My Mortal Enemy (8 page)

On Monday, as I came home from school, I saw that the door of Mrs. Henshawe’s room was slightly ajar.
She knew my step and called to me: “Can you come in, Nellie?”

She was staying in bed that afternoon, but she had on her best dressing-gown, and she was manicuring her neat little hands—a good sign, I thought.

“Could you stop and have tea with me, and talk? I’ll be good to-day, I promise you. I wakened up in the night crying, and it did me good. You see, I was crying about things I never feel now; I’d been dreaming I was young, and the sorrows of youth had set me crying!” She took my hand as I sat down beside her. “Do you know that poem of Heine’s, about how he found in his eye a tear that was not of the present, an old one, left over from the kind he used to weep? A tear that belonged to a long dead time of his life and was an anachronism. He couldn’t account for it, yet there it was, and he addresses it so prettily: ‘Thou old, lonesome tear!’ Would you read it for me? There’s my little Heine, on the shelf over the sofa. You can easily find the verse,
Du alte, einsame Thräne!
”

I ran through the volume, reading a poem here and there where a leaf had been turned down, or where I saw a line I knew well. It was a fat old book, with yellow pages, bound in tooled leather, and on the flyleaf, in faint violet ink, was an inscription, “To Myra Driscoll from Oswald,” dated 1876.

My friend lay still, with her eyes closed, and occasionally one of those anachronistic tears gathered on her lashes and fell on the pillow, making a little grey spot. Often she took the verse out of my mouth and finished it herself.

“Look for a little short one, about the flower that grows on the suicide’s grave,
die Armesünderblum’
, the poor-sinner’s-flower. Oh, that’s the flower for me, Nellie;
die Arme—sünder—blum’!
” She drew the word out until it was a poem in itself.

“Come, dear,” she said presently, when I put down the book, “you don’t really like this new verse that’s going round, ugly lines about ugly people and common feelings—you don’t really?”

When I reminded her that she liked Walt Whitman, she chuckled slyly. “Does that save me? Can I get into your new Parnassus on that dirty old man? I suppose I ought to be glad of any sort of ticket at my age! I like naughty rhymes, when they don’t try to be pompous. I like the kind bad boys write on fences. My uncle had a rare collection of such rhymes in his head that he’d picked off fences and out-buildings. I wish I’d taken them down; I might become a poet of note! My uncle was a very unusual man. Did they ever tell you much about him at home? Yes, he had violent prejudices; but that’s rather good to remember in these days when so few people have any real passions, either of love or
hate. He would help a friend, no matter what it cost him, and over and over again he risked ruining himself to crush an enemy. But he never did ruin himself. Men who hate like that usually have the fist-power to back it up, you’ll notice. He gave me fair warning, and then he kept his word. I knew he would; we were enough alike for that. He left his money wisely; part of it went to establish a home for aged and destitute women in Chicago, where it was needed.”

While we were talking about this institution and some of the refugees it sheltered, Myra said suddenly: “I wonder if you know about a clause concerning me in that foundation? It states that at any time the founder’s niece, Myra Driscoll Henshawe, is to be received into the institution, kept without charge, and paid an allowance of ten dollars a week for pocket money until the time of her death. How like the old Satan that was! Be sure when he dictated that provision to his lawyer, he thought to himself: ‘She’d roll herself into the river first, the brach!’ And then he probably thought better of me, and maybe died with some decent feeling for me in his heart. We were very proud of each other, and if he’d lived till now, I’d go back to him and ask his pardon; because I know what it is to be old and lonely and disappointed. Yes, and because as we grow old we become more and more the stuff our forebears put into us. I can feel his savagery strengthen in me.
We think we are so individual and so misunderstood when we are young; but the nature our strain of blood carries is inside there, waiting, like our skeleton.”

It had grown quite dusk while we talked. When I rose and turned on one of the shrouded lights, Mrs. Henshawe looked up at me and smiled drolly. “We’ve had a fine afternoon, and Biddy forgetting her ails. How the great poets do shine on, Nellie! Into all the dark corners of the world. They have no night.”

