Memory (11 page)

Bergis pulled a face; either sympathy or annoyance at lost production. Knowing Bergis, probably lots of both. ‘Don't take all day,' he said.

Number five furnace was a baked-clay beehive, suitable for bees the size of vultures. As Poldarn approached, lugging a large copper pan full of water in his good hand, the two firekeepers looked up from their game of knuckle-bones and grinned at him. ‘Hurt your arm?' said one of them.

Poldarn nodded. ‘Hit a stone.'

The firekeeper nodded. ‘Watch you don't splash the clay,' he said. ‘It's getting pretty warm in there.'

Fair point; a stray drop of water on the hot clay could make it crack or even shatter, and that'd be a week's work spoilt. He set the pan down very carefully, then sat on a spare stool. ‘Room for one more?' he asked, though he wasn't all that wild about knuckle-bones; as a game, it was too random to be interesting, and besides, he was a pretty hopeless gambler.

‘Sure,' the other firekeeper said ‘Basic rules: five and seven wild, three means roll again, and twelve pays the banker. Two quarters buys you in, half-quarter to raise and quit. All right?'

Poldarn nodded. ‘I'll have to owe you,' he said. ‘Left my money in my other coat.'

‘You haven't got another coat.'

‘True,' Poldarn admitted, and dug out a handful of coins, which went in the pot. True to form, he lost on the first four games.

‘Don't worry,' said the firekeeper, raking the coins over to his side of the playing area. ‘Your luck's about to change, I can feel it.'

‘That's what I'm afraid of,' Poldarn replied gloomily.

He won the next game, lost the next two, won the fourth. By then, his pan of water had warmed through. The fire-keepers helped him lift it off, and he sat out the next five games, his arm sunk in the hot water. He had three quarters left to his name, having lost a total of nine.

‘You
used
to have another coat, though,' the firekeeper suddenly remembered. ‘What happened to it?'

‘Lost it playing knuckle-bones,' Poldarn replied. ‘Go on, I can throw right-handed if I've got to.'

The firekeeper pursed his lips. ‘Dead unlucky, that.'

Poldarn grinned. ‘Ah yes,' he said, ‘but my luck's about to change. Your half-quarter and raise you a quarter.'

‘Can if you like.' The firekeeper shook the bones in his cupped hands, blew on them for luck and threw. ‘Three,' he announced. ‘Roll again. Bugger.'

‘Twelve,' said his friend. ‘Twelves pay the bank. Who's the bank?'

They counted back through the previous games, and it turned out to be Poldarn's go. Including the three quarters he'd just paid in, the pot came to exactly twelve, which was what he'd started with. ‘That'll do me,' he announced cheerfully and stood up, ignoring the protests of the fire-keepers. ‘My arm's much better now, so I think I'll go and do some work. Thanks for the game.'

‘Welcome,' grunted one of the firekeepers, his eyes fixed on the bones and his small pile of coins. Poldarn waved to his turned back, and walked slowly across the yard toward the cutting. Someone else had appropriated his shovel and bucket, not that he minded. ‘About bloody time,' Bergis grumbled, as he came back with replacements. ‘What took you so long?'

‘Won twelve quarters in the dice game.'

(Which was true, he reflected, as he stamped in the shovel blade; at least, it was true in the present, though the past made it a lie. He wondered if the same applied to what Aciava had told him. That'd be a laugh, if no matter how long he played for, he always ended up with exactly what he'd started out with. Forever going round in circles, like the miller's donkey.)

‘Is it just me,' Spenno the pattern-maker complained to nobody in particular, ‘or doesn't anybody care whether we make this fucking bell or not?'

Nobody said anything. In all the time he'd been at the foundry, Poldarn couldn't recall a single instance of anybody answering one of Spenno's questions. He seemed to exist in a bubble floating on the crest of ordinary communication, up where everybody could see him but no one could make out what he was saying.

