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Authors: Paco Ignacio Taibo II

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Mexico City Noir

BOOK: Mexico City Noir
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This collection is comprised of works of fiction. All names, characters, places, and incidents are the product of the authors’ imaginations. Any resemblance to real events or persons, living or dead, is entirely coincidental.

Published by Akashic Books
©2010 Akashic Books

Series concept by Tim McLoughlin and Johnny Temple
Mexico City map by Sohrab Habibion
Assistants to Achy Obejas (translator): Sarah Frank and Elise Johnson

ePUB ISBN-13: 978-1-936-07074-9

ISBN-13: 978-1-933354-90-3

Library of Congress Control Number: 2009922935

All rights reserved

Akashic Books
PO Box 1456
New York, NY 10009
[email protected]
www.akashicbooks.com

A
LSO IN THE
A
KASHIC
N
OIR
S
ERIES:

Baltimore Noir
, edited by Laura Lippman

Boston Noir
, edited by Dennis Lehane

Bronx Noir
, edited by S.J. Rozan

Brooklyn Noir
, edited by Tim McLoughlin

Brooklyn Noir 2: The Classics
, edited by Tim McLoughlin

Brooklyn Noir 3: Nothing but the Truth

edited by Tim McLoughlin & Thomas Adcock

Chicago Noir
, edited by Neal Pollack

D.C. Noir
, edited by George Pelecanos

D.C. Noir 2: The Classics
, edited by George Pelecanos

Delhi Noir
(India), edited by Hirsh Sawhney

Detroit Noir
, edited by E.J. Olsen & John C. Hocking

Dublin Noir
(Ireland), edited by Ken Bruen

Havana Noir
(Cuba), edited by Achy Obejas

Istanbul Noir
(Turkey), edited by Mustafa Ziyalan & Amy Spangler

Las Vegas Noir
, edited by Jarret Keene & Todd James Pierce

London Noir
(England), edited by Cathi Unsworth

Los Angeles Noir
, edited by Denise Hamilton

Manhattan Noir
, edited by Lawrence Block

Manhattan Noir 2: The Classics
, edited by Lawrence Block

Miami Noir
, edited by Les Standiford

New Orleans Noir
, edited by Julie Smith

Paris Noir
(France), edited by Aurélien Masson

Phoenix Noir
, edited by Patrick Millikin

Portland Noir
, edited by Kevin Sampsell

Queens Noir
, edited by Robert Knightly

Richmond Noir
, edited by Andrew Blossom,

Brian Castleberry & Tom De Haven

Rome Noir
(Italy), edited by Chiara Stangalino & Maxim Jakubowski

San Francisco Noir
, edited by Peter Maravelis

San Francisco Noir 2: The Classics
, edited by Peter Maravelis

Seattle Noir
, edited by Curt Colbert

Toronto Noir
(Canada), edited by Janine Armin & Nathaniel G. Moore

Trinidad Noir
, Lisa Allen-Agostini & Jeanne Mason

Twin Cities Noir
, edited by Julie Schaper & Steven Horwitz

Wall Street Noir
, edited by Peter Spiegelman

F
ORTHCOMING:

Barcelona Noir
(Spain), edited by Adriana Lopez & Carmen Ospina

Copenhagen Noir
(Denmark), edited by Bo Tao Michaelis

Haiti Noir
, edited by Edwidge Danticat

Indian Country Noir
, edited by Liz Martínez & Sarah Cortez

Lagos Noir
(Nigeria), edited by Chris Abani

Lone Star Noir
, edited by Bobby Byrd & John Byrd

Los Angeles Noir 2: The Classics
, edited by Denise Hamilton

Moscow Noir
(Russia), edited by Natalia Smirnova & Julia Goumen

Mumbai Noir
(India), edited by Altaf Tyrewala

Orange County Noir
, edited by Gary Phillips

Philadelphia Noir
, edited by Carlin Romano

T
ABLE OF
C
ONTENTS

Title Page

Copyright Page

Introduction

PART I: ABOVE THE LAW

     
E
DUARDO
A
NTONIO
P
ARRA
               
Narvarte
          
I’m Nobody

     
B
ERNARDO
F
ERNÁNDEZ
                     
Vallejo
          
Private Collection

     
P
ACO
I
GNACIO
T
AIBO
II
                    
Doctores
          
The Corner

     
F.G. H
AGHENBECK
                               
Condesa
          
The Unsmiling Comedian

PART II: DEAD MEN WALKING

     
J
UAN
H
ERNÁNDEZ
L
UNA
                       
Roma
          
BANG!

