Made to Kill

MADE TO KILL

THE LA TRILOGY, volume 1

ADAM CHRISTOPHER

V3.0 | 17 February 2015

(63,562 words)

Tuesday. Just another beautiful morning in Hollywood, California. The sun came in through the window behind me. It was always sunny. It had been sunny for as long as I could remember.

Which currently was about two hours ten minutes and a handful of seconds not worth mentioning.

I sat at the table in the computer room. I was reading the
Daily News.
Around me Ada clicked and her lights flashed and her tapes spun. We were killing time while we waited for a job to come in. It was August 10, 1965. I knew that was the date because it was printed across the top of the newspaper in a very convenient manner.

There was a headline splashed all the way across the front page and the article that went with it was all about a film called
Red Lucky.
That got my attention. Movies, even in this town, rarely merited such prime newspaper real estate. I was obliged, I felt, to keep reading just to see what all the hoopla was.

“Listen to this,” I said.

Ada made a sound like she was putting out a cigarette in an ashtray that was in need of emptying, and then the sound was gone. If it had ever been there in the first place.

“If it’s about President Kennedy and his trip to Cuba, I’m not interested,” she said. Her voice came from somewhere near the ceiling. I wasn’t quite sure where exactly. I was sitting right inside of her.

I frowned, or at least it felt like I did. I scanned the front page again and saw what she was talking about: a piece—relegated to the bottom half—that was a lot of hot puff about Kennedy’s week-long visit to Havana and how well the negotiations were going to put some good old American-made nuclear missiles down there. Just in case. After reading it I wasn’t quite sure whether I was supposed to hang a stars and stripes out of the office window or not.

Huh. Ada was right. When all was said and done, world affairs were a little beyond my interests too.

“So,” I said, “do you want to hear about this modern cinematic marvel of the age or not?”

“Sure, why not?”

I found my place and I started reading. It was pretty interesting, actually. This was no ordinary movie—
Red Lucky
not only had an A-list cast assembled from across different studios, which I figured was quite something given most studios seemed to be at each other’s throats most of the time with their actors tied up in exclusive contracts as tight as Ada’s purse strings, but was going to be the first
national
film premiere, the picture beamed into theaters all over the country thanks to some new development in cinematic magic. The red carpet premiere was due to be held at Grauman’s Chinese Theatre this coming Friday, but regular folk could grab a ticket and popcorn and take up space in theatres in twenty cities stretching from here to New York.

Seemed like a neat idea. I wondered if Ada could maybe give me the night off and I could go take a look. There were three other theatres in LA alone hosting the opening night beam-in. Couldn’t hurt to ask so that’s what I did.

“It’s been quiet, Ada,” I said, then I stopped as I wondered if it really had been quiet or whether that was just me not remembering being busy, but I’d started my query so I decided to finish it. “And if it’s quiet I think I should be allowed to go to the movies. It’s not like I need to be on call. We don’t get much in way of last-minute assassination requests.”

At this Ada laughed and for a moment I saw an older woman with big hair leaning back in a leather chair with her stockinged feet up on a wooden desk and a cigarette burning towards the fingers of her right hand.

And then it was gone and I was back in back office, surrounded by a computer and miles of spinning magnetic tape.

The image was just an echo. Something ephemeral inherited from Thornton, most like.

“It has been quiet, that’s true,” said Ada. “Call it a lull. But I’ve got my ear to the ground, don’t you worry your pretty little tin head.”

My head was steel and titanium and I was about to point that out when Ada laughed again like a twenty-a-day smoker and said something about lightening up. Except I wasn’t listening. Something else had my attention.

There was someone in the outer office.

“There’s someone in the office,” I said, and Ada stopped laughing. On my left a tape stopped and then spun back in the opposite direction. I knew what that meant. Ada was thinking.

I turned up my ears and had a listen. I heard a pair of feet stepping lightly on the rug out in the other room, and I heard the creak of leather, like someone was squeezing a big bag. And then there was a
thunk
, dull and heavy, like someone was putting something dull and heavy down on the floor.

“Hello?” asked the someone. Her voice was quiet and uncertain and breathy.

I looked up at the ceiling. I wasn’t sure where Ada’s eyes were, exactly, but that seemed like a good enough bet.

“Well?”

Ada’s tapes spun. “Well go see what she wants and then get rid of her.”

“Okay.”

“And by get rid of her I mean show her the door rather than the Pearly Gates, okay?”

I stood up and put the paper down on the table. “Hey, I only kill for money, remember?”

Ada laughed. “Oh, I sure do, honey.”

I walked across the computer room and reached for the door to the office and opened it and stepped through and then closed the door after me.

The girl was maybe twenty and perhaps not even that, and when she saw me she took a few steps backward and her eyes crinkled at the corners like she realized this was a bad idea and that she’d come to the wrong place and things were not about to go in her favor.

Which is the reaction I get, much of the time. Most folk know about robots; some folk over a certain age even remember them, the way we directed traffic and collected bus tickets and took out the trash. But most folk, whether from personal experience or not, didn’t much like the
idea
of robots.

See, ten years ago, maybe more, the big rollout of robots—a joint effort between the Federal government, local authorities, and private enterprise—was heralded as the dawn of a new scientific age. And this new scientific age was a really great idea for a while. People liked it.

