Love in the Time of Cholera (52 page)

They left their refuge as soon as the passengers disembarked. Fermina Daza breathed the good air of impunity in the empty salon, and from the gunwale they both watched a noisy crowd of people gathering their luggage in the cars of a train that looked like a toy. One would have thought they had come from Europe, above all the women, in their Nordic coats and hats from the last century that made no
sense in the sweltering, dusty heat. Some wore beautiful potato blossoms in their hair, but they had begun to wither in the heat. They had just come from the Andean plateau after a train trip through a dreamlike savannah, and they had not had time to change their clothes for the Caribbean.

In the middle of the bustling market, a very old man with an inconsolable expression on his face was pulling
chicks out of the pockets of his beggar’s coat. He had appeared without warning, making his way through the crowd in a tattered overcoat that had belonged to someone much taller and heavier than he. He took off his hat, placed it brim up on the dock in case anyone wanted to
throw him a coin, and began to empty his pockets of handfuls of pale baby chicks that seemed to proliferate in his fingers.
In only a moment the dock appeared to be carpeted with cheeping chicks running everywhere among hurried travelers who trampled them without realizing it. Fascinated by the marvelous spectacle that seemed to be performed in her honor, for she was the only person watching it, Fermina Daza did not notice when the passengers for the return trip began to come on board. The party was over: among them
she saw many faces she knew, some of them friends who until a short while ago had attended her in her grief, and she rushed to take refuge in her cabin. Florentino Ariza found her there, distraught: she would rather die than be seen on a pleasure trip, by people she knew, so soon after the death of her husband. Her preoccupation affected Florentino Ariza so much that he promised to think of some
way to protect her other than keeping her in the cabin.

The idea came to him all at once as they were having supper in the private dining room. The Captain was troubled by a problem he had wanted to discuss for a long time with Florentino Ariza, who always evaded him with his usual answer: “Leona Cassiani can handle those problems better than I can.” This time, however, he listened to him. The
fact was that the boats carried cargo upriver, but came back empty, while the opposite occurred with passengers. “And the advantage of cargo is that it pays more and eats nothing,” he said. Fermina Daza, bored with the men’s enervated discussion concerning the possibility of establishing differential fares, ate without will. But Florentino Ariza pursued the discussion to its end, and only then did
he ask the question that the Captain thought was the prelude to a solution:

“And speaking hypothetically,” he said, “would it be possible to make a trip without stopping, without cargo or passengers, without coming into any port, without anything?”

The Captain said that it was possible, but only hypothetically. The R.C.C. had business commitments that Florentino Ariza was more familiar with
than he was, it had contracts for cargo, passengers, mail, and a great deal more, and most of them were unbreakable. The only thing that would allow them to bypass all that was a case of cholera on board. The ship would be quarantined, it would hoist the yellow flag and sail in a state of emergency. Captain Samaritano
had needed to do just that on several occasions because of the many cases of
cholera along the river, although later the health authorities had obliged the doctors to sign death certificates that called the cases common dysentery. Besides, many times in the history of the river the yellow plague flag had been flown in order to evade taxes, or to avoid picking up an undesirable passenger, or to elude inopportune inspections. Florentino Ariza reached for Fermina Daza’s hand
under the table.

“Well, then,” he said, “let’s do that.”

The Captain was taken by surprise, but then, with the instinct of an old fox, he saw everything clearly.

“I command on this ship, but you command us,” he said. “So if you are serious, give me the order in writing and we will leave right now.”

Florentino Ariza was serious, of course, and he signed the order. After all, everyone knew that
the time of cholera had not ended despite all the joyful statistics from the health officials. As for the ship, there was no problem. The little cargo they had taken on was transferred, they told the passengers there had been a mechanical failure, and early that morning they sent them on their way on a ship that belonged to another company. If such things were done for so many immoral, even contemptible
reasons, Florentino Ariza could not see why it would not be legitimate to do them for love. All that the Captain asked was that they stop in Puerto Nare to pick up someone who would accompany him on the voyage: he, too, had his secret heart.