     
E
UGENIO
A
GUIRRE
                            
Calle Tacuba
          
Judas Burning

     
M
YRIAM
L
AURINI
                                 
Hipódromo
          
Violeta Isn’t Here Anymore

   
Ó
SCAR DE LA
B
ORBOLLA
            
Barrio Unknown
          
Outside the Door

PART III: SUFFOCATION CITY

   
R
OLO
D
IEZ
                                      
Centro Histórico
          
A Squirrel without a Tree

   
E
DUARDO
M
ONTEVERDE
              
San Fernando
          
God Is Fanatical, Hija

   
V
íCTOR
L
UIS
G
ONZÁLEZ
             
Colonia del Valle
          
Of Cats and Murderers

   
J
ULIA
R
ODRíGUEZ
                            
Buenos Aires
          
RENO

   
About the Contributors

INTRODUCTION

S
NOW
W
HITE VS.
D
R.
F
RANKENSTEIN

I

T
wenty-one million residents in the metropolitan area. An infinite city, one of the biggest in the world, a fascinating blanket of lights for those arriving on planes; a huge Christmas tree on its side—red, green, yellow, white; mercury, tungsten, sodium, neon. A city gone crazy with pollution, rain, traffic; an economic crisis that’s been going on for twenty-five years.

A city famously notable for the strangest reasons: for being the urban counterpoint to the Chiapas jungle; for having the most diverse collection of jokes about death; for setting the record for most political protests in one year; for having two invisible volcanoes and the most corrupt police force on the planet.

Mexico is talked about more in jest than in earnest—how local law enforcement agents made martyrs of torturers in Argentina, how they bribed corrupt Thai cops, how they taught Colombian narcotraffickers to snort coke. But the rumors are miles behind reality. Here, a timid Snow White dictates the police report to Dr. Frankenstein.

To put memory in order, let us recall: in the early 1980s, the city’s chief of police, General Arturo Durazo Moreno, was in charge of chasing down a gang of killers associated with South American drug dealers who were found massacred in a blackwater collector in the city’s sewage system. The case provoked waves of newspaper ink, and the police suggested that it could have been a settling of scores between Central American gangs. A couple of years later the scandal resurfaced, and this time General Durazo was indicted. He was accused, among other things, of having given the order to kill rival Colombian dealers. The assassin, in that magical alchemy that is Mexican insanity, turned out to be his own prosecutor. His second-in-command, the chief of the state police, Francisco Sahagún Baca, was the head of the antidrug force, though he himself was one of the most notorious drug traffickers in the country.

The paradox: heaven’s door in Lucifer’s hands. Evil is everywhere. Each year, hundreds of police officers are fired, attempts are made to democratize Mexico City … but the cancer keeps metastasizing. Authority within the city depends on the police, no matter how corrupt they are. Now, in the name of modernity, everyone’s uncomfortable with this. They don’t know what to do. When the Division for the Investigation and Prevention of Delinquency was disbanded some twenty years ago, a spate of robberies inundated the Valley of Mexico. There were sixty-one assaults with a deadly weapon in a six-month period. The ex-cops turned a section of the city into their own turf. But it was just a small transition. As a matter of course, when they were still active officers, they had extorted, abused, robbed, and raped. Every now and then they went after some thief who operated outside of their jurisdiction. As ex-cops, they continued doing the same thing, perhaps pushing the envelope a little bit.

If you’re lucky, you can stay away from it, you can keep your distance … until, suddenly, without a clear explanation of how, you fall into the web and become trapped.

What are the unwritten rules? How can you avoid them?

Survey question: how many citizens do you know who, when assaulted on the street, will call the police? A few, none; maybe one of those boys in blue who patrols the intersections of this newly democratic city? A secret cop? Not on your life. What do you want, to be assaulted twice?

How big is the Mexico City police force? They say fifty-two squads. How many are officially sanctioned? How many bodyguards, paramilitary forces, armed groups associated with this or that official unit are there?

You wake up in the morning with the uneasy feeling that the law of probabilities is working against you.