And then they stopped liking it.

There were two reasons. One, that the jobs we—well,
they
—started taking, even the jobs that were menial or unpleasant or were attached to a certain kind of risk that was liable to send a man to his grave earlier than hoped for, were jobs that people actually really did want to do, and the machine men built to ease the burden of labor of those built out of flesh and blood were resented. Or maybe it wasn’t the robots that were resented, it was the men who designed and built them.

Whatever the case, the resentment turned into something altogether nastier. Dangerous, even. That new golden dawn got a little cloudy, and quick.

And two, it turned out robots that looked almost but not quite like people were actually a little creepy. People just didn’t
like
them and some people went so far as to say they’d rather have a conversation with their toaster oven than one of us. From my own experience it seemed to be about fifty-fifty: I was viewed with either a quiet and cautious curiosity, or with a healthy dose of fear and disgust. Then again, being the last robot in the world, maybe I had it a little easier than my electromatic ancestors.

But put the two unexpected attitudes together and what you got wasn’t quite
robophobia
, but it was close enough. The United States Department of Robot Labor cancelled the program. All robots in public and private employ were immediately recalled and junked.

The grand experiment was over.

And then along came me.

I was planned as a new class of machine, a grand experiment myself. More human, on the inside anyway, with a personality based on a real human template. I was created by a guy called Professor C. Thornton, Doctor of Philosophy. He used himself as the template because I figured maybe nobody else felt like volunteering. It worked too, but it was too late. The day I was activated in Thornton’s government lab was the day the DORL shut down. I was the last robot in the world, in more ways than one.

How Thornton managed to keep the Feds away from my off switch, I don’t know. Maybe I was a lab experiment worth watching. Maybe Thornton had spent way too much money that wasn’t his on me and the computer I was paired with. He called the computer Ada and she had a personality template of her own. I never found out who’s and I didn’t care to know. She and I were a team and we were part of this new electronic world Thornton was dreaming of, one that was different from the last attempt. He gave me a program and he gave Ada instructions and he gave the both of us an office in Hollywood.

The Electromatic Detective Agency was born.

Little did Thornton know what his final creations were capable of.

The girl standing in the office took another step backwards. And she was just that, a girl, and the way she reacted I could see she knew what a robot was but she’d never actually seen one. But if that was her intention, she’d come to the right place, because I was the last one there was and I didn’t even charge admission.

“Can I help you, ma’am?” I asked. It felt stiff. I was out of practice a little. Ada got the jobs. I was just the hired help.

The girl took a step back and the bag, which she had picked up again after dropping it the first time, dropped a second time with the same heavy sound. It was a sports bag, an arch of warm brown leather that curved up nearly to her knees, the kind of expensive but well-made bag that you’d take to a fancy athletics club where the sweat you got on was from the sauna and rather than play squash you’d sit in easy chairs as soft as warm butter and blow bubbles and talk about exotic sports that had accents over the letters.

The girl was dressed in a red dress that ended well above her knees and she had a matching red knit top. She was a dark brunette with assistance and her hair was cut into a bob, all big business at the top and back and with short bangs at the front straight enough to cut bread. There were gold bangles on both arms. Her shoes were gold-colored leather and her legs, the majority of which were on proud display, were on the inside of pitch-black tights.

I thought I knew her from somewhere, but I couldn’t place it.

This was not an uncommon feeling.

The girl didn’t say anything, she just stood there and looked at me with big eyes ringed with enough black to make her look like Cleopatra if Cleopatra shopped at the finer boutiques of Beverly Hills.

But she didn’t answer my question so I moved to the desk and made a thing of brushing the dust off of it, and then I pulled the chair out from behind it and wondered if I should sit down or not.

I decided to keep standing and thought awhile on the best way to break the ice when she finally opened her own mouth and said the following.

“I want to hire you.”

I frowned. Or at least it felt like I frowned. My face was bronzed steel and didn’t have any part that could move. The girl clutched her hands in front of her and had her eyes on my optics. Behind her the outer office door was closed, but on the back of the frosted glass I could still see my name and former business as clear as day, rendered in gold stencil.

RAYMOND ELECTROMATIC

LICENCED PRIVATE DETECTIVE

Now, thing was, the sign was technically correct. I was still a licensed private detective. Hell, the license was welded to my chest under my shirt. Given the intricacies of trying to show that when the job required it, I had a smaller one sewn into a leather wallet which I kept in my right inside jacket pocket. It was still sitting in there too, even though I didn’t take it out much in my current line of work, unless it was as a useful piece of cover.

Because while I might have been a private detective once, I wasn’t anymore. Only trouble is that I couldn’t much tell her what my new job was. You know how it goes, the whole “if I tell you I’ll have to kill you” bit.

Only in my case, that pithy little one-liner was right on the money. Because I wasn’t a private detective anymore.

I was a hitman. Well, hit
robot
, but I thought that particular hair was best left unsplit.

And the reason I was a hitman and not a private detective was a pretty simple one: killing people paid better. That’s what Ada was programmed to do. She was, at the heart of it, a business computer, one designed to run the Electromatic Detective Agency at a profit. That profit was needed because that was part of Thornton’s grand experiment—this was a robot and his control computer, going out there into a big wide world on their own, independent of any aid, Federal or otherwise.