Lost Memory of Skin (34 page)

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Authors: Russell Banks

BOOK: Lost Memory of Skin
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He’s driving much slower now, losing time. He planned on arriving at the home—Dove Run: An Assisted-Living and Life-Care Facility, it’s called—early in the day, spending an hour or at most two with his parents, and then departing for Calusa well before noon. He planned on getting home by early evening, in time to prepare his class for Monday. He briefly considers turning back now, forgoing an in-person interrogation of his father and risking a call from a pay phone at one of the rest-stop restaurants. It would be foolish to call from his cell phone. But it’s too great a risk even from a pay phone—the old man’s phone is as surely tapped as his own. Besides, the hurricane is on top of him now, and he’ll no more escape it by turning south toward home than by plunging on ahead.

He could, of course, pull off the highway and park at a truck stop and wait for the hurricane to pass to the east. That would be the sensible thing to do. It’s apparently what the all-night truckers, the only other drivers still moving, are doing now, he observes, as a pair of sixteen-wheel behemoths pulls slowly off the highway into a parking lot illuminated by arc lamps atop tall aluminum poles. The rain drifts in shuddering sheets through the cones of pale light. He should have checked the weather report, he thinks. But no, it wouldn’t have made any difference. He’d still have left the house in the night and driven up here for the information he believes he needs in order to protect himself from whomever it was that came calling first on his father and then showed up at his door in Calusa claiming to be a detective in the Calusa Police Department. He knows it’s got nothing to do with his present life, or they wouldn’t have contacted his father. It’s his past that has come calling—but what part of his past? Which chapter? Which episode or linked series of episodes?

Over on his right the dark eastern sky has started bleeding to gray. Near the horizon the boiling clouds are dark green. He can make out flooded citrus groves, crushed gravel side roads, a soaked wind-flattened landscape with wildly scattered palm and palmetto fronds and here and there abandoned cars and pickups, mobile homes with water to their thresholds looking like houseboats set adrift, tricycles and brightly colored plastic yard toys half-drowned. And no people. Everyone is huddled inside waiting for George to pass over and on to wherever hurricanes go when they’re no longer here—onto the TV screen, the radio report, the Internet, someone else’s reality and thus no longer real at all.

The wind has ceased to buffet the sides of the Professor’s van, and he no longer struggles to hold it to the road, and the rain has let up. He’s situated at the eye of the storm, he thinks, the center of a two-hundred-mile atmospheric coil of low pressure twirling its way across the Caribbean and the Gulf like a colossal dervish. Right here at the still center is the place to stay, if only he can manage it—no wind, no rain, no turbulence or uncertainty. The morning sky is a smooth-sided pale green bowl, the pressure so low it feels like a huge vacuum pump has siphoned the air away. The music plays on—Bud Powell’s arpeggios and stomps—and the Professor feels calm and lucid and safe: almost invisible. The eye of the hurricane: it’s a metaphor for the mental and emotional space where he’s lived most of his life. He thinks this and smiles inwardly. Never quite thought of it that way. Nice, the way the world that surrounds one, the very weather of one’s existence, provides a language for addressing the world inside.

Delighted, he notices that the eastward direction of the storm has shifted ten degrees to the north, and soon after, as he drives on, fifteen degrees, so that he’s able to stay inside the eye, its still center, moving northeast with it into Alabama as if personally escorted by Hurricane George straight to Dove Run: An Assisted-Living Facility and for the first time in over forty years the physical presence of his father and mother.

T
HEIR
HOME
IS
A
TWO
-
STORY
REDBRICK
COLLECTION
of small apartments, administrative offices and meeting rooms, recreation rooms, dining areas, and emergency medical facilities, with a wing that functions as a nursing home for the assisted-living residents who need more care than mere assistance provides. It resembles a large Holiday Inn, temporary quarters for travelers who will never return home, except to a funeral home or, for the believing Christians, the home prepared for them by their Lord and Savior.

