Authors: Nadine Gordimer
My Son's Story (6 page)
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Happy for battle.
Aila wrote every month; about family matters. Five hundred words. That was the limit prison regulations allowed. The letters always ended âLots of love from all of us'. One prison day that was just like the last there was a letter in a different kind of envelope, addressed on a typewriter. It was from her, Hannah Plowman. Inside, he saw her handwriting for the first time, that voice which speaks from absence. Just a note to say how relieved everyone was (this he read as referring to the reduced sentence; in the know, she was well aware he was lucky not to get even more than five years). Anything we could do (the inference: her organization) to smooth the way where he found himself, or to assist his family, he had only to tell his lawyer. The last line of the single page abandoned the corporate âwe'. This letter ended: âI know you'll come out happy for battle'.
He realized the wonderful phrase must be a quotation and he was stirred, intrigued to know from where, from whom. There was a message for him in the three words even beyond their aphoristic meaning, which, in itself, unravelled his whole lifeâhow could she, a stranger, possibly have divined that, in his quiet, schoolmaster's being, joy had come first only when he stepped out and led chanting children across the veld to face the police! The message beyond that extraordinary prescienceâthat would enlarge upon it, confirm a language of shared reference between himself and the writer of the letterâwas obviously something she assumed he would understand. Whoever it was who had said or written those three words must represent something particular not only to his present situation in prison but to a whole context of thought and action in which that situation was contained. The phrase didn't come from Shakespeare. Of that at least he thought he could be pretty sure although he could not reach up to the familiar shelf in the glass-fronted bookcase for verification. There were so many gaps in his education although it had seemed awesomely high to the old people who kept his teacher's training certificate framed in the kitchen where they could always see it.
The phrase filled, for a few days, the hours that were so hard to fill, left over from the disciplined programme he had set himself in his cellâdeep-breathing exercises, running on the spot, study, reading. Prisoners were made to keep the bedtime of chickens and children. The cell lights were extinguished early and he had not yet succeeded in being advanced to the grade where he would have permission to keep his on for night study. Happy for battle. He lay on his bed in the dark and sounded over in his mind that phrase, so simple, so loaded, audacious, such a shocking, wild glorious juxtaposition of menace and elation, flowers and blood, people sitting in the sun
and bodies dismembered by car bombs; the harmonized singing coming from somewhere in the cells, and the snarl of a police dog leaping at his face, once, in a crowd.
and bodies dismembered by car bombs; the harmonized singing coming from somewhere in the cells, and the snarl of a police dog leaping at his face, once, in a crowd.
It was Hannah who wrote to him: knew how to say everything in three, let alone five hundred words.
He wrote and asked her to apply to the Commissioner of Prisons for a visit but she answered that she did not want to use up one of the quota of visits his family certainly needed.
Needing Hannah.
Oh Aila, Aila.
Why did Aila never speak? Why did she never say what he wanted her to say?
Family matters. He had never built the tree-house with Will and now the boy would be too old to be interested. Baby was being inducted into women's things; between her and her mother. At least he had been able to provide Baby with a room of her own for the process of becoming a woman.
Oh Aila, Aila.
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For I don't know how long we believed my mother didn't know. He and I. We were so clever; he made us such a good team, a comic team. What a buffoon he made of me, his son, backward, stumbling along behind, aping his lies. Poor Tom to his Lear (I should have told him that, sometime, it's the sort of sign he'd appreciate that my education hasn't been wasted). I don't think he ever told direct lies, at least when I was around. When he went off to his woman he never said he was going to be somewhere else; he didn't have to, my mother respected the fact that a man doing underground political work (his full-time clandestine occupation once he came out of prison) cannot reveal his movements without involving and endangering his family.
