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Authors: Ishmael Reed

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72. Munsell, Albert H.
A Grammar of Color.
New York: Van Nostrand Reinhold, 1969.

73. Murray, Robert K.
The Harding Era: Warren G. Harding and His Administration.
Minneapolis, Minn.: University of Minnesota Press, 1969.

74.
The New York Times. How to Read and Understand Financial
a
nd Business News.
Prepared by Financial & Business News Staff. 9th rev. ed. New York: Doubleday, 1963.

75. Nicholson, Irene.
Mexican and Central American Mythology.
London: Paul Hamlyn, 1967.

76. Oliver, Paul.
Savannah Syncopators: African Retentions in the Blues.
New York: Stein & Day, 1970.

77. Olmsted, Frederick L.
The Cotton Kingdom.
New York: Modern Library, 1969.

78. Osman, Randolph E.
Art Centres of the World: New York.
London: Michael Joseph; New York: World, 1968.

79. Ottley, Roi, and William Weatherby, eds.
The Negro in New York: An Informal Social History 1626-1939.
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80. Pollitzer, R., M.D.
Plague.
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81. Prescott, William H.
The World of Incas.
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82. Rigaud, Milo.
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83. Russell, Francis.
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84. Russell, Tony.
Blacks Whites and Blues.
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85. Sachs, Curt.
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86. Schortemeir, Frederick B.
Rededicating America: Life and Recent Speeches of W. G. Harding.
New York: Bobbs-Merrill, 1920.

87. Sparger, Celia.
Anatomy and Ballet: A Handbook for Teachers of Ballet.
London: Adams & Charles Black, 1949. 4th ed. New York: Hillary, 1965.

88. Speiser, Werner, et al.
The Art of China, Spirit and Society.
New York: Crown, 1960.

89. Stearns, Marshall and Jean.
Jazz Dance: The Story of American Vernacular Dance.
New York: MacMillan, 1968.

90. Stillman, Edmund, and William Pfaff.
The Politics of Hysteria: The Sources of Twentieth-Century Conflict.
New York: Harper & Row, 1964.

91. Sullivan, Mark.
Our Times: The United States, 1900-1925,
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92. Summers, Montague.
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93. Tallant, Robert.
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94. Teevan, Richard, and Robert C. Birney, eds.
Color Vision: An Enduring Problem in Psychology.
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95. Veronesi, Giulia.
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96. Wilcox, R. Turner.
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100. ——
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A Biography of Ishmael Reed

Ishmael Reed (b. 1938) is an acclaimed American novelist, essayist, and poet, whose work often challenges mainstream culture and conveys the perspectives of minorities—especially African Americans—whose voices are underrepresented. He has been called “great” by novelist James Baldwin; Sam Tanenhaus of the
New York Times
; Ta-Nehisi Coates of the
Atlantic
; and Harvard University Press Over the past forty years, Reed has published more white authors than white literary magazines have published black, Hispanic, Native American, and Asian American authors.

Born in Chattanooga, Tennessee, Reed grew up in Buffalo, New York. He studied at the University at Buffalo, which later became the State University of New York (SUNY), before moving to New York City, and later, California. For thirty-five years Reed taught at the University of California, Berkeley, while maintaining visiting appointments with several other institutions, including Harvard University, Yale University, Dartmouth College, and the University at Buffalo, SUNY.

Reed’s activities in 2012 alone exemplify his position among the most well-known international writers and performers. Conjure, a band that has performed his poetry and songs since 1983, with various personnel including Bobby Womack, Taj Mahal, Jack Bruce, and Allen Toussaint, presented a concert at the Sardinia Jazz Festival. At the request of the US State Department, Reed visited middle schools and universities in East Jerusalem. He attended the launch of his new book,
Going Too Far
, in Montreal, joining the city’s mayor and a member of Quebec’s National Assembly. And he delivered the keynote address at a literary conference in Beijing.

