'Yes, I think so. I had some trouble starting the bike, or I would have been back an hour ago. The plugs were dirty. How are your legs, Paul? Do you want another shot before I take you upstairs?'
After almost twenty hours in the dampness, his legs felt as if someone had studded them with rusty nails. He wanted a shot very badly, but not down here. That would not do at all.
'I think I'm all right.'
She turned her back to him and squatted. 'All right, grab on. But remember what I said about choke-holds and things like that. I'm very tired, and I don't think I'd react very well to funny jokes.'
'I seem to be all out of jokes.'
'Good.'
She lifted him with a moist grunt, and Paul had to bite back a scream of agony. She walked across the floor toward the stairs, her head turned slightly, and he realized she was — or might be — looking at the can-littered table. Her glance was short, seemingly casual, but to Paul it seemed to go on for a very long time, and he was sure she would realize the can of lighter fluid was no longer there. It was stuffed down the back of his underpants instead. Long months after his earlier depredations, he had finally summoned up the courage to steal something else . . . and if her hands slipped up his legs as she climbed the stairs, she was going to grab, more than a handful of his skinny ass.
Then she glanced away from the table with no change of expression, and his relief was so great that the thudding, shifting ascent up the stairs to the pantry was almost bearable. She kept up a very good poker face when she wanted to, but he thought —
hoped —
that he had fooled her.
That this time he had really fooled her.
26
'I guess I'd like that shot after all, Annie,' he said when she had him back in bed.
She studied his white, sweat—beaded face for a moment, then nodded and left the room.
As soon as she was gone, he slid the flat can out of his underwear and under the mattress. He had not put anything under there since the knife, and he did not intend to leave the lighter fluid there long, but it would have to stay there for the rest of the day. Tonight he intended to put it in another, safer place.
She came back and gave him an injection. Then she put a steno pad and some freshly sharpened pencils on the windowsill and rolled his wheelchair over so it was by the bed.
'There,' she said. 'I'm going to get some sleep. If a car comes in, I'll hear it. If we're left alone, I'll probably sleep right through until tomorrow morning. If you want to get up and work in longhand, here's your chair. Your manuscript is over there, on the floor. I frankly don't advise it until your legs start to warm up a little, though.'
'I couldn't right now, but I guess I'll probably soldier along awhile tonight. I understand what you meant about time being short now.'
'I'm glad you do, Paul. How long do you think you need?'
'Under ordinary circumstances, I'd say a month. The way I've been working just lately, two weeks. If I really go into overdrive, five days. Or maybe a week. It'll be ragged, but it'll be there.'
She sighed and looked down at her hands with dull concentration. 'I know it's going to be less than two weeks.'
'I wish you'd promise me something.'
She looked at him with no anger or suspicion, only faint curiosity. 'What?'
'Not to read any more until I'm done . . . or until I have to . . . you know . . . '
'Stop?'
'Yes. Or until I have to stop. That way you'll jet the conclusion without a lot of fragmentation. It'll have a lot more punch.'
'It's going to be a good one, isn't it?'
'Yes.' Paul smiled. 'It's going to be very hot stuff.'
27
That night, around eight o'clock, he hoisted himself carefully into the wheelchair. He listened and heard nothing at all from upstairs. He had been hearing the same nothing ever since the squeak of the bedsprings announced her lying down at four o'clock in the afternoon. She really
must
have been tired.
Paul got the lighter fluid and rolled across to the spot by the window where his informal little writer's camp was pitched: here was the typewriter with the three missing teeth in its unpleasant grin, here the wastebasket, here the pencils and pads and typing paper and piles of scrap-rewrite, some of which he would use and some of which would go into the wastebasket.
Or would have, before.
Here, all unseen, was the door to another world. Here too, he thought, was his own ghost in a series of overlays, like still pictures which, when riffled rapidly, give the illusion of movement.
He wove the chair between the piles of paper and the casually stacked pads with the ease of long practice, listened once more, then reached down and pulled out a nine-inch section of the baseboard. He had discovered it was loose about a month ago, and he could see by the thin film of dust on it
(Next you'll be taping hairs across it yourself just to make sure,
he had thought) that Annie hadn't known this loose piece of board was here. Behind it was a narrow space empty save for dust and a plentiful scattering of mouse-turds.
He stowed the can of Fast-Lite in the space and pushed the board back into place. He had an anxious moment when he was afraid it would no longer fit flush against its mates (and God! her eyes were so
fucking
sharp!), and then it slipped neatly home.
Paul regarded this a moment, then opened his pad, picked up a pencil, and found the hole in the paper.
He wrote undisturbed for the next four hours — until the points on all three of the pencils she had sharpened for him were written flat — and then he rolled himself back to the bed, got in, and went easily off to sleep.
28
29
His pencil paused in mid-word at the sound of an approaching engine. He was surprised at how calm he felt — the strongest emotion in him right now was mild annoyance at being interrupted just when it was starting to float like a butterfly and sting like a bee. Annie's boot-heels rattled staccato down the hallwav.
'Get out of sight.' Her face was tight and grim. The khaki bag, unzipped, was over her shoulder. 'Get out of s — '
She paused and saw that he had already rolled the wheelchair back from the window. She looked to make sure that none of his things were on the sill, then nodded.
