No One Gets Out Alive

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Authors: Adam Nevill

BOOK: No One Gets Out Alive
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For my little girl, Iona.

One day your old Dad is going to have a lot of explaining to do about these books.

And in memory of two of my favourite writers:

Joel Lane (1963–2013):

Birmingham’s finest writer of the weird tale.

Colin Wilson (1931–2013):

whose ideas have always been such an inspiration to me.

Contents

CLOSER BY DARKNESS THAN LIGHT

DAY ONE

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

DAY TWO

THIRTEEN

FOURTEEN

FIFTEEN

SIXTEEN

SEVENTEEN

EIGHTEEN

DAY THREE

NINETEEN

TWENTY

TWENTY-ONE

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

TWENTY-FIVE

DAY FOUR

TWENTY-SIX

TWENTY-SEVEN

TWENTY-EIGHT

TWENTY-NINE

THIRTY

DAY FIVE

THIRTY-ONE

THIRTY-TWO

THIRTY-THREE

THIRTY-FOUR

THIRTY-FIVE

THIRTY-SIX

DAY SIX

THIRTY-SEVEN

THIRTY-EIGHT

THIRTY-NINE

FORTY

FORTY-ONE

FORTY-TWO

FORTY-THREE

DAY SEVEN

FORTY-FOUR

FORTY-FIVE

FORTY-SIX

FORTY-SEVEN

FORTY-EIGHT

FORTY-NINE

FIFTY

FIFTY-ONE

FIFTY-TWO

FIFTY-THREE

FIFTY-FOUR

FIFTY-FIVE

FIFTY-SIX

DAY EIGHT

FIFTY-SEVEN

FIFTY-EIGHT

FIFTY-NINE

DAY NINE

SIXTY

SIXTY-ONE

SIXTY-TWO

SIXTY-THREE

NINE DAYS IN HELL

SIXTY-FOUR

SIXTY-FIVE

SIXTY-SIX

SIXTY-SEVEN

SIXTY-EIGHT

SIXTY-NINE

SEVENTY

SEVENTY-ONE

SEVENTY-TWO

SEVENTY-THREE

SEVENTY-FOUR

SEVENTY-FIVE

SEVENTY-SIX

SEVENTY-SEVEN

SEVENTY-EIGHT

SEVENTY-NINE

EIGHTY

EIGHTY-ONE

EIGHTY-TWO

EIGHTY-THREE

EIGHTY-FOUR

EIGHTY-FIVE

EIGHTY-SIX

EIGHTY-SEVEN

EIGHTY-EIGHT

EIGHTY-NINE

NINETY

NINETY-ONE

NINETY-TWO

NINETY-THREE

EPILOGUE

ACKNOWLEDGEMENTS

ABOUT THE AUTHOR

BY ADAM NEVILL

CLOSER BY DARKNESS THAN LIGHT

The most dreadful thing of all – the figure materialized at my bedside and actually spoke to me. I remember the words, which he repeated twice before he vanished:
‘Come and get me, Dod.’

Blackwoods Magazine
, 1840

(letter from a reader)

DAY ONE
ONE

The dream receded quickly and Stephanie recalled little of it, beside an anxious desire to leave a cold, greyish place; a narrow space in which people stood too close to her.
One of them had been crying.

Into the unsettling moments, trailing the end of sleep, came a relief that only her panic lingered from the nightmare. The respite was twinned with a sense of loss for something important, yet
indefinable and left incomplete. And she was cold. Where her head poked out of the duvet it stiffened, as though her bed had been placed outside of the building.

Stephanie’s eyes were open. She was lying on her back and could see nothing above. But inside the darkness was a voice, a muffled continuous voice surrounding her waking thoughts. Not a
single word was loud or clear enough to be understood, but she was horribly certain the muttering could not be part of the dream because she was fully awake. There was no urgency to the voice, or
particular emphasis, or even emotion; the tone suggested monotony, a monologue.

The voice issued from the side of the room, near the fireplace that she couldn’t make out in the dark. Even with the lights off, not even an ambient glimmer peeked around the thick
curtains.

A radio? In another room?

Though the more she considered the voice, the greater was her impression that someone was speaking behind the wall on the other side of the room. But there was nothing on the other side because
the house was detached. So perhaps a television was switched on –
yes, don’t forget those
– in the room below her own, and the sound was travelling up through the
chimney.

When the voice in the fireplace began sobbing, Stephanie felt like joining in. It was a strange kind of broadcast that allowed one person to speak continuously before breaking down on air.

Could be another tenant.
In a nearby room someone might have been talking to themselves and was now crying. This sound of genuine anguish introduced a picture into Stephanie’s
mind of a woman kneeling on the floor beside an open fireplace, clutching her face.

She could not go and ask after them. She disliked herself for feeling embarrassed by another’s distress, but it was the middle of her first night in the house and she wasn’t
confident enough to offer that kind of gesture to a stranger.

