Mere Anarchy

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Authors: Woody Allen

BOOK: Mere Anarchy
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Contents

C
OVER

A
BOUT THE
B
OOK

A
BOUT THE
A
UTHOR

A
LSO BY
W
OODY
A
LLEN

T
ITLE PAGE

T
O
E
RR
I
S
H
UMAN—TO
F
LOAT
, D
IVINE

T
ANDOORI
R
ANSOM

S
AM
, Y
OU
M
ADE THE
P
ANTS
T
OO
F
RAGRANT

T
HIS
N
IB FOR
H
IRE

C
ALISTHENICS,
P
OISON
I
VY
, F
INAL
C
UT

N
ANNY
D
EAREST

H
OW
D
EADLY
Y
OUR
T
ASTE
B
UDS
, M
Y
S
WEET

G
LORY
H
ALLELUJAH
, S
OLD
!

C
AUTION
, F
ALLING
M
OGULS

T
HE
R
EJECTION

S
ING
, Y
OU
S
ACHER
T
ORTES

O
N A
B
AD
D
AY
Y
OU
C
AN
S
EE
F
OREVER

A
TTENTION
G
ENIUSES
: C
ASH
O
NLY

S
TRUNG
O
UT

A
BOVE THE
L
AW
, B
ELOW THE
B
OX
S
PRINGS

T
HUS
A
TE
Z
ARATHUSTRA

S
URPRISE
R
OCKS
D
ISNEY
T
RIAL

P
INCHUCK’S
L
AW

C
OPYRIGHT

ABOUT THE BOOK

‘I am greatly relieved that the universe is finally explainable. I was beginning to think it was me.’ Thus begins ‘Strung Out’, Woody Allen’s hilarious application of the laws of the universe to daily life.
Mere Anarchy
, Woody Allen’s first collection in over 25 years, features eighteen witty, wild and intelligent comic pieces – eight of which have never been in print before.

Surreal, absurd, rich in verbal play, bitingly satirical and just plain daft in the mode we have grown to love from his finest films, this flight-of-fancy collection includes tales of a body double who, mistaken for the film’s star, is kidnapped by outlaws; a pretentious novelist forced to work on the novelisation of a Three Stooges film; a nanny secretly writing an expose of her Manhattan employers; crooks selling bespoke prayers on eBay; and how to react when you’re asked to finance a Broadway play about the invention and manufacture of the adjustable showerhead.

ABOUT THE AUTHOR

W
OODY
A
LLEN’S
prolific career as a comedian, writer, and filmmaker has now spanned more than five decades. He writes frequently for
The New Yorker
and is the author of
Without Feathers, Getting Even
, and
Side Effects
, among other books.

