Read Lunch With the FT: 52 Classic Interviews Online

Authors: Lionel Barber

Tags: #General, #Biography & Autobiography

Lunch With the FT: 52 Classic Interviews (17 page)

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In 1951, her father founded the
United Daily News
, a staunch supporter of the Guomindang authoritarian government. Wang, who studied journalism in Taipei, worked as a reporter on the paper. She married an air force pilot and went to live in Switzerland with her husband, where she spent 12 to 15 years. She doesn’t remember exactly. One day, she received a phone call from her father asking her to return to Taiwan and run the paper. ‘I could not refuse.’

‘What do you like to eat? You like kitchen or beef?’ she asks. I take the former to mean chicken. Madame Wang’s English, spoken choppily and with the hint of a French accent, is less than perfect, though it is leagues ahead of my terrible Chinese. She speaks with little concession to English grammar, omitting pronouns, tenses and even verbs and nouns. Gaps are filled with the most splendid mimes. Over the course of lunch, she acts out blind, short-sighted, dizzy, happy, drunk, dead, injured, crazy, terrified and a few other things besides. Much is achieved through facial expression. On several occasions, in place of saying ‘good’, she jabs her upturned thumb in my direction. Once, in somewhat less generous mood, she brings her hands together and twists as if strangling a chicken.

She orders several dishes. The waitress returns with succulent cold cuts of chicken, pork and duck. As Madame Wang takes a bite of the accompanying kimchi, I ask how her newspaper is surviving competition with the internet. ‘It’s not enjoyable to get information from the internet,’ she says. ‘A good book can touch your heart. But I have never had anything touch my heart on the internet.’ But has the internet touched her sales? How is the paper faring in the face of online competition? ‘The quality of the press is going down all around the world,’ she persists. ‘People have lost respect for the press.’

Two plates of grilled beef arrive. ‘Chinese style,’ she announces. I abandon my internet inquiries – she isn’t sure whether her newspaper charges for its online version – and move to her more recent passion, Lanvin. How did she come to buy the struggling fashion house and how, in particular, did she come to hire Alber Elbaz, the designer whose appointment has transformed its fortunes? The purchase of Lanvin is easy. ‘I have a friend in Hong Kong and he has dressed in Lanvin for more than 30 years. I thought, “He would be very proud if I was the owner.” ’

As for Elbaz, the Moroccan-born designer had been pushed out of Yves Saint Laurent after it was bought by Gucci. Embarking on a spiritual world odyssey, Elbaz contemplated giving up design altogether to become a doctor. Instead, he called Wang out of the blue, imploring her to bring him to Lanvin. ‘Please wake up the Sleeping Beauty,’ he said. ‘I was in Cannes with a friend on a big boat,’ Wang recalls. ‘Alber called, “Can I meet you?” I say, “Of course. I will come to Paris.” ’ She had never heard of Elbaz, but has been quoted as saying she ‘smelt something meaty and fragrant’ about him. To me she says, ‘He showed me his press book. The first fashion show, he called “Homage to Yves Saint Laurent”. “Good,” I thought. “He knows respect.” I was introduced to a lot of people. But with them I didn’t have that feeling.’

Whether or not it was the meaty smell, Wang’s instinct has served Lanvin splendidly. Under Elbaz, its reputation and sales have flourished. He makes clothes with a classic cut, to be worn year after year, not just for one season. ‘Alber’s dresses make women feel beautiful and easy. The first show he did was for winter. The fabric is quite thick. But all the dresses could swing. It’s because of the cut. Normally, thick fabric is very stiff. But he makes you dance with your dress.’

A steamed fish appears, evidently too early. Wang sends it away. Elbaz’s dresses are not overly revealing, she says, miming flesh spilling out of a low-cut dress. ‘They don’t show everything.’ I had read that Elbaz didn’t like his clothes to be thought of as sexy, certainly not in the full-on way associated with Gucci’s Tom Ford, the man who deposed him at Yves Saint Laurent. ‘I don’t think so,’ she says. ‘Sexy is good. It’s a compliment. But you have to have class. Not …’ She leaves the sentence unfinished but treats me to another mime of a bosom bulging out of a dress.

