Love's Lovely Counterfeit (6 page)

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Authors: James M. Cain

BOOK: Love's Lovely Counterfeit
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They got nowhere that day, though. Around ten o'clock she dropped off, to report to campaign headquarters, and around two Ben reported at the Columbus, as usual. And as usual, these last few days anyway, he and Lefty sat around the big room, reading newspapers, while another procession of visitors went through to the office beyond.

At six Lefty had sandwiches sent up, and at eight Sol came out, while Lefty tuned in the big radio on the speech that Maddux was making in the Civic Auditorium. It was, said the Mayor, the only speech he was making during the campaign, and he would not even have thought it necessary to make that if charges had not been made recently, vicious charges, serious charges, leaving him with no choice but to defend himself. He then reviewed events since the first charges made by "a speaker campaigning for my opponent," with regard to the bandits in the Globe Hotel. But what, he wanted to know, could he have done about that? His opponent did not notify him. Instead, he had called the Castleton police, and these officers had staged one of the most high-handed acts that he, a man many years in public life, had ever heard of. They had come to Lake City, and without one word to Lake City police, or one jot of warrant from a Lake City court, had seized three of the bandits and carried them off.

The fourth, according to the latest charges, had been secreted in the Columbus Hotel. But here again, his opponent, instead of acting in a manner to get lawful results, had preferred making political capital to serving the ends of justice. Instead of offering this information to the Lake City police, he had, through his campaign speaker, screamed it from the rooftops, so that while Lake City police had acted the instant this information came through their radios, they were already too late, the quarry having fled. That is, if there
was
any quarry. Where, the Mayor demanded to know, was this Arch Rossi? On whose word did they have it that an Arch Rossi was mixed up in the Castleton robbery? So far as he was concerned, he was beginning to doubt whether there was such a boy...

Nodding exultantly, Sol went back to his office. Lefty listened to the whole speech, then screwed up his face reflectively at the cheers which marked the end of it. "That does it, maybe."

"Does what, Lefty?"

"Settles Jansen's hash."

"Why?"

"When you come right down to it, Arch Rossi was all that really meant trouble. With him out of the way, they can't do much to Sol, or Maddux, or any of them. Well, he's out of the way, boy. A fat chance they'll find him now. And Maddux knows what that means, and so does Sol. He wrote that part of the speech, as a matter of fact. He copied it out this morning and phoned Maddux this afternoon. Oh, yeah—those three in Castleton can talk all they please, but the crime was committed in Castleton, you can't laugh that off. Rossi, of course, he would have been different."

"Looks like we're in."

"Looks like it. Four more years."

Again it was daybreak when Ben got home to his hotel, and he undressed slowly, with pauses while he scratched his head and frowned. Then, when the light was off, he lay there in the gray murk, staring at the ceiling, thinking, concentrating. Then his hand went up in the air, a thick middle finger met thick thumb and hesitated a fraction of a second. Then came the snap, like a pistol shot, and he reached for the phone.

"We're early birds this time, Mr. Grace."

"What time is it, by the way?"

"I have five-thirty."

"O.K., we got the road to ourselves."

"And what is the big idea?"

"Why
would they put him in a barrel?"

"Now
that,
I can't even imagine."

"I couldn't either, till a half hour ago. I heard about this concrete overcoat, as they call it. But then, when I got to thinking about it, the more I thought the dumber it seemed. I mean, it looked like going out of your way to be crazy, putting yourself to a whole lot of trouble and not getting any advantage out of it. But that's one thing about friend Sol; he never does anything without a reason—unless he gets sore at you or something, and flies off the handle, but even then there's generally something in it for Solly. So I thought and I thought. And the only case I could remember, I don't know if I saw it in movies or read about it in the papers, was a bunch in New York that knocked off a guy and put him in concrete and dropped him in the East River. Does that mean something to you?"

"Not a thing."

"They put him in concrete
to sink him!"

In the early morning light every grain of powder stood out on her face, and what seemed passably girlish at other times was now woman, squinting at him, trying to guess his meaning. Talking as he drove, he went on: "If it would stay down, there's no place for a body like deep water, is there? But it won't. Pretty soon it's coming up, and ain't that nice? But—imbedded in concrete it'll stay down. Then it's
really
out of sight, and I guess that's why Lefty was bragging to me, how fine this guy was put away."

