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Authors: Penny Vincenzi

More Than You Know

BOOK: More Than You Know
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This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2012 by Penny Vincenzi

All rights reserved. Published in the United States by Doubleday, a division of Random House, Inc., New York.

DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Random House, Inc.

Originally published in different form in Great Britain as
The Decision
Headline Review, an imprint of Headline Publishing Group, London, in 2011.

Jacket design by Emily Mahon
Jacket illustration © Siri Stafford/Getty Images

Library of Congress Cataloging-in-Publication Data
Vincenzi, Penny.
More than you know : a novel / Penny Vincenzi. — 1st U.S. ed.
      p. cm.
   “Originally published in a different form as The Decision in the United Kingdom by Headline, London, in 2011.”
1. Divorced people—Fiction. 2. Custody of children—Fiction. I. Title.
   PR6072.I525D43 2012
   823′.914—dc23             2011051263

eISBN: 978-0-385-53452-9


For Paul, who was always there
And for Polly, Sophie, Emily, and Claudia
for getting me through



Title Page



Cast of Characters


Part One - The Engagement

Part Two - The Marriage

Part Three - Divorce


Other Books by This Author

About the Author

Cast of Characters

ELIZA FULLERTON-CLARK, a debutante and subsequently a fashion editor



CHARLES FULLERTON-CLARK, her brother, a stockbroker

ANNA MARCHANT, her godmother

PIERS MARCHANT, Anna’s husband


MATT SHAW, a property developer

SANDRA SHAW, his mother

PETE SHAW, his father

SCARLETT SHAW, his sister, an air hostess

DIANA FORBES, Scarlett’s air hostess friend

MR. BARLOW AND MR. STEIN, Matt’s first employers

EMMELINE, Eliza and Matt’s daughter


JEREMY NORTHCOTT, Eliza’s millionaire boyfriend and advertising supremo

EMMA NORTHCOTT, his sister

LOUISE MULLEN, secretary to Matt and subsequently a property tycoon in her own right

JENNY COX, receptionist and secretary at Simmonds & Shaw

JIMBO SIMMONDS, Matt’s partner

VALERIE HILL, a hugely successful businesswoman

GEORGINA BARKER, Matt’s girlfriend

BARRY FLOYD, a successful builder

RODERICK BROWNLOW, a property developer

JULIET JUDD, Charles’s girlfriend

GEOFFREY JUDD, her father

CAROL JUDD, her mother

LILY BERENSON, a rich widow from Charleston


GABY BERENSON, her daughter-in-law

LINDY FREEMAN, Eliza’s boss at Woolfe’s department store

MADDY BROWN, a knitwear designer and friend of Eliza’s

ESMOND, her boyfriend and a hatter

JEROME BLAKE, a photographer

REX INGHAM, another photographer

ROB BRIGSTOCKE, creative director of KPD, advertising agency

HUGH WALLACE, account director at KPD

JACK BECKHAM, editor of
and later of the
Daily News

FIONA MARKS, the fashion editor

ANNUNCIATA WOBURN, the features editor

JOHNNY BARRETT, Louise’s journalist friend on the
Daily News

GIOVANNI CRESPI, wealthy businessman

MARIELLA CRESPI, his wife and socialite

ANNA-MARIA, a maid

BRUNO, Giovanni’s valet

SEBASTIANO, the Crespis’ butler

TIMOTHY FORDYCE, a friend of Mariella’s in Milan

JANEY, his wife

MARK FROST, a distinguished travel writer


HEATHER CONNELL, a young mother and friend to Eliza

CORAL, her daughter

ALAN CONNELL, her husband

MRS. MUNROE, Eliza’s gynaecologist

MARY MILLER, her psychotherapist

PHILIP GORDON, Eliza’s solicitor

TOBY GILMOUR, Eliza’s barrister

IVOR LEWIS, Matt’s solicitor

SIR BRUCE HAYWARD QC, Matt’s barrister



DEMETRIOS AND LARISSA, tavern owners on the Greek island of Trisos


. B
. By this time tomorrow she would know. Whether she would still be a mother, a proper mother, the sort who did the ordinary things, got her child up every morning and tucked her up in bed every night, took her to school and picked her up again, knew when she’d had a tummyache or a bad dream, got cross with her, argued with her, decided when to get her hair cut or that she needed new shoes, told her off for skimping on her homework or her ballet practice, insisted she made her bed and tidied her room and wrote thank-you letters and cleaned out the hamster’s cage … Or the other sort, the once-a-week sort, the provider of a perfect room and whatever-you-fancy food, the purveyor of treats and outings, and ultragenerosity to friends, overindulgent, never cross, never critical, watchful for new loyalties, jealous of new traditions …

Which would she be?

The mother with custody? Or the mother without?


decided it was time she lost her virginity.