So the
New Fidelity
weighed anchor at dawn the next day, without cargo or passengers, and with the yellow cholera flag waving jubilantly from the mainmast.
At dusk in Puerto Nare they picked up a woman who was even taller and stouter than the Captain, an uncommon beauty who needed only a beard to be hired by a circus. Her name was Zenaida Neves, but the Captain called her “my wild woman”: an old friend whom he would pick up in one port and leave in another, and who came on board followed by the winds of joy. In that sad place of death, where Florentino
Ariza relived his memories of Rosalba when he saw the train from Envigado struggling to climb the old mule trail, there was an Amazonian downpour that would continue with very few pauses for the rest of the trip. But no
one cared: the floating fiesta had its own roof. That night, as a personal contribution to the revelry, Fermina Daza went down to the galley amid the ovations of the crew and prepared
a dish for everyone that she created and that Florentino Ariza christened Eggplant al Amor.

During the day they played cards, ate until they were bursting, took gritty siestas that left them exhausted, and as soon as the sun was down the orchestra began to play, and they had anisette with salmon until they could eat and drink no more. It was a rapid journey: the boat was light and the currents
favorable and even improved by the floods that rushed down from the headwaters, where it rained as much that week as it had during the entire voyage. Some villages fired charitable cannons for them to frighten away the cholera, and they expressed their gratitude with a mournful bellow. The ships they passed on the way, regardless of the company they belonged to, signaled their condolences. In the
town of Magangué, where Mercedes was born, they took on enough wood for the rest of the trip.

Fermina Daza was horrified when she heard the boat’s horn with her good ear, but by the second day of anisette she could hear better with both of them. She discovered that roses were more fragrant than before, that the birds sang at dawn much better than before, and that God had created a manatee and
placed it on the bank at Tamalameque just so it could awaken her. The Captain heard it, had the boat change course, and at last they saw the enormous matron nursing the baby that she held in her arms. Neither Florentino nor Fermina was aware of how well they understood each other: she helped him to take his enemas, she got up before he did to brush the false teeth he kept in a glass while he slept,
and she solved the problem of her misplaced spectacles, for she could use his for reading and mending. When she awoke one morning, she saw him sewing a button on his shirt in the darkness, and she hurried to do it for him before he could say the ritual phrase about needing two wives. On the other hand, the only thing she needed from him was that he cup a pain in her back.

Florentino Ariza, for
his part, began to revive old memories with a violin borrowed from the orchestra, and in half a day he could play the waltz of “The Crowned Goddess” for her, and he played it for hours until they forced him to stop. One night, for the
first time in her life, Fermina Daza suddenly awoke choking on tears of sorrow, not of rage, at the memory of the old couple in the boat beaten to death by the boatman.
On the other hand, the incessant rain did not affect her, and she thought too late that perhaps Paris was not as gloomy as it had seemed, that Santa Fe did not have so many funerals passing along the streets. The dream of other voyages with Florentino Ariza appeared on the horizon: mad voyages, free of trunks, free of social commitments: voyages of love.

The night before their arrival they had
a grand party with paper garlands and colored lights. The weather cleared at nightfall. Holding each other very close, the Captain and Zenaida danced the first boleros that were just beginning to break hearts in those days. Florentino Ariza dared to suggest to Fermina Daza that they dance their private waltz, but she refused. Nevertheless she kept time with her head and her heels all night, and
there was even a moment when she danced sitting down without realizing it, while the Captain merged with his young wild woman in the shadows of the bolero. She drank so much anisette that she had to be helped up the stairs, and she suffered an attack of laughing until she cried, which alarmed everyone. However, when at last she recovered her self-possession in the perfumed oasis of her cabin, they
made the tranquil, whole-some love of experienced grandparents, which she would keep as her best memory of that lunatic voyage. Contrary to what the Captain and Zenaida supposed, they no longer felt like newlyweds, and even less like belated lovers. It was as if they had leapt over the arduous calvary of conjugal life and gone straight to the heart of love. They were together in silence like an old
married couple wary of life, beyond the pitfalls of passion, beyond the brutal mockery of hope and the phantoms of disillusion: beyond love. For they had lived together long enough to know that love was always love, anytime and anyplace, but it was more solid the closer it came to death.

