Never Somewhere Else (18 page)

‘But I thought that Lucy Haining was a jewellery design student?’ Lorimer objected.

Solly nodded. ‘You’re right, and I thought that was a bit odd too. Janet Yarwood had asked specially to be Lucy’s tutor and help her with obtaining materials and things for her bangles and what not.’

Maggie
smiled discreetly at Solomon’s description of the dead girl’s designer jewellery. She doubted if he had ever taken any interest in anything so worldly as the stones, settings and metals for female adornment. She glanced down at her own sapphire and diamond engagement ring, letting the gems flash against the lamplight.

‘I would say,’ Solomon frowned as he paused, ‘that Ms Yarwood’s interest in Lucy Haining was not altogether healthy.’

He glanced swiftly at Lorimer and Maggie.

‘Go on.’

‘She doted on that girl. Oh, I don’t know for sure what her sexual orientation may be but, allowing for that, her relationship with Lucy verged on the obsessive. In fact,’ his voice trailed off as he expressed his thoughts aloud, ‘I wonder if young Lucy had some kind of a hold on this woman.’

‘Could
she
have killed Lucy?’ asked Maggie then bit her lip as Lorimer flashed her a look of annoyance.

‘I think this woman is capable of anti-social behaviour. Murder?’ Solomon shook his head and sipped absently at the camomile tea. ‘She cherished Lucy. But I don’t believe she killed her. Solomon’s voice was sad and soft, as if remembering something Janet Yarwood had told him. ‘No. We’re looking for a man. The man Alison Girdley saw. The question that vexes me now is, was he – or is he – known to Janet Yarwood?’

‘And?’

Lorimer
leaned forward to place his mug on the coffee table. Solomon pointed at the mess of papers on the floor.

‘I’ve made notes about most of the men known to Ms Yarwood and Lucy. Or at least the ones she’s telling me about. That’s what I was doing when you … or rather when my attacker arrived,’ Solly smiled weakly.

‘Right. Let’s get a move on.’ Lorimer knelt down swiftly, gathering up the papers and shuffling them into a neat pile. ‘You start with this lot.’ He handed them up to Solly then turned his attention to the tumbled drawers and their contents strewn further into the room.

Despite his aching head, the young psychologist leafed patiently through the sheaf of documents, sorting them into piles.

It was some time later that the three finished searching through all the papers, Solomon having checked and double-checked for missing information.

‘I can’t find that list of names. Male acquaintances of Janet’s. Doesn’t matter, though. It should be on the computer,’ he said at last. ‘Unless …’

He rose painfully to his feet and stepped across to his desk, switching on the word processor. Lorimer stood behind him, eyes fixed to the screen as Solly scrolled up the notes he had so recently typed in. It made interesting reading to the DCI. Solly’s scientific observations were peppered with comments which showed a deep understanding of the human condition. Reading the comments, Lorimer suddenly felt an overwhelming sense of pity for the woman who had lost her young friend.

‘Let’s see that list. It should be … oh, dear.’ He turned to Lorimer. ‘Deleted, I’m afraid. However, all is not lost.’ He pressed a tiny button on the side of the machine and when nothing happened he turned to Lorimer with an apologetic smile. ‘My back-up disk. He’s taken it.’

‘Hell’s
teeth!’

Solomon swung round and gave his familiar shrug.

‘Now we know why I was mugged, at any rate. Someone knew what Janet Yarwood was telling me. Or she went on to let them know what she’d said.’ He frowned and looked up at Lorimer. ‘It must be someone who knows we are working together.’ He paused to let the implication of his words sink in. ‘She may well know who our killer is, without realising it. But,’ he added seriously, ‘he must also know that she could give us a lead.’

‘If it is him,’ Lorimer began then added impatiently, ‘– and we don’t know that yet – then he’s closing the net around himself. We narrow things down to those around the Art School who were close to both these women.’

Lorimer stood up suddenly, a frozen look on his face.

‘Do you have the Yarwood woman’s home phone number?’

‘Yes. Why?’ ‘Phone her.’

Solomon searched back through the piles of notes then pulled out a handwritten sheet. Maggie watched the two men intently as the number was dialled. Time seemed to stand still as the phone rang on and on.

‘Maybe she’s out,’ she suggested hopefully, looking at her husband’s grave expression. But even she was shivering with apprehension as Lorimer reached for his mobile to call Headquarters.

J
anet
Yarwood had lived alone in a block of new flats five minutes’ walk from Glasgow School of Art. Now the entrance to the street was jammed with police vehicles and already some residents were finding it difficult to gain access to their own flats. Uniformed police officers were firm but polite with curious passers-by who had been drawn towards the street cordoned off from the adjoining main road.

