Murder Song (43 page)

Baldock introduced him. “Wally Mungle. He was the first one out to the crime scene. A pretty gory sight, he tells me.”

“Gruesome.”

Now that they were standing opposite each other, Malone saw that Mungle was an Aborigine, not a full-blood but with the strain showing clearly in him. He had a beautiful smile that made him look younger than he was, but his eyes were as sad as those of a battered old man.

He held out a file. “Maybe you'd like to see the running sheet.”

“We don't run to computers here in the detectives' room,” said Baldock. “We're the poor cousins in this set-up. Both computers are downstairs with the uniformed guys and the civilian help.”

Again Malone had a feeling of something in the atmosphere, like an invisible shifting current. He took the file from Mungle and flipped through it: so far it was as meagre as the report on a stolen bicycle:

Kenji Sagawa, born Kobe, Japan, June 18, 1946. Came to Collamundra August 1989 as general manager South Cloud Cotton Limited. Family: wife and two children, resident in Osaka, Japan.

Body discovered approximately 8.15 a.m. Tuesday April 12, by Barry Liss, worker in South Cloud cotton gin. First thought was accidental death due to body being trapped in cotton module travelling into the module feeder. Later inspection by Dr. M. Nothling, government medical officer, established that death was due to gunshot wound. (Medical report attached.)

“That's all?”

“
The bullet has been extracted,” Mungle said. “Ballistics had a man sent up from Sydney last night. He left again this morning. The bullet was a Twenty-two.”

“What about the cartridge?”

“No sign of it.”

Malone frowned at that; then glanced at the file again. “This is pretty skimpy.”

Mungle said almost shyly, “It's my first homicide, Inspector. I've only been in plainclothes a month.”

Malone decided it wasn't his place to teach Mungle how to be a detective. He nodded, said he would see Mungle again, and he and Clements went downstairs and out to their car. Baldock followed them.

“Wally will do better. He's the first Abo cop we've had in this town. He's done bloody well to make detective.”

Malone decided on the blunt approach; he was tired and wanted the picture laid out for him. “Tell me, Jeff, do you coves resent Russ and me being called in?”

“It was me who called for you. And call me Curly.” He took off his hat and ran his hand over his bald head. “I get uptight when people call me Baldy Baldock. My mates call me Curly. Does that answer your question?”

Malone grinned and relaxed; he was surprised that he had begun to feel uptight himself. Several uniformed men, in their shirt-sleeves, two of them with chamois washcloths in their hands, had come to the doors of the garages again and stood in front of the cars and patrol wagons they had been cleaning. There was a stiffness about all of them that made them look like figures in an old photograph. Through a high barred back window of the two-storeyed rear building there came the sound of a slurred voice singing a country-and-western song.

“One of the Abos in the cells,” said Baldock. “Today's dole day. They start drinking the plonk as soon as the pubs and the liquor shop open and we've usually got to lock up two or three of „em by mid-afternoon. We let „em sober up, then send „em home.”

“
How do they feel about Constable Mungle?”

“He's an in-between, poor bugger. But it's a start. Come on, I'll take you down and introduce you to Narelle Potter. She's a good sort, you'll like her. She's a widow, lost her husband about five years ago in a shooting accident. Let's go in your car. You may need me to make sure you get a parking place.”

“How do you do that out here in the bush?” said Clements, the city expert.

“Same as you guys down in Sydney, I guess. I give some poor bugger a ticket, tell him to move his vehicle, then I take his place. What do you call it down in the city?”

“Emergency privilege. Makes us very popular.”

But miraculously, just like in every movie Malone had seen, there was a vacant space at the kerb in front of the Mail Coach Hotel. Clements squeezed the Commodore in between two dust-caked utility trucks. Some drinkers on the pavement, spilling out from the pub, looked at them curiously as the three policemen got out of their car.

“It's the most popular pub in town,” said Baldock. “Especially with the races and the Cup ball coming up this weekend. There may be a brawl or two late in the evening, but just ignore it. We do, unless Narelle calls us in.”

The hotel stood on a corner, a two-storeyed structure that fronted about a hundred and twenty feet to both the main street and the side street. It was the sort of building that heritage devotees, even strict teetotallers, would fight to preserve. The upper balconies had balustrades of yellow iron lace; the windows had green wooden shutters; the building itself, including the roof, was painted a light brown. It was one of the most imposing structures in town, a temple to drinking. The congregation inside sounded less than religious, filled with piss rather than piety.

