She glanced down at the name on the page. “What do you mean?”
“I mean because you're both from Texas. Because you know the territory. You speak the language.”
Holly wanted to laugh, but it would have come out high and maniacal, like a person being carted off to an asylum. She didn't know the territory. She hadn't been back to Texas in over a decade. Thank God. As for speaking the language, she'd had six months of very expensive lessons with a voice coach in Cincinnati in an attempt to bury her accent. She hadn't said
y'all
in years.
“I do not speak the language, Mel.” She rolled her eyes. “When was the last time we went out to lunch and you heard me tell the waiter
bring me a slab of baby back ribs and a big ol'beer?”
Her mentor narrowed his eyes. “When was the last time you didn't have to remind yourself not to ask for mayo on pastrami?”
He was right, of course, and Holly could feel her lips flatten in a thin, stubborn line. Why couldn't she have been born to a lovely couple in Connecticut, instead of Bobby Ray and Crystal Hicks of Sandy Springs, Texas?
“Hey. Come on, kid. The accent's cute. Refreshing.” Mel's chuckle was just obscene. “Plus it got you the job. Not to mention an all-expense-paid trip back home.”
“Where I get to interview some good ol' boy who got shot just doing his job,” she added glumly.
“Take it or leave it, kid.”
Well, of course, she was going to take it.
Hollis Mae Hicks might have been a rube, as Mel had so deftly pointed out, but her mother hadn't raised a fool. Which wasn't to say that Crystal Hicks hadn't tried to raise one or done her damnedest to quash her daughter's unquashable broadcast dreams. Even as Holly was filling out the application for the Journalism School at the University of Missouri, her mother was waving a brochure from the Bi-County School of Cosmetology under her nose.
“Mama, please.”
“Do you know how much Marsha Stiles makes in a good week at her shop? A bundle, that's how much. She sets her own hours, too. If she wants to take off for Padre Island in the middle of the week, by God, she does it. Beats me why anybody as smart as you would turn up her nose at a career like that. Just fill out the application. They're picky, Marsha says. You might not even get in.”
Holly got in, of course. To the Bi-County School of Cosmetology as well as the University of Missouri's School of Journalism. When she chose the latter, her mother had washed her hands of “so-called” higher education.
Being no fool, Holly left work half an hour early in order to stop at the Gap on her way home. Maybe she didn't speak the language anymore or know the territory, but she still had a pretty firm handle on the couture of South Texas, where dressing for success meant wearing clean jeans and a T-shirt with no obscenities printed on it.
She couldn't produce a story if she couldn't get that story in the first place, and she doubted anybody in Calvin Griffin's hometown of Honeycomb, Texas, would be very forthcoming to a woman in a banker's gray chalk-stripe suit.
So, after wriggling into a pair of sandblasted, five-pocket, overpriced denims, she plucked two more just like them off a pile, gathered up an assortment of T-shirts, and then handed her credit card to the clerk.
“I'm going to Texas tomorrow,” she said with a slight roll of her eyes, feeling compelled to justify not only her taste in apparel, but the sheer magnitude of it, as well.
“Yee-hah,” was all the salesgirl said as she proceeded to scan and bag the clothes.
Holly signed the receipt, vaguely wondering if it was Thoreau who cautioned wariness of any endeavor that required new clothes. Obviously Henry David had never been sent to Honeycomb, Texas, on assignment. But, hey, with a name like that, he would have fit right in with all the Billy Joes and the Jim Bobs. Come to think of it, there had been a Henry David in her class in Sandy Springs. Henry David Thibault, otherwise known as T-bone. Good God. She hadn't thought of him in years.
Since it was only a few blocks from the Gap to her one-bedroom sublet on East 59th, Holly decided to walk. It was late spring with the temperature a perfect seventy-five degrees. There was a swath of blue sky above her and even the pavement beneath her feet seemed cleaner than usual this afternoon. Still, dirty or clean, gray skies or blue, she loved Manhattan. She'd been here for three years and it still amazed her that within a ten- or twelve-block radius of her cramped little apartment was…well…everything, including the United Nations and Simon & Garfunkel's Feelin' Groovy bridge.
