Murder in the Museum (Fethering Mysteries)

BOOK: Murder in the Museum (Fethering Mysteries)
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PRAISE FOR SIMON BRETT
AND THE FETHERING MYSTERIES

‘A new Simon Brett is an event for mystery fans’

P. D. James

‘Murder most enjoyable . . . An author who never takes himself that seriously, and for whom any fictional murder can frequently form part of the entertainment industry’

Colin Dexter,
Oldie

‘A crime novel in the traditional style, with delightful little touches of humour and vignettes of a small town and its bitchy inhabitants’

Sunday Telegraph

‘With a smidge of adultery thrown in, some wise observations about stagnant marriages, disillusioned lovers and the importance of friendship, and, of course, plenty of whiffy red herrings, it all makes for a highly enjoyable read’

Daily Mail

‘This is lovely stuff, as comforting – and as unputdownable – as a Sussex cream tea. More please’

Brighton Evening Argus

‘Crime writing just like in the good old days, and perfect entertainment’

Guardian

‘I stayed up until three in the morning and chewed off two fingernails finishing this delightful, thoroughly English whodunnit’

Daily Mail

‘Simon Brett comes up trumps yet again . . . an excellent thriller but also a well-observed social commentary’

Irish News

‘One of the exceptional detective story writers around’

Daily Telegraph

‘[Brett is] highly commended for atmosphere and wit’

Evening Standard

‘Simon Brett writes stunning detective stories . . . I would recommend them to anyone’

Jilly Cooper

‘Simon Brett is a man of many talents . . . totally engrossing and unusually funny’

London Life Magazine

‘For readers who like their crime told elegantly and light-heartedly, with a wit which bubbles throughout plot and narrative . . . pure pleasure from beginning to end’

Birmingham Post

‘One of the wittiest crime writers around’

Antonia Fraser

 
MURDER IN THE MUSEUM

Simon Brett
worked as a producer in radio and television before taking up writing full time. As well as the much-loved Fethering series, the Mrs Pargeter novels and the Charles Paris detective series, he is the author of the radio and television series
After Henry
, the radio series
No Commitments
and
Smelling of Roses
and the bestselling
How to Be a Little Sod
. His novel
A Shock to the System
was filmed starring Michael Caine.

Married with three grown-up children, Simon lives in an Agatha Christie-style village on the South Downs.

Murder in the Museum
is the fourth novel in the Fethering Mysteries series. The ninth,
Blood at the Bookies
, is available now.

 

Also by Simon Brett

A Shock to the System

Dead Romantic

Singled Out

The Fethering Mysteries

The Body on the Beach

Death on the Downs

The Torso in the Town

The Hanging in the Hotel

The Witness at the Wedding

The Stabbing in the Stables

Death Under the Dryer

Blood at the Bookies

Mrs Pargeter novels

A Nice Class of Corpse

Mrs, Presumed Dead

Mrs Pargeter’s Package

Mrs Pargeter’s Pound of Flesh

Mrs Pargeter’s Plot

Mrs Pargeter’s Point of Honour

Charles Paris novels

Cast, in Order of Disappearance

So Much Blood

Star Trap

An Amateur Corpse

A Comedian Dies

The Dead Side of Mike

Situation Tragedy

Murder Unprompted

Murder in the Title

Not Dead, Only Resting

Dead Giveaway

What Bloody Man Is That?

A Series of Murders

Corporate Bodies

A Reconstructed Corpse

Sicken and So Die

Dead Room Farce

Short stories

A Box of Tricks

Crime Writers and Other Animals

 

 

First published 2003 by Macmillan

First published in paperback 2004 by Pan Books

This edition published 2007 by Pan Books

This electronic edition published 2009 by Pan Books
an imprint of Pan Macmillan Ltd
Pan Macmillan, 4 Crinan Street, London N1 9XW
Basingstoke and Oxford
Associated companies throughout the world
www.panmacmillan.com

ISBN 978-0-330-46553-3 in Adobe Reader format
ISBN 978-0-330-46552-6 in Adobe Digital Editions format
ISBN 978-0-330-46554-0 in Mobipocket format

Copyright © Simon Brett 2003

The right of Simon Brett to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

A CIP catalogue record for this book is available from the British Library.

Visit
www.panmacmillan.com
to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.

 
Contents
 

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

 

To Norman and Hilary

 
Chapter One
 

Carole Seddon was good at meetings, but only when she was running them. She got restless under the chairmanship of others, particularly those she didn’t think were very impressive chairmen.

And Lord Beniston fitted firmly into that category. Carole’s years in the Home Office had been, amongst many other things, a consumer guide in the conduct of meetings. While honing her own style of calm efficiency, she had endured the chairmanship of the overanxious, the under-prepared, the nit-picking, the lethargic and the frankly incompetent. But Lord Beniston brought a new shortcoming to the role – a world-weary patrician arrogance, which suggested that the afternoon’s agenda was a tiresome interruption to his life and that the Trustees of Bracketts were extremely privileged to have him present amongst them. They might represent the Great and the Good of West Sussex, but he represented the Great and the Good on a national scale. Their names might look quite good on a charity’s letterhead, but Lord Beniston was confident that his name looked a lot better (even though the reforms of New Labour no longer allowed him a seat in the House of Lords).

He was in his sixties, with steel-grey hair whose parallel furrows always looked as if it had just been combed. He had a claret-coloured face, and yellowish teeth which looked permanently clenched, though his manner was too arrogant to be tense. Presumably there were times when he didn’t wear a pin-striped suit and a blue and red regimental tie, but none of the Bracketts Trustees had ever seen him out of that uniform.

The Bracketts Trust met six times a year, and this was Carole’s second appearance. She had accepted the offer of a Trusteeship with some misgivings, and the first meeting had strengthened these to the extent that now, only halfway through her second, she was already assessing graceful ways of shedding the responsibility she had taken on.

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