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Authors: Peter Straub

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Magic Terror (3 page)

BOOK: Magic Terror
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A child of certain limitations has been lost. She could never learn to tie her cute but oddly blunt-looking size 1 running shoes and eventually had to become resigned to the sort fastened with Velcro straps. When combing her multishaded blond hair with her fingers, she would invariably miss a cobwebby patch located two inches aft of her left ear. Her reading skills were somewhat, though not seriously, below average. She could recognize her name, when spelled out in separate capitals, with narcissistic glee; yet all other words, save
and
and
the
, turned beneath her impatient gaze into random, Sanskrit-like squiggles and uprights. (This would soon have corrected itself.) She could recite the alphabet all in a rush, by rote, but when questioned was incapable of remembering if
O
came before or after
S.
I doubt that she would have been capable of mastering long division during the appropriate academic term.

Across the wide, filmy screen of her eyes would now and then cross a haze of indefinable confusion. In a child of more finely tuned sensibilities, this momentary slippage might have suggested a sudden sense of loss, even perhaps a premonition of the loss to come. In her case, I imagine the expression was due to the transition from the world of complete unconsciousness (Barbie and My Little Ponies) to a more fully socialized state (Kris Kross). Introspection would have come only late in life, after long exposure to experiences of the kind from which her parents most wished to shelter her.

An irreplaceable child has been lost. What was once in the land of the Thinking Reed has been forever removed, like others before it, like all others in time, to turtledove territory. This fact is borne home on a daily basis. Should some informed anonymous observer report that the child is all right, that nothing is happening to her, the comforting message would be misunderstood as the prelude to a demand for ransom. The reason for this is that no human life can ever be truly substituted for another. The increasingly despairing parents cannot create or otherwise acquire a living replica, though they are certainly capable of reproducing again, should they stay married long enough to do so. The children in the lost one’s class are reported to suffer nightmares and recurrent enuresis. In class, they exhibit lassitude, wariness, a new unwillingness to respond, like the unwillingness of the very old. At a school-wide assembly where the little ones sat right up in front, nearly everyone expressed the desire for the missing one to return. Letters and cards to the lost one now form two large, untidy stacks in the principal’s office and, with parental appeals to the abductor or abductors broadcast every night, it is felt that the school will accumulate a third stack before these tributes are offered to the distraught parents.

 

Works of art generate responses not directly traceable to the work itself. Helplessness, grief, and sorrow may exist simultaneously alongside aggressiveness, hostility, anger, or even serenity and relief. The more profound and subtle the work, the more intense and long-lasting the responses it evokes.

 

Deep, deep in her muddy grave, the queen and mother felt the tears of her lost daughter.
All will pass.
In the form of a turtledove, she rose from grave darkness and ascended into the great arms of a hazel tree.
All will change.
From the topmost branch, the turtledove sang out her everlasting message.
All is hers, who will seek what is true.
“What is true?” cried the daughter, looking dazzled up.
All will pass, all will change, all is yours,
sang the turtledove.

 

In a recent private conference with the principal, I announced my decision to move to another section of the country after the semester’s end.

The principal is a kindhearted, limited man still loyal, one might say rigidly loyal, to the values he absorbed from popular music at the end of the nineteen-sixties, and he has never quite been able to conceal the unease I arouse within him. Yet he is aware of the respect I command within every quarter of his school, and he has seen former kindergartners of mine, now freshmen in our trisuburban high school, return to my classroom and inform the awed children seated before them that Mrs. Asch placed them on the right path, that Mrs. Asch’s lessons would be responsible for seeing them successfully through high school and on to college.

Virtually unable to contain the conflict of feelings my announcement brought to birth within him, the principal assured me that he would that very night compose a letter of recommendation certain to gain me a post at any elementary school, public or private, of my choosing.

After thanking him, I replied, “I do not request this kindness of you, but neither will I refuse it.”

The principal leaned back in his chair and gazed at me, not unkindly, through his granny glasses. His right hand rose like a turtledove to caress his graying beard, but ceased halfway in its flight, and returned to his lap. Then he lifted both hands to the surface of his desk and intertwined the fingers, still gazing quizzically at me.

“Are you all right?” he inquired.

“Define your terms,” I said. “If you mean, am I in reasonable health, enjoying physical and mental stability, satisfied with my work, then the answer is yes, I am all right.”