Also by Woody Allen

The Insanity Defense

Three One-Act Plays

Complete Prose of Woody Allen

Three Films of Woody Allen

Hannah and Her Sisters

Four Films of Woody Allen

Floating Light Bulb

Side Effects

Without Feathers

Getting Even

Play It Again, Sam

Don’t Drink the Water

T
O
E
RR
I
S
H
UMAN—TO
F
LOAT
, D
IVINE

GASPING FOR AIR,
my life passing before my eyes in a series of wistful vignettes, I found myself suffocating some months ago under the tsunami of junk mail that cascades through the slot in my door each morning after kippers. It was only our Wagnerian cleaning woman, Grendel, hearing a muffled falsetto from beneath myriad art-show invitations, charity squeezes, and pyrite contest jackpots I’d hit that extricated me with the help of our Bugsucker. As I was carefully filing the new postal arrivals alphabetically in the paper shredder, I noticed, amongst the profusion of catalogues that hawked everything from bird feeders to monthly deliveries of sundry drupe and hesperidium, there was an unsolicited little journal, banner-lined
Magical Blend
. Clearly aimed at the New Age market, its articles ranged in topic from crystal power to holistic healing and psychic vibrations, with tips on achieving spiritual energy, love versus stress, and exactly where to go and what forms to fill out to be reincarnated. The ads, which seemed scrupulously articulated to insulate against
the
unreasonableness of Bunco Squad malcontents, presented Therapeutic Ironisers, Vortex Water Energizers, and a product called Herbal Grobust designed to implement volumewise madam’s Cavaillons. There was no shortage of psychic advice either, from sources such as the “spiritual intuitive” who double-checks her insights with “a consortium of angels named Consortium Seven,” or a babe ecdysiastically christened Saleena, who offers to “balance your energy, awaken your DNA and attract abundance.” Naturally, at the end of all these field trips to the center of the soul, a small emolument to cover stamps and any other expenses the guru may have incurred in another life is in order. The most startling persona of all, however, has to be the “founder and divine leader of the Hathor Ascension Movement on Planet Earth.” Known to her followers as Gabrielle Hathor, a self-proclaimed goddess who is, according to her copywriter, “the fullness of source manifested in human form,” this West Coast icon tells us, “There is a quickening of Karmic feedback. … Earth has entered a spiritual winter which will last 426,000 Earth years.” Mindful of how rough a long winter can be, Ms. Hathor has started a movement to teach beings to ascend to “higher frequency dimensions,” presumably where they can get out more and play a little golf.

“Levitation, instantaneous translocation, omniscience, ability to materialize and dematerialize and so on become part of one’s normal abilities,” the come-hither spiel lays on the unwary with a trowel, proclaiming that “from these higher frequency dimensions, the ascended being can perceive the lower
frequencies
while those on the lower frequencies cannot perceive the higher dimensions.”

There is a fervid endorsement by someone named Pleiades MoonStar—a name that would cause no end of consternation for me if I were told at the last minute it belonged to my brain surgeon or pilot. Acolytes in Ms. Hathor’s movement must submit to “a humiliating procedure” as part of a routine to dissolve their egos and get their frequencies jacked up. Actual cash payments are frowned upon, but for a little abject fealty and productive labor one can score a bed and a dish of organic mung beans while either gaining or losing consciousness.

I bring all this up because coincidentally, later that same day I was emerging from Hammacher Schlemmer, laid waste by obsessive indecision over whether to buy a computerized duck press or the world’s finest portable guillotine, when I bumped like the
Titanic
into an old iceberg I had known in college, Max Endorphine. Plump in midlife, with the eyes of a cod and sporting a toupee upholstered with sufficient pile to create a trompe l’oeil pompadour, he pumped my hand and launched into tales of his recent good fortune.

“What can I tell you, boychick, I hit it big. Got in touch with my inner spiritual self, and from there on it was Fat City.”

“Can you elaborate?” I queried, registering for the first time his natty bespoke ensemble and advanced-tumor-sized pinkie ring.

“I guess I shouldn’t really be jawing with someone on a lower frequency, but since we go way back—”

“Frequency?”

“I’m talking dimensions. Those of us in the upper octaves are taught not to squander healthy ions on mortal troglodytes of which you qualify—no offense. Not that we don’t study and appreciate the lower forms—thanks to Leeuwenhoek, if you get my meaning.” Suddenly, with a falcon’s instinct for prey, Endorphine turned his head toward a long-legged blonde in a micro-miniskirt straining to locate a taxi.

“Clock the apparition with the state-of-the-art pout,” he said, his salivary glands shifting into third.

“Must be a centerfold,” I piped, feeling the sudden onset of heatstroke, “judging from her see-through blouse.”

“Watch this,” Endorphine said, whereupon he took a deep breath and began rising off the ground. To the amazement of both myself and Miss July, he was levitating a foot above Fifty-seventh Street in front of Hammacher Schlemmer. Searching for wires, the sweet young thing brought her show closer.

“Hey, how do you do that?” she purred.

“Here. Here’s my address,” Endorphine said. “I’ll be home tonight after eight. Drop by. I’ll have you off your feet in no time.”

“I’ll bring the Petrus,” she cooed, stuffing the logistics of their rendezvous into the abyss of her cleavage, and wiggled off as Endorphine slowly descended to ground level.

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