Long Lankin (39 page)

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Authors: Lindsey Barraclough

BOOK: Long Lankin
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Only partly lit by the thin sheets of sunlight that pierced the spaces between the thick curtains, I saw Mimi’s little outline under the blankets of a vast wooden bed with, at its head and foot, heavily carved panels of fruits and curling leaves.

In the half-darkness, Mimi looked tiny, pale, and fragile as bone china. One hand, with Sid loosely cradled in it, rested on the bedspread, embroidered with so many scattered flowers it looked as if she were lying in a meadow. I brushed her fingers gently with the back of my own, leaned over, and kissed her soft hair.

“I’ll get you home, Mimi,” I whispered. “Honest. Soon as Auntie gets back, I’ll tell her we’re going, even if I’ve got to carry you all the way to London myself. I’ll look after you, keep you safe.”

She stirred a little and closed her hand around Sid.

I sat with Mimi until I heard Finn’s bark of greeting. Auntie must have returned.

As I made my way back along the landing, I heard another noise from below, from the direction of the kitchen. I leaned over the rail and listened, then crept down a few stairs. Taking each tread one by one, I moved farther down still, until I reached the bottom and stood in the hall, uncertain what I should do.

It was dreadful sobbing, terrible to hear, the sound of a shattered heart.

I tiptoed along the hall and peeped through the crack between the open kitchen door and its frame.

Auntie Ida was sitting at the big table, holding her head in her hands, clutching a sodden handkerchief, her whole body racked and shuddering. Finn sat looking up at her, whining, putting a paw on her knee then bringing it down and shifting on his back legs.

I still didn’t know what to do and had just decided to creep away and not let on that I’d heard anything when Finn got up, padded over to me, and whimpered. I tried to shoo him away quietly, but he gave a soft bark and I knew I had to come out from behind the door.

Auntie Ida looked over with bloodshot eyes, swollen and streaming. Her mouth trembled; her hair hung down in wet strings. She turned away, but the tears and the noise kept coming.

I moved towards the table. In front of Auntie lay an old book, the open pages wet with teardrops. I looked down. It was
The Pilgrim’s Progress
. We’d read some of it at school.

But now, in this Valley of
Humiliation,
poor Christian was hard put to it; for he had gone but a little way, before he espied a foul Fiend coming over the field to meet him; his name is Apollyon. Then did Christian begin to be afraid, and to cast in his mind whether to go back or to stand his ground: But he considered again that he had no Armor for his back, and therefore thought that to turn the back to him might give him the greater advantage with ease to pierce him with his Darts. Therefore he resolved to venture and stand his ground; For, thought he, had I no more in mine eye than the saving of my life, “’twould be the best way to stand.

“Can — can I help, Auntie Ida? Is it something I’ve done?”

“No — no,” she sobbed at last, groping for the words. “It — it isn’t you, Cora.”

“Shall I make a cup of tea?” I went to the big stone sink and filled up the kettle.

“There are lots — lots of things I should have told you,” she said in the end, mopping her eyes.

“I probably know most of them.” I lit the stove and put the kettle on to boil. “I know about Long Lankin, Auntie.”

She stared at the open book for quite a while. I stood against her shoulder and looked, too.

So he went on, and
Apollyon
met him. Now the Monster was hideous to behold; he was cloathed with scales like a Fish (and they are his pride); he had wings like a Dragon, feet like a Bear, and out of his belly came Fire and Smoke; and his mouth was as the mouth of a Lion. When he was come up to
Christian,
he beheld him with a disdainful countenance, and thus began to question with him.

APOLLYON
. Whence come you? And whither are you bound? . . .

“Cora —” said Auntie at last, tears beginning to spill from her eyes again. “Cora, I saw my little — my little boy this morning — Edward — I saw him. . . .”

“What?”

“Down — down at the church. I — I’ve begun to go there again, and — and sometimes the children come, and other times they don’t come,” she sobbed. “I go because I hope I’ll see him, but if I do, it’s terrible, because he’s neither dead nor alive. He still knows me. He — he calls out to me, Cora, he calls —‘Mummy!’— but I can’t — I can’t reach him.” A horrible rattle left her throat. Her shoulders shook, and the pitiful crying began again.

“But even — even if I knew how to set him free,” she was weeping, the words running into each other, “but even if I knew how, even if I was able to do it, then I would never see him again. He would be lost to me forever. And — and the worst thing is — he fills me with fear — my own little boy — he frightens me — there’s only a bit of the real him left — but I can’t stop wanting to see him — even though he’s become — I don’t know what he’s become —”

I warmed the teapot and spooned in some fresh tea leaves.

