Mama Leone (33 page)

Four years went by, and there I was in Sarajevo for the first time. No garage, no bike, my mother and father aged a good twenty years each, no one I know in the city, and no one who knows me. And I think, fine, that's that then, it's all over, you'll be here for a couple of weeks, then back to Germanostan. It was a beautiful spring. I spent the day sitting in those cafés, one minute the sun burning down, the next a cool breeze, I was looking at the façades of the buildings, spotting the bumps in the asphalt, bidding a peaceful farewell to a city still mine, though I'm not hers, when all of a sudden I see someone I know coming from the cathedral, Lejla as beautiful as ever, leading a little girl of about three by the hand, the little one just like her, I'm about to call out to her, I open my mouth, our eyes meet, and she passes by. She doesn't even recognize
me. I stay openmouthed like that, an ambulance needed to come close it, Lejla goes by, and here we are, and to this day there's one thing that's not clear to me, and I can't sleep when I think about it, and that is why I was joking when we rode around on the bike. If anyone can answer that question for me, I'll do any job for them. I will, I swear it Emina, if you can tell me why I joked like that, tomorrow I'll be Susanna instead of you
.

It was the beginning of January, the year the war ended, and Mahir Kubat found himself at Zagreb's Central Station with no papers and fifty German marks in his pocket. The story of how he got to Zagreb, and why Zagreb and not someplace else, would take too long, it's enough to know that Mahir Kubat had left for good and that he had no particular country in mind, but was pretty set on not hanging around anyplace too close.

A fine snow was falling, you couldn't actually tell whether it was snow or mist, people were waiting for the tram in front of the station, Mahir had a white Adidas bag with his spare sneakers tucked under his arm and was looking at the king on the horse, who appeared to have especially positioned himself to look right in his direction, as if Mahir
and the king formed part of a larger whole, having waited for God knows how long to stand here together on an early-winter evening, one across from the other, both with pretty much no show of riding off somewhere, or at least for there to be any point in doing so.

Mahir Kubat wasn't easily panicked; he had these two Clint Eastwood frown lines on his face, and he was well aware of them, it could even be said that he relied on them; a man with these kind of furrows isn't easily rattled, he doesn't surrender to despair, even when as night falls he finds himself in a city without a single number he might dial.

One foot in front of the other, he headed off toward the underground shopping center to the left of the station. Down below the advertising neon blazed, from the sound system the jabbering voice of Oliver Mlakar, kids with shaved heads drank beer in front of the supermarket, and Jehovah's Witnesses sold magazines with apocalyptic headlines. “Find Jesus Before the Catastrophe,” that's what it said under the face of some penitent crone. She tried to look Mahir Kubat right in the eye so he might see the face of God in hers. Mahir gave her a wink and a smile. He was on the lookout for a bar where he could have a beer and not piss the whole fifty marks up against the wall. If he were someone else, and not Mahir Kubat, he would have already figured out there's no such bar anywhere in the world.

An Ožujsko if you will
, he tried it on like a local, but it came out bearing that excess courtesy characteristic of people who walk the world without papers, bereft of a single document bearing their name and
photo, anything to prove their existence. He poured his beer, folded his arms on his chest, stretched out on his stool a little, and just sat there watching the people rushing by the glass window. The melody of a song from the mid-eighties floated around his head, something like
I can't explain the feeling of a slant-eyed girl in the snow
. He'll hang around in here long enough for something to happen. Mahir Kubat thinks it's like he's in a film and that there isn't a film where resolution doesn't come of its own accord. The trick is to not leave the theater before the film ends, because then you just roam the streets like a deaf whore, going from one film to the next, and then finally the panic wears you down.

Around nine there was barely a stool free. Only Mahir sat on his own, surrounded by three of them. Some whiny little homo came over,
may I sit here
, then nothing happened for ages, until a shaven-headed kid and a girl with a mohawk came in, both in leather jackets and high boots painted with British flags.
You're not waiting for someone?
the kid asked,
sit down
, said Kubat through clenched teeth, sharpening those frown lines of his as much as he could.