Reed’s songs have been performed and recorded by Taj Mahal, Cassandra Wilson, the Roots, Mary Wilson of the Supremes, Little Jimmy Scott, Bobby Womack, and most recently, Macy Gray, among others. His writing has become a favorite of musicians. Funk star George Clinton, for instance, cites Reed’s novel Mumbo Jumbo as an inspiration, and the late rapper Tupac Shakur cites Reed in his song “And Still I Rise.” In 2012, Reed was named the first SFJAZZ Poet Laureate. Reed has performed with his band at Yoshi’s, the landmark San Francisco jazz club, and as a solo jazz pianist at Rome Neal’s Banana Puddin’ jazz series at the Nuyorican Poets Café in New York City. Reed’s first album,
For All We Know
(2007), features Reed on piano, his partner Carla Blank on violin, and David Murray on saxophone.

In 1965, with counterculture activist Walter Bowart, Reed named and helped co-found the
East Village Other
, or
EVO
, a biweekly paper that was an early example of the alternative press. In addition to frontline journalism from the cultural underground,
EVO
featured collages and early comics by such notable artists as Spain Rodriguez, Robert Crumb and Art Spiegelman. Reed was also a member of the Umbra Writers Workshop, a collective of young black writers living in New York, which included David Henderson, Calvin Hernton, Tom Dent, Askia Touré, Lorenzo Thomas, and Joe Johnson.

Beginning with
The Free-lance Pallbearers
in 1967, Reed has published ten novels, including
Mumbo Jumbo
(1972),
Flight to Canada
(1976), and most recently,
Juice!
(2011). His writing spans other genres as well, including plays, essays, and poetry. In 1972, Reed was nominated for a National Book Award for Mumbo Jumbo and for his book of poetry, Conjure (1972).
Conjure
was also nominated for a Pulitzer Prize, while
New and Collected Poems: 1964–2006
(2007) received a Gold Medal from the Commonwealth Club of California. Reed received the MacArthur Fellowship (otherwise known as the “genius grant”) in 1998.

Reed has attracted praise from such scholars and critics as Harold Bloom, for
Mumbo Jumbo
; Nobel laureate Derek Walcott, for his poetry; the
New York Times music
critic Jon Pareles, for his songs; and critic Clive Barnes, for his plays.
Backstage
, the New York theater trade magazine, compared him to Molière. In 1979, he won a Pushcart Prize for his essay “American Poetry: Is There a Center?” Reed’s cartoons have been published in the
San Francisco Chronicle
,
Black Renaissance Noire
, and the
New York Amsterdam News
.

Reed has also served as an editor for numerous anthologies, small presses, and publications. In 1976, he co-founded the Before Columbus Foundation, a nonprofit that promotes overlooked writers of diverse ethnicities and “a pan-cultural view of America.” The foundation has presented annual book awards for outstanding American literature since 1980, when Reed founded the American Book Awards, which the
Washington Post
describes as the American League to the National Book Awards’ National League.

In 1989, Reed founded PEN Oakland, a chapter of the PEN Center USA, with Floyd Salas and Claire Ortalda. The
New York Times
calls their group “the blue collar PEN.” The organization’s annual awards are named for the late University of California, Berkeley professor Josephine Miles.

Reed’s prolific output is unified by an interest in African American life and its wider relationships to American society. His work at times deploys parody and biting satire, using these to dissect repressively Eurocentric narratives of history and culture, and to critique dogma of all kinds. Advocating for a fully inclusive art, and marked by stylistic variety and playfulness, Reed’s work is sometimes described as postmodern. Its humor, however, is married to a passionate candor about history and social issues.

Reed’s wife is author and director Carla Blank. Blank’s recent work includes directing a play at the Kennedy Center, and collaborating with Robert Wilson on a work called “Kool: Dancing in My Mind,” which was performed at the Guggenheim Museum and made into a film called
The Space in Back of You
. Reed also has two daughters. Timothy, his daughter by a previous marriage, is the author of the novel
Showing Out
about the exploitation of strippers at a Times Square entertainment theater owned by a crime family. His youngest daughter, Tennessee, is a poet and author of
Spell Albuquerque
, her memoirs. They all live in Oakland, California.

Reed is pictured here as a young boy, between two and three years old.

Reed in the 1980s. Though he eventually went on to write ten novels, he initially found his inspiration in the poetry of the Harlem Renaissance and the beatniks.

Reed and the late Canadian Prime Minster Pierre Trudeau, at the 1986 International PEN Congress in New York City. (Photo courtesy of Quincy Troupe.)

BOOK: Mumbo Jumbo
10.43Mb size Format: txt, pdf, ePub
ads

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