Loverly:The Life and Times of My Fair Lady (Broadway Legacies) (48 page)

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Authors: Dominic McHugh

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BOOK: Loverly:The Life and Times of My Fair Lady (Broadway Legacies)
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ARCHIVAL MATERIAL CONSULTED

Library of Congress, Washington DC:

Frederick Loewe Collection (by box/folder number):

5/1: Ascot Gavotte (3pp, Loewe autograph)

5/2: Come to the Ball (4pp, Loewe autograph)

5/3: Come to the Ball (11pp, Ozalid of copyist’s piano-vocal score, ann. in pencil)

5/4: Dear Little Fool (1p, Loewe autograph; lead sheet, no lyric)

5/5: Finale Act 1/(Procession—Embassy Waltz) (8pp, Loewe autograph)

5/6: Entr’acte (8pp, Loewe autograph)

5/7: Flower Market (5pp, Loewe autograph)

5/8: Get Me to the Church on Time (4pp, Loewe autograph)

5/9: A Hymn to Him (13pp, Loewe autograph)

5/10: I Could Have Danced All Night (inside cover: crossed out pp. 3–4 of early version of “Why Can’t the English?”) (7pp, Loewe autograph)

5/11: I’m an Ordinary Man (13pp, Loewe autograph)

5/12: I’ve Grown Accustomed to Her Face (13pp, Loewe autograph)

5/14: Just You Wait (8pp, Loewe autograph)

5/15: Lady Liza (1p, lead sheet); Liza—counterpoint (2pp, lead sheet) (Loewe autographs)

5/16: On the Street Where She Lives (inside cover: crossed out pp. 7–8 of early version of “Why Can’t the English”) (7pp, Loewe autograph)

5/17: Overture (2pp, Loewe autograph)

5/18: Please Don’t Marry Me (lead sheet) (3pp, Loewe autograph)

5/19: The Pygmalion Waltzes (Embassy Waltz) (7pp, Loewe autograph)

5/20: The Pygmalion Waltzes (4pp, Photocopy of copyist’s autograph piano score with ann. in pencil)

5/21: The Rain in Spain (5pp); The Servants’ Chorus (2pp) (Loewe autographs)

5/22: Show Me (inside cover: crossed out pp. 5–6 of early version “Why Can’t the English?”) (7pp, Loewe autograph)

5/23: Shy (3pp, Loewe autograph); Shy (4pp, Rittmann arrangement, Latin version)

5/24: There’s a Thing Called Love (lead sheet; typed lyric sheet laid in) (2pp, Loewe autograph)

5/25: What Is a Woman? (lead sheet) (1p, Loewe autograph)

5/26: Why Can’t the English? (inside cover: crossed out pp. 1–2 of early version of the same song, Rittmann arrangement) (10pp, Loewe autograph)

5/27: With a Little Bit of Luck (6pp, Loewe autograph)

5/29: Without You (7pp, Loewe autograph)

5/30: Wouldn’t It be Loverly? (5pp, Loewe autograph)

5/31: You Did It (23pp, Loewe autograph)

8/20: Limehouse (melody without lyric) (1p, Loewe autograph)

8/27: Over Your Head (melody without lyric) (1p, Loewe autograph)

8/36: The Son of the Wooden Soldier (1941); lyrics by John W. Bratton (5pp, published piano-vocal score)

8/37: There’s Always One You Can’t Forget (melody without lyric) (1p, Loewe autograph)

8/40: The Undeserving Poor (sketch) (1p, Loewe autograph)

8/44: What’s to Become of Me? (lead sheet; “There’s Always One” written below) (1p); Say Hello For Me (lead sheet without lyric) (1p); “What’s To Become of Me?” (sketches) (1p) (Loewe autographs)

8/45: Who Is the Lady? (lead sheet without lyric) (1p, Loewe autograph)

9/2: Say a Prayer for Me Tonight (sketch) (1p, Loewe autograph)

9/9: Who Is the Lady? (lead sheet) (1p, Loewe autograph)

9/10: Say a Prayer for Me Tonight (sketches)

Warner-Chappell Collection (By Box/Folder Number):

141/1: End of Ascot (1p, Bennett’s full score for original end of scene)

141/1: New 24 (2pp, Lang’s score for change of scene)

141/1: Ascot Gavotte (16pp, Copyist’s full score)

141/1: Ascot Gavotte (9pp, Freda Miller’s dance pianist’s piano score: mixture of copyist’s score and Rittmann’s score for the dance; intermediate stage of number)

141/1: Ascot Gavotte (3pp, photocopy of Rittmann’s piano score for ‘Intro to Gavotte’ with pencil annotations)

141/3: Intro to Gavotte (2pp, photocopy of Rittmann’s piano score (ann.))

141/3: Ascot Gavotte (7pp, copyist’s score plus Rittmann’s score (ann.); final version)

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