II

You’re going to die,
the guy tells the man on his knees, and he repeats the phrase, showing off the gun barrel. The kneeling man, who’s bleeding a bit from the bridge of his nose, doesn’t respond; he reflects that, yes, he’s going to die.

Hours later, when he tells his story to a pack of sleepy journalists, he thinks that, yes, he died, he died a little.

The man is Deputy Leonel Durán, member of the Party of the Democratic Revolution’s (PRD) National Council. Sometime in July 2007, a black car cut off his vehicle at an intersection. Using both a pistol and an automatic weapon, they made him get out; political threats got tangled up with the vulgar assault, they threw him in the trunk, beat him, stole his credit cards, drove all over Mexico City with him imprisoned back there; they took his watch.

In the end, they left him in an open field, after threatening to charge him with running away from the law.

One of his cards was overdrawn and was therefore swallowed by the bank machine. This infuriated the cops most of all.

III

Toward the end of the ’90s, a series of rapes that followed a certain pattern took place in the southern part of the city: a group of armed men would assault a young couple. First the robbery, then the rape. They usually stuffed the boyfriend in the trunk of a car. All the rapes were followed by death threats. Terror was practiced without reason—apparently, just to see what it felt like to wield the power of death itself. In a few cases, things got out of hand: a girl was strangled to death, an aggressive boyfriend was shot, another one asphyxiated in the trunk.

The majority of the rapes weren’t reported. That was traditional. But in one case, the victim was the daughter of an important political operative. There was a police investigation. Other young victims emerged and recognized their assailants in a police photo album.

In a photo album of known delinquents? No. It contained pictures of political operatives. The gang of rapists consisted mostly of members of Assistant Prosecutor Javier Coello Trejo’s bodyguard corps; he was deputy to the attorney general of the republic in charge of antidrug operations. The guys had too much free time sitting in parked cars, hanging out by building entrances, lounging at the homes of politicians. They had to pass the hours somehow …

Several of the killer rapists went to trial, others remained free. The assistant prosecutor was let go from his post and transferred to the Office of the Federal Prosecutor for the Consumer. There he could go after those who upped the price too much on video cassettes.

IV

Can it be that the black cloud of pollution that runs in the

fast lane from the northeast to the southwest slowly drives us crazy?

Yet there’s something beyond madness here: discipline. In Santa Clara—the industrial zone in the city’s far north, a neighborhood full of chemical slush and loose dirt—a patrol car waits at dawn for the workers to emerge from the graveyard shift at the Del Valle juice factory. The laborers have once again each received a small allotment of canned juice from the company. It’s a miserable concession to union demands in a time of crisis. The cops stop them a few meters from the exit and steal half of what’s in each worker’s box. They stuff the cans in the backseat of the patrol car until it’s full and they leave, the engine in low gear.

One day I saw the workers get together to protest their treatment by throwing rocks at the police. The cops didn’t retaliate, they just left. Do they sell the juice to a little store in some nearby neighborhood? Do they take it home to their families?

V

In these last few years, the winds of change have blown through Mexico—citizens have more power, protests have managed to kick out the old administration. But they have only been able to improve relations with the cop on the corner, not defeat the march of crime.

The madness comes back with new variations. Now we have a killer of old women, a cannibal who eats his girlfriends.

VI

A cop stops me. My motorcycle is missing a mirror. I’m not willing to pay a bribe. We both laugh at how forthright I am. He tells me he has to pay for that corner. His supervisor charges him a weekly sum. If he doesn’t pay, they send him to a worse corner, without traffic. Plus, he has to pay for whatever goes wrong with his motorcycle, and he has to do it at a private garage—in the police shop they steal the new parts and replace them with used ones. He also says that he goes out every day with only half a tank of gas, though he has to sign a receipt that says he received a full one. I tell him I’m not going to pay a bribe. He refuses to give me his name. I refuse to give him mine. We wait, it starts to rain. He gets tired of me. With a wave, he tells me to go. He smiles. There’s not even ill will, it’s all routine.

VII

Paloma, my wife, comes home in a fury and tells me a story about two guys she overheard reading headlines from a magazine in front of a newsstand.

The conversation goes like this:

Man #1:
He stabbed his wife forty-two times. Forty-two times, bro.

Man #2:
Can you imagine? She must have been driving him nuts …

My wife is indignant. She adds that, to top it off, the men didn’t even buy the magazine.

