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Authors: John Connolly

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BOOK: Night Music
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“Well, have you discovered what the man in question
did
buy with it?”

“Since you only informed me about it this morning, I may need a little more time,” I said.

Again, Fawnsley gave me that look. I corrected myself. I didn't want Fawnsley reporting back to Quayle that I was troubled, or unreliable. I needed the money.

“Sorry,” I said, making the best of a bad situation. “I meant that I have only this morning received some information, based on what was contained in the telegram.”

“And what is this great leap?”

“I think Maulding might have spent the money on books.”


Books?
” squawked Fawnsley. “He could buy a whole bloody library of books for ten thousand pounds.”

“He already has a library,” I said. “When a man has as many books as Maulding, he stops being interested in the ones that are easy to acquire, because he already has them. Instead, he starts seeking out rare volumes, and the rarer they are, the more they cost.”

“And what kind of rare volumes are we talking about?”

But before I could reply Fawnsley was considering his own question.

“Surely it's not literature of a depraved nature? He never struck me as the type.”

“It depends upon what one means by ‘depraved,' I imagine.”

“Don't come the philosopher with me, man. You know precisely what I mean.”

“If you're referring to works of an erotic nature, then, no, I don't think that was Maulding's weakness. He had some volumes of that type in his library, but not many. He did seem to have developed something of a fascination with the occult, though, and I couldn't trace all the books on the subject that he had acquired. Most of them appear to be missing, although I admit that I might have overlooked a couple on his shelves. There are only so many titles that one man can examine at a time.”

“Occult? Erotica? You've become quite the expert, haven't you, and all that in just a week? Clearly, our money is being well spent. We may not have Maulding, but you're improving your education by leaps and bounds.”

There it was again: a week, a week.

“It's just common sense. Tell Quayle I'll be in touch when I have something more solid to offer him.”

“What about receipts?” said Fawnsley.

“You'll get them.”

“I should hope so. We're not made of money, you know.”

“I never thought you were, Mr. Fawnsley,” I said. “If that were the case, you'd invest in a better suit of clothes and the manners to go with it.”

Fawnsley seemed about to say something in reply, but decided against it. I knew what he thought of me already. Through a half-open door, I'd once overheard him carefully trying to steer Quayle away from hiring me shortly after I'd left Craiglockhart. I'd done some work for Quayle before the war, much like the work I was doing now, but back then Fawnsley was merely a junior clerk. Quayle's factorum had been a chap of the old school named Hayley, who was wounded at Sevastopol and drank port with his lunch.

“He wasn't even a proper officer,” Fawnsley had protested, a reference to the fact that I had been promoted from the ranks. “Worse, he is a broken man!”

And Quayle had replied, “He was more of an officer than you or I, and a broken man can be fixed, especially one who wants to mend himself.”

That was why I was loyal to Quayle. He had faith in me. It also helped that he paid me for my services: not well, and not fast, but he paid.

“Good-bye, Mr. Fawnsley,” I said, but he bade me no farewell.

•  •  •

It was already dark when I reached the address in Chelsea occupied by Dunwidge & Daughter, Booksellers. It lay in an area known as World's End, named after a pub at the western extreme of the King's Road. In the last century, this area had been something of an artists' colony: Turner, Whistler, and Rossetti lived and worked there, and it still had something of a bohemian feel to it.

Dunwidge & Daughter, though, seemed intent on maintaining a discreet presence, and the only indication that the terraced house might shelter a business lay in a brass plate on the front door, engraved with a pair of interlocking
D
s. I rang the bell. After a minute, a bald man wearing a suit jacket and waistcoat over his otherwise bare chest opened the door. He held a cigarette in one hand and a brass candlestick in the other.

“Yes?” he said.

“Mr. Dunwidge?”

“That's me. Do I know you?”

“No. I'm here on behalf of Mr. Lionel Maulding, one of your customers.” This was not so much a lie as an approximation of truth. “My name is Soter.”