The walls in what was meant to be a white man's house aren't like those in the house outside Benoni through which we couldn't help hearing the neighbours' quarrels and sexual groans. I don't know what went onâhow he managed, without me, when they were alone in their bedroom. Their bedroom with the bed-head that extended at right angles like elbows, on either side of the bed, into two small cabinets, each with a lamp for which she had made a shade, on her side the alarm clock and lemon hand-cream pot, on his an overspill of newspapers, torch, aspirins in an ashtray Baby made him when she was small, book he was currently reading. I can only imagine. Invent from what I knew of her, what I knew of what he'd become. What did he think of to say to her while he was untying the shoelaces he'd tied when he got out of bed with that woman. Perhaps when you've been married a long time it's a shared burrow you scuttle along, every feature of it, for one, known by the other, every comment on the way anticipated by the other. The bedrooms, the nights, are like that. But he came and went by secret passages; he had things to say that he never could say. He must have had to watch every word.
And not only words. Once when I got into the back seat of the car I saw something strange on the floor. Everything; anything, alerted me to danger. My mother was getting into the front seat beside him; I waited until we'd driven off and they were deciding whether or not it was necessary to go to the bank before filling up with petrol, and I was able to pick up the object without them noticing. It was the dried head of a sunflower. Just the hard disc from which the seeds had fallen. Exactly like a round honeycomb. I don't know how it could have got there. Why. I only knew he would not be able to explain it to my mother; he did not need to explain anything to me, since the cinema, when he'd told me what to see and made clear what I was not to have seen.
My mother seemed to me as she always had been. Only, because of what I was in with, with him, and so afraid ofâfor herâthere seemed to be some kind of space around her that kept us offâhim and meâand that I held my breath for fear of entering. I didn't want to be in the room alone with her, either. But if I kept out of her way she would know there was something wrong, thinking in her innocence this would be something concerning me. And if I tried to be with her, to cover up that he wasn'tâthat might set her thinking, and I didn't want her to think, I didn't want my mother to think about him in any other but her gentle, trusting way, changed from the old times on the Reef simply by the special respect and privacy she taught us, by her example, he had earned by the pilgrimage through prison.
It's only since Baby cut her wrists that I've known my mother knew about him all the time. Well, not at the beginning (and even I don't know when exactly that was, whether the cinema was early on), but for a long time. She surely couldn't have known when, some weeks after my father was released, she and the wives of two other men who had been in prison with him decided to give a little New Year party for them and their supporters. When she and my father made up their list of people to invite she suggested Hannah Plowman and he wrote the name without comment, as if that were just another guest. It surely would not have been like my mother to have included that woman out of some sort of guile, a test of my father's reaction, of whether the woman herself would have the nerve to come to our house, now?
What a thought to have about my mother. But when you are lying, in your presence at the table, in every expression on your face, in everything you customarily do, going in and out to school, fooling quite naturally over the telephone with friends, you can't imagine anything that isn't devious, anymore.
The whole world is lying, fornicating and lying.
I was at that party. Baby and I were there, first helping with the preparation of food and rearranging the furniture. Baby, carrying a gift of snacks, went with him to our neighbours to tell them there'd be music until late that night; from the day we moved in, my mother had established good if distant relations with these whites. They didn't know about prison, about his political activitiesâone look at my mother and their Afrikaner fears that our skin meant dirty habits and noise they'd tolerate only from their own colour, were groundless. Everybody drank a lotânot my father, and my mother doesn't drink at allâand Baby was over-made-up and amazed all those people with her wild dancing. She was good, but showing off to the men. I danced a few times, after a beer, but I could feel myself getting angry every time some
tannie
said I was growing up handsome as my father, and I could see him, his face painted with the sweat of his hospitality, shining pride. I don't remember whether he danced with that woman. I can hardly picture her there at all. The moment when she arrived I was passing with a bottle of wine; it was the first time I'd seen her since the cinema and I'd thought about that face so much I could scarcely recognize itâthis pink, scrubbed face, blonde hair springing back into shape like the coat of a wet dog, she must've washed it just before leaving for the party. She was smiling comradely at others' greetings, not at me. A moment when suddenly I didn't believe it: she had materialized, and his woman, that I hadâlike him, I knowâalways in my mind, vanished. My mother was signalling to me across the room at the group who were waiting for wine. There was a pretty comb in my mother's tight and shiny crown of hair, she was neat and beautiful, with the special care she took to dress for parties; she so enjoyed feeding people.