Inside, DCI Lorimer and Dr Solomon Brightman waited for the arrival of the pathologist. Lorimer’s phone call had triggered off a chain of events leading up to the forced entry into Janet Yarwood’s flat. Her body, still clothed in the t-shirt and jeans which she had worn at her meeting with Solly, lay on the hall carpet. Blood had leached out in a huge stain, mainly from the gory mess of her scalp, and the white walls were spattered in dark red like some obscene action painting.

‘Guess what colour I’m going to have next?’

The voice on the tape echoed in Lorimer’s mind as he looked at the remains of the artist. Had he anticipated this killing even as he’d spoken? Somewhere, if he really did keep them, a grey scalp was now added to his collection.

Solly,
still weak from his own ordeal, had covered his mouth and turned away from the horror on the floor. He had written about murder, thought about it, theorised, but he hadn’t expected it to be like this in reality, Lorimer thought wryly. There was a smell, almost a taste to it, as if the brutal act had left traces of death swirling unseen in the air around the mutilated corpse. Lorimer found him in the artist’s sitting room, arms clasped around his body, rocking back and forth as if trying to relieve a pain deep within. He put a hand on his shoulder but said nothing. His sudden fear about Janet Yarwood had been horribly realised. Swift enquiries had shown that after Solly’s visit to the House for an Art Lover, the woman had failed to turn up next day as usual. Lorimer had spoken to one of the postgraduates, a Christopher Inglis. He’d been a bit puzzled that Janet hadn’t turned up, he’d said, but it hadn’t worried him. Inglis thought someone had phoned her home to see if she was sick. But if she was ill in bed maybe she just didn’t want to answer the phone? After all, it was only a day since they’d seen her.

‘Hi, Bill.’ Rosie Fergusson’s voice broke into his thoughts as the blonde pathologist appeared in the doorway. ‘Just fill me in on this one, will you?’

She made a pointing gesture at Solomon, mouthing ‘Who’s that?’ but Lorimer steered her by the elbow away from the lounge and back into the hallway.

‘I’ll make the introductions later,’ he whispered, then began to run through the details about the body on the floor that had been Janet Yarwood, aspiring portrait painter.

‘Twenty-nine. Single. Lived alone. Bed hadn’t been slept in. Last seen by her colleagues the day before yesterday.
Chap upstairs heard her radio on that night, so we might assume she was home. Over to you.’

Already the pathologist had pulled on gloves and was kneeling by the corpse. A few minutes later Lorimer had the answer he was looking for.

‘Yes. She’s been dead about forty-eight hours or so.’

‘But you can’t be sure until you’ve done more tests,’ Lorimer mimicked the young woman’s voice and she grinned suddenly, recognising the banter that often occurred on these occasions, lightening the grimmer reality of their respective jobs.

‘Well, one thing we can be sure of, and that’s the nature of the killing.’

‘And?’

‘She was stabbed several times. Look. See here and here.’

Rosie pointed with a pencil to areas on the corpse which were heavily bloodstained.

‘But her neck?’

Lorimer crouched over, indicating the wounds he had seen three times before in recent months. Rosie shook her head.

‘I can’t be certain yet but the scatters of blood look like she was alive when she was stabbed. Let’s see.’ She flipped back the dead woman’s eyelids. ‘No sign of any haemorrhaging.’ The mouth was examined gently. ‘There you are. Strangulation was post-mortem. That tell you anything?’

Lorimer nodded, his face grim. It was all adding up to give credence to Solomon’s profile. The too-deliberate signature of strangulation and mutilation. The killer had had a reason for doing away with Janet Yarwood, just as he must have had for the murder of Lucy Haining. Yet he was cocking a snook at them with the bicycle chain and the taking of another scalp. Had the old ambulance not been a burned-out wreck, doubtless the body would have ended up in St Mungo’s Park, he thought bitterly.

Leaving
the pathologist to her task, Lorimer made for the victim’s bedroom. It was small and tidy, the bed made and a pair of felt slippers neatly placed beside the bedside cabinet. The sight of the slippers gave Lorimer his usual qualm. A living, breathing human had been taken away and that horror outside left in her place. His lips tightened in determination as he continued his search of the room. A jewellery box lay on the dressing table with various ceramic pots and tiny vases placed strategically around. He looked at the walls and again his glance fell on the bedside tabletop. There were no photographs. Perhaps a portrait painter had no need of them?

