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Authors: Peter James

Tags: #General, #Fiction, #Mystery & Detective, #Police Procedural

BOOK: Not Dead Enough
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There was a polished mahogany desk, piled with several orderly stacks of papers, as well as two small flags, one a Union Jack, the other sporting the green, blue and white logo of the club. On the walls were a number of framed photographs, some in sepia, of golfers and golf holes, and a collection of antique putters, crossed like duelling swords.

Bishop sat alone on a large leather sofa, staring up at Detective Sergeant Glenn Branson and Detective Constable Nick Nicholl in chairs facing him. Bishop, still wearing his golfing clothes and studded shoes, was sweating profusely, from the heat and from what he was hearing.

‘Mr Bishop,’ the tall, black Detective Sergeant said, ‘I’m sorry to have to tell you this, but your cleaning lady –’ he flipped back a couple of pages in his notepad – ‘Mrs Ayala, arrived at your house in Dyke Road Avenue, Hove, at eight thirty this morning to discover that your wife, Mrs Katherine Bishop –’ He paused expectantly, as if for confirmation that this was indeed her name.

Bishop stared blankly.

‘Um – Mrs Bishop did not appear to be breathing. An ambulance attended at eight fifty-two and the paramedics reported there were no responses to any of their checks for signs of life. A police surgeon attended at nine thirty and certified your wife dead, I’m afraid to say, sir.’

Bishop opened his mouth, his face quivering; his eyes seemed momentarily to have become disconnected and rolled around, as if not seeing anything, not locking on anything. A faint croak escaped from his throat: ‘No. Please tell me this isn’t true. Please.’ Then he slumped forward, cradling his face in his hands. ‘No. No. I don’t believe this! Please tell me it’s not true!’

There was a long silence, punctuated only by his sobs.

‘Please!’ he said. ‘It’s not true, is it? Not Katie? Not my darling – my darling Katie . . .’

The two police officers sat, motionless, in deep discomfort. Glenn Branson, his head pounding from his mighty hangover, was privately cursing for allowing himself to be bullied back to work early by Roy Grace, and being dumped into this situation. It had become normal for family liaison officers, trained in bereavement counselling, to break this kind of news, but it wasn’t the way his senior officer always operated. In a suspicious death, like this, Grace wanted either to do it himself or to have one of his close team members break the news and immediately observe the reactions. There would be time enough for the FLOs to do their job later.

Since waking up this morning at Roy’s house, Glenn’s day had been a nightmare. First he’d had to attend the scene of death. An attractive red-headed woman, in her thirties, naked in a bed, manacled with two neckties, a Second World War gas mask beside her, and a thin bruise line around her neck that could have been caused by a ligature. Probable cause of death was strangulation, but it was too early to tell. A sex game gone wrong, or murder? Only the Home Office pathologist, who would be arriving at the scene about now, would be able to establish the cause of death for certain.

The sodding bastard Grace, whom he totally idolized – but sometimes was not sure why – had ordered him to go home and change, and then break the news to the husband. He could have refused, he was still off sick; and he probably would have refused if it had been any other police officer. But not Grace. And in some ways, at the time, he had been quite grateful for the distraction from his woes.

So he had gone home, accompanied by DC Nick Nicholl, who kept blathering on about his newborn baby and the joys of fatherhood, and found to his relief that Ari was out. So now, shaved, suited and booted, he found himself in this establishment golf clubhouse, breaking the news and watching Bishop’s reactions like a hawk, trying to divorce emotion from the job he was here to do. Which was to assess the man.

It was a fact that around 70 percent of all murder victims in the UK were killed by someone they knew. And in this case, the husband was the first port of call.

‘Can I go to the house and see her? My darling. My—’

‘I’m afraid not to the house, sir, that’s not possible until forensics have finished. Your wife will be taken to the mortuary – probably later this morning. You will be able to see her there. And we will need you to identify her body, I’m afraid, sir.’

Branson and Nicholl watched in silence as Bishop sat, cradling his face in his hands, rocking backward and forward on the sofa.

‘Why can’t I go to the house? To my home? Our home!’ he suddenly blurted.