tannie
said I was growing up handsome as my father, and I could see him, his face painted with the sweat of his hospitality, shining pride. I don't remember whether he danced with that woman. I can hardly picture her there at all. The moment when she arrived I was passing with a bottle of wine; it was the first time I'd seen her since the cinema and I'd thought about that face so much I could scarcely recognize itâthis pink, scrubbed face, blonde hair springing back into shape like the coat of a wet dog, she must've washed it just before leaving for the party. She was smiling comradely at others' greetings, not at me. A moment when suddenly I didn't believe it: she had materialized, and his woman, that I hadâlike him, I knowâalways in my mind, vanished. My mother was signalling to me across the room at the group who were waiting for wine. There was a pretty comb in my mother's tight and shiny crown of hair, she was neat and beautiful, with the special care she took to dress for parties; she so enjoyed feeding people.
Baby cut her wrists when she spent a Saturday night with
a friend. She didn't even do it at home, where she had her own room. You think of details like thatâcrazyâwhen you don't have any explanation for what has happened. She didn't die. A mess in somebody else's bathroom and some stitches on the inner side of her wrists where you can see the freeways and bypasses of veins just under the skin. Baby is light-skinned, like my mother, not like my father and me. When she was in bed, repaired and sedated by Dr Jasood, for whom my mother worked, my mother came and sat down in the kitchen where I was reading the newspaper because I did not know what I should be doing; he, my father, had taken his briefcase that morning and said he had to be away that weekend. He had looked heavy-limbed, as if he had to make himself go; she must have believed there was some grave political crisis taking him away. She sat on the edge of her chair and looked at me as if she had known me her whole life, not just the span of mine which had begun in her body. As if I were her son and not her son. She said Dr Jasood had just told her it was evident to him that Baby took drugs, that her great liveliness was deep unhappiness. He had been at that party.
a friend. She didn't even do it at home, where she had her own room. You think of details like thatâcrazyâwhen you don't have any explanation for what has happened. She didn't die. A mess in somebody else's bathroom and some stitches on the inner side of her wrists where you can see the freeways and bypasses of veins just under the skin. Baby is light-skinned, like my mother, not like my father and me. When she was in bed, repaired and sedated by Dr Jasood, for whom my mother worked, my mother came and sat down in the kitchen where I was reading the newspaper because I did not know what I should be doing; he, my father, had taken his briefcase that morning and said he had to be away that weekend. He had looked heavy-limbed, as if he had to make himself go; she must have believed there was some grave political crisis taking him away. She sat on the edge of her chair and looked at me as if she had known me her whole life, not just the span of mine which had begun in her body. As if I were her son and not her son. She said Dr Jasood had just told her it was evident to him that Baby took drugs, that her great liveliness was deep unhappiness. He had been at that party.
She said to me:âWhat can we do for her?â
The slight emphasis on âwe' gave away, all at once, that my mother knew about my father. That she knewâwithout knowing howâI knew. She discounted himâcouldn't count on him, couldn't call on Sonny, now, wherever he was, even if he were to be hidden from her only round the corner, he was too far away. I understood. What could we do for my sister: a family that ours had become? And at the same moment it came to both of us: what Baby's âdeep unhappiness' that the doctor diagnosed was about.
So Baby knew, too. It was just that she managed differently what she knew. The hip, hyped style she flaunted on street
corners (out of sight of my mother; I saw her), the flip and vulgar way sheâbrought up in the sound of my mother's quiet voice and the poetry of my father's Shakespeareâtalked; the emotional outbursts over trifles, that my mother put down to the strain of having had my father in detention and on trial during the time when her menstrual cycle was being established; her manner of distancing herself from the childhood she and I had in commonâall these were her attempts to manage.
corners (out of sight of my mother; I saw her), the flip and vulgar way sheâbrought up in the sound of my mother's quiet voice and the poetry of my father's Shakespeareâtalked; the emotional outbursts over trifles, that my mother put down to the strain of having had my father in detention and on trial during the time when her menstrual cycle was being established; her manner of distancing herself from the childhood she and I had in commonâall these were her attempts to manage.
