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Authors: Melville Davisson Post

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“You know, then, the assassin of Lord Winton?”

“I do,” replied the Prefect. “Shall I name him to you?”

The man made again the vague gesture with his white, steel fingers.

“You may keep the secret of the name, Monsieur,” he said, “if you will be kind enough to tell me the thing that indicated to you the name.”

“With pleasure,” replied Monsieur Jonquelle. “You have said that the English criminal courts are stupid, and I have concurred in that opinion. Observe, Monsieur, the evidence of that stupidity. This criminal court could not understand how a knife blade four inches long could inflict a direct wound seven inches deep. They measured the knife blade and the wound, these English, and wrote it down impossible.… But you, Monsieur, who are Slav, and I who am Latin, would hardly arrive at this conclusion. For we would reflect that a knife blade four inches long, driven into the soft tissues of the body compressed together by the impact of a powerful blow might easily leave a wound measuring seven inches in length behind it—when that compression was released and the tissues relaxed. It is a fact, Monsieur,
that the
Service de la Sûreté
has frequently demonstrated.”

The man at the table was motionless, as in some indecision. He did not change. He remained only in a sort of dreadful immobility, and he seemed in this immobility to consider some desperate hazard. He was awakened by the two young men from the Bois de Boulogne, who now entered the drawing-room.

“Monsieur,” said the voice of the Prefect of Police, “I feared that I might not be your equal in all directions, and I have asked these two agents of the Service to come up. They will also be useful as witnesses to the indenture.”

Lord Valleys made no reply. He opened a drawer of the table, took out a pen and attached his signature to the deed—waited until the witnesses had signed it, blotted it carefully and folding it together, handed it to the Prefect of Police.

“I purchase immunity,” he said, “from a second trial before the English criminal court!”

Monsieur Jonquelle received the indenture and put it into his pocket. He took up his gloves, his hat, his stick; then he smiled.

“You purchased, Monsieur,” he said, “a thing that you already possess. It is the law of England that one who has been acquitted of a crime cannot again be tried in her courts for it!”

XI.—
The Mottled Butterfly

The opera had opened. The music began to fill the corridors. But Monsieur Jonquelle did not go in.

He remained idling in the foyer, a cigarette in his fingers, his manner and air a well-bred, bored indifference. The whole house was crowded. There was not a vacant seat.

It was the last performance in Paris of Madame Zirtenzoff's
Salome
.

A few belated persons passed Monsieur Jonquelle and entered the doors to the boxes. Some of these persons addressed him; all regarded him. He was a well-known figure in Paris. His friendship was worth something, and whether one knew him, or cared to know him, all were curious about the man.

The vast music assembled and extended itself.

The foyer became empty, and still Monsieur Jonquelle did not go in. Perhaps it was because Madame Zirtenzoff had not gone on. She was a famous beauty; her
Salome
had the abandon which stimulated even the jaded nerves of France.
It had been on at the Opera for fifty days, and Paris was still keen to see it.

The woman was a Russian exotic, one of those alluring creatures that always assemble a fabulous legend. There was a wild passion in her
Salome
, and her conquests were the gossip of Paris.

The opera had continued for perhaps thirty minutes. Madame Zirtenzoff had come on; her voice, like a silver bell, reached Monsieur Jonquelle clearly where he sauntered in the foyer.

Presently the door to a box opened and one of the pages of the theater appeared with an immense bouquet of orchids. The flowers were worth a thousand francs. They could have been grown in Paris only with extreme care and under every perfection of light and temperature. It was a mass of flowers that would have drawn the attention of anybody, exquisite orchids of the genus
Oncidium Kramerii
, called the Mottled Butterfly.

It seemed to have drawn the attention of Monsieur Jonquelle. He stopped the page as he passed him.


Garçon
,” he said, handing him a piece of gold, “find me a box of cigarettes before you go on with those flowers. Quickly—run; I will hold them until you return.”