Under other circumstances, Poldarn might have found Spenno's patterns of behaviour disconcerting or even alarming, but he'd come to the conclusion that they were just another aspect of the different rules that applied to everything concerned with casting bronze. In this instance, it was a positive comfort to hear Spenno yelling into space, since he only ever seemed to get this frantic when everything was going perfectly according to plan. As soon as an unforeseen difficulty arose, Spenno would stop ranting and prancing; instead, he'd scuttle purposefully about the yard as quickly and deftly as a mouse, muttering, ‘It'll be fine now' or ‘That's got that sorted' under his breath. In the face of disaster and catastrophe, he'd pull out an ancient folding chair, park it in the middle of the yard, prop his feet up on a pile of scrap metal or cordwood, and spend a relaxing hour or so turning the pages of a battered and incredibly ancient-looking book with the intriguing title
Concerning Various Matters
, which he carried with him at all times, stuffed down inside his shirt. Whether the book really did contain the answers to all conceivable problems, as Spenno claimed, or whether he used it as an aid to relaxation and concentration, and thought the solutions up out of his own head, nobody knew or greatly cared.

Today, however, Spenno was yelling and waving his arms about, so it was safe to assume that all was well. The pattern itself was already well under way. Spenno had started at crack of dawn with a stout oak pole, which he'd planed down to a taper. He'd worked with drawknives and spokeshaves and planes and scrapers, hurling each tool over his shoulder when he'd finished with it and yelling for someone to pick it up and hand it to him when he needed it again. Once he'd finished it and walked round it several times, squinting along it from various angles, shaking his head and swearing fluently, he fitted a cranked handle at the top end and slotted a thick oak plank over each end, so that the pole spun freely when the crank was turned. Now he was building the mould itself around this spindle, smacking and punching handfuls of clay onto the gradually forming core, while two bored-looking men slowly turned the handle. Every so often he'd stop, run his clay-caked hands through his hair and shriek abuse at his handiwork, before plunging his fingers into a basin of water. Apart from Poldarn, nobody seemed to be paying any attention to this performance; and Poldarn, who'd seen it all before, was only watching because he had nothing in particular to do.

‘You there.' Poldarn, who'd slipped into a sort of gentle trance, looked up. ‘Yes, you, miserable gloomy bastard with the big nose. Get up here and do
exactly
what I tell you.'

Poldarn sighed and stood up. He knew what Spenno would want him to do, because he'd watched him the previous evening, cutting a bell-shaped template out of pine board with a large fretsaw. It wasn't the template itself that was needed at this point in the operation; rather, Spenno would use one side of the leftover plank, which had a perfect silhouette of half a bell cut out of it. Poldarn's job would be to shove this against the clay core as the crank-operators turned it, to shear off the excess clay and leave the exact profile behind, smooth and regular. Marvellously clever, Poldarn reckoned; pity it was such a filthy job.

How long it took, he couldn't say; it seemed like a very long time, and since all he had to do was stand still and lean on the plank, he allowed his mind to wander. Spenno's constant stream of rage and despair soon began to have a pleasantly soporific effect, like rain on thatch, or the chatter of a shallow rill tumbling down through rocks. In the distance, forming a kind of counterpoint, he could hear the heavy clang of sledgehammers on thick bronze plate, where a working party was smashing up an old, flawed bell for scrap. More pleasant symmetry, Poldarn thought; and everywhere he turned there was symmetry, from the relentless cycle of scrap and melt to the clay core being turned to shape next to him. A man could be fooled, if he let his guard down. He could allow himself to be persuaded that symmetry was his friend, instead of the main component of the trap he should be avoiding. Maybe, he speculated, that was why Spenno ranted against it, when everything seemed to be going so well; no doubt about it, Spenno was a clever sod, a genius in his own way, so it wasn't inconceivable that he'd noticed something that had managed to escape everyone else's attention. Symmetry, pattern, shapes being formed; perhaps that was the secret wisdom known only to pattern-makers – eccentrics like Spenno, and himself.

‘Bloody fucking
thing
,' Spenno said; and that was apparently the accepted word of command to stop turning the crank. The core stopped dead, making Poldarn lurch forward and drop his plank scraper. ‘Right, you lot bugger off, and for crying out loud none of you touch it, it's
wet
, it hasn't
dried yet
. Understood?'

