catering exclusively to bums of the black, winos with no money, who found 21 cents left over from wine panhandlings and so stumbled in for their third or fourth touch of food in a week, as sometimes they didnt eat at all and so you'd see them in the corner puking white liquid which was a couple quarts of rancid sauterne rotgut or sweet white sherry and they had nothing on their stomachs, most of them had one leg or were on crutches and had bandages around their feet, from nicotine and alcohol poisoning together, and one time finally on my way up Third near Market across the street from Breens, when in early 1952 I lived on Russian Hill and didnt quite dig the complete horror
and humor of railroad's Third Street, a bum a thin sickly littlebum like Anton Abraham lay face down on the pavement with crutch aside and some old remnant newspaper sticking out and it seemed to me he was dead. I looked closely to see if he was breathing and he was not, another man with me was looking down and we agreed he was dead, and soon a cop came over and took and agreed and called the wagon, the little wretch weighed about 50 pounds in his bleeding count and was stone mackerel snotnose cold dead as a bleeding doornail—ah I tell you—and who could notice but other half dead deadbums bums bums bums dead dead times X times X times all dead bums forever dead with nothing and all finished and out—there.— And this was the clientele in the Public Hair restaurant where I ate many's the morn a 3-egg breakfast with almost dry toast and oatmeal a little saucer of, and thin sickly dishwater coffee, all to save 14 cents so in my little book proudly I could make a notation and of the day and prove that I could live comfortably in America while working seven days a week and earning 600 a month I could live on less than 17 a week which with my rent of 4.20 was okay as I had also to spend money to eat and sleep sometimes on the other end of my Watson-ville chaingang run but preferred most times to sleep free of charge and uncomfortable in cabooses of the crummy rack—my 26-cent breakfast, my pride.— And that incredible semiqueer counterman who dished out the food, threw it at you, slammed it, had a languid frank expression straight in your eyes like a 1930's lunch-cart heroine in Steinbeck and at the steamtable itself labored coolly a junkey-looking Chinese with an actual stocking in his hair as if they'd just Shanghai'd him off the foot of Commercial Street before the Ferry Building was up but forgot it was 1952, dreamed it was i860
goldrush Frisco—and on rainy days you felt they had ships in the back room.

I'D TAKE WALKS UP HARRISON and the boom-crash of truck traffic towards the glorious girders of the Oakland Bay Bridge that you could see after climbing Harrison Hill a little like radar machine of eternity in the sky, huge, in the blue, by pure clouds crossed, gulls, idiot cars streaking to destinations on its undinal boom across shmoshwaters flocked up by winds and news of San Rafael storms and flash boats.— There O I always came and walked and negotiated whole Fríseos in one afternoon from the overlooking hills of the high Fillmore where Orient-bound vessels you can see on drowsy Sunday mornings of poolhall goof like after a whole night playing drums in a jam session and a morn in the hall of cuesticks I went by the rich homes of old ladies supported by daughters or female secretaries with immense ugly gargoyle Frisco millions fronts of other days and way below is the blue passage of the Gate, the Alcatraz mad rock, the mouths of Tamalpais, San Pablo Bay, Sausalito sleepy hemming the rock and bush over yonder, and the sweet white ships cleanly cutting a path to Sasebo.— Over Harrison and down to the Embarcadero and around Telegraph Hill and up the back of Russian Hill and down to the play streets of Chinatown and down Kearney back across Market to Third and my wild-night neon twinkle fate there, ah, and then finally at dawn of a Sunday and they did call me, the immense girders of Oakland Bay still haunting me and all that eternity too much to swallow and not knowing who I am at all but like a big plump longhaired baby walking up in the dark trying to wonder who I am the door knocks and it's the desk keeper of the flop
hotel with silver rims and white hair and clean clothes and sickly potbelly said he was from Rocky Mount and looked like yes, he had been desk clerk of the Nash Buncome Association hotel down there in 50 successive heatwave summers without the sun and only palmos of the lobby with cigar crutches in the albums of the South and him with his dear mother waiting in a buried log cabin of graves with all that mashed past historied underground afoot with the stain of the bear the blood of the tree and cornfields long plowed under and Negroes whose voices long faded from the middle of the wood and the dog barked his last, this man had voyageured to the West Coast too like all the other loose American elements and was pale and sixty and complaining of sickness, might at one time been a handsome squire to women with money but now a forgotten clerk and maybe spent a little time in jail for a few forgeries or harmless cons and might also have been a railroad clerk and might have wept and might have never made it, and that day I'd say he saw the bridgegirders up over the hill of traffic of Harrison like me and woke up mornings with same lost, is now beckoning on my door and breaking in the world on me and he is standing on the frayed carpet of the hall all worn down by black steps of sunken old men for last 40 years since earthquake and the toilet stained, beyond the last toilet bowl and the last stink and stain I guess yes is the end of the world the bloody end of the world, so now knocks on my door and I wake up, saying “How what howp howelk howel of the knavery they've meaking, ek and wont let me slepit? Whey they dool? Whand out wisis thing that comes flarminging around my dooring in the mouth of the night and there everything knows that I have no mother, and no sister, and no father and no bot sosstle, but not crib” I get up and sit up and says “Howowow?” and he says “Telephone?” and I have to put on my