He held his gaze on the passersby and just waited, not paying the kid and his girl any mind.
Sorry
, the girl took him by the elbow,
do you maybe have a loosey? . . . Do I maybe have a what? . . . A loosey, you got a cigarette? . . . No . . . You're not from Zagreb? . . . Why's that, that bother you?. . . No, it's just you don't sound like it . . . No, I'm not from Zagreb . . . And where are you from, if I may ask, and it won't cause offense
, the girl chuckled sweetly, and Mahir Kubat thought she was okay. The crew-cut kid was okay too. He kept quiet and let the girl do the talking.
I was from Zenica
,
and now I'm not from anywhere . . . Aha, Mister Nobody . . . No, my name is Kubat, Mahir Kubat
, he said, offering the girl his hand.
Nancy
, she said, crooking her head,
Sid
, said the kid,
aren't you two supposed to be dead?
said Kubat grinning.
Why do you keep looking out the window
, the kid asked.
I'm watching out for someone . . . Someone important? . . . Yeah, he has to come by, 'cause if he doesn't I've got problems . . . If it's not indiscreet, may I ask who that might be?
The girl leaned across the table to catch Mahir's gaze.
No idea, but someone has to come by . . . But you must know why you're waiting for him . . . That I know . . . How long are you going to wait? . . . Until he comes by . . . Do you know anyone in Zagreb? . . . No, but I know maybe a million people who've been in Zagreb, so maybe they'll come by tonight . . . Well, now you know us too
, the kid banged his hand on the table. Mahir Kubat turned away from the window and looked at him, icy as he could, straight in the eye. Sid had these childlike green eyes that turned yellow just before the pupil.
And you, little man, what would you know about all that? . . . Nothing, just what I see . . . What do you see then, wise guy? . . . I see James Bond who doesn't have anywhere to sleep and probably left his checkbook at home, so he's a little anxious . . . I'm not anxious, I am never anxious
, Kubat turned toward the window again and folded his arms.
Whatever, but if you want you can come with us, we've got a place where we all crash
.

The night tram was heading toward Novi Zagreb. Sid was laughing like crazy, Nancy sitting in Mahir Kubat's lap.
You're so cute and grumpy, a real stooge
. At that moment Mahir felt like crying.

They arrived at a tower block in Sopot and took the lift to the eleventh
floor.
Whose apartment is it
, asked Mahir,
Nora's . . . Who's Nora? What's she going to say . . . Nothing, she's probably asleep, and when she wakes up, just tell her my name is Kubat, Mahir Kubat, she'll like that
. The kid took a key out of his pocket, Mahir had no idea what was going on anymore, he took off shoes in the hall, you don't do that here, so what, they're already off, he tiptoed, the two of them were being a bit loud, like no one was asleep, they snuck a glance into the living room where a girl was asleep on the three-seater,
we'll crash here
, said Sid,
you'll have to crash on our sleepodrome
, Nancy took Mahir by the hand, fuck this is like Hansel and Gretel, and led him to a big bedroom where almost the whole floor was taken up by the bed, the biggest bed Mahir Kubat had ever seen in his life. A chick with long blond hair was asleep at one end, and in the middle, almost a meter away, there was another one, the same long blond hair; now Mahir Kubat really had no idea what was going on. There were two and a half meters of empty bed, but it seemed more appropriate for him to go back out in the hall and lie down on the floor. But he can't do that, they've told him it's normal to sleep here, so presumably that's what he needs to do, he must be cold as ice, a man who heads out into the world with fifty marks in his pocket has to be cold as ice, otherwise he's finished at the outset; he thought of Mahatma Gandhi who slept surrounded by women to prove the resolve of his abstinence, or maybe he slept like that for some other reason, it doesn't matter.

