Nilda (12 page)

 

“Let's play a game of hide-and-go-seek,” Benji said. No one answered him or moved. “Come on, Nilda, let's play.” Going over to her, he whispered in her ear, “Our plan, Nilda, remember?”

“Oh, yeah, let's get out of this dumb hallway. Let's go out and choose who's gonna be It,” Nilda said, and ran out of the building with the other children following her. Outside, they gathered in a circle. “Eeny meeny miney moe, catch a monkey by the toe. My teacher said to pick this one.” Nilda did this very quickly, pointing to Benji. “You're It, Benji,” Nilda yelled. “Come on, let's hide.”

“Remember Papi, Nilda,” Benji said nervously.

“Oh, yeah. We have to stay close to the lamppost because Benji's father might catch him playing,” Nilda explained. “Now, when I yell ‘Ungawa' like Tarzan in the movies, you have to come out fast and act like we were just talking. Let's go. Go on, Benji, start counting.”

Benji started counting and, as everyone ran, Nilda waited, whispering to Benji, “Benji, Petra went behind that big black car across the street. I'm gonna follow Marge. You tell Petra our plan.”

The game continued until Nilda was It. As she leaned forward against the lamppost, her hands covering her eyes, counting, “… fourteen, fifteen, sixt …” she heard voices; people were coming out of the building. Quickly she yelled, “Ungaawaa, Ungaawaa!” Benji came running; Marge and Petra followed. Breathless, they walked up to the stoop steps to join the people who were assembling.

All of Benji's brothers and sisters were there with his grandmother, his mother, his mother's younger sister, who held on to two small children and her husband, who carried an infant in his arms. The men all wore dark suits and coats. The women had on very plain clothes and, except for Benji's mother, no make-up. Benji's mother was dark-skinned, and Nilda noticed that whenever his mother went to church she covered her face with powder. The powder was very light in tone; bits of it settled in the
creases and wrinkles of her face, giving her an ashen look. Nilda thought, She looks like she's got a mask on, and remembered the white flour she put on her own face for Halloween.

The older kids and grown-ups held small black Bibles. Whenever Nilda asked a question about their religion, they always quoted from the Bible.

“When are we leaving?” someone asked.

“We have to wait for Don Wilfredo to come down,” someone else answered.

After a short while Benji's father came down. He was dressed in a black suit, black coat and wore a wide-brimmed black fedora on his head. He was a small man, fair in complexion, so thin that the brim of his fedora was as wide as his shoulders. Slowly raising his arms, he said, “This day when our Lord has sent us fire, doom and destruction … let us go directly to the house of God.” Looking around him, he continued solemnly, “Let us pray as we walk, and think of Him. El Señor nos protege.”

“Aleluya!” people responded.

“Amen.”

“El Señor es poderoso.”

Don Wilfredo slowly dropped his arms and started to walk. The large group of people followed as he led the way. Nilda walked close to Benji with Petra and Marge. Man! This looks like a parade, she thought.

A
s they marched to the storefront church, Nilda saw the people they passed on the street point and stare at the group. They continued marching silently. Nilda wanted to say something, but since no one spoke, she remained silent. They finally arrived at the church. The large storefront window had the words

LA ROCA DE SAN SEBASTIÁN, INC.

printed on it in large black letters. Just below them, in smaller black print, were the words

IGLESIA PENTECOSTAL

Underneath the words was a painted scene of San Sebastián in a white tunic, with long blond hair down to his shoulders, a blond beard and a golden halo painted over his head. He stood barefoot on top of a large boulder on a mountain of green grass. He looks just like the statue of Jesus in St. Cecilia's, thought Nilda.

The entire window was covered by the painted scene, so that it was not possible to see inside the church too clearly. The large room was brightly lit and some people were already seated. As they entered, Benji whispered to Nilda, “Follow me. Hurry up.” Nilda, Petra and Marge trailed along as Benji went over to the second row. He sat in the first seat near the aisle. Then Nilda, Petra and Marge sat down next to each other. Benji looked at Nilda and nudged her with his elbow. “This is just right,” he said, laughing. Nilda laughed and nudged Petra who began to giggle.