'It's the State Police,' she said. She looked tense but in control. The shoulder-bag was within easy reach of her right hand. 'Are you going to be good, Paul?'
'Yes,' he said.
Her eyes searched his face.
'I'm going to trust you,' she said finally and turned away, closing the door but not bothering to lock it.
The car turned into the driveway, the smooth, sleepy beat of that big 442 Plymouth engine almost like a trademark. He heard the kitchen screen door bang shut and eased the wheelchair close enough to the window so he could remain in an angle of shadow and still peek out. The cruiser pulled up to where Annie stood, and the engine died. The driver got out and stood almost exactly where the young trooper had been standing when he spoke his last four words . . . but there all resemblance ended. That trooper had been a weedy young man hardly out of his teens, a rookie cop pulling a shit detail, chasing the cold trail of some numbnuts writer who had wrecked up his car and then either staggered deeper into the woods to die or walked blithely away from the whole mess with his thumb cocked.
The cop currently unfolding himself from behind the cruiser's wheel was about forty, with shoulders seemingly as wide as a barnbeam. His face was a square of granite with a few narrow lines carved into it at the eyes and the corners of the mouth. Annie was a big woman, but this fellow made her look almost small.
There was another difference as well. The trooper Annie killed had been alone. Getting out of the shotgun seat of this cruiser was a small, slope-shouldered plainsclothesman with lank blonde hair.
David and Goliath,
Paul thought.
Mutt and Jeff. Jesus.
The plainclothesman did not so much walk around the cruiser as mince around it. His face looked old and tired, the face of a man who is half-asleep . . . except for his faded blue eyes. The eyes were wide-awake, everywhere at once. Paul thought he would be quick.
They bookended Annie and she was saying something to them, first looking up to speak to Goliath, then half-turning and looking down to reply to David. Paul wondered what would happen if he broke the window again and screamed for help again. He thought the odds were maybe eight in ten that they would take her. Oh, she was quick, but the big cop looked as if he might be quicker in spite of his size, and strong enough to uproot middling-sized trees with his bare hands. The plainclothesman's self-conscious walk might be as deliberately deceptive as his sleepy look. He thought they would take her . . . except what surprised them wouldn't surprise her, and that gave her an outside chance, anyway.
The plainclothesman's coat. It was buttoned in spite of the glaring heat. If she shot Goliath first, she might very well be able to put a slug in David's face before he could get that oogy goddam coat unbuttoned and his gun out. More than anything else, that buttoned coat suggested that Annie had been right: so far, this was just a routine check-back.
So far.
I didn't kill him, you know.
You
killed him. If you had kept your mouth shut, I would have sent
him on his way. He'd be alive now
. . .
Did he believe that? No, of course not. But there was still that strong, hurtful moment of guilt — like a quick deep stab-wound. Was he going to keep his mouth shut because there were two chances in ten that she would off these two as well if he opened it?
The guilt stabbed quickly again and was gone. The answer to that was also no. It would be nice to credit himself with such selfless motives, but it wasn't the truth. The fact was simple: he wanted to take care of Annie Wilkes himself.
They could only put you in jail, bitch,
he thought.
I know
how to hurt you.
30
There was always the possibility, of course, that they would smell a rat. Rat-catching was, after all, their job, and they would know Annie's background. If that was the way things turned out, so be it . . . but he thought Annie might just be able to wriggle past the law this one last time.
Paul now knew as much of the story as he needed to know, he supposed. Annie had listened to the radio constantly since her long sleep, and the missing state cop, whose name was Duane Kushner, was big news. The fact that he had been searching for traces of a hotshot writer named Paul Sheldon was reported, but Kushner's disappearance had not been linked, even speculatively, with Paul's own. At least, not yet.
The spring runoff had sent his Camaro rolling and tumbling five miles down the wash. It might have lain undiscovered in the forest for another month or another year but for merest coincidence. A couple of National Guard chopper-jockeys sent out as part of a random drug-control sweep (looking for back-country pot-farmers, in other words) had seen a sunflash on what remained of the Camaro's windshield and set down in a nearby clearing for a closer look. The seriousness of the crash itself had been masked by the violent battering the Camaro had taken as it travelled to its final resting place. If the car had yielded traces of blood to forensic analysis (if, indeed, there had
been
a forensic analysis), the radio did not say so. Paul knew that even an exhaustive analysis would turn up precious few traces of blood — his car had spent most of the spring with snowmelt running through it at flood-speed.
And in Colorado, most of the attention and concern were focused on Trooper Duane Kushner — as he supposed these two visitors proved. So far all speculation centered on three illegal substances: moonshine, marijuana, and cocaine. It seemed possible that Kushner might have stumbled across the growing, distilling, or stockpiling of one of these substances quite by accident during his search for signs of the tenderfoot writer. And as hope of finding Kushner alive began to fade, questions about why he had been out there alone in the first place began to grow louder — and while Paul doubted if the State of Colorado had money enough to finance a buddy system for its vehicle police, they were obviously combing the area for Kushner in pairs. Taking no chances.