She was rather shocked at herself, not for the nature of the decision, but for managing to make it at such a moment, such a terribly important moment in her life; both her mother and her godmother (who was actually presenting her) had instilled into her endlessly how lucky she was, because this was positively the last year of court presentation; it had been declared an anachronism, not in keeping with the new Elizabethan age. And here she was, in her blue silk Belinda Belville cocktail dress, in the presence of the Queen—so much younger and prettier in the flesh than her photographs—and she was thinking not about being part of a deeply important tradition that had lasted for generations, but about with whom of all the young men she was dancing and flirting with that wonderful summer she might achieve this new ambition. It really was rather bad of her.

Concentrate, Eliza!
What would her mother and godmother say if they knew that after all their organising and lunching and juggling with dates and guest lists for her season, that her mind was fixed not on what to them was the almost sacred part of the whole thing, but on something very unsuitable indeed.

She straightened slowly and moved towards the side of the throne room, making way for the next wave of girls.

Eliza was attracting a lot of attention that summer. Indeed she had
become a bit of a favourite with the popular press, had so far appeared in the
three times and the
four. Her mother had felt it rather lowered the tone of Eliza’s season, but Eliza thought it was wonderful, and a lot of the other girls had been really jealous. She wasn’t pretty—her features were too large, and her coloring too strong, with slightly olive skin and very dark hair combined with very dark blue eyes, and she had more than once heard her mother saying worriedly to her grandmother that she did hope no one would think there was foreign blood in the family. But she also knew that she was extremely attractive.

Boys had made passes at her from when she had been only fifteen. Indeed, she had first made the pages of
the year before her season, watching her brother, Charles, play cricket for the Old Etonians on Father’s Day.

But this year was truly hers, and she had already been granted the Big One, a full-page solo spot at the front of

“Miss Eliza Fullerton-Clark,” the caption said, “daughter of Mr. and Mrs. Adrian Fullerton-Clark. Eliza, a charming girl whose interests include skiing and the history of art”—
I didn’t know that
, thought Eliza—“will have her dance at the exquisite Fullerton-Clark home, Summercourt, Wellesley, later in the season.”

The photograph had been granted its prominence by
’s social editor, Betty Kenward, the redoubtable Jennifer of “Jennifer’s Diary,” whose word alone could promote a girl from being just, well, a girl, to a success, someone to be marked down as having a future. Which meant not a future in her own right, but as the wife of someone rich and powerful, at best heir to one of the great estates of rural England.

And Eliza’s future had been most carefully planned. Sarah Fullerton-Clark, together with her best friend (and Eliza’s godmother), the Honorable Mrs. Piers Marchant, had visited Mrs. Kenward in her eyrie at the top of a small flight of stairs from the
editorial floor. Mrs. Kenward had given them the regulation small tomato juice and shared with them the almost mystical tools of her trade: her diary of the season, with every girl’s dance and date so far, and a list of eligible young men, rich and well connected, christened (by the tabloids) the “Debs’ Delights.” The Delights had a longer life span than the debs, and were summoned for several summers, at no cost to themselves, to attend dances and parties, Ascot and Henley, and whole weekends at fine country
houses, where the only requirement upon them was to wear the right clothes, not to drink too much, to be polite to their hostess, and to smile at and charm the prettier debs.

Charles was on the list, of course; he was very tall and dark, and charmingly diffident, a favourite with the mothers; Sarah and Anna Marchant had left Mrs. Kenward’s office with a recommendation for the date for Eliza’s dance and some starred names of young men on the list, denoting particularly impressive titles or fortunes.

Eliza was staying with the Marchants in London during the week that summer, since she was doing—as well as the season—a course at one of London’s smarter secretarial colleges. Eliza was determined to work, and not in some feeble little job either; she wanted a career. She knew what everyone including her mother said, that a job was just something to do until you got married and to earn you a bit of pocket money, but Eliza wanted more; she wanted a job that was interesting and absorbing, something she cared about “that will make me a person in my own right,” she said to Charles, “not just as someone’s wife or whatever.”

Fashion fascinated her particularly: not just clothes, but the way they worked, how you could tell so much about a person from what they wore, how important they were to the picture you presented to the world.

In spite of her decision, taken in such sumptuous circumstances, Eliza was still a virgin as the date for her dance approached. For one thing, she’d been terribly busy. She’d been to literally dozens of dances and cocktail parties; she’d had a starring role in the Berkeley Dress Show, that great annual opportunity for debs to be models for a day, and managed to catch the eye of the photographer from the
Evening Standard
and hit the front page, wearing a white evening dress by Hartnell. And at Queen Charlotte’s Ball—the Harlots’ Ball, as the Debs’ Delights called it—she had been quite near the front in the line of girls pulling the giant cake into the ballroom: yet another photograph in the tabloids.

BOOK: More Than You Know
8.01Mb size Format: txt, pdf, ePub

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