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BOOK: Nella Larsen
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Irene's father, who had been fond of Bob Kendry, made a special trip over to the west side about two months after the last time Clare had been to see them and returned with the bare information that he had seen the relatives and that Clare had disappeared. What else he had confided to her mother, in the privacy of their own room, Irene didn't know.

But she had had something more than a vague suspicion of its nature. For there had been rumours. Rumours that were, to girls of eighteen and nineteen years, interesting and exciting.

There was the one about Clare Kendry's having been seen at the dinner hour in a fashionable hotel in company with another woman and two men, all of them white. And dressed! And there was another which told of her driving in Lincoln Park with a man, unmistakably white, and evidently rich. Packard limousine, chauffeur in livery, and all that. There had been others whose context Irene could no longer recollect, but all pointing in the same glamorous direction.

And she could remember quite vividly how, when they used to repeat and discuss these tantalizing stories about Clare, the girls would always look knowingly at one another and then, with little excited giggles, drag away their eager shining eyes and say with lurking undertones of regret or disbelief some such thing as: “Oh, well, maybe she's got a job or something,” or “After all, it mayn't have been Clare,” or “You can't believe all you hear.”

And always some girl, more matter-of-fact or more frankly malicious than the rest, would declare: “Of course it was Clare! Ruth said it was and so did Frank, and they certainly know her when they see her as well as we do.” And someone else would say: “Yes, you can bet it was Clare all right.” And then they would all join in asserting that there could be no mistake about it's having been Clare, and that such circumstances could mean only one thing. Working indeed! People didn't take their servants to the Shelby for dinner. Certainly not all dressed up like that. There would follow insincere regrets, and somebody would say: “Poor girl, I suppose it's true enough, but what can you expect. Look at her father. And her mother, they say, would have run away if she hadn't died. Besides, Clare always had a—a—having way with her.”

Precisely that! The words came to Irene as she sat there on the Drayton roof, facing Clare Kendry. “A having way.” Well, Irene acknowledged, judging from her appearance and manner, Clare seemed certainly to have succeeded in having a few of the things that she wanted.

It was, Irene repeated, after the interval of the waiter, a great surprise and a very pleasant one to see Clare again after all those years, twelve at least.

“Why, Clare, you're the last person in the world I'd have expected to run into. I guess that's why I didn't know you.”

Clare answered gravely: “Yes. It is twelve years. But I'm not surprised to see you, 'Rene. That is, not so very. In fact, ever since I've been here, I've more or less hoped that I should, or someone. Preferably you, though. Still, I imagine that's because I've thought of you often and often, while you—I'll wager you've never given me a thought.”

It was true, of course. After the first speculations and indictments, Clare had gone completely from Irene's thoughts. And from the thoughts of others too—if their conversation was any indication of their thoughts.

Besides, Clare had never been exactly one of the group, just as she'd never been merely the janitor's daughter, but the daughter of Mr. Bob Kendry, who, it was true, was a janitor, but who also, it seemed, had been in college with some of their fathers. Just how or why he happened to be a janitor, and a very inefficient one at that, they none of them quite knew. One of Irene's brothers, who had put the question to their father, had been told: “That's something that doesn't concern you,” and given him the advice to be careful not to end in the same manner as “poor Bob.”

No, Irene hadn't thought of Clare Kendry. Her own life had been too crowded. So, she supposed, had the lives of other people. She defended her—their— forgetfulness. “You know how it is. Everybody's so busy. People leave, drop out, maybe for a little while there's talk about them, or questions; then, gradually they're forgotten.”

“Yes, that's natural,” Clare agreed. And what, she inquired, had they said of her for that little while at the beginning before they'd forgotten her altogether?

Irene looked away. She felt the telltale colour rising in her cheeks. “You can't,” she evaded, “expect me to remember trifles like that over twelve years of marriages, births, deaths, and the war.”

There followed that trill of notes that was Clare Kendry's laugh, small and clear and the very essence of mockery.