When she had said to me, D'you expect him to be moping around like you?âwas she trying to defend my father? Did she think, then, I didn't know, and probably would find out? Good god. Had she, all this time, been taking his part against my mother? As I tried to shield my mother against him? Female against female. Male against male. So what could we have done for her. To stop her cutting her wrists when she couldn't manage.
What could my mother have done for her.
What could I, her own brother, have done for her.
What a family he made of us.
Poor Tom's a-cold.
And now joy came often. After prison, where there was nothing to please the senses, where there was not even enough light to read and study by, came this bounty. It flowed from such slight stimulation. They met again for the first time at a house meeting. It was called a debriefing; those who had been inside related their experiences in resisting interrogation, intimidation, solitude, for the benefit of those who might sometime find themselves inside, and for individuals and organizations who sought the best means of supporting those on trial, of which there were many. She sat there with her knees broad apart under one of her long skirts, balancing on her lap the briefcase that served as a table for the notebook. She wrote earnestly. While others spoke, while Sonny spoke. When he paused, her gaze flashed up, narrow-blue, the blonde eyelashes met at the outer corners of her eyes as the lids pleated in a slight smile of encouragement.
Joy.
Hannah met Sonny for coffee, for further discussion. It was
possibleâto take one's dark face into a coffee bar. And with a white woman companion; to pull out her chair for her and sit opposite her. It had been possible for some time, although, coming from a small town where such barriers fell more slowly if at all, and after two years in a segregated prison, Sonny still had a strange feeling: that he was not really there, a commonplace meeting of this kind was not happening to him. Then they drank coffee and she smoked and said, through the wraiths that undulated between them, he hadn't changed. In two years.
possibleâto take one's dark face into a coffee bar. And with a white woman companion; to pull out her chair for her and sit opposite her. It had been possible for some time, although, coming from a small town where such barriers fell more slowly if at all, and after two years in a segregated prison, Sonny still had a strange feeling: that he was not really there, a commonplace meeting of this kind was not happening to him. Then they drank coffee and she smoked and said, through the wraiths that undulated between them, he hadn't changed. In two years.
âYou look very well. Fine. I thought that at the meeting.â
Her approval was sun on his face. He closed his eyes a moment as he smiled.âAlia was ready to feed me up. But as you can see â¦I put on weight inside. But not fat, really? I've never exercised so regularly in my life! Never had the time, before.â
âYou look so much better than you did when I saw you in prison.â
âAh well â¦detention is terrible. Much worse than a sentence, where you're sure when the end will come, even if it's years aheadâyou know as well as I do.â
âNot as well as you do. Or anyone who's been inside. I know only from the consequences I find, if I get to see people.â
âI never want to live through that again.âIt was a confession; both knew he might be detained once more.
âIt was still great to find you in such good shape after two years of the other kind of inside. I suppose it wouldn't have been so striking if I'd seen you during that time.â
He suddenly found it easy to say to her, in her warming presence:âThe letters were almost like visits, to me. In some ways, better ⦠because you can read them over. A visit ends quickly. You and the other person never say what you want to say. Tell meâthere's something I never asked you when I wrote
back, I wanted to ask you like we are now â¦I mean, actually here ⦠When you wrote that first time, you said something ⦠you knew I'd come out happy for battleâ
back, I wanted to ask you like we are now â¦I mean, actually here ⦠When you wrote that first time, you said something ⦠you knew I'd come out happy for battleâ
âWell you have, haven't you.âIt was spoken simply, with admiration, no flattery.
There was a beat of silence.
In it, Sonny looked at her face without a decent reserve, as he had not freed himself to, before. Thick-fleshed, pearly-skinned modelling with slight scuffed redness here and there when her fingernail or some rough cloth had brushed it; the defining presence in the colour of the eyes, as the enamelled eyes brought to life the beige stone of colour plates in his book on the art of ancient Egypt. He was aware that there was saliva in that mouth and that blonde hair would have a scent of its own.