jeans heavy with knife, wallet, I look closely at my railroad watch hanging on little door flicker of closet door face to me ticking silent the time, it says 4:30
AM
of a Sunday morn, I go down the carpet of the skidrow hall in jeans and with no shirt and yes with shirt tails hanging gray workshirt and pick up phone and ticky sleepy night desk with cage and spittoons and keys hanging and old towels piled clean ones but frayed at edges and bearing names of every hotel of the moving prime, on the phone is the Crew Clerk, “Kerroway?” “Yeah.” “Kerroway it's gonna be the Sherman Local at 7
AM
this morning.” “Sherman Local right.” “Out of Bayshore, you know the way?” “Yeah.” “You had that same job last Sunday—Okay Keroway-y-y-y-y.” And we mutually hang up and I say to myself okay it's the Bayshore bloody old dirty hagglous old coveted old madman Sherman who hates me so much especially when we were at Redwood Junction kicking boxcars and he always insists I work the rear end tho as one-year man it would be easier for me to follow pot but I work rear and he wants me to be right there with a block of wood when a car or cut of cars kicked stops, so they wont roll down that incline and start catastrophes, O well anyway I'll be learning eventually to like the railroad and Sherman will like me some day, and anyway another day another dollar.

And there's my room, small, gray in the Sunday morning, now all the franticness of the street and night before is done with, bums sleep, maybe one or two sprawled on sidewalk with empty poorboy on a sill—my mind whirls with life.

SO THERE I AM IN DAWN in my dim cell—2½ hours to go till the time I have to stick my railroad watch in my jean watchpocket and cut out allowing myself ex
actly 8 minutes to the station and the 7:15 train No. 112 I have to catch for the ride five miles to Bayshore through four tunnels, emerging from the sad Rath scene of Frisco gloom gleak in the rainymouth fogmorning to a sudden valley with grim hills rising to the sea, bay on left, the fog rolling in like demented in the draws that have little white cottages disposed real-eastatically for come-Christmas blue sad lights—my whole soul and concomitant eyes looking out on this reality of living and working in San Francisco with that pleased semiloin-located shudder, energy for sex changing to pain at the portals of work and culture and natural foggy fear.-—There I am in my little room wondering how I'll really manage to fool myself into feeling that these next 2% hours will be well filled, fed, with work and pleasure thoughts.— It's so thrilling to feel the coldness of the morning wrap around my thickquilt blankets as I lay there, watch facing and ticking me, legs spread in comfy skidrow soft sheets with soft tears or sew lines in ‘em, huddled in my own skin and rich and not spending a cent on—I look at my littlebook—and I stare at the words of the Bible.— On the floor I find last red afternoon Saturday's
Chronicle
sports page with news of football games in Great America the end of which I bleakly see in the gray light entering.— The fact that Frisco is built of wood satisfies me in my peace, I know nobody'll disturb me for 2½ hours and all bums are asleep in their own bed of eternity awake or not, bottle or not—it's the joy I feel that counts for me.—On the floor's my shoes, big lumberboot flopjack workshoes to colomp over rockbed with and not turn the ankle—solidity shoes that when you put them on, yokewise, you know you're working now and so for same reason shoes not be worn for any reason like joys of restaurant and shows.— Night-before shoes are on the floor beside the clunkershoes a pair of blue canvas
shoes à la 1952 style, in them I'd trod soft as ghost the indented hill sidewalks of Ah Me Frisco all in the glitter night, from the top of Russian Hill I'd looked down at one point on all roofs of North Beach and the Mexican nightclub neons, I'd descended to them on the old steps of Broadway under which they were newly laboring a mountain tunnel—shoes fit for watersides, embarcaderos, hill and plot lawns of park and tiptop vista. Workshoes covered with dust and some oil of engines—the crumpled jeans nearby, belt, blue railroad hank, knife, comb, keys, switch keys and caboose coach key, the knees white from Pajaro Riverbottom finedusts, the ass black from slick sandboxes in yardgoat after yardgoat—the gray workshorts, the dirty undershirt, sad shorts, tortured socks of my life.— And the Bible on my desk next to the peanut butter, the lettuce, the raisin bread, the crack in the plaster, the stiff-with-old-dust lace drape now no longer laceable but hard as—after all those years of hard dust eternity in that Cameo skid inn with red eyes of rheumy oldmen dying there staring without hope out on the dead wall you can hardly see thru windowdusts and all you heard lately in the shaft of the rooftop middle way was the cries of a Chinese child whose father and mother were always telling him to shush and then screaming at him, he was a pest and his tears from China were most persistent and worldwide and represented all our feelings in brokendown Cameo tho this was not admitted by bum one except for an occasional harsh clearing of throat in the halls or moan of nightmarer—by things like this and neglect of a hard-eyed alcoholic oldtime chorusgirl maid the curtains had now absorbed all the iron they could take and hung stiff and even the dust in them was iron, if you shook them they'd crack and fall in tatters to the floor and spatter like wings of iron on the bong and the dust would fly into your nose like filings of steel and