Branson looked at Nicholl, who was conveniently staring out of the wide window at four golfers putting out the ninth. What the hell was the tactful way of saying this? Staring back hard at Bishop, watching his face, in particular his eyes, he said, ‘We can’t go into detail, but we are treating your house as a crime scene.’

‘Crime scene?’ Bishop looked bewildered.

‘I’m afraid so, sir,’ Branson said.

‘What – what kind of a crime scene do you mean?’

Branson thought for some moments, really focusing his mind. There just wasn’t any easy way to say this. ‘There are some suspicious circumstances about your wife’s death, sir.’

‘Suspicious? What do you mean? What? In what way?’

‘I’m afraid I can’t say. We will have to wait for the pathologist’s report.’

‘Pathologist?’ Bishop shook his head slowly. ‘She’s my wife. Katie. My wife. You can’t tell me how she died? I’m – I’m her husband.’ His face dropped back into his hands. ‘She’s been murdered? Is that what you are saying?’

‘We can’t go into detail, sir, not at this moment.’

‘Yes, you can. You can go into detail. I’m her husband. I have a right to know.’

Branson stared back at him levelly. ‘You will know, sir, as soon as we do. What we would appreciate is for you to come to our headquarters in order that we can talk to you about what has happened.’

Bishop raised his hands. ‘I – I’m in the middle of a golf tournament. I . . .’

This time Branson made eye contact with his colleague and each clocked the other’s raised eyebrows. It was an odd priority. But in fairness, when in shock people often said strange things. It wasn’t necessarily worth reading anything into it. Besides, Branson was partially preoccupied with trying to remember how long it was since he had last swallowed any paracetamols. Whether it was safe to take a couple more now. Deciding it was OK, he surreptitiously dug his hand into his pocket, popped a couple of capsules from their foil wrapper and slung them into his mouth. Attempting to swallow them with just saliva, it felt as if they had lodged halfway down his throat.

‘I’ve explained the situation to your friends, sir. They are carrying on.’ He tried swallowing again.

Bishop shook his head. ‘I’ve screwed up their chances. They’ll be disqualified.’

‘I’m sorry about that, sir.’ He wanted to add, shit happens. But tactfully, he left it at that.

10

Blinding Light were in pre-production on a horror movie they were going to be shooting in Malibu and Los Angeles. It was about a group of young, rich kids in a house party in Malibu who get eaten by hostile micro-organisms from outer space. In her original script report, Sophie Harrington had written, ‘Alien meets The OC.’

Ever since watching The Wizard of Oz as a child, she had wanted, in some way, however small her role, to be involved with movies. Now she was in her dream job, working with a bunch of guys who between them had made dozens of movies, some of which she had seen, either on a cinema screen or on video or DVD, and some, in development, which she was sure were destined for, if not Oscars, at least some degree of commercial success.

She handed a mug of coffee, milky, with two sugars to Adam and a mug of jasmine tea, neat, to Cristian, then sat down at her desk with her own mug of builder’s tea (milk, two sugars), logged on and watched a whole bunch of emails invade her inbox.

All of them needed dealing with but – shit – there was only one priority. She pulled her mobile phone to her ear and dialled his number again.

It went straight to voicemail.

‘Call me,’ she said. ‘As soon as you can. I’m really worried.’

An hour later, she tried again. Still voicemail.

There were even more emails now. Her tea sat on her desk in reception, untouched. The script she had been reading on the tube was at the same page as when she had got off. So far this morning, she had achieved nothing. She had failed to get a lunch reservation at the Caprice for tomorrow for another one of her bosses, Luke Martin, and she had forgotten to tell Adam that his meeting this afternoon, with film accountant Harry Hicks, had been cancelled. In short, her whole day was a total mess.

Then her phone rang and it suddenly got a whole lot worse.

11

The woman had not yet started to smell, which indicated she hadn’t been dead for very long. The air conditioning in the Bishops’ bedroom helped, doing an effective job of keeping the corrosive August heat at bay.

The blowflies hadn’t arrived yet either, but they wouldn’t be long. Blowflies – or bluebottles, as they were more attractively named – could smell death from five miles away. About the same distance as newspaper reporters, of which species there was already one outside the gates, questioning the constable guarding the entrance and, from the reporter’s body language, not getting much from him.