They shone for her, certainly. Miss Stirling, “a nice young person from the library,” as Myra called her, ran in occasionally with new books, but Myra’s eyes tired quickly, and she used to shut a new book and lie back and repeat the old ones she knew by heart, the long declamations from
Richard II
or
King John.
As I passed her door I would hear her murmuring at the very bottom of her rich Irish voice:

Old John of Gaunt, time-honoured Lan-cas-ter
 …

O
ne afternoon when I got home from school I found a note from Mrs. Henshawe under my door, and went to her at once. She greeted me and kissed me with unusual gravity.

“Nellie, dear, will you do a very special favour for me to-morrow? It is the fifteenth of April, the anniversary of Madame Modjeska’s death.” She gave me a key and asked me to open an old trunk in the corner. “Lift the tray, and in the bottom, at one end, you will find an old pair of long kid gloves, tied up like sacks. Please give them to me.”

I burrowed down under old evening wraps and dinner dresses and came upon the gloves, yellow with age and tied at both ends with corset lacings; they contained something heavy that jingled. Myra was watching my face and chuckled. “Is she thinking they are my wedding gloves, piously preserved? No, my dear; I went before a justice of the peace, and married without gloves, so to speak!” Untying the string, she shook out a little rain of ten- and twenty-dollar gold pieces.

“All old Irish women hide away a bit of money.” She took up a coin and gave it to me. “Will you go to St. Joseph’s Church and inquire for Father Fay; tell him you are from me, and ask him to celebrate a mass tomorrow
for the repose of the soul of Helena Modjeska, Countess Bozenta-Chlapowska. He will remember; last year I hobbled there myself. You are surprised, Nellie? Yes, I broke with the Church when I broke with everything else and ran away with a German free-thinker; but I believe in holy words and holy rites all the same. It is a solace to me to know that to-morrow a mass will be said here in heathendom for the spirit of that noble artist, that beautiful and gracious woman.”

When I put the gold back into the trunk and started making the tea, she said: “Oswald, of course, doesn’t know the extent of my resources. We’ve often needed a hundred dollars or two so bitter bad; he wouldn’t understand. But that is money I keep for unearthly purposes; the needs of this world don’t touch it.”

As I was leaving she called me back: “Oh, Nellie, can’t we go to Gloucester’s cliff on Saturday, if it’s fine? I do long to!”

We went again, and again. Nothing else seemed to give her so much pleasure. But the third time I stopped for her, she declared she was not equal to it. I found her sitting in her chair, trying to write to an old friend, an Irish actress I had met at her apartment in New York, one of the guests at that New Year’s eve party. Her son, a young actor, had shot himself in Chicago because of some sordid love affair. I had seen an account of it in the morning paper.

“It touches me very nearly,” Mrs. Henshawe told me. “Why, I used to keep Billy with me for weeks together when his mother was off on tour. He was the most truthful, noble-hearted little fellow. I had so hoped he would be happy. You remember his mother?”

I remembered her very well—large and jovial and hearty she was. Myra began telling me about her, and the son, whom she had not seen since he was sixteen.

“To throw his youth away like that, and shoot himself at twenty-three! People are always talking about the joys of youth—but, oh, how youth can suffer! I’ve not forgotten; those hot southern Illinois nights, when Oswald was in New York, and I had no word from him except through Liddy, and I used to lie on the floor all night and listen to the express trains go by. I’ve not forgotten.”

“Then I wonder why you are sometimes so hard on him now,” I murmured.

Mrs. Henshawe did not reply to me at once. The corners of her mouth trembled, then drew tight, and she sat with her eyes closed as if she were gathering herself for something.

At last she sighed, and looked at me wistfully. “It’s a great pity, isn’t it, Nellie, to reach out a grudging hand and try to spoil the past for anyone? Yes, it’s a great cruelty. But I can’t help it. He’s a sentimentalist, always was; he can look back on the best of those days
when we were young and loved each other, and make himself believe it was all like that. It wasn’t. I was always a grasping, worldly woman; I was never satisfied. All the same, in age, when the flowers are so few, it’s a great unkindness to destroy any that are left in a man’s heart.” The tears rolled down her cheeks, she leaned back, looking up at the ceiling. She had stopped speaking because her voice broke. Presently she began again resolutely. “But I’m made so. People can be lovers and enemies at the same time, you know. We were.… A man and woman draw apart from that long embrace, and see what they have done to each other. Perhaps I can’t forgive him for the harm I did him. Perhaps that’s it. When there are children, that feeling, goes through natural changes. But when it remains so personal … something gives way in one. In age we lose everything; even the power to love.”