The fish reappears. This time it has been cut in two, the part with the head for her, the tail for me. ‘Everybody loves Alber’s dresses,’ she is saying. ‘Before I [used to] say Alber’s dress is for anyone from 18 to 81.’ But she recently met an 85-year-old Chinese artist wearing a Lanvin dress. ‘So pretty.’ Wang’s granddaughter, who is just 11 and evidently being groomed for greatness, also wears Lanvin. ‘The dresses are very elegant and simple, so the range of our customers is very big.’

I ask if she enjoys the fashion shows, the parties and the glamour. ‘Alber and my director go the parties. Not me,’ she says, spitting out some fish bones into her hand. ‘I don’t like those kind of people or those kind of parties. I am not a jet-set person.’ She has lots of famous friends but she meets them in private, she says, reeling off names of actors, actresses and kung fu stars. She’s off on a tangent, telling a story about when Jackie Chan annoyed the Taiwanese by suggesting that Chinese people needed to be controlled and that democracy in Taiwan was chaotic. ‘Jackie, he’s very honest and straight. I called him and said, “You are great. You have a very big market. If people here are stupid, don’t come.” ’

We talk about the recent thaw in relations between Taiwan and mainland China. Although she is an anti-communist and counts among her friends several Tiananmen Square dissidents, she says the government in Beijing has changed. ‘Now, I agree with what they are doing. They are disciplined. Before you have the law, don’t give too much freedom,’ she says, wagging her finger. ‘You have to teach people to respect the law, even if the law is bad.’

The waitress brings in some lusciously green and crisp snow peas with scallops. There’s barely room on the table. She continues on the China–Taiwan theme, saying it has been more than 60 years since the two separated. But unification is not so easy, she says, referring to
the strong sense of Taiwanese independence. ‘We Chinese all have patience. Next generation, let’s see what that brings. I think in China one day, if they have freedom of the press and liberty of election, we can negotiate to become one big China.

‘We have no reason to hate each other. The Japanese killed many, many Chinese and Asian people. Why don’t the people hate the Japanese?’ she asks, referring to the relatively warm relations between the Taiwanese and their former Japanese colonists. ‘War kills, but not the way the Japanese kill. They use …’ Here she mimes the stabbing action of a bayonet. ‘They kill women and babies with their cruel methods. People say forgive, but I say, “I cannot.” ’

To this day, she says, she refuses to meet Japanese people, notwithstanding the fact that she is currently negotiating to buy back the Japanese licence to Lanvin, previously sold to trading house Itochu. ‘It doesn’t matter what title they have. If people say, “Madame Wang, this is such and such,” I never give my hand. I never say hello to Japanese.’ She turns her head disdainfully. ‘Bye bye. I don’t care what they think.’

The waitress offers to wrap up the left-overs. ‘For my driver,’ says Wang. Two egg tarts and two portions of taro pudding are served. The egg tart, with divinely crumbly pastry, is the best I’ve tasted. I had read somewhere that she compares the dual role of newspaper magnate and fashion-house baroness to having a husband and a lover. Which is which? ‘Who told you I said that?’ she flashes back. ‘Since my husband died I don’t have any lover. So how can I compare my husband to a lover?’ The important thing is to throw yourself into both. ‘If you run a business, you have to love this business with all your heart. Before, when I ran a newspaper, I sleep for maybe two, three hours a day. I am
so excited.’ Now she has cut back and handed over day-to-day management to her nephew. With Lanvin, too, her strategy has been to step back and give Elbaz the freedom to create.

The waitress brings pear and papaya. I nervously broach the subject of who should pay for this feast. Wang’s assistant had warned previously that, under no circumstances, would Madame Wang allow the
FT
to pay. I try anyway. ‘I am meant to invite you,’ I say timidly. ‘The
FT
really does insist on paying.’ The riposte is swift and brutal. ‘Here in China, no. Never, never, never,’ she shrieks. ‘This is my domain. Even if you are Chinese, you cannot pay.’

