Mary, Queen of Scots (93 page)

The surname Boleyn was spelled in several ways, there being no uniformity in spelling in former times, when it was given as Boleyn, Boleyne, Bolleyne, Bollegne, Boleigne, Bolen, Bullen, Boulen, Boullant, or Boullan, the French form. The bulls’ heads on the family coat of arms are a pun on the name. In adult life Anne Boleyn used the modern form adopted in this text. Unfortunately, we don’t know how Mary Boleyn spelt her surname, as only two letters of hers survive, both signed with her married name.

The Boleyn family had once been tenant farmers, but the source of their wealth and standing was trade. Thomas’s grandson, Sir Geoffrey Boleyn, made his fortune in the City of London as a member and then Master of the Worshipful Company of Mercers (1454); he was Sheriff of London from 1446–47; MP for London in 1449; and an alderman of the City of London from 1452 (an office he held for eleven years). In 1457 he was elected Lord Mayor.
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By then he had made his fortune; his wealth had enabled him to marry into the nobility, his wife being Anne, daughter and co-heiress of Thomas, Lord Hoo and Hastings, and she brought him great estates. Stow records that Sir Geoffrey “gave liberally to the prisons, hospitals and lazar houses, besides a thousand pounds to poor householders in London, and two hundred pounds to [those] in Norfolk.” He was knighted by Henry VI before 1461.

In 1452 (or 1450), Geoffrey had purchased the manor of Blickling in Norfolk from his friend and patron, Sir John Fastolf.
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The manor had once been the property of the eleventh century Saxon king, Harold Godwineson,
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and the original manor house on the site had been built in the 1390s by Sir Nicholas Dagworth, but it was evidently outdated or in poor repair, because—as has recently been discovered—it was rebuilt as Blickling Hall, “a fair house” of red brick, by Geoffrey Boleyn.
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Geoffrey also built the chapel of St. Thomas in Blickling church, and adorned it with beautiful stained glass incorporating the heraldic arms of himself and his wife, which still survives today; in his will, he asked to be buried there if he departed this life at Blickling. In the event, he died in London.

Ten years later, in 1462, Geoffrey bought the manors of Hever Cobham and Hever Brokays in Kent from William Fiennes, Lord Saye and Sele,
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as well as thirteenth century Hever Castle from Sir Thomas Cobham. Sir Geoffrey now moved in the same social circles as the prosperous Paston family (Norfolk neighbors who knew the Boleyns well, and whose surviving letters tell us so much about fifteenth century life), the Norfolk gentry, and even the exalted Howards, who were descended from King Edward I, and at the head of whose house was John Howard, first Duke of Norfolk; the friendship between the Boleyns and the Howards, which would later be cemented by marriage, dated from at least 1469.
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When he died in 1463,
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Geoffrey was buried in the church of St. Lawrence Jewry by the Guildhall in London. His heir, Thomas Boleyn of Salle, was buried there beside him in 1471,
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when the family wealth and estates passed to Geoffrey’s second son, William Boleyn, Mary’s grandfather, who had been born around 1451; he was “aged 36 or more” in the inquisition postmortem on his cousin, Thomas Hoo, taken in October 1487.
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The Boleyns had arrived; they were what would soon become known as new men, those who had risen to prominence through wealth, wedlock, and ability. William Boleyn, who—like his father—had supported the House of York during the Wars of the Roses, was dubbed a Knight of the Bath at Richard III’s coronation in July 1483, became a Justice of the Peace, and made an even more impressive marriage than his father, to Margaret Butler, who had been born sometime prior to 1465,
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the younger daughter and co-heiress of Thomas Butler, 7th Earl of Ormond.
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The Butlers were an ancient Anglo-Norman family, whose surname derived from the office of butler (an official who was responsible for the provisioning of wine), which their ancestor, Theobald Walter, had borne in the household of the future King John in 1185. They too were descended from Edward I, and had been earls of Ormond since 1329.
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Thomas Butler was one of the wealthiest peers; he had inherited a fortune of £40,000 (£20 million), and was lord of no fewer than seventy-two manors in England. He sat in Parliament as the premier baron and served as English ambassador to the courts
of France and Burgundy. His wife was Anne, daughter and heiress of a rich knight, Sir Richard Hankeford.
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Before he had come into his inheritance in 1477, Butler had been chronically short of money, and Sir William Boleyn and his mother had continually come to the rescue;
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Butler repaid his debts with the hand of his daughter, and a dowry that would handsomely enrich the Boleyn family.

