Love and World Eaters

Love and World Eaters

Tom Underhill

Love and World Eaters

Copyright 2011

By Books to Go Now

For information on the cover illustration and design, contact [email protected]

First eBook Edition –August 2011

Printed in the United States of America

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Love and World Eaters

Aliah went statue-still as the immensely large and valuable urn wobbled violently. She'd only bumped against the shelf the urn was on—and not the urn itself—but the impact had been enough to set the relic from ancient Greece vibrating like a dropped penny flopping on the floor. Even if her gloved hands hadn't already been clutched around another (much smaller) artifact, she wouldn't have tried to steady the enormous urn; she didn't trust herself to do anything but watch. And pray. And hope desperately that the painted figures on the urn's surface really were starting to gyrate less and less like figures in a flipbook...

Eventually—mercifully—the urn stopped shaking, and Aliah exhaled with enough force to blow her dark bangs from the right side of her forehead to the left. Breaking a small artifact would have been bad enough, but shattering a truly irreplaceable monument to ancient pottery-making skills... well, that would have been a disaster. For both her self-respect and her chances of continued employment at the Chicago Field Museum. The potential crisis had averted itself, however, and she still had two more lots of artifacts to photograph today... So with an effort, Aliah made herself start moving again, carefully setting the small artifact she'd been clinging to—a cute Tuscan bowl—on her padded cart.

Telling herself everything would be fine if she slowed down and kept her lumbering bulk in check, she started inching the cart towards the next aisle on her list. Normally she was pretty careful, even excruciatingly so... But the rush to get everything ready for the upcoming “World Eaters” exhibition had churned her and the rest of the Anthropology department into a frenzy. Registration was cataloguing new and loaned additions at a breakneck pace, Conservation was working overtime to restore damaged artifacts selected for display, and Collections—the division in which Aliah was a temporary peon—was running around like a house full of headless chickens to pull all the needed items from Storage. Hence her scurrying in and out of basement aisles at a faster than necessary pace.

At least no one else had been around to see the near catastrophe; things were too crazy for partners right now. Usually staff worked in teams of two to gather artifacts from the various storage areas scattered around the building. It was easier to have one person read off each object's location—aisle, shelf, and shelf section—from the database print-off while the other person kept his or her hands free to carry what were often extremely fragile relics. Especially if a ladder needed to be involved. The shelves usually went up to the ceiling, which on every level but the basement was something like fifteen feet high.

As she brought the cart to a halt, Aliah was reminded again of how much accessing these larger storage rooms made her feel like she was in the warehouse at the end of the first Indiana Jones movie: both areas were cavernous, stuffed with acres of tightly packed shelves, and utterly dark when the lights were turned off (in this case, to minimize light degradation). There weren't any boxes here, though. Aside from the really small or valuable objects stored in lockable drawers, everything was in the open, totally visible to museum staff and no one else. Some of the objects on display in the public area were cool enough, but they were literally only the tip of the iceberg... The real treasures were down here in the “dungeons.”

And Aliah loved that. Maybe it was snobby and insiderish, but every time she wandered through a storage area she saw something new... Like this little cylindrical bone bead lying beside the next urn she was supposed to pull. It wasn't on her “World Eaters” list—no one had identified it as having any connection to history's great conquerors—but something about the elegant simplicity of its foreign inscription called out to her.

A door opened, and Aliah started slightly, trying not to look guilty. The noise had come from above, though: the floor between these two storage areas was only a thick grate, which meant it was easy to tell which level people were on. And Gavin—it had to be him; she could hear Metallica leaking from his headphones even at this distance—was clearly above her, tending to his own task. So he couldn't see her...

The best part of being behind the scenes was that you could actually touch the artifacts that interested you. You weren't supposed to, of course. And she never handled anything that looked really fragile... But now and then she indulged herself by picking up something fascinating and taking the time to observe it from all sides... Besides, she'd already had her clumsy moment for the day: this would be a good way to get over herself.

Stooping slightly, Aliah slid one gloved hand gently under the bead while the other supported it from behind. As she stood, she noted that for something made of old bone it seemed remarkably well preserved—

And then it
twitched
.

Aliah froze for the second time in as many minutes, but this time pretending to be a statue didn't help: the long bead twitched again, and then
slithered
off her palm.

She'd almost found the breath to scream when the bead hit a part of her foot left uncovered by her Birkenstocks. The contact brought a sudden stab of pain and a rush of alien images...

...
An older man kisses a younger in an opulent bed while sliding a ring onto his junior's finger...

... The young man yells a drunken protest as several stable-hands hold him down for a gang rape...

... The young man breaks from a crowd to run up behind the old man and stab him in the neck before his target can finish turning...

... The young man is dead, nailed to a cross and drained of blood by a spear-wound in his side...

... Her scream finally came, and Aliah used its volume to clear the unwelcome montage from her vision. The images had only played for an instant; the bone bead was just now bouncing off her foot. But she was still too paralyzed to even consider catching the artifact before it clattered on the floor... Especially when she saw what the bead had left in her foot: a wafer-thin splinter that wriggled once, slid under her skin, and
swam
away into her bloodstream.

She blacked out to the sound of urgent footsteps and Metallica's increasingly loud “Enter Sandman.”

#

Theresa had already spent the last ten minutes poking skeptically with her extremely sharp tweezers, and the look on her face suggested she wasn't going to do any more probing, no matter what Aliah said. “I'm pretty sure everything's out of there... You're probably just feeling a phantom pain or something. I'd be more worried about arsenic.”