“It's late, but I suppose you'd better come in if you're here on Maulding's business.”

He opened the door wider, and I stepped inside. The house was dimly lit, but reminiscent of Maulding's own home in the sheer numbers of books that lined the walls of the hall. A stairway led up to the next levels of the house, but Dunwidge directed me through a door on the right. It was one of two interconnected rooms that served as a kind of shop floor, with books on tables and shelves and, in some cases, securely locked away behind glass-fronted and barred cabinets.

“He send you with his shopping list, then?” asked Dunwidge. He put the cigarette in his mouth and gestured with his right hand. “Well, hand it over. Let's see what he wants this time.”

I didn't answer. There was a table by the window in the main room, and on it rested an ashtray filled with cigarette butts. It was clearly where Dunwidge worked when he had no customers to trouble him. The rest of the table was taken up by various sheets of paper covered in handwritten symbols, part of some code that I could not decipher. I flicked through them, but they were all similarly arcane.

“What are these?” I asked.

“You might want to tell your Mr. Maulding about those,” said Dunwidge. “Very interested in them, he was, but I didn't have a full set of sixty folios to offer him, not then. They're Cipher Manuscripts. I suppose you could call them a compendium of magic.”

“What language is this?”

“English and Hebrew, mostly. It's a substitution cryptogram. It's not hard to interpret, once you find the pattern. This one came from a former Adeptus Major in the Hermetic Order of the Golden Dawn. Seems he had a falling-out with Berridge over at the Iris-Urania, and Crowley, too. Can't say I blame him when it comes to Crowley. I won't have him in the house. He's a wrong 'un, and I should know: I've seen enough of them in this business. Once I'm sure that we have the lot, I'll let your Mr. Maulding know. I'll give him a good price, he need have no fear of that.”

Dunwidge lit a fresh cigarette without offering me one, and peered at me suspiciously through the smoke.

“He usually comes down here himself, does Mr. Maulding,” he said. “Always struck me as a private sort. Unusual that he'd send someone else along on an errand.”

I turned to face him.

“Mr. Maulding seems to have disappeared,” I said. “I've been asked to find him.”

“I see,” said Dunwidge. “Well, he ain't here.”

“When did you last see him?”

Dunwidge engaged in some ear-tugging and cheek-puffing. “Oh, not for two or three months or more, I would have to say.”

“Really?”

“At least.”

I reached into my pocket and removed a sheaf of receipts from Dunwidge & Daughter.

“That's odd,” I said, “because all these receipts are more recent than that.”

“Well, we do a lot of business by mail.”

“I'm sure. Nevertheless, Mr. Maulding made a number of visits to London in the last month, and he was not in the habit of traveling to the city more often than was necessary. He was a meticulous man. He kept train tickets, notes of meals eaten and taxis taken. I've gone through them all, and it seems that your premises was his destination on more than one of those occasions.”

I waited to be called on the lie, but Dunwidge buckled.

“I might be mistaken, of course,” he said. “We get all sorts of people through here, at all sorts of hours. I might have missed him. My daughter, she deals with most of the customers. I'm more of a backroom boy myself. Always have been.”

“Is your daughter here, Mr. Dunwidge?”

“Oh, she's about, right enough. I expect she'll be along in her own good time.”

He fussed with some books, straightening their spines so that they were aligned with the edge of their shelf. It was clear that he now regretted being the one who had answered the door to me.

“Do you recall what books Mr. Maulding might have purchased?”

“Not off the top of my head. You'd be surprised how many books we sell. Lot of interest in our area, lot of interest.”

More fussing, more aligning, the tension knotting in his shoulders.

“But you keep records, I'm sure?”

“My daughter does. I'm a numbers man. I add up the takings at the end of the day and see it all safely to the bank in the morning.”

“A backroom boy
and
a numbers man,” I said. “The only limit to your talents appears to be your memory.”

He didn't let the sarcasm bite, but merely smiled bashfully.

