SEAMUS HEANEY
For Marie and Michael and
Christopher and Catherine Ann
Title Page
Dedication
from
Death of a Naturalist
(1966)
Digging
Death Of A Naturalist
Blackberry-Picking
Follower
Mid-Term Break
Poem
Personal Helicon
from
Door into the Dark
(1969)
Thatcher
The Peninsula
Requiem For The Croppies
The Wife’s Tale
Night Drive
Relic Of Memory
Bogland
from
Wintering Out
(1972)
Bog Oak
Anahorish
Gifts Of Rain
Broagh
Oracle
A New Song
The Other Side
The Tollund Man
Wedding Day
Summer Home
Limbo
Bye-Child
Westering
from
Stations
(1975)
Nesting-Ground
England’s Difficulty
Visitant
Trial Runs
Cloistered
The Stations Of The West
Incertus
from
North
(1975)
Mossbawn: Two Poems In Dedication
Funeral Rites
North
Viking Dublin: Trial Pieces
Bone Dreams
Bog Queen
The Grauballe Man
Punishment
Strange Fruit
Act Of Union
Hercules And Antaeus
from
Whatever You Say Say Nothing
from
Singing School
from
Field Work
(1979)
Oysters
Triptych
The Toome Road
A Drink Of Water
The Strand At Lough Beg
Casualty
Badgers
The Singer’s House
The Guttural Muse
Glanmore Sonnets
An Afterwards
The Otter
The Skunk
A Dream Of Jealousy
from
Field Work
Song
The Harvest Bow
In Memoriam Francis Ledwidge
from
Sweeney Astray
(1983)
Sweeney Praises The Trees
Sweeney Astray
Sweeney’s Lament On Ailsa Craig
Sweeney In Connacht
Sweeney’s Last Poem
from
Station Island
(1984)
The Underground
Sloe Gin
Chekhov On Sakhalin
Sandstone Keepsake
from
Shelf Life
Making Strange
A Hazel Stick For Catherine Ann
A Kite For Michael And Christopher
The Railway Children
The King Of The Ditchbacks
Station Island
From Sweeney Redivivus
The First Kingdom
The First Flight
Drifting Off
The Cleric
The Master
The Scribes
Holly
An Artist
In Illo Tempore
On The Road
from
The Haw Lantern
(1987)
For Bernard And Jane Mccabe
Alphabets
Terminus
From The Frontier Of Writing
The Haw Lantern
From The Republic Of Conscience
Hailstones
The Stone Verdict
The Spoonbait
Clearances
The Milk Factory
The Wishing Tree
Wolfe Tone
From The Canton Of Expectation
The Mud Vision
The Disappearing Island
Notes
Index
Praise
About the Author
By the Same Author
Copyright
Between my finger and my thumb
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
All year the flax-dam festered in the heart
Of the townland; green and heavy headed
Flax had rotted there, weighted down by huge sods.
Daily it sweltered in the punishing sun.
Bubbles gargled delicately, bluebottles
Wove a strong gauze of sound around the smell.
There were dragon-flies, spotted butterflies,
But best of all was the warm thick slobber
Of frogspawn that grew like clotted water
In the shade of the banks. Here, every spring
I would fill jampotfuls of the jellied
Specks to range on window-sills at home,
On shelves at school, and wait and watch until
The fattening dots burst into nimble-
Swimming tadpoles. Miss Walls would tell us how
The daddy frog was called a bullfrog
And how he croaked and how the mammy frog
Laid hundreds of little eggs and this was
Frogspawn. You could tell the weather by frogs too
For they were yellow in the sun and brown
In rain.
Then one hot day when fields were rank
With cowdung in the grass and angry frogs
Invaded the flax-dam; I ducked through hedges
To a coarse croaking that I had not heard
Before. The air was thick with a bass chorus.
Right down the dam gross-bellied frogs were cocked
On sods; their loose necks pulsed like sails. Some hopped:
The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.
For Philip Hobsbaum
Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer’s blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk-cans, pea-tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full,
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard’s.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn’t fair
That all the lovely canfuls smelt of rot.
Each year I hoped they’d keep, knew they would not.