They awoke at six o’clock. She had a headache scented with anisette, and her heart was stunned by the impression
that Dr. Juvenal Urbino had come back, plumper and younger than when he had fallen from the tree, and that he was sitting in his rocking chair, waiting for her at the door of their house. She was, however, lucid enough to realize that this was the result not of the anisette but of her imminent return.

“It is
going to be like dying,” she said.

Florentino Ariza was startled, because her words
read a thought that had given him no peace since the beginning of the voyage home. Neither one could imagine being in any other home but the cabin, or eating in any other way but on the ship, or living any other life, for that would be alien to them forever. It was, indeed, like dying. He could not go back to sleep. He lay on his back in bed, his hands crossed behind his head. At a certain moment,
the pangs of grief for América Vicuña made him twist with pain, and he could not hold off the truth any longer: he locked himself in the bathroom and cried, slowly, until his last tear was shed. Only then did he have the courage to admit to himself how much he had loved her.

When they went up, already dressed for going ashore, the ship had left behind the narrow channels and marshes of the old
Spanish passage and was navigating around the wrecks of boats and the platforms of oil wells in the bay. A radiant Thursday was breaking over the golden domes of the city of the Viceroys, but Fermina Daza, standing at the railing, could not bear the pestilential stink of its glories, the arrogance of its bulwarks profaned by iguanas: the horror of real life. They did not say anything, but neither
one felt capable of capitulating so easily.

They found the Captain in the dining room, in a disheveled condition that did not accord with his habitual neatness: he was unshaven, his eyes were bloodshot from lack of sleep, his clothing was still sweaty from the previous night, his speech was interrupted by belches of anisette. Zenaida was asleep. They were beginning to eat their breakfast in silence,
when a motor launch from the Health Department ordered them to stop the ship.

The Captain, standing on the bridge, shouted his answers to the questions put to him by the armed patrol. They wanted to know what kind of pestilence they carried on board, how many passengers there were, how many of them were sick, what possibility there was for new infections. The Captain replied that they had only
three passengers on board and all of them had cholera, but they were being kept in strict seclusion. Those who were to come on board in La Dorada, and the twenty-seven men of the crew, had not had any contact with them. But the commander of the patrol was not satisfied, and he ordered them to leave the bay and wait in Las
Mercedes Marsh until two o’clock in the afternoon, while the forms were
prepared for placing the ship in quarantine. The Captain let loose with a wagon driver’s fart, and with a wave of his hand he ordered the pilot to turn around and go back to the marshes.

Fermina Daza and Florentino Ariza had heard everything from their table, but that did not seem to matter to the Captain. He continued to eat in silence, and his bad humor was evident in the manner in which he
breached the rules of etiquette that sustained the legendary reputation of the riverboat captains. He broke apart his four fried eggs with the tip of his knife, and he ate them with slices of green plantain, which he placed whole in his mouth and chewed with savage delight. Fermina Daza and Florentino Ariza looked at him without speaking, as if waiting on a school bench to hear their final grades.
They had not exchanged a word during his conversation with the health patrol, nor did they have the slightest idea of what would become of their lives, but they both knew that the Captain was thinking for them: they could see it in the throbbing of his temples.

While he finished off his portion of eggs, the tray of fried plantains, and the pot of
café con leche
, the ship left the bay with its
boilers quiet, made its way along the channels through blankets of taruya, the river lotus with purple blossoms and large heart-shaped leaves, and returned to the marshes. The water was iridescent with the universe of fishes floating on their sides, killed by the dynamite of stealthy fishermen, and all the birds of the earth and the water circled above them with metallic cries. The wind from the
Caribbean blew in the windows along with the racket made by the birds, and Fermina Daza felt in her blood the wild beating of her free will. To her right, the muddy, frugal estuary of the Great Magdalena River spread out to the other side of the world.