Moonlight Becomes You
Read Moonlight Becomes You Online
Authors: Mary Higgins Clark
Critical Acclaim for the Incomparable
Queen of Suspense
and
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New York Times
Bestselling Author
MARY HIGGINS CLARK
and
MOONLIGHT BECOMES YOU
“Ms. Clark has a sneaky way of injecting undertones of menace into a genteel place like Newport. . . . Her savvy formula for putting capable women in danger never fails.”
âMarilyn Stasio,
The New York Times Book Review
“Mary Higgins Clark does it again. Her
MOONLIGHT BECOMES YOU
will not disappoint her millions of fans. She's one of the best storytellers ever, and her heroine once again faces peril with one mysterious villain lurking. Yes, you won't put it down.”
âLarry King
“The arresting opening tableauâa young woman buried alive in a satin-lined coffinâis a perfect image for the sleekly cushioned menace Clark dispenses in her 13th novel.”
â
Kirkus Reviews
“Clark has written a clever story with interesting characters.”
âMary Frances Wilkens,
Booklist
“Mary Higgins Clark knows how to build suspense. From the chilling opening chapter, with its gruesome portent of things to come, the reader is hooked. . . . Each [compelling character] emerges as a real person through the author's spare but descriptive and imperative prose. Fans of the macabre will have a field day.”
âAnne Price,
The Advocate
(Baton Rouge)
“Clark has the book plotted out well and should keep you guessing up until the last chapter.”
âFaye M. Dasen,
The Pilot
(Southern Pines, NC)
“A page-turner until the very end.”
âSimon Gonzalez,
Fort Worth Star-Telegram
“A good, satisfying read that leaves us eagerly awaiting Clark's next.”
âSandra Brooks-Dillard,
Denver Post
“The bottom line . . . is that [Mary Higgins Clark] creates characters you feel you know, and she can put them in a plot you want to follow.”
âJan Maxwell Avent,
The Knoxville News-Sentinel
“Like all of Mary Higgins Clark's previous books of satiny, soft-pedaled suspense, [
MOONLIGHT BECOMES YOU
has] become a smash hit.”
â
Entertainment Weekly
“It's a good one. . . . Clark does a good job of keeping readers guessing. . . .
MOONLIGHT BECOMES YOU
is one of her more suspenseful, believable tales.”
âCarol Deegan, Associated Press
“There's some fun in the sprightly Newport oldsters, and the many scenes and characters are shifted around smoothly and with a practiced hand.”
â
Publishers Weekly
“MOONLIGHT BECOMES YOU
has a beautiful love story mixed in with murders most foul and greed beyond comparison. . . . If you love to be frightened and learn something in the process, I highly recommend
MOONLIGHT BECOMES YOU.”
âPatricia Jones,
Tulsa World
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For Lisl Cade and Eugene H. Winick âmy publicist and my literary agentâ and both my very dear friends.
How can I thank thee? . . . Let me count the ways.
No words are sufficient to express my gratitude to my longtime editor, Michael Korda, and his associate, senior editor Chuck Adams. A story, like a child, thrives best when it is encouraged, helped, and guided in a wise and caring atmosphere. Again and always . . . sine qua non . . . I love you guys.
Gypsy da Silva, who has been copy supervisor for many of my manuscripts, remains a candidate for sainthood with her eagle eye and cheerful patience. Bless you, Gypsy.
Kudos to my pal, author Judith Kelman, who has repeatedly gone on the Internet, the mystery of which I have not fathomed, to procure information I needed immediately.
A thousand thanks to Catherine L. Forment, Vice President of Merrill Lynch, for willingly and knowledgeably answering my many questions about stock investment and confirmation procedures.
A grateful tip of the hat to R. Patrick Thompson, President of the New York Mercantile Exchange, who interrupted a meeting to answer my inquiries about temporary restraining orders.
When I decided that it would be interesting if funeral customs became part of this story, I read fascinating books on the subject. In particular, they were
Consolatory Rhetoric
by Donovan J. Octs,
Down to Earth
by Marian Barnes, and
Celebrations of Death
by Metcalf Huntington.
The Newport Police Department has responded to all my phone calls with great courtesy. I'm grateful to everyone who has been so kind and hope that the police procedure contained in these pages passes inspection.
And finally, loving thanks to my daughter Carol Higgins Clark for her infallible ability to pick up my unconscious idiosyncrasies.
Do you know how often you used the word
decent? . . .
No thirty-two-year-old would say it like that . . . You used that same name for a different character ten books ago . . .
And now I can happily quote the words written on a monastery wall in the Middle Ages: “The book is finished. Let the writer play.”
Maggie tried to open her eyes, but the effort was too great. Her head hurt so much. Where was she? What had happened? She raised her hand, but it was stopped inches above her body, unable to move any farther.
Instinctively she pushed at the overhead barrier, but it did not move. What was it? It felt soft, like satin, and it was cold.
She slid her fingers to the side and down; the surface changed. Now it felt ruffled. A quilt? Was she in some kind of bed?
She pushed out her other hand to the side and recoiled as that palm immediately encountered the same chill ruffles. They were on both sides of this narrow enclosure.
What was tugging at her ring when she moved her left hand? She ran her thumb over her ring finger, felt it touch string or cord. But why?
Then memory came rushing back.
Her eyes opened and stared in terror into absolute darkness.
Frantically her mind raced as she tried to piece together what had happened. She had heard him in time to whirl around just as something crashed down on her head.
She remembered him bending over her, whispering, “Maggie, think of the bell ringers.” After that, she remembered nothing.
Still disoriented and terrified, she struggled to understand. Then suddenly it came flooding back. The bell ringers! Victorians had been so afraid of being buried alive that it became a tradition to tie a string to their fingers before interment. A string threaded through a hole in the casket, stretching to the surface of the burial plot. A string with a bell attached to it.
For seven days a guard would patrol the grave and listen for the sound of the bell ringing, the signal that the interred wasn't dead after all . . .
But Maggie knew that no guard was listening for her. She was truly alone. She tried to scream, but no sound came. Frantically she tugged at the string, straining, listening, hoping to hear above her a faint, pealing sound. But there was only silence. Darkness and silence.
She had to keep calm. She had to focus. How had she gotten here? She couldn't let panic overwhelm her. But how? . . . How? . . .
Then she remembered. The funeral museum. She'd gone back there alone. Then she'd taken up the search, the search that Nuala had begun. Then he'd come, and . . .
Oh, God!
She was buried alive!
She pounded her fists on the lid of the casket, but even inside, the thick satin muffled the sound. Finally she screamed. Screamed until she was hoarse, until she couldn't scream anymore. And still she was alone.
The bell. She yanked on the string . . . again . . . and again. Surely it was sending out sounds. She couldn't hear them, but someone would. They must!
Overhead a mound of fresh, raw earth shimmered in the light of the full moon. The only movement came from the bronze bell attached to a pipe emerging from the mound: The bell moved back and forth in an arrhythmic dance of death. Round about it, all was silent. Its clapper had been removed.
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