“Oh, 'Rene!” she cried, “of course you remember! But I won't make you tell me, because I know just as well as if I'd been there and heard every unkind word. Oh, I know, I know. Frank Danton saw me in the Shelby one night. Don't tell me he didn't broadcast that, and with embroidery. Others may have seen me at other times. I don't know. But once I met Margaret Hammer in Marshall Field's.
3
I'd have spoken, was on the very point of doing it, but she cut me dead. My dear 'Rene, I assure you that from the way she looked through me, even I was uncertain whether I was actually there in the flesh or not. I remember it clearly, too clearly. It was that very thing which, in a way, finally decided me not to go out and see you one last time before I went away to stay. Somehow, good as all of you, the whole family, had always been to the poor forlorn child that was me, I felt I shouldn't be able to bear that. I mean if any of you, your mother or the boys or— Oh, well, I just felt I'd rather not know it if you did. And so I stayed away. Silly, I suppose. Sometimes I've been sorry I didn't go.”

Irene wondered if it was tears that made Clare's eyes so luminous.

“And now 'Rene, I want to hear all about you and everybody and everything. You're married, I s'pose?”

Irene nodded.

“Yes,” Clare said knowingly, “you would be. Tell me about it.”

And so for an hour or more they had sat there smoking and drinking tea and filling in the gap of twelve years with talk. That is, Irene did. She told Clare about her marriage and removal to New York, about her husband, and about her two sons, who were having their first experience of being separated from their parents at a summer camp, about her mother's death, about the marriages of her two brothers. She told of the marriages, births and deaths in other families that Clare had known, opening up, for her, new vistas on the lives of old friends and acquaintances.

Clare drank it all in, these things which for so long she had wanted to know and hadn't been able to learn. She sat motionless, her bright lips slightly parted, her whole face lit by the radiance of her happy eyes. Now and then she put a question, but for the most part she was silent.

Somewhere outside, a clock struck. Brought back to the present, Irene looked down at her watch and exclaimed: “Oh, I must go, Clare!”

A moment passed during which she was the prey of uneasiness. It had suddenly occurred to her that she hadn't asked Clare anything about her own life and that she had a very definite unwillingness to do so. And she was quite well aware of the reason for that reluctance. But, she asked herself, wouldn't it, all things considered, be the kindest thing not to ask? If things with Clare were as she—as they all—had suspected, wouldn't it be more tactful to seem to forget to inquire how she had spent those twelve years?

If? It was that “if ” which bothered her. It might be, it might just be, in spite of all gossip and even appearances to the contrary, that there was nothing, had been nothing, that couldn't be simply and innocently explained. Appearances, she knew now, had a way sometimes of not fitting facts, and if Clare hadn't— Well, if they had all been wrong, then certainly she ought to express some interest in what had happened to her. It would seem queer and rude if she didn't. But how was she to know? There was, she at last decided, no way; so she merely said again: “I must go, Clare.”

“Please, not so soon, 'Rene,” Clare begged, not moving.

Irene thought: “She's really almost too good-looking. It's hardly any wonder that she—”

“And now, 'Rene dear, that I've found you, I mean to see lots and lots of you. We're here for a month at least. Jack, that's my husband, is here on business. Poor dear! in this heat. Isn't it beastly? Come to dinner with us tonight, won't you?” And she gave Irene a curious little sidelong glance and a sly, ironical smile peeped out on her full red lips, as if she had been in the secret of the other's thoughts and was mocking her.

Irene was conscious of a sharp intake of breath, but whether it was relief or chagrin that she felt, she herself could not have told. She said hastily: “I'm afraid I can't, Clare. I'm filled up. Dinner and bridge. I'm so sorry.”

“Come tomorrow instead, to tea,” Clare insisted. “Then you'll see Margery—she's just ten—and Jack too, maybe, if he hasn't got an appointment or something.”