To celebrate—the promotion, not the upcoming trip—she stopped at a liquor store along the way for a split of champagne. “I just got promoted to executive producer,” she told the clerk, whose reply was either a muttered
lucky you
or
fuck you.
It was hard telling which from the man's deadpan expression. After that, she splurged on take-out from Ming's, then kicked herself the last half block for neglecting to ask Mel if a raise went along with the promotion.
At last, entering the lobby of her building, she smiled cheerfully at the terminally crabby doorman and called out, “I'll be out of town for a week or so, Hector. Could you keep an eye on my mailbox?”
Holly took his grunt for a yes, and then, even though she could have ascended on her own, newly acquired executive producer wings, she took the elevator up to her tiny twelfth-floor apartment.
She courted sleep that night the same way she had every night since she was twelve years old, by packaging a story in her head. She did it all—the producing, the writing, the reporting—with the exception of the camera work, which, since about 1992, had been handled by an imaginary cameraman named Rufus who, for some unknown reason, had gone through three imaginary wives in the past eleven years.
Sometimes Holly would do a re-take of a story she'd seen on the news that day, and she'd craft an opening sentence that blew the actual televised one out of the water, then she'd get better sound bites, each of them guaranteed to play forever in broadcast archives. Other times she'd invent murders or scandals or disasters, but the creative effort of doing that usually got her so jazzed that she couldn't fall asleep at all.
Sometimes the voiceover in her head was in Charles Kuralt's plummy tones. Sometimes it was in Jane Pauley's crisp, Midwestern, no-nonsense voice. Most of the time, though, it was Holly's own voice, minus any residue of drawl.
Tonight she had Rufus panning Honeycomb High School, a single story, distinctly ugly, Texas-Danish modern building of fake stone and glass erected in the '50s to replace the old, red brick two-story school that had stood on the site since 1896.
As Rufus panned in on the portable marquee in front of the building—
Honeycomb High School, Home of the Hornets
—Holly voiced over.
Despite appearances, tradition runs deep at Honeycomb High, where the great-great grandchildren of…
Cut.
She flopped over on her side, swore softly, and jammed the pillow under her ear. There probably was no Honeycomb High. Not anymore. It had probably gone the way of Sandy Springs High, consolidating with Gardenville and Cholla and Roper and Spurge, to become the Bi-County Consolidated High.
Okay.
Rufus panned Main Street, closing in on the limestone court house in the town square. Holly voiced over, maybe with the merest hint of a drawl for effect, assuming she had any hint of a drawl at all.
Heroes are hard to come by here in Honeycomb. In 1874 they hanged Horace McGinty for stealing two horses, one for himself and one for his neighbor's wife. Sixty years later, in 1934, the notorious Bonnie and Clyde stopped just south of here…
Cut.
Wait. A person could make a pretty cogent argument that Bonnie and Clyde were heroes in their own perverse fashion, which made heroes even harder to come by, assuming they existed at all.
Holly sighed as she punched her pillow and kicked the covers off her feet.
Rufus, yawning, panned over a vast, flat landscape, roughened by mesquite and prickly pear and the occasional live oak. A pickup truck spewed dust in its wake. An armadillo bumbled along the side of the road. And nary a hero in sight.
C
al Griffin hated it when Ramon hired a new bartender, and this kid with his hay-colored hair, pierced ears, and erupting skin didn't even look old enough to work at a lemonade stand, much less at a rundown tavern in Honeycomb, Texas. Cal took another swig from his beer bottle, idly watching the baby barkeep wipe the counter again and again, nearly rubbing the cigarette burns right out of the Formica. Well, hell. It was pretty obvious the kid was working up the courage to start a conversation. Might as well get it over with, Cal thought.
“What's your name, kid?” he asked him.
“Ricky. Well…Rick.” He shrugged and passed the rag across the bartop again, not quite able to make eye contact. “Say, I was just wondering, aren't you that Secret Service guy who was such hot shit a while back?”
Cal almost laughed. “Yeah, but I'm lukewarm shit now.” He drained his bottle and set it down with a dull thump. “You want to reach back there and get me another one of these?”
“Sure.” Young Rick used the rag to twist off the cap before he put the cold, wet bottle in front of Cal. The kid swallowed, making his Adam's apple bounce off the collar of his shirt. “So, what was it like?” he asked.