VIII

A couple of undercover cops come to your door to tell you they’ve found your car but wonder why you haven’t reported the theft. In fact, you didn’t even know your car was missing. You peer out the window to check if it’s true, that your car has vanished from where you parked it the night before. They tell you again that they’ve found the car. And where is it? you inquire. They give you the runaround. They finally ask for 10 percent of the car’s value (marvelously, there are fixed rates)—that is, if you want the car back; if not, they’ll drive it out of the city … and that’s that. If you have insurance you tell them to go ahead; but if not, you’re caught in the trap. Your car is worth 90,000 pesos and you’ve got to put 9,000 on the table. You’re now certain that these two characters sitting in your living room and drinking your coffee have stolen your car, checked the papers, and are here to do a little business. You assume that this type of transaction is a daily occurrence for them.

IX

There was once a marijuana trade here. Domestic product. Mexican names for unregistered brands: Acapulco Gold, Tijuana Black, Oaxaca Small. I sense that it’s gone now and that more alcoholic traditions have taken over. The narcotic seemed to disappear when hippies became bureaucrats during the economic crisis, and it’s only occasionally at a rock concert that you smell weed in the air. Heroin never got much of a foothold in Mexican society. Every once in a while you hear about a case, but it’s rare, and people talk about it as if it were something out of Hollywood, an extraterrestrial that no one entirely believes in. Cocaine, the yuppie and executive drug, provokes gossip and nothing more. The rumors sometimes become isolated newspaper articles. Here and there they say the white stuff floats around in Televisa bathrooms. There’s a story about a movie star who needed surgery to reconstruct her nasal passages, and another one about the comedian who hosts children’s programs and has to snort a little before facing the cameras to tell his jokes. But hard drugs aren’t a part of everyday life—although they’re available in just about all of the middle-class nightclubs. Here, the word “drug” is more associated with trafficking than usage.

We’re the great airplane hangar, the way station to the United States for tons of marijuana, kilos of cocaine. Local and South American product crosses the border on ghost trucks, right past blind customs officials.

Narcotraffickers in Mexico City find themselves persecuted and uncomfortable, but powerful. They show off their gold bracelets and sip cognac in the company of cops. The trained dogs at Mexico City’s airports usually can’t get past the smell of Loewe cologne.

On other corners of the city, human throwaways roam the streets for everyone to see, stuttering kids only five, eight years old, with glassy eyes, hands and faces smudged with dirt. There are thousands of them. They’re called “chemos”—they inhale chemical solvents like paint thinner and turpentine, they get high from sniffing glue in plastic bags. It’s the drug of the lowlife, of misery. For a few pesos they sleep forever. The neurons die. Life is shortened.

X

Violence isn’t usually part of humanity’s social fabric. The economic crisis pushes more of the neighborhood waste to the city’s center. On Zaragoza Street, in the eastern part of town, assaults on buses by kids with knives became quite common in the ’90s. They robbed workers coming home from their jobs, maids, folks who worked in the markets. Hordes of desperate adolescents would descend on Santa Fe, one of the city’s poorest areas, and steal from beverage trucks. But the neighborhood has changed: today it headquarters the new bourgeoisie. In the grocery stores around Lomas de Chapultepec, right in the heart of Mexico City’s millionaire’s row, a different style of robbery emerged over the last decade. Men would steal from women returning home from shopping; they would confront them in the underground parking lots, armed with the tools of their trade—screwdrivers, picks, scissors—and they’d ask the women for the bags of food. But they rarely took the car, or money. It was theft caused by hunger. In the last few years, there have been fewer of these; social programs have been slowly having an effect.

XI

I’ve said many times that statistics reveal a surprising city: one that has more movie theaters than Paris, more abortions than London, more universities than New York. Where nighttime has become sparse, desolate, the kingdom of only a few. Where violence rules, corners us, silences us into a kind of autism. Shuts us in our bedrooms with the TV on, creates that terrible circle of solitude where no one can depend on anyone but themselves.

XII

The writers in this volume aren’t afraid of trying to exorcise the demons. Though using very different narrative styles, what they have in common is that they speak to, and about, a city they love. They understand that the only way to stop the violence and abuse that surrounds us is to talk about it. They are all professional writers but they are also professional survivors of life in Mexico City. Almost all of them, of us, take refuge in humor, a very dark humor, acidic, which allows us enough distance to laugh at Lucifer.

BOOK: Mexico City Noir
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