Nature of the Game (8 page)

“Time me,” said Jud. He slid a pick into the lock.

By the sweep of Nick's second hand, thirty-three seconds later came a faint click. Jud grinned.

“Don't stop the clock,” he said. “Not till it's over.”

The knob lock took Jud fifteen seconds. He opened the door.

“Welcome home,” said Jud.

Nick's bowels turned cold.

“Nice,” said Jud, standing in the tiled living room, his eyes scanning the museum prints, the stereo and albums, crammed bookcases, and thrift-store furniture. “Your office back there?” Jud walked toward the kitchen, looked in the room with its desk and typewriter, stacks of books and paper.

“Yes,” said Nick. He could make it out the door before Jud could reach him. If he had to run.

Jud ignored the dining room and kitchen, came back to the living room. He pointed to a doorway opposite the entrance.

“Your bedroom?” he asked.

Nick didn't reply.

A newly arrived British edition of
Flight of the Wolf
lay on the couch. The jacket was identical to the American edition. Jud grinned at the author's picture, held it up for Nick to see.

“Looks just like you,” he said of the photo Janey had snapped one Michigan December morn. “No wonder I knew who you were.

“It says,” continued Jud, “you studied karate and judo.”

“True,” said Nick, who'd regretted telling that to the publisher as soon as he saw the book jacket.

“Tae kwon do?” said Jud, putting down the book.

Nick took a step back. Kept his eyes on Jud, put the nylon gym bag on the floor. “Yes. Some shudo kan.”

“How far did you get?”

“Not far.” Two years of judo. Two years of karate. It'd been a year since he'd been in a dojo. He tried to relax, wait.

“Tae kwon do isn't bad,” said Jud. Six feet separated them. “Dogmatic and linear, but okay. I'm a China kinda guy, Southern Shaolin, mix in other disciplines. Let me show you.”

He slipped off his shoes and socks.

You're still in charge
, Nick told himself. He slipped off his shoes and socks, pushed away some of the furniture.

“Get in your fighting stance.”

All Nick needed to do was raise his hands.

Outweighs me by seventy, eighty pounds
, thought Nick.
Can't all be fat, can't all be slow
.

Can't all be great, either. If,
thought Nick,
you win or you die
.

“I'll do straight Shaolin, let you see that,” said Jud. “We'll take it easy. Don't worry.”

Like in the dojo, thought Nick. Nothing to fear. Three-quarters speed. No contact. Pulled punches. To learn. For fun.

Jud stood still, arms at his sides.

“Go ahead,” he told Nick. “Take your best shots.”

Nick snap-kicked toward Jud's stomach, half feint, and Jud wasn't there. Nick punched for the chest to draw out Jud's block; did so and snapped back his fist, chopped with his left to block a back fist that turned into a parry knocking his chop away. Nick countered with another right punch.

The bear grabbed it, pulled. Jud's right foot thumped into Nick's chest, then Jud sank into a squat and hooked his right leg behind Nick's, swept Nick's feet into the air.

Nick crashed onto his living room tiles.

Clarity returned. Nick blinked. Saw Jud's hand in front of his face. Froze.

Jud plucked Nick off the floor as if he were a pillow.

“Not bad,” said Jud, “but do you see what I mean about linear? This time, I'll mix it up a little.”

Nick went full speed. Jud seemed to move slower. He blocked Nick's punch, stuck to his arm, said, “Block, and then aikido,” and he led Nick forward. Lightly touched his sternum. A giant hand uprooted Nick, pushed him through the air. He flew six feet straight back, hit the wall with his heels half a foot above the baseboards, then crashed to his hands and knees.

Again and again. Attacks and counterattacks. Nick fought as hard as he could, his body tiring and sore. Carefully lecturing, never straining, Jud would “break” Nick's elbow, tap his throat or eyes or the ribs above his heart, pull Nick's punch into an immobilizing arm bar. Jud turned his fingers into a parrot's beak; drove that hook into a nerve near Nick's collarbone that novaed the world and dropped Nick like a stone. Jud dissolved before Nick's punches, then stole Nick's
chi
, used it to throw him back like God sweeping away table scraps.

