Read Mr. Mercedes: A Novel Online
Authors: Stephen King
Tags: #Literature & Fiction, #Genre Fiction, #Horror, #United States, #Mystery; Thriller & Suspense, #Thrillers & Suspense, #Crime, #Serial Killers, #Supernatural, #Psychics, #Suspense, #Contemporary Fiction, #Adult, #Thriller, #Mystery, #Contemporary
Also:
Enjoy your Weekend, I know I will
.
“Do you think I should call Mom and tell her to keep the girls home?” Jerome looks dismayed at the prospect. “Barb’ll probably never speak to me again. Plus there’s her friend Hilda and a couple of others . . .”
From the kitchen: “Oh, you damn thing!
Give it up!
”
Before Hodges can reply, Jerome says, “On the other hand, it sure sounds like he has something planned for the weekend, and this is only Thursday. Or is that just what he wants us to think?”
Hodges tends to think the taunt is real. “Find that Cyber Patrol picture of Hartsfield again, would you? The one you get when you click on MEET THE EXPERTS.”
While Jerome does that, Hodges calls Marlo Everett in Police Records.
“Hey, Marlo, Bill Hodges again. I . . . yeah, lot of excitement in Lowtown, I heard about it from Pete. Half the force is down there, right? . . . uh-huh . . . well, I won’t keep you long. Do you know if Larry Windom is still head of security at the MAC? Yeah, that’s right, Romper-Stomper. Sure, I’ll hold.”
While he does, he tells Jerome that Larry Windom took early retirement because the MAC offered him the job at twice the salary he was making as a detective. He doesn’t say that wasn’t the only reason Windom pulled the pin after twenty. Then Marlo is back. Yes, Larry’s still at the MAC. She even has the number of the MAC’s security office. Before he can say goodbye, she asks him if there’s a problem. “Because there’s a big concert there tonight. My niece is going. She’s crazy about those twerps.”
“It’s fine, Marls. Just some old business.”
“Tell Larry we could use him today,” Marlo says. “The squadroom is dead empty. Nary a detective in sight.”
“I’ll do that.”
Hodges calls MAC Security, identifies himself as Detective Bill Hodges, and asks for Windom. While he waits, he stares at Brady Hartsfield. Jerome has enlarged the photo so it fills the whole screen. Hodges is fascinated by the eyes. In the smaller version, and in a line with the two I-T colleagues, those eyes seemed pleasant enough. With the picture filling the screen, however, that changes. The mouth is smiling; the eyes aren’t. The eyes are flat and distant. Almost dead.
Bullshit, Hodges tells himself (
scolds
himself). This is a classic case of seeing something that’s not there based on recently acquired knowledge—like a bank-robbery witness saying
I thought he looked shifty even before he pulled out that gun
.
Sounds good, sounds
professional
, but Hodges doesn’t believe it. He thinks the eyes looking out of the screen are the eyes of a toad hiding under a rock. Or under a cast-off blue umbrella.
Then Windom’s on the line. He has the kind of booming voice that makes you want to hold the phone two inches from your ear while you talk to him, and he’s the same old yapper. He wants to know all about the big bust that afternoon. Hodges tells him it’s a mega-bust, all right, but beyond that he knows from nothing. He reminds Larry that he’s retired.
But.
“With all that going on,” he says, “Pete Huntley kind of drafted me to call you. Hope you don’t mind.”
“Jesus, no. I’d like to have a drink with you, Billy. Talk over old times now that we’re both out. You know, hash and trash.”
“That would be good.” Pure hell is what it would be.
“How can I help?”
“You’ve got a concert there tonight, Pete says. Some hot boy band. The kind all the little girls love.”
“Iy-yi-yi, do they ever. They’re already lining up. And
tuning
up. Someone’ll shout out one of those kids’ names, and they all scream. Even if they’re still coming in from the parking lot they scream. It’s like Beatlemania back in the day, only from what I hear, this crew ain’t the Beatles. You got a bomb threat or something? Tell me you don’t. The chicks’ll tear me apart and the mommies will eat the leftovers.”
“What I’ve got is a tip that you may have a child molester on your hands tonight. This is a bad, bad boy, Larry.”
“Name and description?” Hard and fast, no bullshit. The guy who left the force because he was a bit too quick with his fists. Anger issues, in the language of the department shrink. Romper-Stomper, in the language of his colleagues.
“His name is Brady Hartsfield. I’ll email you his picture.” Hodges glances at Jerome, who nods and makes a circle with his thumb and forefinger. “He’s approximately thirty years old. If you see him, call me first, then grab him. Use caution. If he tries to resist, subdue the motherfucker.”