“What's so funny, everybody?” asked Marge.

“Nothing,” said Petra, laughing.

“If nothing is funny, then why are you all laughing? Let me know too,” she insisted.

“Shh,” Nilda said, raising her finger and frowning at Marge. “Be quiet.” Marge settled back, sulking. Some of Benji's family began to seat themselves next to the children.

More people came into the church, greeting one another. “Buenos días. What a sad day today.”

“Amen.”

“Good day. Aleluya!”

“What a tragedy.”

All the seats were beginning to fill up. “Hi, Benji,” said one boy. “What are you doing sitting way up here? Wanna sit back with us?”

“No, it's okay. I gotta stay here,” Benji answered, looking away, avoiding the boy.

“What's your father do in the church again, Benji?” Nilda asked. She knew his father had an important position.

“He's the sexton. He takes care of seeing that the church is taken care of; like it should have enough chairs and tables, lights and all that. He was working here all day for the service tonight.”

“Oh,” said Nilda, impressed.

Women carrying shopping bags walked up to a long table which was to the right of the small center platform. They began to take out bowls and pots of food, setting them on the table. There were jars of juice and maví. Nilda loved maví; it had a tangy taste. Paper plates, cups and napkins were set down next to metal forks and knives.

On the other side of the platform was a piano, a drum set, maracas, two tambourines, the back of a banjo head, rhythm sticks and a güiro. There were rows of wooden folding chairs, going from the back of the room right up to the pulpit on the platform. An open space was left in the center, creating an aisle.

The minister walked up to the pulpit. He was a short plump man with a dark brown complexion. He wore his tight curly hair short; it was greying at the temples and thinning at the top. One of his front teeth was capped in shiny gold and reflected the lights as he smiled, greeting the people. “Aleluya, brother,” he said. “Amen.”

The musicians appeared and walked up to the platform, taking their places by the instruments. A very fat woman sat down at the piano. She had a fair pink complexion and looked flushed as she thumbed through the music sheets. The rest of the musicians were men, and each one took up an instrument. Another man followed, holding a guitar, and took his place next to the drums.

Raising his arms, the minister looked at the congregation. He looked to the left and to the right with his arms outstretched. The church was full; every seat was occupied and there were some latecomers standing in the rear. It got very quiet. He then raised his right hand, holding it above his head and pointing up with his forefinger. The minister began the sermon, speaking in Spanish. “What is the message? Eh? Today we have a sign from the Lord. Our Savior, El Señor.”

“Amen,” people called out.

“Aleluya.”

“Oh, yes.”

“I was gonna talk about sin and the devil and little things like that. Oh, yeah! I say little things like that because … NOW! … I say NOW! The Lord Jesus has spoken to us of war and enemies. God is patient with His children. Until finally, we go too far! Our country is in danger. And we? What do we do? Live in sin. Tomorrow I'll think about Jesus. Today I'll gamble and drink; tomorrow I'll think about Jesus. Today I'll covet my neighbor's wife; tomorrow I'll think about Jesus.” With that the minister leaped out from behind the pulpit and pointed to one of the congregation. “You!” Then he pointed to another. “You!” And another. “You!” … “You!
What have you done? Come on now. Have you thought of Jesus every moment? Have you thought of our country and God?”

“Amen!”

“Aleluya.”

“Help me, oh, Lord.”

“El Señor, help me!” people began to shout.

The minister waited a moment and went on. “What have you been thinking, brothers and sisters? Commit yourselves to Jesus. The Bible tells us, the Bible warns us. Oh, yes it does. Devastation! Destruction! Fire, doom and damnation. That's no news. No, sir. Are we gonna be surprised?”

“No. Jesus help us sinners.”

“Aleluya.” Everyone was yelling out.

Walking back to the pulpit, the minister looked at the congregation and said in a softer tone, “Let me read from the Bible, from Jeremiah, chapter twenty-one.” Pausing, he began to read from the large Bible placed in front of him. “The word which came unto Jeremiah from the Lord, when King Zedekiah sent unto him.…”

Nilda listened as the minister spoke, enjoying the way he preached. She liked their services. This was more fun than Mass at St. Cecilia's. Nilda wondered when that man Don Justicio was coming. She wanted to ask Benji about it, but she looked at Benji and saw he was quietly concentrating on what the minister said.