The boy knew the great chief of the
Service de la Sûreté
. For a moment he was uncertain
what to do; he had been sent to deliver these flowers to Madame Zirtenzoff. There was a generous gratuity behind the direction, but it was not more than Monsieur Jonquelle's gold-piece, and besides, one does not disobey the Prefect of Police of Paris.

He gave Monsieur Jonquelle the bouquet of orchids and disappeared down the stairway. He was gone hardly a moment; when he returned, Monsieur Jonquelle had not moved from his position by a pillar of the foyer. He handed back the orchids to the page and received the box of cigarettes.

He paused a moment, fingered the box but did not open it; instead he walked a few steps down the foyer and entered the box from which the page had come out with the orchids.

One looking on would have wondered why the Prefect of Police required a pack of cigarettes, at the cost of a ten-franc gold-piece—especially as, after having turned it in his hand, he had put it carelessly into his pocket and entered a box.

It would appear that he waited for these cigarettes before entering the box. But to what end? One could not smoke in a box at the Opera, at its most expensive point in the ultrafashionable audience of Paris. Although the great opera house was packed with people,—not a vacant seat visible
to the eye,—there was but one person in the box which Monsieur Jonquelle entered.

He was a person that any one would pause almost anywhere to observe. He was young; he was exquisitely dressed—a dress in which there was some of the over-extravagance of detail, that suggestion of elegance, which the Parisian cannot avoid. The severity of the English tailor he must always modify; he must be permitted to add a jewel, a bracelet—some feminine touch.

He was a young man and extremely handsome, a blond French type with a dainty mustache and regular Italian features, and thick, soft, yellow hair presenting the gloss of the seal's coat. In his physical aspect, for perfection of detail, the man had no equal on the Paris boulevards.

It had got him a rich American wife and lifted him, as by a fairy lamp, out of the sordid environments of an old family in decay. The thing seemed a piece of the design of a Providence with an esthetic sense.

This exquisite person would have been incongruous except in an atmosphere of wealth. He had an apartment now beyond the Arc de Triomphe, one of those wonderful apartments that the American invasion after the Great War had set up in Paris.

The Marquis was the envy of the boulevardier.

But it was rumored that he had not the freedom
of his wife's money-sacks. He got what she allowed him, but it ought to be written here, in justice to the Marquis, that it was not he who complained. Why should he? The allowance was evidently enough for any reasonable man. He had the best of everything; if he felt any sense of stint, there was no sign either by word or act.

In form the Marquis was above reproach. There could be no surprise to the fashionable audience of Paris in the fact that the Marquis was alone in the box. His wife was on a visit to America, and it was better fitting that the Marquis should be alone than to be with another who might console him for his wife's absence. If the Marquis was not the best of men, he was at any rate not the least discreet.

He rose and bowed when the Prefect entered.

“Ah, Monsieur,” he said, “I am charmed to see you; Madame Zirtenzoff will be worth even an hour of the priceless time of the Prefect of Paris.… I shall be honored to have you as guest; pray sit down.”

Monsieur Jonquelle sat down. He looked a moment over the vast audience, brilliant and distinguished; a moment at Madame Zirtenzoff on the distant stage; and then he addressed his host.

“Monsieur,” he said, “Madame Zirtenzoff is, I imagine, beyond rubies. But I have not come here to observe her; I have come to ask you about
the robbery in your apartment. That was an extraordinary robbery.”

“It was most extraordinary, Monsieur,” replied the Marquis. “The whole of Paris regretted that you were out of France at the time. Where were you, Monsieur?”

Then the Marquis added with a laugh:

“You cannot be expected to tell that; you protect us, Monsieur, by your mystery. If the Lecca could say, ‘To-morrow Monsieur Jonquelle will be in Brussels,' we should not have a jewel or a five-franc piece remaining to us.”

“Alas, Monsieur,” replied the Prefect, “you do me too much honor; there are a number of very good men with the
Service de la Sûreté
, quite as capable as I to protect Paris.”

The Marquis laughed.

“You have an affection for your associates, Monsieur Jonquelle, that I fear clouds your intelligence. Nothing could have been managed with more stupidity than the investigation of my apartment. In your absence, Monsieur, you cannot imagine into what hopeless commonplace the investigation of a criminal affair in Paris can descend.

