Men Without Women
Authors: Ernest Hemingway
Tags: #Fiction, #Literary, #Classics, #General
PENGUIN BOOKS
MEN WITHOUT WOMEN
Ernest Miller Hemingway was born in 1899 at Oak Park, a highly respectable suburb of Chicago, where his father, a keen sportsman, was a doctor. He was the second of six children. The family spent holidays in a lakeside hunting lodge in Michigan, near Indian settlements. Although energetic and successful in all school activities, Ernest twice ran away from home before joining the Kansas City
Star
as a cub reporter in 1917. Next year he volunteered as an ambulance driver on the Italian front and was badly wounded. Returning to America he began to write features for the Toronto
Star Weekly
in 1919 and was married in 1921. That year he came to Europe as a roving correspondent and covered several large conferences. In France he came into contact with Gertrude Stein—later they quarreled—Ezra Pound, and James Joyce. He covered the Greco-Turkish war in 1922.
Three Stories and Two Poems
was given a limited publication in Paris in 1923. Thereafter he gradually took to a life of bull-fighting, big-game hunting, and deep-sea fishing. He visited Spain during the Civil War. Latterly he lived mostly in Cuba, and he died in July 1961.
He early established himself as the master of a new, tough, and peculiarly American style of writing and became a legend during his lifetime. But, as John Wain wrote in the
Observer
after his death, “Though there were many imitators there was never truly a ‘School of Hemingway’, because the standard he set was too severe.”
His best-known books were
A Farewell to Arms
(1929),
Death in the Afternoon
(1932),
For Whom the Bell Tolls
(1940), and
The Old Man and the Sea
(1952). In 1954 he was awarded the Nobel Prize for Literature. Ernest Hemingway had three sons.
MEN
WITHOUT WOMEN
ERNEST HEMINGWAY
PENGUIN BOOKS
Penguin Books Ltd,
Harmondsworth
, Middlesex, England
Penguin Books Australia Ltd, Ringwood, Victoria, Australia
First published by Jonathan Cape 1928
Published in Penguin Books 1955
Reprinted 1956, 1957, 1958, 1960, 1962, 1963, 1965, 1967, 1969, 1971, 1972
Made and printed in Great Britain
by
Hunt Barnard Printing Ltd,
Aylesbury
Set in Monotype
Bembo
This book is sold subject to the condition
that
it shall not, by way of trade or otherwise,
be
lent, re-sold, hired out, or otherwise. Circulated
without
the publisher’s prior consent at any form of
binding
or cover other than that in which it is
published
and without a similar condition
including
this condition being imposed
on
the subsequent purchaser
To
EVAN SHIPMAN
MANUEL GARCIA climbed the stairs to Don Miguel Retana’s office. He set down his suitcase and knocked on the door. There was no answer. Manuel, standing in the hallway, felt there was someone in the room. He felt it through the door.
“Retana,” he said, listening.
There was no answer.
He’s there, all right, Manuel thought.
“Retana,” he said and banged the door.
“Who’s there?” said someone in the office.
“Me, Manolo,” Manuel said.
“What do you want?” asked the voice.
“I want to work,” Manuel said.
Something in the door clicked several times and it swung open. Manuel went in, carrying his suitcase.
A little man sat behind a desk at the far side of the room. Over his head was a bull’s head, stuffed by a Madrid taxidermist; on the walls were framed photographs and bullfight posters.
The little man sat looking at Manuel.
“I thought they’d killed you,” he said.
Manuel knocked with his knuckles on the desk. The little man sat looking at him across the desk.
“How many corridas you had this year?” Retana asked.
“One,” he answered.
“Just that one?” the little man asked.
“That’s all.”
“I read about it in the papers,” Retana said. He leaned back in the chair and looked at Manuel.
Manuel looked up at the stuffed bull. He had seen it often before. He felt a certain family interest in it. It had killed his brother, the promising one, about nine years ago. Manuel remembered the day. There was a brass plate on the oak shield the bull’s head was mounted on. Manuel could not read it, but he imagined it was in memory of his brother. Well, he had been a good kid.
The plate said: “The Bull ‘Mariposa’ of the Duke of Veragua, which accepted 9 varas for 7 caballos, and caused the death of Antonio Garcia, Novillero,
April
27, 1909.”
Retana saw him looking at the stuffed bull’s head.
“The lot the Duke sent me for Sunday will make a scandal,” he said. “They’re all bad in the legs. What do they say about them at the Café?”
“I don’t know,” Manuel said. “I just got in.”
“Yes,” Retana said. “You still have your bag.”
He looked at Manuel, leaning back behind the big desk.
“Sit down,” he said. “Take off your cap.”
Manuel sat down; his cap off, his face was changed. He looked pale, and his coleta pinned forward on his head, so that it would not show under the cap, gave him a strange look.
“You don’t look well,” Retana said.
“I just got out of the hospital,” Manuel said.
“I heard they’d cut your leg off,” Retana said.
“No,” said Manuel. “It got all right.”