Lady Margaret Butler bore Sir William Boleyn eleven children, of whom there were four surviving sons: Thomas, James, William, and Edward. Thomas was the eldest,
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being born in 1477,
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when his mother was probably quite young, although perhaps not as young as twelve, as her mother’s inquisition postmortem suggests. After Richard III, the last Plantagenet monarch, was killed at the Battle of Bosworth in 1485, the Boleyns prudently switched their allegiance to the new Tudor dynasty; in 1490, Sir William was appointed Sheriff of Kent, by which time he was probably dividing his time between Blickling and Hever. King Henry VII, the first Tudor sovereign, demonstrated his trust in him by making him responsible for keeping the peace in his locale, delivering prisoners to the assizes, and placing and guarding the beacons that would herald the approach of the King’s enemies, giving William a commission of array against an invasion by the French, and appointing him Sheriff of Norfolk in 1501. The next year he was made the third of only four Barons of the Exchequer, who sat as judges in the Court of the Exchequer.
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In 1497, Sir William Boleyn and his son Thomas, now twenty, fought for King Henry VII against the rebels of Cornwall, who had risen in protest against excessive taxation. Again and again the Boleyn family would demonstrate its solid loyalty to the Crown, and in so doing would win the notice and favor of the Tudor kings, Henry VII and Henry VIII, who valued “new men” who had risen to prominence through trade and the acquisition of wealth, as opposed to the older nobility, whose power, hitherto boosted by private armies, they strove to keep in check.

The detail in Thomas Boleyn’s tomb brass suggests that some attempt was made to reflect his true appearance. It is the image of a dignified man with the long face, high cheekbones, and pointed chin
that were inherited by his daughter Anne and his grandson, Lord Hunsdon. He has strong features, wavy hair cut straight at chin level, and the hint of a close-cropped beard. His coat of arms, sporting three bulls’ heads, while being a play on his name, also symbolized his valor, bravery, and generosity. In the case of the latter, it was little more than flattery.

Thomas was a gifted linguist, more fluent in French than any other courtier, and proficient at Latin;
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he was also an expert jouster, and these were talents that would make him admired and useful at court. The celebrated humanist scholar Desiderius Erasmus, thought him “outstandingly learned,” and was to dedicate two books to him, one of which was a commentary on the Psalms, in which Thomas Boleyn had shown an interest.
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Thomas was to prove a highly able and hardworking statesman and diplomat, and Henry VIII himself would say that there was no skilled negotiator to equal him.
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He was adept at dealing with his royal master, whose liking for him seems never to have died. Yet although normally affable, even congenial, Thomas Boleyn could also be chillingly dispassionate, brusque, and even insolent, as he showed when on a crucial diplomatic mission to the Holy Roman Emperor in 1530; and when, during an embassy in Rome, the Pope—as was customary—offered his toe to be kissed, and Boleyn’s spaniel bit it, Boleyn refused to kiss it because his dog had defiled it, and so compromised his good relations with the Vatican.

Although hardworking and diligent, Thomas Boleyn’s besetting vices—by all accounts—were selfishness and avarice; “he could not risk the temptation of money.”
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It was to be said of him that “he would sooner act from interest than from any other motive,”
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and never was that more apparent than when he showed himself willing to participate in the destruction of two of his children in order to protect himself and salvage his own position and career.