“Alas, Monsieur, there is a gulf fixed between Alexander and the lieutenants of Alexander! But for my own feeble efforts, nothing would have resulted from the police investigation in my apartment.
The necklace of diamonds which the Marquise purchased for five hundred thousand francs—assembled from the crown jewels of Russia— would have disappeared without a clew to the thief. As it happened, he was brought to justice; he confessed and was sentenced for an incredible period by the court. But for me”—and again the Marquis laughed—“there would have been no thief sentenced.… Your inspectors, Monsieur, were ridiculous.”

There was humility in the Prefect's reply.

“And the Marquis Chantelle was magnificent! His fame in the affair has reached me; he is the admiration of the
Sûreté
! I have come, Monsieur, to verify the details, and from yourself. I do not know what rumor may have added or omitted.”

He bowed slightly, like one who would add a gesture of compliment to his words.

“Willingly, Monsieur,” replied the Marquis. “I shall be charmed to verify details; but you will pardon me if I am moved to ask you for your opinion on a certain phase of this mystery. You must have an opinion, Monsieur, if you do not have an explanation, in fact.”

He turned a little in his seat.

“Monsieur,” he said, “how did it happen that when we had fixed this robbery upon Jean Lequex, a member of the Lecca, he admitted it before the
court, and asked for an immediate sentence? But he would admit nothing else; he would not say what he had done with the necklace or where it was?

“That was a strange position for a man to take, Monsieur. He could hope nothing from the judge. Why confess? It did not lighten his sentence; and after all, our evidence against him was circumstantial. Why did he not say what he had done with the necklace? The judge would have reduced the sentence. Why conceal it, Monsieur, and go for this long period of servitude? Did he hope to escape?”

Monsieur Jonquelle spoke with decision.

“He did not.”

“Then, Monsieur,” continued the Marquis, “why did he refuse to say where the necklace was? Of what service would be the necklace to him after twenty years?”

Again Monsieur Jonquelle replied directly and with decision.

“Of no use, Monsieur; the man did not expect it to be of any use to him.”

“Then, Monsieur,” continued the Marquis, “why in the name of heaven did he not say where this necklace was, and thereby reduce his sentence?”

Monsieur Jonquelle seemed to reflect.

“You have asked for my opinion,” he said;
“I think I can do better than give an opinion. I think I can tell you precisely the reason why Jean Lequex, when he confessed this crime before the court, refused to say what had become of the necklace.”

He smiled.

“But I must be permitted, Monsieur, to hold this explanation as a sort of wage against the details of your story. The
Service de la Sûreté
is filled with admiration for you; you must omit no item of the narrative.… Ah, how enchanting Madame Zirtenzoff is! Hair like a sunburst of dreams, and the figure of a dryad! One would do murder for her.”

The Marquis laughed.

“Murder, Monsieur?”

“Ah, yes,” replied the Prefect, “murder or any lesser crime.”

The Marquis looked the Prefect frankly in the face.

“You believe this robbery was committed for a woman?”

“Could jewels be intended for any other?” replied Jonquelle.

The Marquis continued to regard the Prefect with a certain interest.

“You mean,” he said, “that the reason why the Apache, Jean Lequex, did not tell what he had
done with the necklace was, in fact, because he had given it to a woman?”

The Prefect of Police looked at the Marquis with some concern, with, in fact, a certain element of wonder.

“Why, no, Monsieur, that is not the reason at all.”

The Marquis seemed puzzled.

“Do you generalize, then, to no definite purpose?”

“By no means,” replied the Prefect of Police. “I would generalize to the solution of this mystery; and with Monsieur the Marquis' aid, I think we can arrive at it.”

“Monsieur,” replied the Marquis coldly, “I believe the mystery has already been concluded; I believe its solution seems complete.”

“‘Seems,'” repeated the Prefect of Police, “is the word precisely. While it is true that the criminal, Jean Lequex, has confessed before the court and been sentenced to a term of years for the robbery of these jewels, the jewels remain to be discovered.”

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