Magpies, Squirrels and Thieves (53 page)

18
. See Pearce,
Photographs of Peking
, pp. 60–61.

19
.
The I.G. in Peking: Letters of Robert Hart, Chinese Maritime Customs, 1868–1907
(Cambridge, Mass., 1975), vol. 2, p. 877, letter 827.

20
. Note in the file, November 1898, Bushell archives.

21
. Museum minute, 16 January 1899, Bushell archives.

22
. Ibid.

23
. S. W. Bushell, letter to Purdon Clarke, 25 November 1898.

24
. Minute note, 18 February 1899, Bushell archives.

25
. Minute note, 8 April 1909, Bushell archives.

1
.   See Burton,
Vision and Accident,
p. 122.

2
.   Some of Charlotte's pieces remain on display, however, at the heart of the V&A's Ceramics Galleries, and modern technology has even made it possible to glimpse a shadow of the past by virtually re-creating the original collection. Although the pieces on exhibition are still integrated with objects from all kinds of other sources, the Schreiber name is resolutely attached to everything from the original bequest, both on display and in store, and from online records it is possible to bring them together again. Those who want to see exactly what it was that Charlotte sought out so energetically can use searches and keywords to dip back into the past and assemble details and images of her bequest. Although it is unlikely that we will ever again be able to view all the objects together in a real space, breathing their collective connection to history, this virtual exercise can at least give a glimpse of the original magnificence of the Schreiber collection.

3
.   The fully restored sarcophagus is on display in the World Museum, Liverpool, alongside other of Mayer's pieces, identifiable from the letter M prefixing the acquisition number.

4
.   D. B. Elliott,
Charles Fairfax Murray: The Unknown Pre-Raphaelite
(London: Book Guild, 2000), p. 89.

5
.   See Ann Sumner, ‘Sir John Charles Robinson: Victorian Collector and Connoisseur',
Apollo
(October 1989), pp. 226–30.

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