No Comebacks (2 page)

Sanderson felt a surge of anger at the faceless man in Spain who stood in his way. 'What's he got that I can't offer you?'

She smiled a trifle ruefully. 'Oh, nothing. He's really rather weak, and not very effectual...'

'Then why not leave him?'

'Because he needs me,' she said simply.

'I need you.'

She shook her head. 'No, not really. You want me, but you can get by without me. He can't. He just hasn't the strength.'

'It's not just that I want you, Angela. I love you, more than anything else that's ever happened to me. I adore you, and I desire you.'

'You don't understand,' she said after a pause. 'Women love to be loved and adore to be adored. They desire to be desired, but more than all these together a woman needs to be needed. And Archie needs me, like the air he breathes.'

Sanderson ground his Sobranie into the ashtray.

'So, with him you stay ... "until death us do part",' he grated.

She didn't rise to the mockery but nodded and turned to stare at him. 'Yes, that's about it. Till death us do part. I'm sorry, Mark, but that's the way I am. In another time and another place, and if I weren't married to Archie, it might have been different, probably would. But I am married to my husband, and that's the end of it.'

The following day she was gone. He had his chauffeur drive her to the airport to catch the Valencia plane.

There are very fine gradations between love and need and desire and lust, and any one can turn into an obsession in a man's mind. In Mark Sanderson's all four did, and the obsession grew with the mounting loneliness as May turned into June. He had never been baulked in anything before, and like most men of power had developed over a decade into a moral cripple. For him there were logical and precise steps from desire to determination, to conception, to planning, to execution. And they inevitably ended in acquisition. In early June he decided to acquire Angela Summers, and the phrase that ran incessantly through his mind when he studied the stage of conception of the method was from the Book of Common Prayer.

Till death us do part. Had she been a different woman, impressed by wealth, luxury, power, social standing, there would have been no problem. For one thing he could have dazzled her with wealth to get her; for another she would have been a different woman and he would not have been so obsessed by her. But he was going round in a circle, and the circle would lead to madness, and there was only one way to break it.

He rented a small flat in the name of Michael Johnson, contacting the letting agents by telephone and paying a month's rent and a month's deposit in cash by registered mail. Explaining he would be arriving in London in the small hours of the morning, he arranged for the key to be left under the door-mat.

Using the flat as a base, he telephoned one of the no-questions-if-it's-legal private inquiry agencies in London and stated what he wanted. Hearing the client wished to remain anonymous, the bureau needed money in advance. He sent them £500 in cash by special delivery.

One week later a letter came to Mr Johnson stating the commission had been completed and the account balance was another £250. He sent it by post, and three days later received the dossier he wanted. There was a potted biography, which he skimmed through, a portrait taken from the flyleaf of a book about birds of the„ Mediterranean, long since out of print after selling a few score of copies, and several photos taken with a telephoto lens. They showed a small, narrow-shouldered man with a toothbrush moustache and a weak chin. Major Archibald Clarence Summers — 'He would have to keep the Major,' thought Sanderson savagely — expatriate British officer living in a small villa half a mile back from the coast outside an undeveloped Spanish coastal village in Alicante province, halfway between Alicante and Valencia. There were several shots of the villa. There was finally a rundown on the way of life of the villa, the morning coffee on the tiny patio, the wife's morning visits to the Castillo to teach English to the Contessa's three children, her inevitable afternoon's sunning and swimming on the beach between three and four while the major worked on his notes about birds of the Costa Blanca.

He started the next stage by informing the staff at his office that he would be staying at home until further notice, but that he would be in daily contact by phone. His next step was to change his appearance.

A small hairdresser advertising in
Gay News
was most helpful in this regard, cutting Sanderson's longish hair to a very 'butch' crew-cut and dying it from its natural dark chestnut to a pale blond. The operation took over an hour, would be good for a couple of weeks and was accompanied by much appreciative cooing from the hairdresser.

From then on Sanderson made a point of driving straight into the underground car park of his apartment block and taking the lift to the penthouse, avoiding the lobby porter. By telephone from his apartment he secured from a contact in Fleet Street the name and address of one of London's leading archive libraries specializing in contemporary affairs. It contained a superb section of works of reference and a copious collection of newspaper and magazine cuttings. After three days he had obtained a reading ticket in the name of Michael Johnson.

He began with the master heading of 'Mercenaries'. This file contained subfiles and cross-indexes bearing such titles as 'Mike Hoare', 'Robert Denard', 'John Peters' and 'Jacques Schramme'. There were other subfiles on Katanga, Congo, Yemen, Nigeria/Biafra, Rhodesia and Angola. He ploughed through them all. There were news reports, magazine articles, commentaries, book reviews and interviews. Whenever a book was mentioned, he noted the name, went to the general library section, withdrew the volume and read it. These included such titles as
History of Mercenaries
by Anthony Mockler,
Congo Mercenary
by Mike Hoare and
Firepower
which dealt exclusively with Angola.

After a week a name began to emerge from this welter of snippets. The man had been in three campaigns and even the most notorious of the authors appeared to speak warily of him. He gave no interviews and there was no photograph of him on file. But he was English. Sanderson had to gamble that he was still somewhere in London.

Years earlier, when taking over a company whose main assets were in blue-chip property, Sanderson had acquired a small menu of other commercial firms which included a cigar merchant, a film-processing laboratory and a literary agency. He had never bothered to be shot of them. It was the literary agency which found the private address of the author of one of the memoirs that Sanderson had read in the library.

The man's original publisher had no reason to be suspicious and the address was the same as the one to which the slim royalty cheques had once been sent.