“I thought — I thought it had all finished when the great flood came. How could it have gone on? How could Lankin have survived, being afraid of the water? Then — then, when Mimi said she saw the man in the graveyard, I went — I went down to see if I — if I could still see my son . . . and it took me a long time. . . . If he hadn’t come to me first . . . I — I don’t know which is my brother Tom, because the longer the children are with him, the more like him — the more like him they become. But my son — his eyes . . . his little eyes . . . Yet he still knows me, he knows me, Cora . . . even now that I’m getting old.”

I took down two cups and saucers from the dresser, found a jug of yesterday’s milk in the pantry, and poured out the tea. We sat down opposite each other at the table and stirred in a lot of sugar. Auntie Ida dabbed her eyes and blew her nose with the same soaking handkerchief.

“I’ll have to get another,” she said.

“I’ll go.” I left the kitchen to fetch one from the pile of clean laundry in the outhouse. When I returned, more tears were running down Auntie’s cheeks. She looked old and worn out, shredded into pieces.

“I’ve — I’ve seen the children, Auntie Ida,” I said. “I think I’ve seen Mum’s little sister, Anne.”

“Yes, I’ve seen her, and all the others, all the others. . . . I used to go and see my brother Tom all the time when I was a little girl — it was as if he had never gone — as if he were just in a different place — and it made me feel better because, Cora, when he was taken — when he disappeared —”

She covered her eyes with the fresh handkerchief and groaned, and the groan was so laden with misgiving and regret that I found helpless tears pricking my own eyes at the sound.

“When he disappeared — Roland — my big brother, Roland, and my sister, Agnes — Roland, and Agnes — and me —” she said, taking the handkerchief from her face and pulling it around in her hands. “Cora, we were — we were hiding from him — we were teasing him. We could hear him running around the house looking for us. We were hiding — hiding in the priest’s hole. Roland said some woman had shown him where it was, but we thought he was pretending about the woman and had just come across it himself. Sometimes — sometimes Roland would disappear for a long time. He would go into the dark places in the house, places where Agnes and Tom and me would never go. We went inside the hole, but we thought it was funny to hide from Tom. We were . . . laughing at him, laughing at him crying and calling for us.

“Our parents were up in town. We had hardly any house servants here. They were frightened of what they saw and heard and couldn’t bear the doors and windows always having to be kept locked. None of them ever stayed for long, and Mother could never get anyone from the village to work for us.

“Our old nurse, Joan, was fast asleep as usual. It was so hot that day, and she was almost completely deaf. She never noticed anything that went on. But there was a new maid-of-all-work from Hilsea only started a couple of days before — she must have opened the back door to let in some air — she probably thought the whole business of locking the doors was nonsense, as most strangers do — we were used to a stifling house — we just thought that was how houses were.

“We were hidden away in the priest’s hole, squashed together, laughing, when Tom screamed — it was terrible — we tried to get out but we couldn’t work the hidden doors — they’re so old. There are two doors, one after the other, and we couldn’t get the first one open again. We were trapped for what seemed like hours, banging and banging on the panelling and shouting, exhausted, before Roland managed to release it, but we were too late — too late.”

Auntie sat there, wringing and unwringing the soaking handkerchief.

“Then, some time later, I let it slip to my mother that I used to go and see Tom in the churchyard and that maybe she’d like to go down and talk to him and it might make her feel better. Her fury was unimaginable, like nothing I’d ever seen. She had the most appalling temper.

“My father felt — he felt guilty — for Tom. He felt he should have taken his family away from this house, but . . . somehow he couldn’t do it. I think I understand that now.

“Then, when — when Roland was killed in April 1918, Father spent most of the rest of his life, which wasn’t long, staying at his London club, and then Agnes ran away with Jack Swift. Eventually Mother died as well, in the house in Onslow Gardens. Everyone — everyone left.”

It was ages before Auntie could speak again; then, when she did, I could hardly hear her. I don’t think she could bear to say it.

“It’s all my fault — all of it — my neglect. I left Susan and Anne in the house alone. If I’d told Susan
why
she had to keep the door locked, instead of losing my temper with her, she wouldn’t have opened it, and Anne would have been all right. We had a land girl, Vera, staying here just before it happened. I lost my temper with her as well. She was so fond of Annie. She would have watched her, if I had just explained, but I didn’t expect anyone to believe me. . . . If I had just told her to keep Annie safe when the tide went out, to guard her when the mud went dry. . . .”