The crank-winders shrugged and walked away. Now the core had to be left to dry, while Spenno scampered away to the middle shed, to heat up a large cauldron full of tallow. Once it was hot and soft, he'd start kneading it in his hands into long, flabby strips, to be pressed onto the clay core until he'd built up a layer of tallow as thick as the bell walls. The tallow would be left to set, until it was hard enough to be cut with knives and chisels; then the carvers and lettermen would get to work, gouging out the relief decoration – flowers, birds, scenes from myth and religion, the letters of the dedicatory inscription and so on – before a further thick skin of clay was plastered on top and left to dry. Once the tapered spindle had been carefully withdrawn, the mould would be ready for hauling down to the casting pit, where the tallow would be melted out of the middle, leaving a perfect bell-shaped cavity between the core and the upper clay coating, into which molten bronze could be poured. All very simple, when you stopped and considered it objectively. As with most things, the further away you got, the clearer it became. It was only up close, with splodges of wet clay flying in all directions and Spenno shrieking abuse, that you could be forgiven for wondering what it was all in aid of.

Tallow-warming and tallow-fondling could be relied on to take two or three hours at least; five, if something cocked up and Spenno was driven to the pages of
Concerning Various Matters
for guidance. This made it a good time for avoiding the open yard. With Spenno safely out of the way for a while, the other gang masters (who were all scared stiff of Spenno, though they'd none of them admit it) were liable to come out prowling for anybody with nothing to do and march them off to dig clay or smash up scrap or load charcoal. Having been caught this way on a number of occasions, Poldarn knew the drill: find a safe place to hide, and stay there until Spenno started cursing again.

In Poldarn's case, the forge was as close as he was likely to get to absolute sanctuary; since, if anybody came round with a press-gang, he could always pretend to be busy forging clappers or brackets or hinges or staples; and since nobody else understood forge-work, there was no one to contradict him. He dragged the outer door to, closed up the shutters, raked out the hearth and laid in a fresh bed of charcoal. A good fire always came in handy sooner or later.

Paradox: having fled in here to escape from doing work, Poldarn was now bored and looking round for something to do. The part-finished bell-fittings still lay on the anvil, lightly covered with a thin dew of blotchy red rust, but he couldn't do anything more with them until the bell itself was finished and the final dimensions established. What else? Nothing in particular needed about the place, apart from the insatiable demand for nails. He wasn't in the mood for drawing down nails; it was tedious and fiddly work, and it reminded him of Haldersness.

In search of inspiration, he turned over the outskirts of the scrap pile, in case some interesting-shaped hunk of metal he'd previously overlooked snagged his attention. Since he'd done this dozens of times before it was a fairly vain hope, except that just occasionally he'd catch sight of a width or a profile or a taper he hadn't properly appreciated before, and he'd get an idea. A twisted length of wheel tyre would suddenly look like the leg of a trivet, or a gate-hinge would blossom unexpectedly out of a discarded attempt at a bell-bracket. Well, it was better than spooning clay out of a hole in the ground. Most things were.

This time, something did catch his eye. He had no idea what it had been in its previous life, before it failed at its unknown purpose and got dumped in the scrap; but it was square-section, as long as his arm, tapered up and down from a bulge about two-thirds down its length, and if he was any judge, it was good hardening steel, not soft iron. Just for devilment's sake he picked it out, took it over to the grindstone and touched it lightly against the spinning edge. A shower of small, fat yellow sparks scattered around his hands like falling blossom, telling him everything he needed to know.

Still entirely for devilment, Poldarn pumped the bellows until the fire roared, then poked the sharp point of the bar into the heart of the coals. A dozen or so pulls on the bellows handle: when he drew the bar out, the tip was yellow, sparkling where the steel was burning. Hardening steel all right; he let it cool to bright orange, then dipped it in the slack tub. A small, round cloud of steam drifted up into his face. He clamped the bar in the leg-vice and tested the hardened end with a file, which skated off it like a careless footstep on sheet ice. No cracks that he could see – prime hardening steel, the very best. Far too good to waste. Now all he had to do was think of something to make it into.

Square-section, tapered, as long as his arm. There was really only one use it could be put to, unless he was prepared to sin against serendipity and waste this fine material on a billhook or a crowbar. Then, just as he'd made up his mind what he was going to make out of it, he suddenly realised what it had previously been – a monster bell-clapper, partly drawn down and then abandoned before swaging, probably because the steel had proved too dense and chewy to work comfortably. He smiled, for some reason. Maybe it was because the memory in the steel was an unhappy one, failure and rejection, and he was about to set all that right.