Roy Grace, garbed in a hooded white sterile paper suit, rubber gloves and overshoes, watched him for some moments from the front window of the room. Kevin Spinella, a sharp-faced man in his early twenties, dressed in a grey suit with a badly knotted tie, notebook in hand and chewing gum. Grace had met him before. He worked for the local paper, the Argus, and seemed to be developing an uncanny ability to reach a crime scene hours before any formal police statement was issued. And from the speed – and accuracy – with which serious crimes had been hitting the national media recently, Grace reckoned someone in the police – or the Control Centre – had to be leaking information to him. But that was the least of his problems.

He walked across the room, keeping to the taped line across the carpet laid down by the SOCO team, making one call after another on his mobile phone. He was organizing office and desk space in the Major Incident Suite for the team of detectives, typists and indexers he was putting together, as well as arranging a meeting with an intelligence officer to plan the intelligence strategy for his policy book for this investigation. Every minute was precious at the moment, in the golden hour. What you did in that first hour of arriving at the scene of a suspicious death could greatly affect your likelihood of a successful arrest.

And in this chilly room, pungent with the smell of classy perfume, the thought presenting itself to him between each of his calls was, Is this death an accident? A night of kinky sex gone wrong?

Or murder?

In almost every murder, the chances were that the perpetrator was in a much more ragged frame of mind than yourself. Roy Grace had met his share of killers over the years and not many were able to keep cool, calm and collected, not at any rate in the immediate aftermath. Most would be in what was termed a red mist. Their adrenaline out of control, their thinking confused, their actions – and whatever plan they might have had – all muzzed up by the fact that they simply had not reckoned on the chain reaction of chemicals inside their brains.

He had seen a television documentary recently about human evolution failing to keep pace with the way humans had evolved socially. When confronted by the income tax inspector, people needed to stay cool and calm. Instead, instinctive primitive fight-or-flight reactions kicked in – those same reactions as if you had been confronted out on the savannah by a sabre-toothed tiger. You would be hit by a massive adrenaline surge that made you all shaky and clammy.

Given time, that surge would eventually calm down. So your best chance of a result was to grab your villains while they were still in that heightened phase.

The bedroom ran the entire width of the house – a house he knew, without any envy, that he could never afford. And even if he could, which would only happen if he won the lottery – unlikely, since most weeks he forgot to buy a ticket – he would not have bought this particular house. Maybe one of those mellow Georgian manors, with a lake and a few hundred rolling acres. Something with a bit of style, a bit of class. Yep. Squire Grace. He could see that. Somewhere in the wildest recesses of his mind.

But not this vulgar, faux-Tudor pile behind a forbidding whitewashed wall and electric wrought-iron gates, in Brighton and Hove’s most ostentatious residential street, Dyke Road Avenue. No way. The only good thing about it, so far as he could see at this moment, was a rather beautifully restored white 3.8 Jaguar Mk2 under a dustsheet in the garage, which showed that the Bishops had at least some taste, in his view.

The other two of the Bishops’ cars in the driveway didn’t impress him so much. One was a dark blue cabriolet BMW 3-series and the other a black Smart. Behind them, crammed into the circular, gravelled area in front of the house, was the square hulk of the mobile Major Incident Room vehicle, a marked police car and several other cars of members of the SOCO team. And shortly they would be joined by the yellow Saab convertible belonging to one of the Home Office pathologists, Nadiuska De Sancha, who was on her way.

On the far side of the room, to the left – and right – of the bed, the view from the windows was out over rooftops towards the sea, a mile or so away, and down on to a garden of terraced lawns, in the centre of which, and more prominent than the swimming pool beyond, was an ornamental fountain topped with a replica of the Mannequin Pis, the small, cherubic stone boy urinating away, and no doubt floodlit in some garish colours at night, Grace thought, as he made yet another call.

This one was to an old sweat of a detective, Norman Potting – not a popular man among the team, but one Grace had learned, from a previous successful investigation, was a workhorse he could trust. Seconding Potting to the case, he instructed him to coordinate the task of obtaining all CCTV footage from surveillance cameras within a two-mile radius of the murder scene, and on all routes in and out of Brighton. Next, he organized a uniformed house-to-house inquiry team for the immediate neighbourhood.

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