“With pleasure, Billy. I’ll pass this along to my guys. Any chance he’ll be with a . . . I don’t know . . . a beard? A teenage girl or someone even younger?”
“Unlikely but not impossible. If you spot him in a crowd, Lar, you gotta take him by surprise. He could be armed.”
“How good are the chances he’s going to be at the show?” He actually sounds hopeful, which is typical Larry Windom.
“Not very.” Hodges absolutely believes this, and it’s not just the Blue Umbrella hint Hartsfield dropped about the weekend. He
has
to know that in a girls-night-out audience, he’d have no way of being unobtrusive. “In any case, you understand why the department can’t send cops, right? With all that’s going on in Lowtown?”
“Don’t need them,” Windom says. “I’ve got thirty-five guys tonight, most of the regulars retired po-po. We know what we’re doing.”
“I know you do,” Hodges says. “Remember, call me first. Us retired guys don’t get much action, and we have to protect what we do get.”
Windom laughs. “I hear you on that. Email me the picture.” He recites an e-address which Hodges jots down and hands to Jerome. “If we see him, we grab him. After that, it’s your bust . . .
Uncle
Bill.”
“Fuck you,
Uncle
Larry,” Hodges says. He hangs up, turns to Jerome.
“The pic just went out to him,” Jerome says.
“Good.” Then Hodges says something that will haunt him for the rest of his life. “If Hartsfield’s as clever as I think he is, he won’t be anywhere near the Mingo tonight. I think your mom and sis are good to go. If he does try crashing the concert, Larry’s guys will have him before he gets in the door.”
Jerome smiles. “Great.”
“See what else you can find. Concentrate on Saturday and Sunday, but don’t neglect next week. Don’t neglect tomorrow, either, because—”
“Because the weekend starts on Friday. Gotcha.”
Jerome gets busy. Hodges walks out to the kitchen to check on how Holly’s doing. What he sees stops him cold. Lying next to the borrowed laptop is a red wallet. Deborah Hartsfield’s ID, credit cards, and receipts are scattered across the table. Holly, already on her third cigarette, is holding up a MasterCard and studying it through a haze of blue smoke. She gives him a look that’s both frightened and defiant.
“I’m just trying to find her diddly-dang password! Her purse was hanging over the back of her office chair, and her billfold was right there on top, so I put it in my pocket. Because sometimes people keep their passwords in their billfolds. Women especially. I didn’t want her
money
, Mr. Hodges. I have my own
money
. I get an
allowance
.”
An allowance, Hodges thinks. Oh, Holly.
Her eyes are brimming with tears and she’s biting her lips again. “I’d never
steal
.”
“Okay,” he says. He thinks of patting her hand and decides it might be a bad idea just now. “I understand.”
And Jesus-God, what’s the BFD? On top of all the shit he’s pulled since that goddam letter dropped through his mail slot, lifting a dead woman’s wallet is chump-change. When all this comes out—as it surely will—Hodges will say he took it himself.
Holly, meanwhile, is not finished.
“I have my own credit card, and I have money. I even have a checking account. I buy video games and apps for my iPad. I buy clothes. Also earrings, which I like. I have fifty-six pairs. And I buy my own cigarettes, although they’re very expensive now. It might interest you to know that in New York City, a pack of cigarettes now costs
eleven dollars
. I try not to be a burden because I can’t work and she says I’m not but I know I
am
—”
“Holly, stop. You need to save that stuff for your shrink, if you have one.”
“Of
course
I have one.” She flashes a grim grin at the stubborn password screen of Mrs. Hartsfield’s laptop. “I’m fucked up, didn’t you notice?”
Hodges chooses to ignore this.
“I was looking for a slip of paper with the password on it,” she says, “but there wasn’t one. So I tried her Social Security number, first forwards and then backwards. Same deal with her credit cards. I even tried the credit card security codes.”
“Any other ideas?”
“A couple. Leave me alone.” As he leaves the room, she calls: “I’m sorry about the smoke, but it really does help me think.”