Auntie Ida wiped her face and got up out of the chair. She swayed a little, waited a few seconds, then went over to the dresser and opened the right-hand drawer. It was stuffed full of old bills and letters. Auntie shuffled through them. Creased brown envelopes, pieces of paper, and yellowing postcards spilled out of the drawer and drifted down to the floor. She found the letter she was searching for and didn’t bother to pick up the scattered things or even close the drawer.

The address is written in a child’s hand. A painstaking effort to be neat.

My fingers shake as I remove the folded page from its envelope. I remember thinking, when it arrived all those years ago, that the small splash marks all over the cheap lined paper were careless smudges. They irritated me at the time. Now I run my eyes down the letter and I see that they are teardrops.

With an anguished heart, I hand the letter to Cora.

Limehouse

London E14

14th August 1940

Dear Auntie Ida,

I am so sorry. I do not know how to tell you how sorry I am. I have never been so sorry in all of my life. Everyone is so angry with me. Mum won’t talk to anyone, specially not to me. She cries all the time and I make her cups of tea but she leaves them to go cold. Dad goes down the pub and won’t come home, or when he does, he’s had too much beer and shouts at me and wallops me, and says Annie was his favourite and he’s going to leave us.

But Auntie Ida, I want to tell you what happened so you’ll know. Then you can write a letter to Mum and Dad and say it wasn’t all my fault, not all of it, so they won’t be so horrible to me and Dad won’t go away.

I miss Annie so terribly. She used to follow me all over the house and in the street, and sometimes I’d shout at her to go away, but I didn’t mean it like it sounded, and now she really has gone away and there’s this empty space behind me and I keep thinking if I turn round she’ll be there saying “Soo, Soo, Soo,” and I can’t stop crying, thinking about her and missing her and wishing she was here. All I’ve got of her is Sid. He sleeps next to me in bed and he smells of her.

I tried to be so good for you because you were kind taking us in with the bombing. I didn’t take Annie down that church like you said not to — it was that girl, Vera, that one you gave the sack to afterwards. I heard you shouting at her for it. She shouted back that the house was horrible and she wouldn’t have stayed anyway. See? I heard it all.

Then, that day I was just trying to work out “Carolina Moon” on the piano, Annie was having her nap upstairs, and you’d gone out to the barn to milk Tilly. It was so hot, Auntie, I was sweltering, and this was the bad thing I did: I opened the back door to let some air in, even though you told me to keep it bolted till you knocked, but you never said why it always had to be locked. You never said anything. I could see the barn from the window, so I knew I’d have time to nip up and close the door before you got back, but I’m so sorry I opened the door.

I was messing about on the piano when I heard something coming down the hall. I was worried you had finished in the barn without me seeing you and you’d be really cross with me for opening the door when you specially told me not to, specially because the tide was out, you said, but I didn’t know why you said that.

There was this really nasty smell, like old earth and dead things, sort of mouldy, and a slithering noise, like something crawling along the floorboards. The smell got stronger and the sound got louder till it was right by the door.

My mouth went watery like metal and my hands went all sticky.

I couldn’t turn round to look. I was so scared I was frozen to the stool. I could feel my blood throbbing and my neck was so stiff tight, it hurt.

The parrot said, “Hello” in his little goblin’s voice.

I forced my head up and looked in the mirror over the piano. I saw something so, so terrible in the room behind me, looking at me. I’ve never seen anything like that in all my life before. My breath rushed out and I did the next bad thing. I picked up that brass lion from the top of the piano and threw it at the horrible thing in the mirror with all my might and cracked the glass. I’m so sorry I did that to your mirror, Auntie Ida, but I didn’t know what to do.

What was that horrible thing, Auntie Ida? Did you know it was coming so I had to keep the door bolted? Why didn’t you tell me about it? I’d have kept the door locked if you’d said. I’d have been terrified the monster would come in. Did you think I wouldn’t believe you?

It went out of the room. The door slammed shut. I heard feet slapping on the boards, heading for the stairs, then it started to climb. My tongue was like a hard lump in my mouth. I wanted to shout but no words would come out. I was stuck on the piano stool, sweating, so scared I couldn’t move.

I heard it on the landing, and doors opening and shutting. There was scuffling, a dragging sound, banging, horrible noises.

Then I got my feet to work. I rushed to the door, and that’s when I started shouting, “Annie! Auntie Ida!”

Fast as I could I ran up the stairs. Our bedroom door was wide open. The bed was empty. Sid was on the floor. Annie was gone.

Please, please, Auntie Ida, do you know where she is? Please tell those old soldiers to keep looking for her. I want to hear her say “Soo, Soo, Soo,” and buy her one of those little red lollipops she likes.

Please make it better for me with Mum and Dad. Please. Please write them a letter saying it wasn’t my fault.

Your loving niece,

Susan

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