“… But I will punish you according to the fruit of your doings, saith the Lord, and I will kindle a fire in the forest thereof, and it shall devour all things round about it.” Closing the book and picking up his arms, he paused awhile, then shouted, “Oh, Lord, save us. Have pity on us. We commit ourselves to You, dear Master, Jesus.” Turning to the musicians, he clapped his hands briskly and said, “Let's have a chorus.”

Immediately, Nilda heard the drums and all the percussion start. A Latin beat sounded, quick in tempo, with a loud African rhythm. Then the piano and the guitar began playing the melody.

The minister began to sing, “Adore, adore Jesus. We shall be saved.” Everybody joined in singing, and they clapped their hands. People were swaying in their seats, clapping and singing on, “Be not afraid. We will go to heaven.”

Nilda started tapping her feet, following the rhythm. This is great, she thought. Except for the words, it sounds just like regular music. It was the same kind of music she heard on the Spanish radio stations, at parties in her own home and in her neighborhood. She began to rock back and forth in her seat, tapping her feet with the rhythm.

The minister was on the platform, clapping his hands and singing.

“Amen, Jesus loves me.” People were standing, rocking and swaying as they sang chorus after chorus.

“Save me, Jesus.”

“I love You, Lord,” voices called out.

“Come on. Come on,” the minister shouted. “Let Him enter into our bodies. Sisters, brothers, we shall be saved!”

Nilda heard a shriek. A woman stood up; she was shaking all over. The minister raised his hand toward the musicians and they lowered the sound of the music, slowly stopping altogether.

“¡Ayyyyyy! ¡Ay … ayyyyyy!” the woman shouted. The minister rushed over to her. Benji's father took the woman by one arm and the minister held her by the other arm. “Eeeeeeeee,” the woman yelled. They brought her up to the platform. She swooned and shrieked.

“He is entering her body,” the minister said. “Kneel, sister, kneel. Let Him in, sister, let Him in. Amen.”

The woman was crying and shaking. “No more, Jesus. I will sin no more. I was a sinner; drinking, and going to bed with any
man who asked me. Oh, Lord! Now I don't need men. I don't need sin. I got You, Jesus.”

“Aleluya, sister.”

The woman was kneeling, and every few seconds she would jerk her body and scream.

“The Lord is in her body,” the minister said. “Look. Look at her, everyone. He is sending His message through her body! He has penetrated her soul!”

Another scream was heard and several people in back were jumping around. “Come on up here, brothers, sisters. Let the Lord get into your bodies. Commit yourselves to Jesus.”

“Kneel, children of God, brother, sister, kneel.” Some kneeled, others fell on the floor shaking, crying. Everyone was shouting.

Nilda watched wide-eyed and began to giggle softly. Benji looked at her and whispered, “That's when the Lord gets into them,” covering his mouth and suppressing laughter. Nilda and Benji were trying hard not to laugh out loud.

Petra looked at them and said, “They all look like they're having fits.” Benji tried to tell her something but kept giggling instead.

“The Lord is supposed to be in their bodies,” Nilda said, looking at Petra and Marge, trying not to giggle. Marge looked terrified; she had never been inside this church before. Petra had attended only a short service once last year. Nilda had gotten used to the ceremony; she had come often with Benji. They usually sat in the back by the door with the other kids, sneaking out to play during the service. Today, however, they sat up front, looking forward to something else.

The music started again; this time they played a slow bolero rhythm with a soft melody that sounded familiar to Nilda. After a while she recognized it. It was a marching tune they played in school. The congregation had composed themselves and stood
up with their hands over their hearts, singing in English, “Three cheers for the red, white and blue.…” They sang the second chorus in Spanish.

The music stopped and everyone sat down. The minister began to speak. “Today we have been blessed by the Lord. He is here in our house, entering our bodies, welcoming us to …”

“Shit!”

They heard a shout at the door. “Amalia, come on out!”

Benji whispered to Nilda, “That's him; that's Don Justicio.”