"...you mean the lake?"

"It's the only deep water around here."

He spoke with the exultant tone of one who has already solved his problem, but when they arrived at Lake Koquabit they both fell silent, their spirits somewhat dampened. It looked, indeed, quite big; certainly its five miles of length and two of width were sufficiently appalling if Ben had had some idea of dragging the bottom for one barrel of concrete. Slowly they began running past the cat tail marshes on the south shore. Then presently she asked, "How did they get it into the East River?"

"Boat, I think."

"That would be pretty hard here."

"Why?"

"Well—
what
boat?"

"Sol has a boat."

"Is it
big?
Concrete is heavy."

"Big enough. It's a cruiser."

"Where does he keep it?"

"In front of his shack. Moored to a buoy."

"Then they didn't use that...To get it out to the cruiser they'd have had to put it in the rowboat, and that would have been impossible. Or else they would have had to run their car, with the barrel aboard, out on a dock, and run the cruiser around to meet it, and the only dock they could have used would have been the Lakeside Country Club dock, and they'd have run the risk of meeting late poker players, or the watchman, or yacht parties—they simply couldn't have risked it. And besides, they were caught by surprise, from the way you said Lefty acted the other night. They had to get rid of this body in a hurry, and they had no time for a complicated maneuver with a car, a cruiser, and wharf, and I don't know what all."

"So?"

"Maybe they rolled it into the lake direct."

"How?"

"Just push it to the top of a bank and let it go plopping down over the sand. Unless it hit rocks or something it would keep on rolling, even under water, for quite a way. Anyway, until it was out of sight."

"We'll look for marks."

They rode along more purposefully now, their eyes staring at the shore. Once or twice, where the road ran out of sight of the water, she got out and looked, from the top of the bank. But at the end of a mile they had seen nothing, and hadn't even come to a place where a barrel could have been rolled in, considering the problem of the marsh. Then they came to the bridge, and he instinctively pressed the brake, and they looked at each other.

"This is it, Ben. This is where they got rid of it. It was right on their way out from town, and there was no other place. Especially not at night."

To him at least, her confidence didn't seem at all farfetched. Koquabit, local philologists agreed, came from the Navajo "K'kabe-bik-eeshachi," meaning silver arrow, and this is a fair description of the lake's geography. The lake proper was shaped like an arrow's point, with barbs and all. Making into it was a small lagoon, known as the Inlet, and shaped like the wedge to which the shaft is attached. And Lowry Run, emptying into the inlet, would make a sort of shaft. Connecting inlet and lake was a deep narrows, perhaps two hundred yards across, and it was over this that the bridge ran that they had now come to. It was, as she said, about the only place where a barrel of concrete could be conveniently disposed of, at least by a panicky crew of thugs anxious only to do their work and run.

Ben started over the bridge in low gear, and they both saw the mark at the same time: a white, zig-zagging scratch that would be just about the trail left by a heavy barrel if it were rolled over the concrete parapet. They stopped, counted spans, and then he raced for the end of the bridge, and presently for a side road that forked off the main highway, and made off through the trees.

"You know where you are, June?"

"Haven't the slightest idea."

They had nosed up behind a pleasant shingled house, and stopped, and got out. "This is Solly's shack."

"Oh, my—are we safe?"

"I wouldn't bet on it."

"What are you doing?"

"Throwing off the burglar alarm. That'll help."

He peered under the eaves of a garage, found a switch, and threw it off. Then he led the way, by a narrow board walk, around front, and then down to a boathouse at the water's edge. "What in the world are you up to?"

"You'll see. We got to find that barrel."

Under the rubber mat he found a key, unlocked the little building, and they went inside. At the warm, stuffy smell he started to raise a window, but she stopped him. "I can stand a little heat, even if it's not as fresh as it might be. This morning air has me shivering."

"O.K. Now if you'll turn your back..."

"I won't look, but I refuse to go out."

Apparently in completely familiar territory, he took a pair of shorts from a rack, pitched them on a camp chair. Then he began dropping off his clothes, folding them neatly on another chair. In a moment or two he stood stark naked. Then he was in the shorts, finding a pair of canvas shoes to slip on his feet. "You'd better take your coat, Ben."