When the property tycoon visited the mercenary/author, on the pretext of being from the man's own publishers, he found a man long gone to seed and drink, over the hill, living on his memories. The former mercenary hoped that the visit might herald a reprint and further royalties, and was plainly disappointed when he learned it did not. But he brightened at the mention of an introduction fee.

Sanderson, passing himself off as Mr Johnson, explained his firm had heard a certain former colleague of the ex-mercenary might be thinking of publishing his own story. They would not want another firm to get the rights. The only problem was the man's whereabouts...

When the ex-mercenary heard the name, he grunted.

'So he's going to come clean, is he?' he said. 'That surprises me.'

He was unhelpful until his sixth large whisky and the feel of a bundle of notes in his hand. He scribbled on a piece of paper and handed it to Sanderson.

'When the bastard's in town he always drinks there,' he said.

Sanderson found the place that evening, a quiet club behind Earl's Court. On the second evening his man came in. Sanderson had seen no picture of him, but there was a description in one of the mercenary memoirs, including the scar on the jaw, and the barman greeted the man by a first name which also fitted. He was rangy, wide-shouldered and looked very fit. In the mirror behind the bar Sanderson caught a glimpse of brooding eyes and a sullen mouth over the pint of beer. He followed the man home to a block of flats 400 yards away.

When he knocked on the door ten minutes after watching the light go on from the street, the mercenary was in a singlet and dark slacks. Sanderson noted that before opening up, he had killed the light in his own hallway and left himself in shadow. The light in the corridor illuminated the visitor.

'Mr Hughes?' asked Sanderson.

The man raised an eyebrow. 'Who wants to know?'

'My name is Johnson, Michael Johnson,' said Sanderson.

'Warrant card,' said Hughes peremptorily.

'Not fuzz,' said Sanderson. 'Private citizen. May I come in?'

'Who told you where to find me?' asked Hughes, ignoring the question.

Sanderson gave him the name of his informant. 'Not that he'll remember in twenty-four hours,' he added. 'He's too boozed up to remember his own name these days.'

A hint of a smile appeared at the corner of Hughes's mouth, but there was no humour in it.

'Yeah,' he said, 'that fits,' and jerked his head towards the interior. Sanderson moved past him into the living room. It was sparsely and shabbily furnished, in the manner of a thousand rented premises in that area of London. There was a table in the centre of the floor. Hughes, following behind, gestured him to sit at it.

Sanderson sat down and Hughes took a chair opposite him.

'Well?'

'I want a job done. A contract. What I believe is called a hit.'

Hughes stared at him without change of expression.

'Do you like music?' he asked at last. Sanderson was startled. He nodded.

'Let's have some music,' said Hughes. He rose and went to a portable radio standing on a table near the bed in the corner. As he switched on the set he also fumbled under the pillow. When he turned round Sanderson was staring into the muzzle of a Colt .45 automatic. He swallowed and breathed deeply. The volume of the music swelled as Hughes turned the radio up. The mercenary reached into the bedside drawer, his eyes still on Sanderson above the muzzle. He withdrew a notepad and pencil and returned to the table. One-handed he scribbed a single word on the sheet and turned it to Sanderson. It just said: 'Strip'.

Sanderson's stomach turned over. He had heard men like this could be vicious. Hughes gestured with his gun that Sanderson should move away from the table, which he did. Sanderson dropped his jacket, tie and shirt on the floor. He wore no vest. The gun gestured again, downwards; Sanderson unzipped his fly and let his trousers fall. Hughes watched without a trace of expression. Then he spoke.

'All right, get dressed,' he said. With the gun still in his hand, but pointing at the floor, he crossed the room and turned the music from the radio lower. Then he came back to the table.

'Toss me the jacket,' he said. Sanderson, with his trousers and shirt back on, laid it on the table. Hughes patted the limp jacket.

'Put in on,' he said. Sanderson did so. Then he sat down again. He felt he needed to. Hughes sat opposite him, laid his automatic on the table near his right hand and lit a French cigarette.

'What was all that about?' asked Sanderson. 'Did you think I was armed?'

Hughes shook his head slowly.

'I could see you weren't,' he said, 'but if you had been wired for sound I'd have tied the mike flex round your balls and sent the recording to your employer.'

'I see,' said Sanderson. 'No hardware, no tape-recorder, and no employer. I employ myself; sometimes others. And I'm serious. I need a job done, and I'm prepared to pay well. I'm also very discreet. I have to be.'

'Not enough for me,' said Hughes. 'Parkhurst is full of hard men who trusted punters with more mouth than sense.'

'I don't want you,' said Sanderson evenly. Hughes raised an eyebrow again. 'I don't want anybody who lives in Britain or has roots here. I live here myself; that's enough. I want a foreigner for a foreign job. I want a name. And I'm prepared to pay for that name.'

From his inside pocket he drew a wad of fifty brand-new £20 notes and laid them on the table. Hughes watched, expressionless. Sanderson split the pile in two, pushed one pile towards Hughes and carefully tore the other pile in half. He put one sheaf of twenty-five half-notes back in his pocket.

'The first five hundred is for trying,' he said, 'the second half is for succeeding. By which I mean the "name" must meet me and agree to take the job. Don't worry; it's not complex. The target is no one famous, a complete nonentity.'

Hughes eyed the £500 in front of him. He made no move to pick it up.

'I may know a man,' he said. 'Worked with me years ago. I don't know if he still works. I'd have to find out.'

'You could call him,' said Sanderson. Hughes shook his head.

'Don't like international phone lines,' he said. 'Too many are on tap. Especially in Europe these days. I'd have to go over and see him. That would cost two hundred more.'

'Agreed,' said Sanderson. 'On delivery of the name.'

'How do I know you won't cheat me?' asked Hughes.