ââHappy for battle'.âHe murmured it over.âI've wanted to ask where it comes fromâI've wanted to find out who said it.âHe laughed, excited at the idea:âTo read what goes with it, for myself.âShe watched him, enjoying his enthusiasm, her chin drawn back underlined by the flesh of her neck.
âRosa Luxemburg, writing to Karl Kautsky. I'll bring you the book. Oh there's so much in her letters! I look forward to what you'll have to sayâ
Joy. That was what went with it. The light of joy that illuminates long talk of ideas, not the 60-watt bulbs that shine on family matters.
A long time had passed since his political activity had been confined to his own kindâthe sub-division of blackness decided by lawâand the single issue of removals. In prison he learnt more than the correspondence courses in local government Aila had arranged for him. He had been educated by his fellow
political prisoners in the many tactics that evolve from principles of liberation, and how they are unceasingly extended, adapted and put into practice as each issue, however big or small, provides the opportunity, wherever and however. Where people lived in wretched conditions in a ghetto he was one who would be sent to help them set up a residents' association; when they understood that a rent boycott was a good way to protest, he would be among those to teach them how to organize the campaign. Where miners or municipal workers or workers in a sweet factory or brickyard were on strike, meetings in their support had to be held, T-shirts and stickers had to be seen on the streets until they provoked a ban, and even after, by those people who were prepared at least for a small defiance displayed bobbing against pectorals or breasts. Days of commemoration were arranged in honour of those who had died in uprisings, strikes, school and rent boycotts, street battles with police and army. And all this had to be done anonymously, clandestinely, hoping to escape the eyes of the police, on days and nights when it was better for no-one to know the whereabouts of an absent member of a family.
political prisoners in the many tactics that evolve from principles of liberation, and how they are unceasingly extended, adapted and put into practice as each issue, however big or small, provides the opportunity, wherever and however. Where people lived in wretched conditions in a ghetto he was one who would be sent to help them set up a residents' association; when they understood that a rent boycott was a good way to protest, he would be among those to teach them how to organize the campaign. Where miners or municipal workers or workers in a sweet factory or brickyard were on strike, meetings in their support had to be held, T-shirts and stickers had to be seen on the streets until they provoked a ban, and even after, by those people who were prepared at least for a small defiance displayed bobbing against pectorals or breasts. Days of commemoration were arranged in honour of those who had died in uprisings, strikes, school and rent boycotts, street battles with police and army. And all this had to be done anonymously, clandestinely, hoping to escape the eyes of the police, on days and nights when it was better for no-one to know the whereabouts of an absent member of a family.
Sonny was not a major figure but he was frequently one of the principal speakers where it was possible to hold a public meeting in the semi-legality of some church or university. Hannah was always there. One day of freak cold in April (snow on the Drakensberg too early for winter) the jostle of the group with whom he was coming down from the platform of a city church hall converged with some rows of the audience leaving by a side door, and Sonny and Hannah found themselves drifted together. It was not unexpected, just lucky; he had seen her in the fifth row of seats. They left the hall into the cut of icy wind, into the sights of the police movie crew's cameras which await people who attend such gatherings as in other countries television crews wait after galas to record the emergence of film stars.
They turned the corner in the direction opposite to that being taken by the crowd. His face screwed up against the wind, he smiled at her.âSo now we've had our snap taken.â
âD'you think they'll send us a print?â
He was high-shouldered against the cold and laughing; they paused a moment, didn't know where they were headed, along that street. He had on only a shirt and light jacket, but she always had garments to spare, it was her style. She took off her striped knitted scarf.âPlease. Put it on, you'll catch pneumonia. Go on.â
It was all matter-of-fact. Comradely.âThanks.â
He wound that scarf round his neck, tucked the fringed ends under his jacket. The scarf was warm with her warmth. In the gritty cold of the street, the sensation lay upon his nape.
Joy. From something so slight.