Lorimer turned to the dressing-table drawers and began to rummage. Underclothes, jerseys, socks … nothing much here, he thought. The bedside cabinet was more revealing. Notebooks and papers had been shoved higgledy-piggledy in the two sections of the cupboard. His hands searched delicately through the contents. Bank statements, insurance policies, all the usual paraphernalia of adulthood. There were several letters which Lorimer scanned. He made a note of two names and addresses for next of kin then, realising that he would have to process many of the documents for further information, he took the pile out with him into the hallway. Leaning against the lounge door, one eye on Solomon’s back, he tapped out a number on his mobile.

‘Lorimer. Get
me DS Wilson.’

There was a pause during which Lorimer glanced down the hallway. The pathologist, the scene-of-crime officer whose name was Fred, and the forensic biologist were working away methodically in the midst of all that carnage. This was just a beginning for them. Tomorrow they’d be back to find further samples.

‘Alistair? I want you to run a check on Lucy Haining’s bank accounts. Find out all you can as far back as, oh, let’s say the last year. OK? Right. I’ll be over shortly.’

He put the mobile back into his overcoat pocket then returned to the lounge where Solomon was still sitting.

‘Solly.’ The dark head turned in Lorimer’s direction. ‘There’s someone I’d like you to meet.’

Solly rose to his feet as Rosie walked in briskly behind the DCI, stripping off the surgical gloves with a loud snap.

‘Ah, the famous Dr Brightman!’ Rosie exclaimed, extending her hand. ‘How do you do?’

Lorimer watched, amused to see Solomon’s first reaction to the petite blonde. Expert on human behaviour he might be but Lorimer enjoyed observing how swiftly the young psychologist had found his most charming smile. An eyeful of Rosie was a fairly good antidote to the horrors that Solly had seen elsewhere in the flat.

‘I’ve heard about you before,’ Rosie said mischievously.

Solomon stared blankly at the woman for a moment then his face cleared in understanding.

‘Of course. Glasgow University.’

She smiled, nodding. ‘I don’t spend all my time in the City Mortuary, though it feels like it sometimes. Lorimer tells me you’re profiling this guy.’ She indicated the area outside the room, as if the killer’s presence still contaminated the locus.

‘Yes. You
know about my, um, accident?’

‘You were mugged in your own flat, right?’

‘Maybe I was closer to our suspect than I’d have wished.’ ‘So it might have been you laid out on my slab!’ Rosie teased.

Solly blushed suddenly at the thought of this attractive young woman examining his naked body. Noticing his discomfiture, Lorimer clapped Rosie on the shoulder.

‘They’re an insensitive lot, Dr Brightman. She’s just winding you up.’

Just then a grey-bearded man put his head around the door.

‘Ah, Chief Inspector.’

‘Back to work,’ commented the pathologist, recognising the scene-of-crime photographer. ‘Right then,’ she tapped Solly’s arm gently, ‘I’d best get on out there. See you later, maybe.’

‘I can have one of the boys take you home,’ Lorimer suggested, seeing Solly slump back into the soft folds of the settee, but the psychologist shook his head.

‘I’m all right now. I’d like to stay while you look around the flat.’

‘Up to you. There may also be a few things to do in the office before I see my bed tonight.’

Lorimer checked that the scene-of-crime boys were still in the flat then began to look around the room. Janet Yarwood had been one of the many solitary people in this city. She had told the psychologist several things about Lucy Haining that Lorimer remembered from the report. Now,
thought Lorimer, just as Rosie could read for signs of death, it was time that Janet Yarwood’s home told him something about her life.

First-floor flat, lounge window overlooking the street below. A door directly opposite led to the hall and the other rooms, and there was a small kitchen off the lounge. The only wall without window or doorway was dominated by a huge batik hanging in bright pink, black and white. At first the design seemed abstract but on closer inspection Lorimer saw that it was in fact a representation of a zebra and foal against an African sunset. Remembering the influence on Lucy Haining’s jewellery designs, Lorimer made a mental note to look for other African artefacts. Most of the furnishings were old and shabby, in contrast to the newness of the building itself. Instead of a carpet, there were several durries laid side by side, leaving a broad strip of unvarnished floorboard under the window. Here a collection of artist’s materials were gathered: boxes containing tubes of paint, larger tubes of primary-coloured acrylics, brushes of various sizes sticking out of pottery jars and stacks of unframed canvases, face to the wall. Curious about their subjects, Lorimer flipped them over. They were all studies of children. Had any of the models come from Lucy’s life classes? he wondered. But perhaps they were simply early studies for commissioned portraits. At one end of the room, under the garish batik, was an old square table. Someone had stripped and varnished it at one time and the warm oak glowed in the lamplight. A large blue pottery bowl was filled with exotic fruits. Had she meant to eat them, he thought, or were they a subject for still life? Two squashy chairs and the settee were draped in plain undyed linen, contrasting with the striped multicoloured rugs.