“You’ve done a wonderful job dealing with Tori’s disappearance,” he said. “But I can’t help but wonder if all of that has played a part in your decision.”

“My decisions make themselves,” I said. “All will pass, all will change. I am a serene person.”

He promised to get the letter of recommendation to me by lunchtime the next day, and as I knew he would, he kept his promise. Despite my serious reservations about his methods, attitude, and ideology—despite my virtual certainty that he will be unceremoniously forced from his job within the next year—I cannot refrain from wishing the poor fellow well.

ISN’T IT
ROMANTIC?

N steered the rented Peugeot through the opening in the wall and parked beside the entrance of the auberge. Beyond the old stable doors to his left, a dark-haired girl in a bright blue dress hoisted a flour sack off the floor. She dropped it on the counter in front of her and ripped it open. When he got out of the car, the girl gave him a flat, indifferent glance before she dipped into the bag and smeared a handful of flour across a cutting board. Far up in the chill gray air, thick clouds slowly moved across the sky. To the south, smoky clouds snagged on trees and clung to the slopes of the mountains. N took his carry-on bag and the black laptop satchel from the trunk of the Peugeot, pushed down the lid, and looked through the kitchen doors. The girl in the blue dress raised a cleaver and slammed it down onto a plucked, headless chicken. N pulled out the handle of the carry-on and rolled it behind him to the glass enclosure of the entrance.

He moved through and passed beneath the arch into the narrow, unlighted lobby. A long table stacked with brochures stood against the far wall. On the other side, wide doors opened into a dining room with four lines of joined tables covered with red-checkered tablecloths and set for dinner. A blackened hearth containing two metal grilles took up the back wall of the dining room. On the left side of the hearth, male voices filtered through a door topped with a glowing stained-glass panel.

N moved past the dining room to a counter and an untidy little office—a desk and table heaped with record books and loose papers, a worn armchair. Keys linked to numbered metal squares hung from numbered hooks. A clock beside a poster advertising Ossau-Iraty cheese said that the time was five-thirty, forty-five minutes later than he had been expected.
“Bonjour. Monsieur? Madame?”
No one answered. N went to the staircase to the left of the office. Four steps down, a corridor led past two doors with circular windows at eye level, like the doors into the kitchens of diners in his long-ago youth. Opposite were doors numbered 101, 102, 103. A wider section of staircase ascended to a landing and reversed to continue to the next floor.
“Bonjour.”
His voice reverberated in the stairwell. He caught a brief, vivid trace of old sweat and unwashed flesh.

Leaving the carry-on at the counter, he carried the satchel to the dining room doors. Someone beyond barked out a phrase, others laughed. N walked down the rows of tables and approached the door with the stained-glass panel. He knocked twice, then pushed the door open.

Empty tables fanned out from a door onto the parking lot. A man in a rumpled tweed jacket and with the face of a dissolute academic; a sallow, hound-faced man in a lumpy blue running suit; and a plump, bald bartender glanced at him and then leaned forward to continue their conversation in lowered voices. N put his satchel on the bar and took a stool. The bartender eyed him and slowly came up the bar, eyebrows raised.

In French, N said, “Excuse me, sir, but there is no one at the desk.”

The man extended his hand across the bar. He glanced back at his staring friends, then smiled mirthlessly at N. “Mr. Cash? We had been told to expect you earlier.”

N shook his limp hand. “I had trouble driving down from Pau.”

“Car trouble?”

“No, finding the road out of Oloron,” N said. He had driven twice through the southern end of the old city, guessing at the exits to be taken out of the roundabouts, until a toothless ancient at a crosswalk had responded to his shout of “Montory?” by pointing toward the highway.

“Oloron is not helpful to people trying to find these little towns.” The innkeeper looked over his shoulder and repeated the remark. His friends were nearing the stage of drunkenness where they would be able to drive more confidently than they could walk.

The hound-faced man in the running suit said, “In Oloron, if you ask ’
Where
is Montory?’ they answer, ’
What
is Montory?’”

“All right,” said his friend. “What is it?”

The innkeeper turned back to N. “Are your bags in your car?”

N took his satchel off the bar. “It’s in front of the counter.”

The innkeeper ducked out and led N into the dining room. Like dogs, the other two trailed after them. “You speak French very well, Mr. Cash. I would say that it is not typically American to have an excellent French accent. You live in Paris, perhaps?”