Following in the tradition of his father and grandfather, Thomas Boleyn made a great marriage to Lady Elizabeth Howard, the eldest daughter of Thomas Howard, Earl of Surrey. Surrey was the son of John Howard, Duke of Norfolk, who had been killed at the Battle of
Bosworth fighting on the wrong side for Richard III. Henry VII had declared the title forfeit and cast the heir into prison, but Thomas Howard gradually recovered royal favor and prospered, with the earldom of Surrey being returned to him just four years later, in 1489, and the dukedom of Norfolk in 1514. Had the Howard fortunes not suffered such a reverse, Master Thomas Boleyn might not have gained such a prize as a Howard bride, even though he was the heir to an impressive landed inheritance and the families were on good terms. Elizabeth was a brilliant match for him, and marriage to her made this ambitious esquire brother-in-law to the sister of the Queen of England, for Elizabeth’s brother, another Thomas Howard (who succeeded his father as the third Duke of Norfolk in 1524), had, in 1495, married Edward IV’s daughter, Anne Plantagenet; Anne’s sister Elizabeth was Henry VII’s queen and the mother of the future Henry VIII.

The young Elizabeth Howard was very pretty—in his verses dedicated “To My Lady Elizabeth Howard,” the court poet John Skelton compared her to the mythical Trojan beauty Cressida, whose looks far outshone those of the radiant Polyxena, youngest daughter of Priam, King of Troy, and sister of Troilus, whom Cressida was to betray:

In comparing Elizabeth with the artist Irene, the gifted daughter and pupil of the Greek painter Cratinus (to whom Boccaccio refers in his book
Famous Women)
, Skelton is perhaps implying that she had some artistic talent herself.

In the poem in which these verses appear, “The Garland of the Laurel” (1523), Skelton describes a visit he made to Sheriff Hutton Castle as the guest of Elizabeth’s father, Thomas Howard, Earl of Surrey. In the course of it, the countess, Elizabeth Tylney, was so impressed with Skelton’s poetry that, at her behest, her daughters, Lady Elizabeth and Lady Muriel, with some other ladies—Lady Anne Dacre of the South, Mistress Margery Wentworth (who would marry Sir John Seymour and become the mother of Henry VIII’s third wife, Jane Seymour), and Margaret Brewes, the wife of Sir Philip Tylney (Surrey’s auditor and steward of Framlingham Castle)—made for him a laureate’s garland of silk, gold, and pearls in honor of his talent. No one could then have dreamed that two of these young ladies would give birth to future queens of England.

“The Garland of the Laurel” is in part an allegorical poem, but its references to the noble ladies at Sheriff Hutton, Skelton’s “court of fame,” are authentic. In 1523, when the final version was written, Elizabeth Howard (whose parents had wed in 1472 and who must have been at least twelve by
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. 1498) would have been aged between thirty-seven and fifty-one, far too old in those days to be lauded a beauty. Internal evidence in the poem suggests that it had been originally composed around 1495.
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It has credibly been suggested that the poem commemorates a pageant that was staged at Sheriff Hutton around May that year, in which Skelton’s “goodly garland” was presented to him. His verses give an illuminating glimpse into the kind of life that Elizabeth Howard led as a young girl growing up in an aristocratic and cultivated household.

In 1523, when Skelton published his poem, it was probably much in its original form, with a few later additions. But by then his compliment to Elizabeth Howard may have acquired a sting to its tail, as we will see in the next chapter.

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Thomas Boleyn’s union with Elizabeth Howard may have been socially prestigious, but it was certainly not lucrative. Given that her father had to buy back his lands from the King, Elizabeth’s dowry cannot have been great, and she proved a fruitful wife, which stretched Thomas Boleyn’s resources to the limit. In July 1536, in a letter to Henry VIII’s Principal Secretary, Thomas Cromwell, he recalled: “When I married I had only £50 [nearly £25,000] a year to live on for me and my wife, as long as my father lived, and yet she brought me every year a child.”
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By this reckoning, Elizabeth was producing children annually at least up to 1505. This early struggle to make ends meet may have been responsible for Thomas Boleyn’s notorious avariciousness in later years.

Only four of the children survived infancy: “Thomas Bullayne,” whose grave in Penshurst Church, Kent, is marked by a cross and the date 1520, Mary, Anne, and George. Of the rest, we know only the name of one son, Henry, whose resting place is marked by a small brass adjacent to his father’s tomb in Hever church; he probably died young. There may well have been others whose names have not come down to us. This constant childbearing renders dubious claims that Elizabeth Howard was a lady-in-waiting to Queen Elizabeth of York, who died in 1503,
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unless of course she had held that post prior to her marriage, but there is no evidence for this.