From Irene came an uneasy little laugh. She had an engagement for tomorrow also and she was afraid that Clare would not believe it. Suddenly, now, that possibility disturbed her. Therefore it was with a half-vexed feeling at the sense of undeserved guilt that had come upon her that she explained that it wouldn't be possible because she wouldn't be free for tea, or for luncheon or dinner either. “And the next day's Friday when I'll be going away for the weekend, Idlewild,
4
you know. It's quite the thing now.” And then she had an inspiration.

“Clare!” she exclaimed, “why don't you come up with me? Our place is probably full up—Jim's wife has a way of collecting mobs of the most impossible people—but we can always manage to find room for one more. And you'll see absolutely everybody.”

In the very moment of giving the invitation she regretted it. What a foolish, what an idiotic impulse to have given way to! She groaned inwardly as she thought of the endless explanations in which it would involve her, of the curiosity, and the talk, and the lifted eyebrows. It wasn't she assured herself, that she was a snob, that she cared greatly for the petty restrictions and distinctions with which what called itself Negro society chose to hedge itself about; but that she had a natural and deeply rooted aversion to the kind of front-page notoriety that Clare Kendry's presence in Idlewild, as her guest, would expose her to. And here she was, perversely and against all reason, inviting her.

But Clare shook her head. “Really, I'd love to, 'Rene,” she said, a little mournfully. “There's nothing I'd like better. But I couldn't. I mustn't, you see. It wouldn't do at all. I'm sure you understand. I'm simply crazy to go, but I can't.” The dark eyes glistened and there was a suspicion of a quaver in the husky voice. “And believe me, 'Rene, I do thank you for asking me. Don't think I've entirely forgotten just what it would mean for you if I went. That is, if you still care about such things.”

All indication of tears had gone from her eyes and voice, and Irene Redfield, searching her face, had an offended feeling that behind what was now only an ivory mask lurked a scornful amusement. She looked away, at the wall far beyond Clare. Well, she deserved it, for, as she acknowledged to herself, she
was
relieved. And for the very reason at which Clare had hinted. The fact that Clare had guessed her perturbation did not, however, in any degree lessen that relief. She was annoyed at having been detected in what might seem to be an insincerity; but that was all.

The waiter came with Clare's change. Irene reminded herself that she ought immediately to go. But she didn't move.

The truth was, she was curious. There were things that she wanted to ask Clare Kendry. She wished to find out about this hazardous business of “passing,” this breaking away from all that was familiar and friendly to take one's chance in another environment, not entirely strange, perhaps, but certainly not entirely friendly. What, for example, one did about background, how one accounted for oneself. And how one felt when one came into contact with other Negroes. But she couldn't. She was unable to think of a single question that in its context or its phrasing was not too frankly curious, if not actually impertinent.

As if aware of her desire and her hesitation, Clare remarked, thoughtfully: “You know, 'Rene, I've often wondered why more coloured girls, girls like you and Margaret Hammer and Esther Dawson and—oh, lots of others—never ‘passed' over. It's such a frightfully easy thing to do. If one's the type, all that's needed is a little nerve.”

“What about background? Family, I mean. Surely you can't just drop down on people from nowhere and expect them to receive you with open arms, can you?”

“Almost,” Clare asserted. “You'd be surprised, 'Rene, how much easier that is with white people than with us. Maybe because there are so many more of them, or maybe because they are secure and so don't have to bother. I've never quite decided.”

Irene was inclined to be incredulous. “You mean that you didn't have to explain where you came from? It seems impossible.”

Clare cast a glance of repressed amusement across the table at her. “As a matter of fact, I didn't. Though I suppose under any other circumstances I might have had to provide some plausible tale to account for myself. I've a good imagination, so I'm sure I could have done it quite creditably, and credibly. But it wasn't necessary. There were my aunts, you see, respectable and authentic enough for anything or anybody.”

“I see. They were ‘passing' too.”

“No. They weren't. They were white.”

“Oh!” And in the next instant it came back to Irene that she had heard this mentioned before; by her father, or, more likely, her mother. They were Bob Kendry's aunts. He had been a son of their brother's, on the left hand. A wild oat.

BOOK: Nella Larsen
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