“Thank you,” N said. “I live in New York.” This was technically true. In an average year, N spent more time in his Upper East Side apartment than he did in his lodge in Gstaad. During the past two years, which had not been average, he had lived primarily in hotel rooms in San Salvador, Managua, Houston, Prague, Bonn, Tel Aviv, and Singapore.

“But you have spent perhaps a week in Paris?”

“I was there a couple of days,” N said.

Behind him, one of the men said, “Paris is under Japanese occupation. I hear they serve raw fish instead of
cervelas
at the Brasserie Lipp.”

They came out into the lobby. N and the innkeeper went to the counter, and the two other men pretended to be interested in the tourist brochures.

“How many nights do you spend with us? Two, was it, or three?”

“Probably two,” said N, knowing that these details had already been arranged.

“Will you join us for dinner tonight?”

“I am sorry to say that I cannot.”

Momentary displeasure surfaced in the innkeeper’s face. He waved toward his dining room and declared, “Join us tomorrow for our roasted mutton, but you must reserve at least an hour in advance. Do you expect to be out in the evenings?”

“I do.”

“We lock the doors at eleven. There is a bell, but as I have no desire to leave my bed to answer it, I prefer you to use the keypad at the entrance. Punch twenty-three forty-five to open the door. Easy, right? Twenty-three forty-five. Then go behind the counter and pick up your key. On going out again the next day, leave it on the counter, and it will be replaced on the rack. What brings you to the Basque country, Mr. Cash?”

“A combination of business and pleasure.”

“Your business is . . . ?”

“I write travel articles,” N said. “This is a beautiful part of the world.”

“You have been to the Basque country before?”

N blinked, nudged by a memory that refused to surface. “I’m not sure. In my kind of work, you visit too many places. I might have been here a long time ago.”

“We opened in 1961, but we’ve expanded since then.” He slapped the key and its metal plate down on the counter.

 

N put his cases on the bed, opened the shutters, and leaned out of the window, as if looking for the memory that had escaped him. The road sloped past the auberge and continued uphill through the tiny center of the village. On the covered terrace of the cement-block building directly opposite, a woman in a sweater sat behind a cash register at a display case filled with what a sign called “regional delicacies.” Beyond, green fields stretched out toward the wooded mountains. At almost exactly the point where someone would stop entering Montory and start leaving it, the red enclosure of the telephone booth he had been told to use stood against a gray stone wall.

The innkeeper’s friends staggered into the parking lot and left in a mud-spattered old Renault. A delivery truck with the word
Comet
stenciled on a side panel pulled in and came to a halt in front of the old stable doors. A man in a blue work suit climbed out, opened the back of the truck, pulled down a burlap sack from a neat pile, and set it down inside the kitchen. A blond woman in her fifties wearing a white apron emerged from the interior and tugged out the next sack. She wobbled backward beneath its weight, recovered, and carried it inside. The girl in the blue dress sauntered into view and leaned against the doorway a foot or two from where the delivery man was heaving his second sack onto the first. Brown dust puffed out from between the sacks. As the man straightened up, he gave her a look of straightforward appraisal. The dress was stretched tight across her breasts and hips, and her face had a coarse, vibrant prettiness entirely at odds with the bored contempt of her expression. She responded to his greeting with a few grudging words. The woman in the apron came out again and pointed to the sacks on the floor. The girl shrugged. The delivery man executed a mocking bow. The girl bent down, slid her forearms beneath the sacks, lifted them waist high, and carried them deeper into the kitchen.

Impressed, N turned around and took in yellowish-white walls, a double bed that would prove too short, an old television set, a nightstand with a reading lamp, and a rotary phone. Framed embroidery above the bed advised him that eating well would lead to a long life. He pulled the carry-on toward him and began to hang up his clothes, meticulously refolding the sheets of tissue with which he had protected his suits and jackets.

A short time later, he came out into the parking lot holding the computer bag. Visible through the opening, the girl in the blue dress and another woman in her twenties, with stiff fair hair fanning out above a puggish face, a watermelon belly, and enormous thighs bulging from her shorts, were cutting up greens on the chopping block with fast, short downstrokes of their knives. The girl lifted her head and gazed at him. He said,
“Bonsoir.”
Her smile put a youthful bounce in his stride.