“He hasn’t,” I suggested.

“He has asked you to speak for him, my dear? Then we have destroyed each other indeed!”

“Certainly he hasn’t, Mrs. Myra! But you are hard on him, you know, and when there are so many hard things, it seems a pity.”

“Yes, it’s a great pity.” She drew herself up in her chair. “And I’d rather you didn’t come any more for the time being, Nellie. I’ve been thinking the tea made me nervous.” She was smiling, but her mouth curled
like a little snake, as I had seen it do long ago. “Will you be pleased to take your things and go, Mrs. Casey?” She said it with a laugh, but a very meaning one.

As I rose I watched for some sign of relenting, and I said humbly enough: “Forgive me, if I’ve said anything I shouldn’t. You know I love you very dearly.”

She mockingly bowed her tyrant’s head. “It’s owing to me infirmities, dear Mrs. Casey, that I’ll not be able to go as far as me door wid ye.”

F
or days after that episode I did not see Mrs. Henshawe at all. I saw Oswald at dinner in the restaurant every night, and he reported her condition to me as if nothing had happened. The short-haired newspaper girl often came to our table, and the three of us talked together. I could see that he got great refreshment from her. Her questions woke pleasant trains of recollection, and her straightforward affection was dear to him. Once Myra, in telling me that it was a pleasure to him to have me come into their lives again thus, had remarked: “He was always a man to feel women, you know, in every way.” It was true. That crude little girl made all the difference in the world to him. He was generous enough to become quite light-hearted in directing her inexperience and her groping hunger for life. He even read her poor little “specials” and showed her what was worst in them and what was good. She took correction well, he told me.

Early in June Mrs. Henshawe began to grow worse. Her doctors told us a malignant growth in her body had taken hold of a vital organ, and that she would hardly live through the month. She suffered intense pain from pressure on the nerves in her back, and they
gave her opiates freely. At first we had two nurses, but Myra hated the night nurse so intensely that we dismissed her, and, as my school was closed for the summer, I took turns with Oswald in watching over her at night. She needed little attention except renewed doses of codeine. She slept deeply for a few hours, and the rest of the night lay awake, murmuring to herself long passages from her old poets.

Myra kept beside her now an ebony crucifix with an ivory Christ. It used to hang on the wall, and I had supposed she carried it about because some friend had given it to her. I felt now that she had it by her for a different reason. Once when I picked it up from her bed to straighten her sheet, she put out her hand quickly and said: “Give it to me. It means nothing to people who haven’t suffered.”

She talked very little after this last stage of her illness began; she no longer complained or lamented, but toward Oswald her manner became strange and dark. She had certain illusions; the noise overhead she now attributed entirely to her husband. “Ah, there, he’s beginning it again,” she would say. “He’ll wear me down in the end. Oh, let me be buried in the king’s highway!”

When Oswald lifted her, or did anything for her now, she was careful to thank him in a guarded, sometimes
a cringing tone. “It’s bitter enough that I should have to take service from you—you whom I have loved so well,” I heard her say to him.

When she asked us to use candles for light during our watches, and to have no more of the electric light she hated, she said accusingly, at him rather than to him: “At least let me die by candlelight; that is not too much to ask.”

Father Fay came to see her almost daily now. His visits were long, and she looked forward to them. I was, of course, not in her room when he was there, but if he met me in the corridor he stopped to speak to me, and once he walked down the street with me talking of her. He was a young man, with a fresh face and pleasant eyes, and he was deeply interested in Myra. “She’s a most unusual woman, Mrs. Henshawe,” he said when he was walking down the street beside me. Then he added, smiling quite boyishly: “I wonder whether some of the saints of the early Church weren’t a good deal like her. She’s not at all modern in her make-up, is she?”