choke you to death, so I never touched them. My little room at 6 in the comfy dawn (at 4:30) and before me all that time, that fresh-eyed time for a little coffee to boil water on my hot plate, throw some coffee in, stir it, French style, slowly carefully pour it in my white tin cup, throw sugar in (not California beet sugar like I should have been using but New Orleans cane sugar, because beet racks I carried from Oakland out to Watsonville many's the time, a 80-car freight train with nothing but gondolas loaded with sad beets looking like the heads of decapitated women).— Ah me how but it was a hell and now I had the whole thing to myself, and make my raisin toast by sitting it on a little wire I'd especially bent to place over the hotplate, the toast crackled up, there, I spread the margarine on the still red hot toast and it too would crackle and sink in golden, among burnt raisins and this was my toast.— Then two eggs gently slowly fried in soft margarine in my little skidrow frying pan about half as thick as a dime in fact less, a little piece of tiny tin you could bring on a camp trip—the eggs slowly fluffled in there and swelled from butter steams and I threw garlic salt on them, and when they were ready the yellow of them had been slightly filmed with a cooked white at the top from the tin cover I'd put over the frying pan, so now they were ready, and out they came, I spread them out on top of my already prepared potatoes which had been boiled in small pieces and then mixed with the bacon I'd already fried in small pieces, kind of raggely mashed bacon potatoes, with eggs on top steaming, and on the side lettuce, with peanut butter dab nearby on side.— I had heard that peanut butter and lettuce contained all the vitamins you should want, this after I had originally started to eat this combination because of the deliciousness and nostalgia of the taste—my breakfast ready at about 6:45 and as I eat already I'm dressing to go
piece by piece and by the time the last dish is washed in the little sink at the boiling hotwater tap and I'm taking my lastquick slug of coffee and quickly rinsing the cup in the hot water spout and rushing to dry it and plop it in its place by the hot plate and the brown carton in which all the groceries sit tightly wrapped in brown paper, I'm already picking up my brakeman's lantern from where it's been hanging on the door handle and my tattered timetable's long been in my backpocket folded and ready to go, everything tight, keys, timetable, lantern, knife, handkerchief, wallet, comb, railroad keys, change and myself. I put the light out on the sad dab mad grub little diving room and hustle out into the fog of the flow, descending the creak hall steps where the old men are not yet sitting with Sunday morn papers because still asleep or some of them I can now as I leave hear beginning to disfawdle to wake in their rooms with their moans and yorks and scrapings and horror sounds, I'm going down the steps to work, glance to check time of watch with clerk cage clock.— A hardy two or three oldtimers sitting already in the dark brown lobby under the tockboom clock, toothless, or grim, or elegantly mustached—what thought in the world swirling in them as they see the young eager brake-man bum hurrying to his thirty dollars of the Sunday—what memories of old homesteads, built without sympathy, hornyhanded fate dealt them the loss of wives, childs, moons—libraries collapsed in their time—oldtimers of the telegraph wired wood Frisco in the fog gray top time sitting in their brown sunk sea and will be there when this afternoon my face flushed from the sun, which at eight'll flame out and make sunbaths for us at Redwood, they'll still be here the color of paste in the green underworld and still reading the same editorial over again and wont understand where I've been or what for or what.— I have to get out of
there or suffocate, out of Third Street or become a worm, it's alright to live and bed-wine in and play the radio and cook little breakfasts and rest in but O my I've got to go now to work, I hurry down Third to Townsend for my 7:15 train—it's 3 minutes to go, I start in a panic to jog, goddam it I didnt give myself enough time this morning, I hurry down under the Harrison ramp to the Oakland-Bay Bridge, down past Schwei-backer-Frey the great dim red neon printshop always spectrally my father the dead executive I see there, I run and hurry past the beat Negro grocery stores where I buy all my peanut butter and raisin bread, past the redbrick railroad alley now mist and wet, across Townsend, the train is leaving!

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