Retana leaned forward across the desk and pushed a wooden box of cigarettes toward Manuel.
“Have a cigarette,” he said.
“Thanks.”
Manuel lit it.
“Smoke?” he said, offering the match to Retana.
“No,” Retana waved his hand. “I never smoke.”
Retana watched him smoking.
“Why don’t you get a job and go to work?” he said.
“I don’t want to work,” Manuel said. “I am a bullfighter.”
“There aren’t any bullfighters any more,” Retana said.
“I’m a bullfighter,” Manuel said.
“Yes, while you’re in there,” Retana said.
Manuel laughed.
Retana sat, saying nothing and looking at Manuel.
“I’ll put you in a nocturnal if you want,” Retana offered.
“When?”
Manuel asked.
“Tomorrow night.”
“I don’t like to substitute for anybody,” Manuel said. That was the way they all got killed. That was the way Salvador got killed. He tapped with his knuckles on the table.
“It’s all I’ve got,” Retana said.
“Why don’t you put me on next week?” Manuel suggested.
“You wouldn’t draw,” Retana said. “All they want is Litri and Rubito and La Torre. Those kids are good.”
“They’d come to see me get it,” Manuel said, hopefully.
“No, they wouldn’t. They don’t know who you are any more.”
“I’ve got a lot of stuff,” Manuel said.
“I’m offering to put you on tomorrow night,” Retana said. “You can work with young Hernandez and kill two novillos after the Charlots.”
“Whose novillos?”
Manuel asked.
“I don’t know. Whatever stuff they’ve got in the corrals. What the veterinaries won’t pass in the daytime.”
“I don’t like to substitute,” Manuel said.
“You can take it or leave it,” Retana said. He leaned forward over the papers. He was no longer interested. The appeal that Manuel had made to him for a moment when he thought of the old days was gone. He would like to get him to substitute for Larita because he could get him cheaply. He could get others cheaply too. He would like to help him though. Still, he had given him the chance. It was up to him.
“How much do I get?” Manuel asked. He was still playing with the idea of refusing. But he knew he could not refuse.
“Two hundred and fifty pesetas,” Retana said. He had thought of five hundred, but when he opened his mouth it said two hundred and fifty.
“You pay Villalta seven thousand,” Manuel said.
“You’re not Villalta,” Retana said.
“I know it,” Manuel said.
“He draws it, Manolo,” Retana said in explanation.
“Sure,” said Manuel. He stood up. “Give me three hundred, Retana.”
“All right,” Retana agreed. He reached in the drawer for a paper.
“Can I have fifty now?” Manuel asked.
“Sure,” said Retana. He took a fifty peseta note out of his pocket-book and laid it, spread out flat, on the table.
Manuel picked it up and put it in his pocket.
“What about a cuadrilla?” he asked.
“There’s the boys that always work for me nights,” Retana said. “They’re all right.”
“How about picadors?”
Manuel asked.
“They’re not much,” Retana admitted.
“I’ve got to have one good pic,” Manuel said.
“Get him then,” Retana said. “Go and get him.”
“Not out of this,” Manuel said. “I’m not paying for any cuadrilla out of sixty duros.”
Retana said nothing but looked at Manuel across the big desk.
“You know I’ve got to have one good pic,” Manuel said.
Retana said nothing but looked at Manuel from a long way off.
“It isn’t right,” Manuel said.
Retana was still considering him, leaning back in his chair, considering him from a long way away.
“There’re the regular pics,” he offered.
“I know,” Manuel said. “I know your regular pics.”
Retana did not smile. Manuel knew it was over.
“All I want is an even break,” Manuel said reasoningly. “When I go out there I want to be able to call my shots on the bull. It only takes one good picador.”
He was talking to a man who was no longer listening.
“If you want something extra,” Retana said, “go and get it. There will be a regular cuadrilla out there. Bring as many of your own pics as you want. The charlotada is over by ten-thirty.”
“All right,” Manuel said. “If that’s the way you feel about it.”
“That’s the way,” Retana said.
“I’ll see you tomorrow night,” Manuel said.
“I’ll be out there,” Retana said.
Manuel picked up his suitcase and went out.
“Shut the door,” Retana called.
Manuel looked back. Retana was sitting forward looking at some papers. Manuel pulled the door tight until it clicked.
He went down the stairs and out of the door into the hot brightness of the street. It was very hot in the street and the light on the white buildings was sudden and hard on his eyes. He walked down the shady side of the steep street toward the Puerta
del
Sol. The shade felt solid and cool as running water. The heat came suddenly as he crossed the intersecting streets. Manuel saw no one he knew in all the people he passed.
Just before the Puerta
del
Sol he turned into a café.
It was quiet in the café. There were a few men sitting at tables against the wall.
At one table four men played cards.
Most of the men sat against the wall smoking, empty coffee-cups and liqueur-glasses before them on the tables. Manuel went through the long room to a small room in back. A man sat at a table in the corner asleep. Manuel sat down at one of the tables.