Nick refused to show pain. Never said stop.

“What time is it?” Jud asked suddenly. He held up an empty wrist. “I hate clocks.”

On the floor, Nick glanced at his watch. “Ten thirty-two.”

“Hell,” said Jud, “I got to go.”

He helped Nick up.

“This was fun,” said Jud. “Maybe we'll do it again.”

He walked to the door.

“Oops!” He turned back, picked up his gym bag of secret gear. “Wouldn't it have been funny if I forgot this?”

“Yeah,” said Nick, his heart hammering his ribs.

He drew a normal breath; another. With that air came the realization that a power in which he'd believed but never known had now been met; hell, the power had held him like a doll in its hand.

“Take care, Bro',” said Jud. As he stood in the open exit, he looked back, smiled. “Be sure to lock your door.”

HALO

I
n the spring of 1990, the road beneath the wheels of Jud's stolen car angled northeast from L.A. The sky turned gray with the coming dawn. He figured he had a few hours yet before this Chevy was reported stolen and logged into the highway patrol's computer. Not much time, and he didn't know if he could stay awake to use it.

A green exit sign said
REST STOP
. He pulled in, rolled past semi trucks, their drivers napping in cab bunks. A Doberman pinscher poked his head above one semi's steering wheel.

Never liked big trucks anyway, thought Jud.

A man in a cowboy hat shuffled into the bathroom from a cattle truck loaded with battered furniture. No one else was in the truck. Jud parked, grabbed his bags, and hurried toward that vehicle. He'd worn cotton gloves ever since stealing the car in L.A. If he could make this E&E improve, he'd leave no trail. A blackboard blocked the truck's rear window. Jud threw his bags in the cargo box and crawled over the side. He settled in the shadows, between a battered rocker and a musty couch.

Don't check
, he prayed. Don't check, he willed.

The driver didn't. Came back and pulled the truck into the highway, drove it down the road. Two miles later, Jud stretched out on the couch. He drifted to sleep. Cold wind rushed around him, carried him to dreams of warmer days….

Saigon, 1969. The damp city smelled like barbecuing fish and diesel fumes. And just a whiff of nerves. The enemy's Tet Offensive was more than a year-gone history. That countrywide chaos was a political victory but a military defeat for the guerrilla Viet Cong and their North Vietnamese Regular Army buddies: this was one tough, strange little war.

But life went on in Saigon, as if Tet had only been a passing show, a bad moment before Act Three when the Good Guys would win. True, there'd been a secret revolt in the American military's high command in '67 because the Joint Chiefs of Staff felt there was no coherent
policy
in this
conflict
they were commanding, but cooler heads had prevailed, the Joint Chiefs called off their mass resignation, and their revolt stayed secret, even after Tet. In Saigon on this September day in 1969, the program was to win the war, whatever winning meant.

But as Jud sat on a couch in the living room of House 12, a mustard-colored dwelling surrounded by a high wall just off Rue Louis Pasteur, sharing warm Vietnamese beer with two other Americans, his mind was on immediate personal survival, not foreign-policy abstractions.

Officially, Jud wasn't in Vietnam. Officially, he was a sergeant in the 5th Special Forces, the U.S. Army's elite Green Beret counterinsurgency unit beloved by murdered President Kennedy and the CIA and hated by the Regular Army. Officially, Jud was stationed with a Green Beret logistics support team in the Philippines.

In reality, Jud was assigned to MACV-SOG—Military Area Command, Vietnam—Studies & Observation Group, a low-profile group drawn from all branches of the military and the CIA that was officially studying the lessons of the Vietnam war. In reality, SOG was an ultrasecret spy and clandestine warfare unit charged with everything from in-country reconnaissance to infiltrating mainland China, from prisoner-of-war rescues to assassinations.