"Guess that wouldn't hurt."

"While we're paddling over, anyway."

"You handle a canoe?"

"Oh, well enough."

The way she shipped the paddles, however, rolled back the front door, and helped carry the canoe down to the float, indicated she was more expert than she said. When the boat was in the water she had him hold it a moment, while she raced back for the bag of shot she had spied near the camp chairs. "If you're going to be overboard, it'll keep the bow down."

"You better take stern right now."

"All right, you sit forward."

He climbed in the bow, his light overcoat around him, she in the stern. It was less than half a mile, straight across the water, from the shack to the bridge, and it didn't take them long to get there. Presently he slipped his paddle under the strut, caught the abutment, dropped his coat, and stood up.

"You getting out, Ben?"

"Yes."

"Then move the shot bag."

Holding the gunwale, he reached for the bag of shot, caught it, and hefted it forward, clear into the bow. It brought the bow down, but when he stepped on the narrow ledge that ran around the abutment, the boat righted itself. He stood, looking first at the bridge above him, then at the water below, shivering only slightly, managing quite a businesslike air. She swung the boat under the bridge, out of his way and out of sight from above. Then, marking a spot with his eye, he went off.

He was up in a flash, his eyes rolling absurdly, his breath coming in the gasps that only extreme cold can induce. Then a low moan escaped him, and he struck out for the ledge. A stroke or two brought him to it, and he tried to climb out, but couldn't. There were no handholds by which he could pull himself up, and not enough space for his body while he drew up his legs. He gave one or two frantic kicks, as though he would throw himself out by main force. Then he turned and lunged for the boat. "Ben! Watch it!"

It wasn't the shriek of a girl afraid of a ducking. It was the low, vibrant command of a woman who remembered they were half a mile from car and clothes; that a canoe capsized with a bag of shot in the bow would certainly sink; that it would be no trouble for Mr. Caspar to guess what they were doing there; that life thereafter would take on a highly hazardous aspect. Her tone must have reached him, for the hand that was raised to grasp the gunwale didn't grasp it. It slapped back into the water, and he went under, gulping. He came up driving with arms and legs for the shore.

She shot the canoe onto the gravel just ahead of him, stepped to the bow, and jumped out. Seizing his hand, she ran him up and down the beach, until he was a little dry and a little pink, instead of blue. Then she whipped up his overcoat from the bow of the canoe, put it on him, and held it tight against him, her arms around his body. Only then did he begin to talk: a lame, chattering explanation of his sorry performance. It seemed that he had forgotten the peculiarity of the lake, that it remained at an icy temperature until Lowry Run dried up, in July, and the inflow of cold water stopped, giving the sun a chance. However, he said, just let him get his second wind and then he'd go down again.

She listened, and when his shivering stopped they climbed into the canoe and shoved off. They paddled back to the spot they had left and sat silent, he trying to screw up his courage to drop off his coat again and go off. The boat began to shake, shiver, and twist, but he didn't have the curiosity to look and see what she was doing back there. He stared vacantly, first at the sunlight that was now touching the hills back of the shore, then at the water. When the boat went down like an elevator, until the water was within a few inches of the gunwale, he gave a frightened yelp, and only then did he turn his head. The stern was sticking straight up in the air, and she was on the ledge, in pants and brassiere, smiling at him.

"Hadn't you better move aft?"

"Guess that would be a good idea."

She was but a few feet away, and certainly quite an eyeful, but there was no desire in the look he gave her, after he had crawled aft, and adjusted feet, paddle, and coat to the feminine clothes that were draped over the strut. There was only relief; somebody else had taken over his dreadful task. She continued to smile, but checked all details in the boat with her eye, particularly that the shot in the bow made it easily manageable. Only when he was safely settled did she catch the truss above her, chin herself, pull up her feet, and complete the first stage of her climb. Then she reached the top of the parapet and stood there, a pink figurine in the pink morning sunlight, scanning the road for cars. His voice rumbled up, a little peevish: "Look, I'm getting dizzy. If you don't turn around you'll be going over backwards."

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