The telephone booth stood at the intersection of the road passing through the village and another that dipped downhill and flattened out across the fields on its way deeper into the Pyrenees. N pushed tokens into the slot and dialed a number in Paris. When the number rang twice, he hung up. Several minutes later, the telephone trilled, and he picked up the receiver.

An American voice said, “So we had a little hang-up, did we?”

“Took me a while to find the place,” he said.

“You needum Injun guide, findum trail heap fast.” The contact frequently pretended to be an American Indian. “Get the package all right?”

“Yes,” N said. “It’s funny, but I have the feeling I was here before.”

“You’ve been everywhere, old buddy. You’re a grand old man. You’re a star.”

“In his last performance.”

“Written in stone. Straight from Big Chief.”

“If I get any trouble, I can cause a lot more.”

“Come on,” said the contact. N had a detailed but entirely speculative image of the man’s flat, round face, smudgy glasses, and furzy hair. “You’re our best guy. Don’t you think they’re grateful? Pretty soon, they’re going to have to start using Japanese.
Russians.
Imagine how they feel about that.”

“Why don’t you do what you’re supposed to do, so I can do what I’m supposed to do?”

 

N sat outside the
café tabac
on the Place du Marche in Mauléon with a nearly empty demitasse of espresso by his elbow and a first edition of Rudyard Kipling’s
Kim
in near-mint condition before him, watching lights go on and off in a building on the other side of the arcaded square. He had used the telephone shower in his room’s flimsy bathtub and shaved at the flimsy sink, had dressed in a lightweight wool suit and his raincoat, and, with his laptop case upright on the next chair, he resembled a traveling businessman. The two elderly waiters had retired inside the lighted café, where a few patrons huddled at the bar. During the hour and a half N had been sitting beneath the umbrellas, a provincial French couple had taken a table to devour steak and
pommes frites
while consulting their guidebooks, and a feral-looking boy with long, dirty-blond hair had downed three beers. During a brief rain shower, a lone Japanese man had trotted in, wiped down his cameras and his forehead, and finally managed to communicate his desire for a beef stew and a glass of wine. Alone again, N was beginning to wish that he had eaten more than his simple meal of cheese and bread, but it was too late to place another order. The subject, a retired politician named Daniel Hubert with a local antiques business and a covert sideline in the arms trade, had darkened his shop at the hour N had been told he would do so. A light had gone on in the living room of his apartment on the next floor and then, a few minutes later, in his bedroom suite on the floor above that. This was all according to pattern.

“According to the field team, he’s about to move up into the big time,” his contact had said. “They think it’ll be either tonight or tomorrow night. What happens is, he closes up shop and goes upstairs to get ready. You’ll see the lights go on as he goes toward his bedroom. If you see a light in the top floor, that’s his office, he’s making sure everything’s in place and ready to go. Paleface tense, Paleface know him moving out of his league. He’s got South Americans on one end, ragheads on the other. Once he gets off the phone, he’ll go downstairs, leave through the door next to the shop, get in his car. Gray Mercedes four door with fuck-you plates from being Big Heap Deal in government. He’ll go to a restaurant way up in the mountains. He uses three different places, and we never know which one it’s going to be. Pick your spot, nice clean job, get back to me later. Then put it to some
mademoiselle—
have yourself a ball.”

“What about the others?”

“Hey, we love the ragheads, you kidding? They’re customers. These guys travel with a million in cash, we worship the camel dung they walk on.”

The lights at the top of the house stayed on. A light went on, then off, in the bedroom. With a tremendous roar, a motorcycle raced past. The wild-looking boy who had been at the café glanced at N before leaning sideways and disappearing through the arcade and around the corner. One of the weary waiters appeared beside him, and N placed a bill on the saucer. When he looked back at the building, the office and bedroom lights had been turned off, and the living room lights were on. Then they turned off. N stood up and walked to his car. In a sudden spill of the light from the entry, a trim silver-haired man in a black blazer and gray slacks stepped out beneath the arcade and held the door for a completely unexpected party, a tall blond woman in jeans and a black leather jacket. She went through one of the arches and stood at the passenger door of a long Mercedes while M. Hubert locked the door. Frustrated and angry, N pulled out of his parking spot and waited at the bottom of the square until they had driven away.

BOOK: Magic Terror
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