Read New Collected Poems Online
Authors: Wendell Berry
beneath an opening to the sky
âheavenly, I thought it,
so perfect; had I foreseen it
I would have desired it
no less than it deserves;
fox tracks in snow, the impact
of lightness upon lightness,
unendingly silent.
What I know of spirit is astir
in the world. The god I have always expected
to appear at the woods' edge, beckoning,
I have always expected to be
a great relisher of this world, its good
grown immortal in his mind.
In the April rain I climbed up to drink
of the live water leaping off the hill,
white over the rocks. Where the mossy root
of a sycamore cups the flow, I drank
and saw the branches feathered with green.
The thickets, I said, send up their praise
at dawn. Was that what I meantâI meant
my words to have the heft and grace, the flight
and weight of the very hill, its life
risingâor was it some old exultation
that abides with me? We'll not soon escape
the faith of our fathersâno more than
crazy old Mrs. Gaines, whom my grandmother
remembers standing balanced eighty years ago
atop a fence in Port Royal, Kentucky,
singing: “One Lord, one Faith, and one
Cornbread.” They had a cage built for her
in a room, “nearly as big as the room, not
cramped up,” and when she grew wild
they kept her there. But mostly she went free
in the town, and they allowed the children
to go for walks with her. She strayed once
beyond where they thought she went, was lost
to them, “and they had an awful time
finding her.” For her, to be free
was only to be lost. What is it about her
that draws me on, so that my mind becomes a child
to follow after her? An old woman
when my grandmother was a girl, she must have seen
the virgin forest standing here, the amplitude
of our beginning, of which no speech
remains. Out of the town's lost history,
buried in minds long buried, she has come,
brought back by a memory near death. I see her
in her dusky clothes, hair uncombed, the children
following. I see her wandering, muttering
to herself as her way was, among these hills
half a century before my birth, in the silence
of such speech as I know. Dawn and twilight
and dawn again trembling in the leaves
over her, she tramped the raveling verges
of her time. It was a shadowy country
that she knew, holding a darkness that was past
and a darkness to come. The fleeting lights
tattered her churchly speech to mad song.
When her poor wandering head broke the confines
of all any of them knew, they put her in a cage.
But I am glad to know it was a commodious cage,
not cramped up. And I am glad to know
that other times the town left her free
to be as she was in it, and to go her way.
May it abide a poet with as much grace!
For I too am perhaps a little mad,
standing here wet in the drizzle, listening
to the clashing syllables of the water. Surely
there is a great Word being put together here.
I begin to hear it gather in the opening
of the flowers and the leafing-out of the trees,
in the growth of bird nests in the crotches
of the branches, in the settling of the dead
leaves into the ground, in the whittling
of beetle and grub, in my thoughts
moving in the hill's flesh. Coming here,
I crossed a place where a stream flows
underground, and the sounds of the hidden water
and the water come to light braided in my ear.
I think the maker is here, creating his hill
as it will be, out of what it was.
The thickets, I say, send up their praise
at dawn! One Lord, one Faith, and one Cornbread
forever! But hush. Wait. Be as still
as the dead and the unborn in whose silence
that old one walked, muttering and singing,
followed by the children.
For a time there
I turned away from the words I knew, and was lost.
For a time I was lost and free, speechless
in the multitudinous assembling of his Word.
Better born than married, misled,
in the heavy summers of the river bottom
and the long winters cut off by snow
she would crave gentle dainty things,
“a pretty little cookie or a cup of tea,”
but spent her days over a wood stove
cooking cornbread, kettles of jowl and beans
for the heavy, hungry, hard-handed
men she had married and mothered, bent
past unbending by her days of labor
that love had led her to. They had to break her
before she would lie down in her coffin.
While the summer's growth kept me
anxious in planted rows, I forgot the river
where it flowed, faithful to its way,
beneath the slope where my household
has taken its laborious stand.
I could not reach it even in dreams.
But one morning at the summer's end
I remember it again, as though its being
lifts into mind in undeniable flood,
and I carry my boat down through the fog,
over the rocks, and set out.
I go easy and silent, and the warblers
appear among the leaves of the willows,
their flight like gold thread
quick in the live tapestry of the leaves.
And I go on until I see, crouched
on a dead branch sticking out of the water,
a heronâso still that I believe
he is a bit of drift hung dead above the water.
And then I see the articulation of feather
and living eye, a brilliance I receive
beyond my power to make, as he
receives in his great patience
the river's providence. And then I see
that I am seen. Still as I keep,
I might be a tree for all the fear he shows.
Suddenly I know I have passed across
to a shore where I do not live.
In the evening there were flocks of nighthawks
passing southward over the valley. The tall
sunflowers stood, burning on their stalks
to cold seed, by the river. And high
up the birds rose into sight against the darkening
clouds. They tossed themselves among the fading
landscapes of the sky like rags, as in
abandonment to the summons their blood knew.
And in my mind, where had stood a garden
straining to the light, there grew
an acceptance of decline. Having worked,
I would sleep, my leaves all dissolved in flight.
Always, on their generation's breaking wave,
men think to be immortal in the world,
as though to leap from water and stand
in air were simple for a man. But the farmer
knows no work or act of his can keep him
here. He remains in what he serves
by vanishing in it, becoming what he never was.
He will not be immortal in words.
All his sentences serve an art of the commonplace,
to open the body of a woman or a field
to take him in. His words all turn
to leaves, answering the sun with mute
quick reflections. Leaving their seed, his hands
have had a million graves, from which wonders
rose, bearing him no likeness. At summer's
height he is surrounded by green, his
doing, standing for him, awake and orderly.
In autumn, all his monuments fall.
The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be hereâa time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
My daughter:
“I hope there's an animal
somewhere that nobody has ever seen.
And I hope nobody ever sees it.”
Being, whose flesh dissolves
at our glance, knower
of the secret sums and measures,
you are always here,
dwelling in the oldest sycamores,
visiting the faithful springs
when they are dark and the foxes
have crept to their edges.
I have come upon pools
in streams, places overgrown
with the woods' shadow,
where I knew you had rested,
watching the little fish
hang still in the flow;
as I approached they seemed
particles of your clear mind
disappearing among the rocks.
I have waked deep in the woods
in the early morning, sure
that while I slept
your gaze passed over me.
That we do not know you
is your perfection
and our hope. The darkness
keeps us near you.
. . . Except a corn of wheat fall into the
ground and die, it abideth alone . . .
J
OHN 12:24
Â
Shrugging in the flight of its leaves,
it is dying. Death is slowly
standing up in its trunk and branches
like a camouflaged hunter. In the night
I am wakened by one of its branches
crashing down, heavy as a wall, and then
lie sleepless, the world changed.
That is a life I know the country by.
Mine is a life I know the country by.
Willing to live and die, we stand here,
timely and at home, neighborly as two men.
Our place is changing in us as we stand,
and we hold up the weight that will bring us down.
In us the land enacts its history.
When we stood it was beneath us, and was
the strength by which we held to it
and stood, the daylight over it
a mighty blessing we cannot bear for long.
Willing to die,
you give up
your will, keep still
until, moved
by what moves
all else, you move.