Cal cocked his head. “What was what like?”
“You know. The White House. The President. All that.”
“It was okay.”
He lifted the bottle and let the chilled lager slide down the back of his throat. There. He had conversed, goddammit. He hoisted himself off the bar stool and carried his beer to a table on the far side of the glowing jukebox, pulling out a chair and settling in for a long, liquid day. Alone.
Nobody had to tell him that he wasn't very good company these days, or that his knack for small talk, if he'd ever had one, had gotten into the wind, along with his agility, his physical endurance, and his ability to run a six-minute mile. Mile, hell! Six months into his rehabilitation, he could just barely make it twice around the Honeycomb High School track, and that was at a pace which allowed Bee, the school's ancient, gray-muzzled mascot, to happily lope alongside.
And since he was such lousy company, he particularly liked sitting here at Ramon's in the morning, after yet another lousy workout, before any of the regulars arrived, when there was just the bartender to ignore. What better place to hunch down in a corner and feel sorry for himself? If he were an injured dog, nobody would think twice if he ran into a crawlspace. Now there was a perfect name for a tavern, if ever he'd heard one. The Crawlspace.
Then, just as he was really settling into his comfortable funk, the front door opened, sending a hard shaft of sunlight across the bar's dark interior. Cal immediately recognized his brother-in-law's rangy silhouette in the doorway. It was probably too late, he decided, to make any kind of decent, much less graceful escape out the back door. Busted. Damn.
“I figured I'd find you in here.” The heels of Dooley Reese's boots clacked on the linoleum floor as he approached the table. His droopy, sand-colored mustache appeared to be sagging more than usual as he reached out a long arm, twisted a chair around, and slung it between his knees. “Starting a little early, aren't you, Cal?”
“Actually, Dooley, I'm late.” He raised his hand in the air, snapped his fingers to get young Rick's attention, and then held up two fingers.
“Yessir. Coming right up,” the kid called. “You want a glass with your beer, Mr. Reese?”
“No. Nothing for me, Rick. Thanks.” Dooley edged his chair closer, draping his bony wrists over the slatted back. He cleared his throat. “I came to apologize for your sister, Cal. Ruthie didn't mean what she said this morning.”
“What part didn't she mean, Dooley?” he asked in a voice that was affable and insidious all at once. “The part about me being a drunk, or the part about being glad our mama was dead so she didn't have to see this?”
The droopy mustache twitched uncomfortably. “I told you she didn't mean it. Any of it. She's just upset.”
“We're all upset,” Cal said coldly.
Ruthie. God bless her. She was only four years older than Cal, but sometimes it seemed like forty. After their mother died, Ruthie had taken on that role with a nearly religious fervor.
After the assassination attempt, she'd dropped her own life to oversee his care during his extended stay in the hospital, and then she'd brought him home to the family ranch to recuperate. Ruth Griffin Reese was loyal and generous and tough as nails, but these days she seemed to be in the throes of some kind of mid-life crisis, constantly talking about her turn and her dreams and pointing to Cal as a clear example of just how short and unpredictable life could be. Lately, she'd been making noises about selling the ranch, her half at least, in order to fund her dream of opening a restaurant.
Poor Dooley walked around half the time like he'd just been hit by a two-by-four or kicked in the head by one of the champion bulls he raised for rodeo stock. For his part, Cal just stayed out of Ruthie's way as much as possible. Mostly here at Ramon's. The Crawlspace.
Across the table, Dooley sighed. “Look. Ruthie said you got a couple phone calls this morning. Come on back to the house. See who called. We'll have some lunch. Ruthie's trying out some damned new recipe she saw on TV yesterday.”
He didn't want to answer any phone calls. He didn't want some experimental lunch that he'd be forced to critique, and then get in trouble no matter what he said. All he wanted to do was stay right here at Ramon's and watch the day shake out. In a few hours Skeet Crawford would wander in after his lunch business petered out at the Longhorn Café. Tim Beg-ley would arrive once he delivered the mail. There would be others, all unemployed or disabled one way or another, like himself. Patsy Holling usually showed up about four-thirty, teetering in on her spike heels, trailing a different fragrance—lilies or lilacs or rosewater—for every day of the week.