The Professor knows what he should be feeling as he enters the building. He knows what a man his age meeting his parents for the first time after nearly a lifetime of silent, willed absence ought to be feeling, regardless of the reasons or excuses for his absence. He should be feeling dread, anxiety, fearful curiosity, shame, all mingled with a thickened low-key joy: a muddle of intense, conflicted emotions. And yet he feels none of it. Only a mild irritation, as if while reading a difficult text he’s been interrupted by a small household mechanical breakdown that must be attended to before he can continue reading where he was obliged to leave off. For most of his life it’s been a strength, to know what other people, normal people, feel in any given situation, without possessing those feelings himself. It began in his childhood as a consciously willed means of protecting himself against ridicule, on the one hand, and on the other as a response to his parents’ utter absorption in each other to the exclusion of everyone else, even their precocious, morbidly obese, increasingly eccentric and alienated son.

As a couple, the Professor’s parents, Jason and Cynthia, loved the couple itself and the idea of the couple as much as they loved themselves. They felt incomplete when apart and pined for the presence of the other, as if mourning the other. And when they were together they each became the happy center of the other’s universe, a solar system with twin suns at the center orbited by a single lonely planet spinning in darkness, except for the light cast by his parents as they danced on the porch to the music of those old 1940s jazz standards, while he sat on the wooden glider and pushed himself back and forth in slow time to the music and watched from an increasingly cold distance.

He knew what they felt for each other, and because it was for them essentially self-love, he could not share in it. Their feelings not only excluded him, they rejected him. He felt attacked by his parents’ strange mutual narcissism, causing him from an early age to cultivate his differences from them. Another child of such a pair might have tried to enter their charmed circle by emulating the qualities they seemed to admire in one another—their physical beauty, for both Jason and Cynthia were unusually handsome and healthy individuals; or their pragmatic, mechanical turns of mind, socially useful kinds of intelligence that are much admired in communities like theirs; or their natural ease, the ease of the oblivious, among people wholly unlike them, their friends and neighbors in Clinton, Alabama, their colleagues at work, U. S. Steel in Jason’s case, the Clinton Public Library in Cynthia’s, and the people they employed, everyone from the housekeeper and yardman to the inmates Jason hired from the state prison system to work for little or no pay digging the coal out of the Alabama hills. Although it was a variant of a folie à deux, his parents’ marriage was the kind that people with little or no knowledge of its implications and true nature envied. A pretty couple, a smart couple, a socially useful and reassuringly gregarious couple; and because they were from distinguished northern families and well educated and were probably left-leaning Democrats who made no attempts to impose their political views on anyone else, they were a slightly exotic couple as well. The Professor had none of this moderately attractive couple’s qualities. None.

Sheets of plywood cover the large windows of the lobby. The glass doors and remaining smaller windows facing the deserted street have been X’d with tape. The Professor parks his van in the lot adjacent to the sprawling compound and walks slowly up the path to the main entrance. He is sweating and breathing with difficulty, as much from the very low atmospheric pressure as from the humidity and heat.

The receptionist, a stout white-haired lady in a bright red nylon tracksuit, makes him sign the visitors’ register. Recognizing his last name, his parents’ last name, she smiles with a fake slick and says,
First time you all been here to visit your momma and daddy, am I correct to say?

He nods yes. She tells him the number of their apartment and gives him a floor plan of the building, which is laid out like a medieval monastery. He feels nothing, or no more than if he were making a delivery for the dry cleaner. The receptionist appears to know this and waves him on dismissively in the direction of the carpeted corridor that leads to the independent-living wing. The walls and carpeting are the color of oatmeal.
You’ll find ’em waitin’ in unit 119,
she says and picks up the house phone to notify his father that he has a visitor, thinking, A very odd visitor, more like a circus freak than the son of those nice-lookin’ folks in 119.