21
With Holly crunching in the kitchen and Jerome doing likewise in his study, Hodges settles into the living room La-Z-Boy, staring at the blank TV. It’s a bad place to be, maybe the worst place. The logical part of his mind understands that everything which has happened is Brady Hartsfield’s fault, but sitting in the La-Z-Boy where he spent so many vapid, TV-soaked afternoons, feeling useless and out of touch with the essential self he took for granted during his working life, logic loses its power. What creeps in to take its place is a terrifying idea: he, Kermit William Hodges, has committed the crime of shoddy police work, and has aided and abetted Mr. Mercedes by so doing. They are the stars of a reality TV show called
Bill and Brady Kill Some Ladies
. Because when Hodges looks back, so many of the victims seem to be women: Janey, Olivia Trelawney, Janice Cray and her daughter Patricia . . . plus Deborah Hartsfield, who might have been poisoned instead of poisoning herself. And, he thinks, I haven’t even added Holly, who’ll likely come out of this even more grandly fucked up than she was going in, if she can’t find that password . . . or if she
does
find it and there’s nothing on Mom’s computer that can help us to find Sonny Boy. And really, how likely is that?
Sitting here in this chair—knowing he should get up but as yet unable to move—Hodges thinks his own destructive record with women stretches back even further. His ex-wife is his ex for a reason. Years of near-alcoholic drinking were part of it, but for Corinne (who liked a drink or three herself and probably still does), not the major part. It was the coldness that first stole through the cracks in the marriage and finally froze it solid. It was how he shut her out, telling himself it was for her own good, because so much of what he did was nasty and depressing. How he made it clear in a dozen ways—some large, some small—that in a race between her and the job, Corinne Hodges always came in second. As for his daughter . . . well. Jeez. Allie never misses sending him birthday and Christmas cards (although the Valentine’s Day cards stopped about ten years ago), and she hardly ever misses the Saturday-evening duty-call, but she hasn’t been to see him in a couple of years. Which really says all that needs saying about how he bitched up
that
relationship.
His mind drifts to how beautiful she was as a kid, with those freckles and that mop of red hair—his little carrot-top. She’d pelt down the hall to him when he came home and jump fearlessly, knowing he’d drop whatever he was holding and catch her. Janey mentioned being crazy about the Bay City Rollers, and Allie’d had her own faves, her own bubble-gum boy-toys. She bought their records with her own allowance, little ones with the big hole in the center. Who was on them? He can’t remember, only that one of the songs went on and on about every move you make and every step you take. Was that Bananarama or the Thompson Twins? He doesn’t know, but he does know he never took her to a concert, although Corrie might have taken her to see Cyndi Lauper.
Thinking about Allie and her love of pop music rings in a new thought, one that makes him sit up straight, eyes wide, hands clutching the La-Z-Boy’s padded arms.
Would he have let
Allie
go to that concert tonight?
The answer is absolutely not. No way.
Hodges checks his watch and sees it’s closing in on four o’clock. He gets up, meaning to go into the study and tell Jerome to call his moms and tell her to keep those girls away from the MAC no matter how much they piss and moan. He’s called Larry Windom and taken precautions, but precautions be damned. He would never have put Allie’s life in Romper-Stomper’s hands.
Never
.
Before he can get two steps toward the study, Jerome calls out: “Bill! Holly! Come here! I think I found something!”
22
They stand behind Jerome, Hodges looking over his left shoulder and Holly over his right. On the screen of Hodges’s computer is a press release.
SYNERGY CORP., CITIBANK, 3 RESTAURANT CHAINS TO PUT ON MIDWEST’S BIGGEST SUMMER CAREERS DAY AT EMBASSY SUITES
FOR IMMEDIATE RELEASE. Career businesspeople and military veterans are encouraged to attend the biggest Careers Day of the year on Saturday, June 5th, 2010. This recession-busting event will be held at the downtown Embassy Suites, 1 Synergy Square. Prior registration is encouraged but not necessary. You will discover
hundreds of exciting and high-paying jobs
at the Citibank website, at your local McDonald’s, Burger King, and Chicken Coop, or at www.synergy.com. Jobs available include customer service, retail, security, plumbing, electrical, accounting, financial analysts, telemarketing, cashiers. You will find trained and helpful Job Guides and useful seminars in all conference rooms.
There is no charge
. Doors open at 8 AM. Bring your resume and dress for success. Remember that prior registration will speed the process and improve your chances of finding that job you’ve been looking for.
TOGETHER WE WILL BEAT THIS RECESSION!
“What do you think?” Jerome asks.
“I think you nailed it.” An enormous wave of relief sweeps through Hodges. Not the concert tonight, or a crowded downtown dance club, or the Groundhogs-Mudhens minor league baseball game tomorrow night. It’s this thing at Embassy Suites. Got to be, it’s too perfectly rounded to be anything else. There’s method in Brady Hartsfield’s madness; to him, alpha equals omega. Hartsfield means to finish his career as a mass murderer the same way he started it, by killing the city’s jobless.