They were friends for some time before they were lovers. Before the ultimate joy of making love with someone who, too, is in the battle, for whom the people in the battle are her only family, her life, the happiness she understandsâas he now doesâis the only possible one. She told him afterwards she knew it would be hard for him to allow himself to become her lover; she was satisfied to be his friend so long as that satisfied him. But once they were lying naked together for the first time she made a solemn condition.âI wanted this. Yet I don't want it at all if it's going to replace our friendship with something else.â
He raised himself on his elbow in her bed to look at her with honesty that doesn't belong in bed. She thought he was about to take the opportunity to tell her right away that he loved his wife, his beautiful wife whom she had seen, visited, shared concern with for his welfare, and to tell her that she herself must know the strict limits of this share of him she was taking. He lay back again.âYou are the only friend I've ever had.
That's what I feel. Now. That's what making love with you has told me.â
That's what I feel. Now. That's what making love with you has told me.â
The immense reassurance sent her venturing deeper into the territory of intimacy. She wore a curio-store filigree ring, and she began cleaning the dried soap from its recesses with her thumbnail.âAnd when you first knew Aila â¦â
She didn't exclude Aila; it was one of the things he found remarkable about her, moving, that she did not want to oust Ailaâfrom his mind, when they were together. She conceived of Aila as an equal, not an adversary defeated: she didn't refer to her as âyour wife'. He was filled with ⦠gratitude, yes. No guilt, no concealment between them, with her; everything that had remained hungry, stunted, half-realized, streamed towards her through opened gates.
âWe were so simple. You can hardly imagine. In Benoni's coloured township. Such simple people. And young. I think, you know, our understanding was too easy. The first layer ⦠And you believe that's all, that's it. For myself, I'd say I didn't know what I needed.â
Needing Hannah.
And now she was there, she had discovered Sonny for himself. She was a euphoria natural as a pulse beat with him wherever he went, in the house with him when he came home after he had left her, making him oblivious to the hostility of the boy (after the business of bumping into him at a cinema), making it possible to perform as a father and husband. A husband! Aila was not an emotionally demanding womanâimagine Aila! But she was accustomed to the quiet occurrence of conjugal love-making, that as the children grew up had become less and less frequent, more peripheral to loving. When a daughter begins to show breasts and a son's voice begins to be mistaken, on the phone, for his father's, there comes a kind of reversal of the clandestinity courting couples have to
practise in the house of their parents: the long-married now feel an inhibition about making love in the presenceâseparated only by the bedroom wallsâof children who themselves are now capable of feeling the same sexual desires. Of course, this never would be said openly, between Aila and him; but it must have been there, and it meant she didn't expectâshe didn't expect
him
to expectâto make love to her more than occasionally. And this periodicity surely had been extended by the two years in prison. It did not mean there was no physical contact between them. On the contrary, once in the dark, wordless, Aila always moved into his shelter, against his chest or round his back, and neither was roused by the warmth of his genitals against her or the shape of her breasts in his hands. They would fall asleep; fall away from each other only in sleep, as they had done for years, as they cleaned their teeth before bed and she creamed her hands.
And now she was there, she had discovered Sonny for himself. She was a euphoria natural as a pulse beat with him wherever he went, in the house with him when he came home after he had left her, making him oblivious to the hostility of the boy (after the business of bumping into him at a cinema), making it possible to perform as a father and husband. A husband! Aila was not an emotionally demanding womanâimagine Aila! But she was accustomed to the quiet occurrence of conjugal love-making, that as the children grew up had become less and less frequent, more peripheral to loving. When a daughter begins to show breasts and a son's voice begins to be mistaken, on the phone, for his father's, there comes a kind of reversal of the clandestinity courting couples have to
practise in the house of their parents: the long-married now feel an inhibition about making love in the presenceâseparated only by the bedroom wallsâof children who themselves are now capable of feeling the same sexual desires. Of course, this never would be said openly, between Aila and him; but it must have been there, and it meant she didn't expectâshe didn't expect
him
to expectâto make love to her more than occasionally. And this periodicity surely had been extended by the two years in prison. It did not mean there was no physical contact between them. On the contrary, once in the dark, wordless, Aila always moved into his shelter, against his chest or round his back, and neither was roused by the warmth of his genitals against her or the shape of her breasts in his hands. They would fall asleep; fall away from each other only in sleep, as they had done for years, as they cleaned their teeth before bed and she creamed her hands.