He dropped his trousers, took his jersey and shirt off, and in his boxers and a UnisTours T-shirt with the slogan “East and West Kiss Best”
on it crept over to the bed. He lay down, the girls didn't flinch. In the darkness he saw the face of the one closest, so still, her lips closed, the face asleep as if dreaming of nothing or maybe she wasn't even there.
She's not there
, thought Mahir Kubat,
I'll never see her again because in the morning I'm gone
. He didn't feel anything in particular for the sleeping girl, but the idea of her and the image saddened him. It was an image far from his reach, in itself of no importance, but nonetheless an image he would never see again, from which he would soon be so far away that he would never know if how it remains etched in his memory is how it really was, or if someday it might just escape him altogether. At that moment, on that bed, Mahir Kubat felt like someone who leaves forever, leaving behind everything his eyes have ever seen, and more than anything else, things he has only seen once and can't even recall anymore.

He turned onto his back and gazed at the ceiling, letting sleep slowly slip up on him, his thoughts imperceptibly sliding away, like the loved ones of a dead man after the janazah. He felt the tears rolling down his cheeks, dripping into his ears, flowing like the Buna and crashing down like the waterfall at Kravice; he was in the seventh grade when they went swimming there on a school trip, he stood beneath the waterfall, the water heavy and strong, and his tears fell, just like they are now, without a sob and without sense, for he knew the water would never again fall from such a height, hitting him straight in the head, in the seventh grade on a school trip to Kravice.

He opened his eyes and it was like someone in a film had drawn
broken roller blinds and with a crash and bang introduced a new scene. Maybe he'd slept for just a minute, maybe he'd been asleep for hours. He lay on his side, the girl's wide-open eyes right in front of him. Her face was as it had been while she was asleep, only now her eyes were open.
You are . . .
he whispered, and remembered that he should have started with
I am . . .
but now he didn't know how to swap the words. His lips were stuck on the
m
, clasped shut like an aquarium fish when it catches sight of a soft kitty paw on the other side of the glass.
I'm Nora
, said the girl,
Nora, like Ibsen's Nora
.

He didn't dare move; she thinks she's still asleep, he needs to wait for her to close her eyes and then quietly slip out, he needs to keep quiet and not be from this world.
What do you want to do now?
she said, very, very slowly.
Nothing . . . You want something, you want it, because you wouldn't be here otherwise, that's for sure . . . No, I'm just about on my way . . . Who kisses best? . . . East and West . . . I'm dreaming and I won't remember. Please, you remember, please, please, please . . .
Nora closed her eyes and repeated
please
until her sad face fell back into a deep sleep. Mahir Kubat didn't move a muscle. He waited until he was completely sure Nora was asleep, and he thought that maybe he'd stayed on in her dream, that maybe everything was not yet lost. Nora might dream of him even when he's far away, even when he's gone.

He slid off the bed, crouching he checked if Nora and the girl next to her were asleep, then he grabbed his clothes and tiptoed out into the hall. He closed the bedroom door, a door he'll never open again, and
immediately it ceased to exist. He got dressed, took his suitcase, and headed for the front door, and then he stopped, fixed his two Clint Eastwood furrows, scratched his head, and started rummaging through his jacket pockets. He took his keys out and tried to get the key ring off with his fingernails. There was a metal pendant on it, a black-and-red ball with the words “FK
Č
elik Zenica.”

He snuck into the living room, Nancy and Sid were asleep in a hug, her naked, her right leg straddling him; they looked like octopuses in a lover's embrace, their tentacles inseparable. Mahir Kubat went over and put his pendant down beside Nancy's head.

It was freezing outside, the dawn breaking behind four high tower blocks, on the other side the sky still in complete darkness. Mahir Kubat held his suitcase in his right hand, in his left the keys he'd taken off the key ring. He needed to toss them somewhere, but not on the street because someone might find them and think some kid lost them. Mahir Kubat looked for a trash can, but there wasn't one in sight. When he finds one, nothing will stand between his life and his departure.

This is a new start. Like a second honeymoon
, said Kosta the day Rajna came back from the hospital. He ripped out the doorstep in the entrance way, leveled out any bumps in the rooms, shifted the wardrobes so the wheelchair could reach every corner of the apartment, even get into the pantry, where once Rajna and her wheelchair were in there you couldn't fit anything or anyone else. She watched him as he worked, and he smiled, holding three nails in his mouth. He waved the hammer here and there, as if it meant something and all the merriment was completely natural, that the goal of every sound and happy marriage was the woman ending up in a wheelchair after three years.