Neither Jud nor the two men he was drinking beer with were in uniform. If they had been, they would all have worn green berets and paratrooper wings, yet another level of sophistication separating them from most of the half a million other American soldiers then in Vietnam.

If Jud and the men in the living room of that SOG safehouse had officially existed.

Jud had only met these men that afternoon. They exchanged first names and the sly smiles of a fraternity secret even to its own members, kept everything else on the anonymous bullshit level. The closest Jud came to mentioning the incident that he'd been ordered down to House 12 from Da Nang to explain was when he told his two new asshole buddies that this was
one fucking weird war
. He'd started to tell a lie about his romantic conquests during his brief junior-college career when a trim man in a suit strolled into the living room.

“Captain,” said one of the men, and they all rose.

“As you were,” said the officer. He had blond hair and blue eyes, a small scar on his cheek. He was maybe thirty to Jud's twenty-one. He carried a manila envelope.

“We're ready for you in there, Sergeant,” he told Jud, nodding toward the back-room office.

As they reached the door, the captain said, “Don't worry about this bullshit. Piece of cake, pro forma.”

He smiled. “And congratulations. Your R and R request has been approved.”

The captain handed Jud the sealed manila envelope.

Jud hadn't made a Rest and Recreation request.

“Call me Art,” the captain told Jud.

“Come in, gentlemen,” said a voice in the back room.

The captain named Art had been right: Jud's debriefing that afternoon had been a piece of cake. Bullshit. Afterward, Jud opened the manila envelope, found the commercial airline tickets, and orders he burned after reading. He had time to pick up his bag, catch the sunset flight.

To Vientiane, Laos.

When Jud arrived, he went to the White Rose bar, where a naked girl danced on tabletops and garnered tips from the sports-shirt-clad Americans by holding lit cigarettes in her vagina. She was up to four cigarettes at once when the captain from House 12 strolled in, wearing a different tropical suit. He glanced toward Jud's table, went to the bar. Had a quick drink. Left. Jud strolled outside in his wake.

“Here,” came Art's voice from a bicycle rickshaw.

Art took Jud to Rendez-vous des Amis, Madame Lulu's brothel where that French septuagenarian schooled shy Laotian girls in the art of fellatio. They walked past the downstairs parlor where the pancake made-up proprietress poured Scotch for her customers while they picked their pleasure, climbed two flights of stairs to the roof.

They walked out to the edge. Vientiane smelled of foliage. The lights of the city were scattered and few compared to Saigon. A Ford Bronco was parked in the street below.

A man in a white linen sports jacket stepped out of the roof's shadows and shook their hands with a clammy grip.

He was an American. Art was blond; the man in the linen suit was paler, almost an albino in skin color and translucent white hair, a ghost with blue eyes.

“Look over there,” said Ghostman. “Those lights are the Chinese embassy. Russians are here. Uncle Ho's diplomats. There's even a Pathet Lao legation a few hundred meters from our embassy. We're all very polite.

“This is our war, and we're winning it our way,” boasted Ghostman. “We're doing a better job with five hundred CIA officers than half a million GIs are doing in Vietnam. They shouldn't have taken that war away from us. Our Laos is cost-effective foreign policy.”

Something stirred in the shadows on the roof.

The man in the white linen jacket whirled, jerking a Browning 9mm from a shoulder holster.

“Just a gecko,” said Art, shaking his head to Jud.

“I know what it is, Monterastelli!” snapped the CIA man.

And Jud smiled: now he had the full name—Capt. Art Monterastelli.

We're more equal now
, thought Jud.

“Don't want to kill him,” said Ghostman as the lizard scurried away. “The French say that's the start of sickness, the sign that it's time to leave Asia. When you start killing geckos.”

“It isn't geckos you want dead,” said Jud.

“No shit,” said Ghostman. He holstered the pistol, pulled a marijuana cigarette from his shirt. “Want some?”