At the door, the Professor raises his open hand, about to make a fist and knock, and he looks at it—it’s the hand he had as a child, the same fingernails, knuckles, thin blue veins, the same small purse of flesh between thumb and forefinger—and when he turns it over he recognizes the palm, the same creases, lines, and whorls. For a moment he studies the hand, then puts it out in front of him and fans out the fingers and waggles the hand slowly back and forth, as if from the window of a departing train.

A sudden wave of fear surges over him, and he wants to turn around and flee from the eye of the hurricane back into the storm’s full fury. He’s panicking again, afraid to go forward, unable to retreat. And no music to calm him, nothing to bleach out his wild emotions and make his mind translucent and hard and rational as a ladder. His eighty-nine-year-old father and his mother with her perforated memory are on the other side of the door waiting for him. They’re waiting to present him with himself, as if to introduce him to his fratricidal twin.

CHAPTER THIRTEEN

T
HE
P
ROFESSOR
DROPS
HIS
PALE
HAND
AND
turns away from the door of unit 119 and pumping his heavy arms walks rapidly down the long corridor of numbered doors to the lobby. He strides past the surprised receptionist who calls out,
Your folks are home! They expectin’ you, mistah!
Then shakes her head in disgust as, ignoring her, he hurries past.

Don’t that beat all? she wonders. First he comes finally to check on his poor momma and his daddy to make sure the hurricane ain’t gonna get them, after never once showing his face before this, and then he acts like they ain’t worth the trouble. You got to wonder what they done to deserve that from their own flesh and blood, she thinks. But she’s seen hundreds, maybe thousands, of grown men and women who don’t seem to know they’re somebody’s flesh and blood, sons and daughters who put their mommas and daddies into Dove Run and say good-bye and are never seen walking through that door again. It’s not like it was in the old days when she was a girl and Grandma died in the upstairs back bedroom. Back then parents and grandparents grew old and died before your very eyes, and it was as if a part of you yourself was growing old and dying alongside them. You didn’t have these Dove Runs where you could park and hide old people, and back then, if you wanted to forget that you too would someday grow old and die, which is natural to want, you couldn’t. She thinks about her own grown son and daughter and their children, and she wonders if she’s flesh and blood to them—kin—and decides, sadly, that the answer is no. They’re just like the man who blew past her a moment ago, and when the time comes they’ll make her live in Dove Run or someplace like it, while they go on living in a world in which no one, no one visible, grows old and dies before their very eyes. She sighs. She’s almost sixty years old, and in her lifetime the world has changed, and human beings have changed too.

How can that be? She always believed that human nature was permanent, unchangeable, that human beings were the same always and everywhere, for better or worse, and when conditions changed for the better, as they sometimes did, like for black people and for women, it was because people, including white people and men, were essentially good and their better nature was letting them recognize their kinship with black people and women. Such were the receptionist’s thoughts as the Professor in flight from his intended meeting with his parents bustled past her desk, pushed through the door, and rushed across the parking lot to his van.

PART IV

CHAPTER ONE

F
OR
HOURS
THE
EYE
OF
THE
HURRICANE
HAS
enveloped the Professor like a moving bell jar. It has shifted its course just as he has shifted his, and now the storm slides south along the peninsula with him inside it toward the Great Panzacola Swamp, where it veers off to the east, crossing the state again, headed this time for Calusa and the open ocean beyond. The Professor’s van is inside an enormous meteorological bubble that protects him from the fury of the storm that rages beyond and behind him. Hurricane watchers and meteorologists and TV weather forecasters say that the hurricane was briefly stalled over land by an enormous offshore high-pressure area, slowing and turning it away from its predicted eastward path toward the Atlantic, gradually spiraling it back over the Gulf for a few hours, where it regained force and refilled with moisture, then resumed its slow assault on the land and the cities at the lower end of the peninsula. But for the Professor, cosseted by the eye of the hurricane, the storm has ended; it’s dissipated; gone. The wind has abated, and the rain has ceased to fall. The sky is pale yellow, except at the horizon way out there in front of him over the Atlantic, where it’s dark green and sooty gray, and above the Gulf behind him, where great masses of black clouds have piled up.

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