Baldock led Malone and Clements in through a side-door, past a sign that said “Guests' Entrance,” a class distinction of earlier times. They were in a narrow hallway next to the main bar, whence came a bedlam of male voices, the Foster's Choir. In the hallway the preservation equalled that on the outside: dark polished panelling halfway up the cream walls, a polished cedar balustrade on a flight of red-carpeted stairs leading to the upper floor. Mrs. Potter, it seemed, was a proud housekeeper.

Baldock
returned with her from the main bar. She was a tall, full-figured woman in her mid-thirties with dark hair that looked as if it had just come out from under a hairdresser's blower, an attractive face that appeared as if it had become better-looking as she had grown older and more sure of herself. She had an automatic smile, a tool of trade that Malone knew from experience not all Australian innkeepers had learned to use. Narelle Potter, he guessed, could look after herself, even in a pub brawl.

“Gentlemen—” She had to adjust her voice from its strident first note; the gentlemen she usually addressed were those in her bars, all of them deaf to anything dulcet. “Happy to have you. We'll try and make you comfortable and welcome.”

She looked first at Malone, then at Clements, who gave her a big smile and turned on some of his King's Cross charm. It worked well with the girls on the beat in that area; but evidently Narelle Potter, too, liked it. She gave him a big smile in return.

Baldock left them, saying he would meet them tomorrow out at the cotton farm, and Mrs. Potter took them up to their room. It was big and comfortable, but strictly hotel functional; the heritage spirit ran dry at the door. There were three prints on the walls: one of a Hans Heysen painting of eucalypts, the other two of racehorses standing with pricked ears and a haughty look as if the stewards had just accused them of being doped.

“You like the horses?” said Clements, whose betting luck was legendary, at least to Malone.

“My late husband loved them, he had a string of them. I still have two, just as a hobby. One of them is running in the Cup.” She looked at Malone. “You're here about the murder out at the cotton gin?”

Malone had put his valise on the bed and was about to open it; but the abrupt switch in the conversation made him turn round. If Mrs. Potter's tone wasn't strident again, it had certainly got a little tight.

“That's right. Did you know Mr. Sagawa?”

“Oh yes. Yes, he was often in here at the hotel. He was unlike most Japs, he went out of his way to mix with people. He tried too hard.” The tightness was still there.

“
In what way?”

“Oh, various ways.” She was turning down the yellow chenille bedspreads.

“Do you get many Japanese out here?”

“Well, no-o. But I've heard what they're like, they like to keep to themselves. The other Jap out at the farm, the young one, we never see him in here.”

“There's another one?”

“He's the trainee manager or something. I don't know his name. He's only been here a little while.”

“So you wouldn't know how he got on with Mr. Sagawa?”

She paused, bent over the bed, and looked up at him. He noticed, close up, that she was either older than he had first thought or the years had worked hard on her. “How would I know?”

He ignored that. “Did Mr. Sagawa have any friends here in town?”

“I don't really know.” She straightened up, turned away from him; he had the feeling that her rounded hip was bumping him off, like a footballer's would. “He tried to be friendly, like I said, but I don't know that he was actually
friends
with anyone.”

“Is there any anti-Japanese feeling in the town?”

She didn't answer that at once, but went into the bathroom, came out, said, “Just checking the girl left towels for you. Will you be in for dinner?”

Now wasn't the time to push her, Malone thought. Questioning a suspect or a reluctant witness is a form of seduction; he was better than most at it, though in his sexual seduction days his approach had been along the national lines of a bull let loose in a cow-stall.

“Sergeant Clements will be. I'm going out of town for dinner.”

“Oh, you know someone around here?” Her curiosity was so open, she stoked herself on what she knew of what went on in the district. She'll be useful, Malone thought, even as he was irritated by her sticky-beaking.

“No, I just have an introduction to someone. I'd better have my shower.”

He
took off his tie, began to unbutton his shirt and she took the hint. She gave Clements another big smile, swung her hips as if breaking through a tackle, and went out, closing the door after her.

Clements's bed creaked as he sank his bulk on to it. “I don't think I'm gunna enjoy this.”

Malone nodded as he stripped down to his shorts. He still carried little excess weight, but his muscles had softened since the days when he had been playing cricket at top level. So far, though, he didn't creak, like an old man or Clements's bed, when he moved. He tried not to think about ageing.

“Get on the phone to Sydney while I have my shower, find out if they're missing us.”

When he came out of the bathroom five minutes later Clements was just putting down the phone. “Another quiet day. Where have all the killers gone?”

“Maybe they've come bush.”

“Christ, I hope not.”

******

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Now and Then, Amen

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Murder Song

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Dark Summer

Bleak Spring

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Winter Chill

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Dilemma

The Bear Pit

Yesterday's Shadow

The Easy Sin

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