But thank God it’s only a neighbour. For a moment I thought

The tension returned to her body and her mind so quickly and with such force that she sucked in her breath as if she’d stepped into cold water. Because no radio or television or
heartbroken tenant could possibly account for the scratching that began beneath her bed.

She might have risen from the bedclothes screaming had she not arrived at a new hope: that the grating noise against timber was issuing from beneath the floorboards, as opposed to the wooden
slats on the underside of the bedframe.

Mice!
There were mice here; she had seen two little cardboard traps, the type containing a blob of poisonous blue bait, on the first floor landing and the second floor toilet. When she
was shown around the house yesterday morning the sight of the traps had shocked her; they were another symbol of diminishing choices, of being compromised by poverty – a side to freedom
improperly considered before independence was achieved, or exchanged for a different kind of captivity. But she’d lived in a building infested with mice before, and seen similar traps in the
warehouse where she worked last summer.

And during your first night in the darkness and unfamiliarity of a new room in a strange building, the sound of mice was bound to be alarming and to seem too
large
a disturbance for
small animals. When you lay alone in bed, the sound of tiny claws were amplified in the silence of deep night,
everyone knows that.
Only in these circumstances could such a noise suggest
the activity of determined human hands beneath your bed.

The mice were having a go at something that was rustling.
Polythene. Maybe. Yes, it must be polythene.
There could be a plastic carrier bag under there and the mice, or rats –
don’t even go there
– were having a go at the bag, or tearing something under the floorboards.
Yes, that is a better idea.

Beneath her bed the sound of rustling increased in volume and ardour and her imagination swamped her thoughts again with the notion that these were, in fact, human fingers pulling at polythene.
She was just about to sit up and reach for the bedside lamp – the one she’d read by before she fell asleep, satisfied she’d found a new room so quickly – when everything
suddenly got worse and she was filled with the kind of fear that was mindless, that was madness. Because Stephanie could now hear a fresh intrusion of noise inside her room.

Beyond the foot of her bed, between the two large sash window frames, was a table and chair. On the table were her unpacked bags. And from this area came a rustling, a rummaging, as if
someone’s hands were going through her rucksack. The painted floorboards beneath the rug creaked as the intruder shifted its weight.

Behind the fireplace a woman wept.

Under the bed fingers pulled at polythene.

The darkness was filling with sound.

Stephanie could see nothing. The air was so cold she shivered. She desperately wanted to reach for the bedside light, but that would creak the old bedframe. She didn’t want to make a
sound, any sound at all.

And what will I do if I turn the light on and someone is standing there?

The door to her room was locked. The key was inside the lock.
Had they come in through a window?
Could she get off the bed and reach the door, and hold the key in her fingers, and turn
the key in the lock, and open the door, and step through the doorway . . . before
it
reached her?

Can I fight? Should I start screaming?

She had no strength for screaming, let alone defence. Everything inside her was frigid with a fear so vast she was nothing but terror; she became stone from the hair on her head to the toes on
her feet.

Unwelcome images flashed: cotton buds being used to take swabs, police officers in plastic overalls collecting hairs from a carpet, a gurney covered with a sheet being loaded into an ambulance,
watched by a woman in the doorway of a nearby house.

Stephanie sat up and reached for the bedside table. The bedframe made the sound of an old wooden ship.

The rifling of her bags stopped.

She slapped a hand around the bedside table. The wooden surface was cold under her mostly useless fingers. She found the rubber cable with the light switch attached to it, then lost the cable,
sensed it swing away from her fingertips in the darkness.

Footsteps creaked across the floor towards her bed.

She groped for the cable again and found the metal stem of the lamp instead. When she located the cable her desperate fingers twitched their way to the plastic switch.

Beneath her feet the mattress dipped as someone sat down.

Through the darkness she was sure a face was moving closer to her own.

She snapped the lamp on and turned to confront the intruder sitting on the end of her bed.

‘Oh God, oh God, oh God, shit, shit, shit, oh God.’

TWO

Stephanie sat in the pre-dawn darkness with the duvet grasped under her chin. Through the open curtains the sky turned from black-blue to mackerel-grey. The bedside light was
switched on. The overhead light was switched on. In the palm of one hand her mobile phone was cloudy with the heat from her tight grip. On the bedside cabinet the small travel clock clicked towards
six a.m.

When she’d turned the bedside light on, there had been no one sitting on her bed and no one in her room. When she’d summoned the courage to look under the bed, she’d seen large
balls of greyish dust on painted floorboards, but no plastic bag. Her door key was still hanging from the lock of the secured door. The sash windows were closed and held tight with metal clasps.
Only her clothes occupied the walnut-veneered wardrobe. She couldn’t be sure that someone had actually interfered with her bags during the night either, because she’d left them unzipped
and gaping before she went to bed.

The scratching under the bed must have stopped when the light came on, though she couldn’t recall the exact moment the noise ceased. When she put an end to the darkness there had been no
voice in the fireplace either.

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