“I'm not as young as I used to be,” he said, and the smile twisted just slightly so that it became a thing more unpleasant, more knowing. “My memory does tend to come and go, I'll admit, and that can be a curse, you know, but a blessing, too.”

He glanced over my right shoulder, and I saw relief and, perhaps, a hint of fear on his face.

“Ah, here she is,” he said. “I was wondering where you'd got to, my dear. Gentleman here has some questions about Mr. Maulding.”

There came that sly grin again. “You'll forgive me, sir, but your name has already slipped my mind.”

“It's Soter,” I said, as I turned to face his daughter.

•  •  •

What struck me first about her was her solidity. She was certainly not thin, but neither was she fat. She had the bulk of one who had engaged in heavy physical labor for much of her life, and I felt that, if I were to poke her with a finger, there would be only a little give to her flesh before I encountered hard muscle. She was tall for a woman—five eight or a fraction more—and might have been any age from thirty to fifty. Her hair was a muddy brown, pulled tight in a bun and fixed with pins. Her face was largely unadorned, apart from a slash of lipstick that was rather too pale for her complexion and lent her an aspect of bloodlessness that belied her bulk. She wore a black dress with mother-of-pearl buttons which, although it was relatively tight, showed few curves. I might almost have said that there was a sexlessness to her, but that would not have been right. She was clearly a woman, but I would no more have considered seducing her than I would have considered seducing a statue of Queen Victoria herself. There was an unattractiveness to her that emanated from within. I had met plain women, even ugly women, whose physical shortcomings had been remedied by their spirit, their decency and kindness even effecting a kind of transformation upon them, softening the bluntness of their features. This was not such a woman. The blight was inside her, and no restyling of her hair, no careful use of cosmetics, no pretty dresses could have made her any less unsettling than she was.

“I'm Eliza Dunwidge,” she said. “Pleased to make your acquaintance, Mr. Soter.”

And there was something in the way she said my name that made me believe she already knew of me, although I had not perceived a similar response in her father when first we met. That benighted man seemed to take courage in his daughter's presence, and was now looking at me with his arms folded and an expression of satisfaction on his face, as if to say, “Now, here's the thing, and a pretty thing it is. She'll set you right, oh yes. She'll scatter the pigeons and come back with feathers in her mouth. . . .”

As if in response to such imagined thoughts, Eliza Dunwidge's hands emerged from behind her back, as though ready to wring the neck of the nearest bird. They were thin and delicate and entirely without lines or blemishes. They resembled the hands of a mannequin that had been fused to her own limbs. Their nails were perfect, and gleamed as they caught the light in the room.

“Mr. Maulding is a good customer,” she said. “We always look forward to seeing him here.”

“Did he visit you often?”

“May I ask why you're inquiring after him? We maintain the utmost discretion when it comes to our clients. As you may have gathered already, we offer a very specialized service. There are those who frown upon what we sell, which is why we choose not to display our wares in a shopwindow on Charing Cross Road.”

“Mr. Maulding is missing,” I said. “He has not been seen for a week—”

I thought of the calendar on Fawnsley's desk, and added, “or more. I've been employed by his lawyer to inquire into his condition.”

Eliza Dunwidge did not seem unduly taken aback by this announcement. Perhaps people disappeared around her on a regular basis. There might even be a section in the shop containing works alluding to such practices:
People, Disembodiment of
. Still, she found it in herself to say the appropriate words under the circumstances, even if she gave no sign that she meant them.

“I'm sorry to hear that,” she said. “I hope that no harm has come to him.”

“As you say, he was a good customer. Wouldn't want to go losing too many of those, would you?”

Her head tilted slightly. She was examining me in a new light, although it wasn't clear if she liked what she saw.

“No, Mr. Soter, I would not.”

“I,” not “we.” Interesting. It was easy to see who was the principal partner in this particular firm. They would have been better off naming their business Daughter & Dunwidge.

I moved away from her and paused in front of the locked cabinets.

BOOK: Night Music
9.13Mb size Format: txt, pdf, ePub
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