The first time he had to make love to his wife after he had begun to make love to Hannahâit was not so much that too much time had gone by, but that he quickly learned, as a novice deceiver, that to avoid this was the surest way to give himself awayâhe trembled with sorrow and disgust at himself after he withdrew from her body. The caresses were an easy performance, rehearsed in the habit of marriage, without feeling, dutiful to please Aila, but the uncontrollable animal thrill of his orgasm was horrible. He wanted to get up out of that bed and house and go to Hannah. Shut out everything, himself, blotted against the being of Hannah. And every now and then, in the carefully arranged and guarded life he was managing, when he judged it was time to approach Aila againâto pretend to want poor Aila, oh my godâthe act drained him, in shame. Sometimes he felt a final spurt of anger, towards Aila, sperm turned to venom.
For months the most precious aspect of his new life with
Hannah was that it was clandestine. Like underground political life, it had nothing to do with the everyday. They owned one another because their times together were shared with no-one. They could not even be in anyone else's thoughts in any way that could reach out and touch them, because no-one knew where they were when they were together. To Sonny, who never before had used the commonplace deceptionsâthe meetings he was supposed to be attending, the visit to Pretoria she was supposed to be making in the course of her workâthese were a kind of magic that made them invisible to the ordinary world he had inhabited all his life. Something he never would have thought possible. When he and she found themselves in the same public company at the same time, it wasâto themâpart of their wonderful spell of intimacy that there shouldn't be the slightest possibility that anyone else present should know of the secret knowledge of each other only those two, themselves, had. They were so successful that now and then somebody would introduce them: I don't think you've met â¦this is â¦
Hannah was that it was clandestine. Like underground political life, it had nothing to do with the everyday. They owned one another because their times together were shared with no-one. They could not even be in anyone else's thoughts in any way that could reach out and touch them, because no-one knew where they were when they were together. To Sonny, who never before had used the commonplace deceptionsâthe meetings he was supposed to be attending, the visit to Pretoria she was supposed to be making in the course of her workâthese were a kind of magic that made them invisible to the ordinary world he had inhabited all his life. Something he never would have thought possible. When he and she found themselves in the same public company at the same time, it wasâto themâpart of their wonderful spell of intimacy that there shouldn't be the slightest possibility that anyone else present should know of the secret knowledge of each other only those two, themselves, had. They were so successful that now and then somebody would introduce them: I don't think you've met â¦this is â¦
Sonny and Hannah: presented each to the other, as strangers, by a third person. What secret pleasure, to conceal the desire between them that this titillated! Sonny had revealed to him how part of the need in his life had been of a sense of erotic fun. To leave, separately, a gathering where each had given full attention to serious decisions (for the roused state of an ecstatic love affair, in men and women mutually dedicated to a political ideal and battle, heightens their concentration and application in relation to these) and fifteen minutes later be undressing each other: what an exquisite range of changing responses such an afternoon expanded! How much that he never would have known he was capable of experiencing, never ever. That it needed the secret (secret everywhere) presence of this woman, this ample girlâshe was younger than she lookedâto
make possible for him. For months when they talked after love-making it was of the remote places they would like to go together. Islands off this or that continent. Forests in the mountains. Nothing but gulls or owls. Like all lovers, they did not know they were trying to prolong by transformation into words, into the future tense, the physical illusion of personal freedom that fades as the lulled and sated senses come back and will relay the knowledge of time passing with traffic: work, loss, hunger and pain, pacing out there in the street: other people.
make possible for him. For months when they talked after love-making it was of the remote places they would like to go together. Islands off this or that continent. Forests in the mountains. Nothing but gulls or owls. Like all lovers, they did not know they were trying to prolong by transformation into words, into the future tense, the physical illusion of personal freedom that fades as the lulled and sated senses come back and will relay the knowledge of time passing with traffic: work, loss, hunger and pain, pacing out there in the street: other people.
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