I figure it is useless. Besides, she is already wrapping up, telling me that on no account am I to refer to her as a Taiwanese businesswoman. ‘I don’t consider myself Tai-wan-ese,’ she says, drawing out the word. ‘I am Chinese. And I don’t consider myself a businesswoman either,’ she adds without explanation. Then she softens. ‘It’s true, I am a woman. That I cannot say anything about.’

TAIPEI WORLD TRADE CENTER CLUB

34F, No 333, Sec 1, Keelung Rd, Taipei City, Taiwan

------------

cold cuts of chicken, pork and duck with kimchi

Chinese-style grilled beef

steamed fish

scallops with snows peas

egg tart

taro pudding

pear and papaya

jasmine tea

------------

Total not disclosed

------------

30 SEPTEMBER 2006

Steve Wozniak
The wizardry of Woz

The engineering genius admits he’d like another bite of Apple

By Richard Waters

The Hickory Pit, set on a particularly faceless strip in the faceless Californian city of San Jose, does not look a promising place for a heart-to-heart. Inside the concrete shell is a cavernous, diner-style hall that is aching to return to the 1950s: rows of booths decked in candy-pink and blue plastic, veneer table tops, fluorescent lights.

Steve Wozniak looks right at home – which, it turns out, isn’t surprising, given the amount of time he has spent here recently. It is easy to walk right past one of Silicon Valley’s legendary computer engineers. A waiter gestures to the back of the hall, but I see only two men bent over handheld gadgets connected by a cable. A polystyrene box with the remains of the ribs they have just eaten is on the table.

The waiter insists that Woz, as he is widely known, is back there, and a second pass reveals that one of the game-players is indeed the man I have come to have lunch with. Only he has already eaten.

In an explosion of explanation, Wozniak says he and his companion are playing
Tetris
; did I know he was once the world champion? Had I played
Breakout
? He designed that one for Atari in the days before video games were written in software, when they were baked into the machine’s hardware. Almost at once he has launched into a description of how those early circuits worked, reliving the four days and nights it took him to work out how to put all the dots in the right places on the screen.

‘You hook up all the wires on the chips so that the chips alternate one,
zero, one, zero, click, click, click, click,’ he says, tapping it out, getting the memory from the early 1970s down pat.

This obsessive engineer, his beard now greying and chest-hair sprouting from the top of his yellow T-shirt, is the other half of the Apple myth. These days Steve Jobs may be better known, but Steve Wozniak’s place in Silicon Valley folklore is just as strong.

He was – indeed, still is – the primal computer nerd, a bearded whizz who rode a boyhood love of electronics to spectacular early successes of the computer industry. The Apple II, a machine he designed single-handedly in 1976, is reckoned by many to be one of the most impressive engineering feats of recent decades, a machine that laid the blueprint for the desktop and laptop machines that have become central to modern life. It turned him and Jobs into stars and multimillionaires, and launched the personal computer revolution almost overnight.

We are sitting here now because Wozniak has written his memoirs. To be more precise, he has spoken and a journalist friend, Gina Smith, has written the words down. He recently sat in this same booth for what he reckons to have been 50 days straight while he and Smith went through the text. I think of all the Hickory Pit ribs that represents.

So what does Steve Jobs, four years younger and at high school when the two first met, make of Wozniak’s rendition of this slice of Valley history? ‘From what I understand, he read it and thought it made him look like an asshole,’ says Wozniak.

I can see Jobs’s point. Wozniak’s book,
iWoz: From Computer Geek to Cult Icon
, tells the story of how, after those sleepless nights wiring up
Breakout
– one of the first hit video games – Jobs, the salesman, gave him half of the $700 he said Atari had paid for the work. Only it turns out Atari actually paid several thousand dollars, and he claims Jobs had short-changed his friend.

Nor does Wozniak go out of his way to seem overly careful of his friend’s feelings. ‘Steve can be annoying to people,’ he says as he reminisces about the decade the two men spent at Apple, before both left in 1985. ‘And he can be obnoxious. He would walk into meetings and just say, “Forget it. It’s all a bunch of junk. You’re not doing it,” and walk out, and, “You’re all idiots.” ’

BOOK: Lunch With the FT: 52 Classic Interviews
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