Aliah stared hard again at her now slightly bloody foot, trying and failing to find evidence that there was still a bone splinter
inside
her... And wondering if it wouldn't be better if she'd just hallucinated, if the whole artifact-coming-to-life-thing was just a stress-induced mirage brought on by nearly breaking something priceless and then actually breaking something else... Theresa probably wouldn't care either way. She was only worried about running Conservation with an iron fist, keeping her safety record spotless, and staying pretty. “When will we know if the... if I do need to be worried?”

“Arsenic tests usually take a few days to get back,” Theresa replied as she turned away with efficient grace, her blonde hair dangling long and perfect behind her, “so probably not until after the weekend. But it's not a big deal: you couldn't have been exposed to much from something so small.”

Aliah furrowed her eyebrows at Theresa's back as the head conservator tidied up her first-aid kit; hadn't she said the arsenic
was
something to worry about? It was one of the reasons they wore gloves (another was to safeguard the artifacts from the oils of human skin). Back in the ‘50s or so large parts of the collection had been sprayed with the substance in a misguided attempt to protect against pests. Bug damage was still a big deal—staff today were required to catch or kill any insects they saw and then file a report—but coating artifacts with known poisons was a thing of the past now... Except for the aftereffects.

But Theresa was probably just mad that a new artifact had been added to her queue of things to fix; the slightly fractured bone bead was on a tray at the far end of the conservation lab, one of probably a hundred objects that needed attention. Gavin and his headphones had gone back for the bead after he'd patiently helped Aliah out of the storage area and into the elevator. When he'd handed her and the damaged artifact off to Theresa, both of them had flashed long-suffering looks at each other, expressions that seemed to say something along the lines of “Spaz” or “Drama-queen... ” It had reminded Aliah way too much of her parents.

She closed her eyes as Theresa applied an alcohol swab... To make matters worse, the conservator's first attentions had all been directed at the bead. Only after she'd satisfied herself the artifact wasn't damaged beyond repair did she pretend to give two shits about—

Aliah could tell where the bead was, even without being able to see it.

She opened her eyes as widely and quickly as she could. It had felt like there was... a connection between her and the bead, something that tied them together through an invisible bond.

Aliah left the lab as soon as Theresa handed her a band-aid.

#

Her cart wasn't far from where she'd left it; at some point during the past week (which she'd spent avoiding this storage area), someone had moved the “tray-on-wheels” against the far wall two aisles down to get it out of the main passageway. The artifacts she'd gathered before she'd dropped the bead were still there, waiting to be photographed as if nothing happened.

And since those inexplicable few moments, nothing had. Probably because she'd gone well out of her way to make sure nothing did: Aliah had spent the last several days doing everything she could to avoid handling actual artifacts, mostly by catching up on image editing and organizing. She'd even volunteered to help Belinda, the head registrar, do some rote data entry for the coming move to the new underground storage area, the almost finished state-of-the-art facility that would supposedly make issues like climate and pest control disappear... Aliah hadn't thought she could justify more than a day of busy-work, though; Belinda had been appreciative, but the World Eaters grant which funded Aliah's photography ran out at the end of the summer, and if she blew that exhibit's deadline... She didn't have any chance of staying on.

Which would probably mean crawling back to her parents for help paying rent on the tiny studio apartment she could barely afford as it was... Aliah shook her head determinedly. To make sure that didn't happen, she had to suck it up and get back to work.

Despite an involuntary shudder, she made herself grab hold of the cart's handles and maneuver it back to the aisle in which she'd left off. Consulting the database printout on the cart, she identified the next object she needed— a small knife—and forced herself to go find it. Once she had, Aliah lifted the blade off its shelf with painstaking, fearful care, cradled it to the cart, and set it down as it if were a newborn. So far so good... Feeling more confident, she did the same in the next aisle, and the one after that, until her cart was full and it was time to start photographing.

Her equipment was where she'd left it, too, undisturbed at the back of the next storage area. It wasn't an ideal setup—whenever someone was working in the room above, their light filtered down through the gaps in the grated ceiling and played minor havoc with her camera's settings—but it wasn't bad: Aliah had a decent tripod, a much more expensive Nikon than she had at home, ridiculously good shoot lights, and more backdrops and staging props than she knew what to do with... It felt good to be in her element again; here, away from everyone else, she didn't have to worry about looking fatter or sounding duller than all the other Collection girls. She'd definitely stayed away longer than she should have.

Settling into the familiar routine, Aliah began assembly-lining the artifacts she'd gathered through the image capture process: objects that needed overhead shots first, smallest to largest (to minimize tripod adjustments); then those that needed head-on shots, in the same order; between each object, an in-shot label; after each object, a check on her list.

Aliah slipped so fully into auto-pilot, in fact, that when she took off her right glove to adjust the camera's focus on a bronze oil scraper, she forgot to put the glove back on before reaching out to adjust the scraper itself.

She realized her mistake as her fingers touched the object's bronze handle... and another series of flashbacks flooded her vision:

... A young serving girl rubs the scraper sensuously down a fat man's back before moving in to start a massage...

... A young boy does the same for a thin man...

... An aging matriarch hurls the scraper at an equally old—

Aliah jumped back as if burned, and the images stopped... the instant she was no longer in contact with the scraper. She clung hard to this observation, using it as an anchor against her rising tide of panic, rolling the thought over in her mind as she hugged her arms around her chest and backed up against the far wall... Until the realization helped her wonder overcome her fear, and she found herself back in front of the scraper.

As a final, tentative test, she touched the object with the hand that was still gloved. Nothing, just as she'd started to expect. So after taking a deep breath (both physical and mental), Aliah touched the scraper once more with her ungloved hand. And as soon as her skin brushed bronze again, the foreign scenes rushed back.